Johannes Riquet is a Professor in the Department of English at Tampere University , Finland, and Head of English. He directs the Spatial Studies and Environmental Humanities research group and leads interdisciplinary projects such as Mediated Arctic Geographies funded by the Academy of Finland (EUR 480,000, 2019–2023). Research Interests : Spatial theory, literary geography, environmental humanities, Arctic studies, mobility, and deconstruction. Recent Publications include monographs on island aesthetics, Arctic geopoetics, and co-edited volumes with Wesleyan UP and Manchester UP. His work spans cinematic geographies, Arctic comics, and hip-hop narratives. Grants : Principal Investigator for Mediated Arctic Geographies (Academy of Finland, 2019–2023). Collaborative Projects : Co-curated Circumpolar Connections with Indigenous scholars, integrating Arctic and Indigenous knowledges.
Dotun Ayobade is an Assistant Professor of Performance Studies and Black Studies at Northwestern University. His research focuses on how embodied popular culture shapes community, justice, and activism in postcolonial West Africa, particularly examining the interplay of aesthetics and social performance in Nigeria. He holds a joint appointment across disciplines and has taught at the University of Texas at Austin and Brown University prior to Northwestern. His academic interests include African/Black Performance Theory, African Popular Culture, and the intersection of performance with postcolonial politics. He is currently completing a book on Nigeria’s Afrobeat Queens, analyzing their role in Fela Kuti’s music subculture, under contract with Indiana University Press. This work has earned him prestigious awards, including the University of Texas Continuing Fellowship and Brown University’s Salomon Award. His scholarly contributions span peer-reviewed journals like Dance Research Journal and Journal of African Cultural Studies , with articles exploring topics such as sonic embodiment in Nigerian music and the spatial poetics of protest. He also engages with public discourse through platforms like Africa is a Country , addressing issues like neoliberalism and cultural netizenship. Ayobade’s work bridges performance ethnography, gender studies, and postcolonial theory, emphasizing the agency of marginalized voices in shaping cultural narratives. His research integrates interdisciplinary methods to unpack how performance mediates between individual creativity and collective socio-political realities in Africa and its diasporas.
Dr Francis Maravillas is a Senior Lecturer and Programme Leader of the BA (Hons) Art Histories and Curatorial Practices: Asia and the World at LASALLE College of the Arts, Singapore. His academic work bridges art historical research, curatorial practice, and interdisciplinary teaching with a focus on contemporary Asian art contexts. His educational background includes a PhD in Humanities and Social Sciences from the University of Technology Sydney and a First Class Honours BA in Politics from Macquarie University, Australia. Maravillas' research centers on modern and contemporary Asian art, with particular expertise in curatorial practices, exhibition histories, and socially engaged/performatory art forms. His current projects investigate the aesthetics and politics of food in contemporary Asian art, examining how food functions in performance, installation, and community-based practices within post-colonial and global contexts. This research explores intersections between alimentary practices, political economies of survival, and post-colonial histories across Asia. His publication record reveals consistent engagement with Southeast Asian contemporary art worlds, food-art practices, and diasporic visual cultures. Key projects include the co-edited World Art special issue on Southeast Asian art publics (2020) and the forthcoming Routledge anthology 'Tastes of Justice' (2025), which examines food, art, and justice politics in Asian-Australian contexts. Maravillas has secured significant research funding including a SGD 20,000 LASALLE College of the Arts grant for 'Tastes of Justice' (2024) and an AUD 49,526 Creative Australia grant for related art, performance, and symposia activities in Sydney and Singapore (2024). He actively collaborates internationally through co-curated exhibitions like 'Bruised Food: A Living Laboratory' (2019) and the symposium 'Shifting Grounds, New Horizons' (2022), demonstrating commitment to building transnational networks in contemporary Southeast Asian art.
Adrienne Raphel is a Lecturer in the Department of English at Baruch College, part of the Weissman School of Arts and Sciences at The City University of New York (CUNY). She holds a Ph.D. in English Literature from Harvard University, an M.F.A. in Creative Writing (Poetry) from the University of Iowa, and a B.A. in English Literature and Creative Writing from Princeton University. Her research and creative work intersect contemporary culture, poetry, and the history of wordplay. She explores modernist literature, dark academia, and the evolution of puzzles like crosswords and board games as cultural artifacts. Raphel's recent publications highlight crosswords, poetry, and literary criticism, reflecting her interests in generational trends, linguistic innovation, and urban themes. Her articles analyze cultural phenomena through the lens of games, literature, and media. She has received prestigious awards, including: Visiting Fellowship at the American Library in Paris (2023) James Merrill Writer in Residence (2023) Writer in Residence at The Mastheads (2018) Raphel serves on the Awards and Honors Committee and teaches courses such as Writing II and Great Works of Literature I. She has contributed to media outlets like The New Yorker , The New York Times , and The Paris Review .
Prof. Dr. ir. BJ (Jeroen) de Kloet is a Professor of Globalisation Studies and Director of the Amsterdam Centre for Globalisation Studies (ACGS) at the University of Amsterdam 's Faculty of Humanities, Department of Media Studies. He has held visiting positions at institutions including Hong Kong Baptist University and has been actively involved in international academic collaborations across Asia and Europe. Key Research Areas: Globalization, Chinese cinema, urban studies, postcolonial theory, cultural politics Awards: Member of the Royal Netherlands Academy of Arts and Sciences (KNAW) in Social Sciences and Humanities (2023) Teaching: Engages in critical reflection on academic labor through seminars like 'How to survive the university?' His recent publications explore topics such as platformization, digital intimacies, and the politics of heritage-making. He has presented at major conferences in Venice, Hong Kong, Singapore, and Taipei, focusing on the intersection of creativity, control, and urban transformation.
Dr. Kathryn A. Burnett is a Senior Lecturer in the Division of Arts and Media at the University of the West of Scotland, based in the School of Business and Creative Industries. She is actively involved in supervising PhD students and contributes to research areas including rural sociology, cultural heritage, and climate adaptation. Her work aligns with UN Sustainable Development Goals related to sustainable communities and environmental stewardship. Education: (Details not explicitly provided in text, but her extensive academic output suggests a PhD in related fields.) Research Interests: Dr. Burnett’s expertise spans Scottish culture, remote rural communities, island studies, and the creative industries. Her work emphasizes cultural work, resilience in marginalized regions, and the intersection of media, narrative, and place. She explores themes such as Gaelic heritage, climate adaptation strategies, and the socio-economic dynamics of small island communities. Recent Research Trends: Her publications highlight interdisciplinary approaches to rural regeneration, climate adaptation through participatory methods, and the mediatization of island spaces. Recent work includes studies on Arctic art education, coastal community resilience, and sustainable enterprise in remote areas. Awards: SFHEA (2021) Best Paper Award, Rural Enterprise ISBE, Cardiff (2013) Winner of Best Paper Rural Enterprise ISBE (2014) Grants & Advisory Roles: She has held external examiner roles at institutions like the University of Highlands and Islands and has been a Board Member of The Reid Foundation. Her activities include organizing conferences, hosting academic visitors, and contributing to national and international research networks. Labs/Teams: Collaborations include projects with the University of Lapland (e.g., Nurture: Living in the Landscape) and cross-border initiatives on Arctic studies and climate adaptation. She frequently engages in interdisciplinary research with environmental scientists and sociologists.
Asma Mehan, Ph.D. , is an Assistant Professor at the Huckabee College of Architecture, Texas Tech University , with a Ph.D. in Architecture, History, and Project from Politecnico di Torino (2017). Her work bridges architectural humanities and critical urban studies , focusing on urban inclusivity, heritage preservation, and climate justice. She authored two books— Tehran: From Sacred to Radical (2022) and Kuala Lumpur: Community, Infrastructure, and Urban Inclusivity (2020)—and leads the Coordination Team of the AESOP Young Academics network. Education: Ph.D. in Architecture, History, and Project, Politecnico di Torino (2017) Her research spans spatial justice , feminist placemaking , and heritage studies , addressing issues like oil urbanism , digital citizen participation , and resilient housing . Articles highlight her interdisciplinary approach to urban resilience, AI integration, and socio-environmental equity. She has held fellowships including the FCT Scientific Employment Stimulus and NIAS-KNAW Urban Citizenship Fellowship. Scientific Awards: AESOP Young Academics Award European Architectural History Network (EAHN) Fellowship Society of Architectural Historians (SAH) Grant ZK/U Berlin Researcher-in-Residence SAHGB Award Dr. Mehan has taught at TU Delft and Politecnico di Torino, guest lectured at TU Munich and Deakin University, and conducted visiting research in Switzerland, Australia, and Berlin. Her work appears in over 50 publications across English, Persian, and Italian, emphasizing critical pedagogy , collaborative design , and policy toolkits for urban inclusivity.
Britt Kramvig is a Professor at the School of Business and Economics , part of the Faculty of Biosciences, Fisheries and Economics (BFE) at UiT The Arctic University of Norway. Her research intersects decolonization , Indigenous (Sámi) studies, and creative industries , with a focus on storytelling, archive decolonization, and Arctic land-seascapes. She coordinates PhD studies in Tourism and Northern Studies and teaches courses on qualitative methods, climate change impacts on tourism, and knowledge co-production. Research Interests: Kramvig explores the decolonial potential of Indigenous archives , creative industries as decolonial praxis , and Arctic environmental humanities . Her work emphasizes ontology over epistemology , art-science collaborations (e.g., Dark Ecology, BAT), and indigenous survivance in tourism and cultural policy. She actively disrupts appropriation processes in Arctic landscapes through pluriversal storytelling. Key Collaborations: Kramvig contributes to international projects like Surviving the Unthinkable and The New Sámi Renaissance , advocating for indigenous data sovereignty and decolonial research ethics . She leads interdisciplinary efforts to integrate Sámi epistemologies into environmental science and policymaking. Recent Publications: Her 2023-2025 works address Arctic decolonization , indigenous archival practices , and co-creation in tourism , often published in journals like Environmental Research Letters and GeoHumanities . Notable topics include counter-mapping , indigenous survivance , and collaborative listening in Arctic soundscapes. Academic Affiliations: Member of the Norwegian Scientific Academy for Polar Research and the Indigenous Voices research group at UiT. She participates in the OKTA - Sami Art and Friction-Filled Communities on Festivals project.
Panpan Yang is a Lecturer in Arts and Visual Cultures of Modern China at the School of Arts, SOAS University of London. She joined SOAS in 2021 after completing her joint PhD at the University of Chicago under the direction of Wu Hung, Tom Gunning, W. J. T. Mitchell, Judith Zeitlin, and Dana Polan. Her interdisciplinary work bridges art history, screen studies, East Asian studies, and digital humanities, with a focus on innovative methodologies in art historical writing. Dr. Yang earned a dual BA from Peking University, double majoring in art and philosophy, followed by an MA from Tisch School of the Arts at NYU, and a PhD from the University of Chicago. During her undergraduate studies, she served as president of the Society of Dream of the Red Chamber Studies, which informed her secondary academic interest in Redology and the visual material world of the novel Hong lou meng. Panpan Yang's research explores how minor discourses can deterritorialize the terrains of both art history and screen studies. Her work demonstrates a multimethodological approach attentive to archival research, material practices, close visual analysis, computer-aided vision, and cross-cultural theorization. She is particularly interested in Chinese animation history, calligraphic imagination in contemporary art, and the intersections between traditional Chinese art forms and new media. Her publications reveal a consistent focus on Chinese visual culture across multiple media forms, with particular attention to animation, film, and calligraphy. Yang's work demonstrates how traditional Chinese art forms engage with contemporary digital media, creating new hybrid forms that challenge disciplinary boundaries. Her research shows a trajectory from historical analysis of Chinese animation to contemporary explorations of calligraphy in digital contexts, revealing the ongoing relevance of traditional Chinese aesthetics in modern media. Dr. Yang has received several prestigious awards for her scholarly and creative work: China's National Young Screenwriter Award Domitor Essay Award Dean's Distinguished Dissertation Award Nomination Honourable Mention from the Association for Chinese Animation Studies As a Principal Investigator, Dr. Yang leads the AHRC-funded research project "Stroke by Stroke: Calligraphic imagination in contemporary Chinese art and emergent media" (2023-25) with Shane McCausland. She was also a collaborating partner on the NEH-funded "Media Ecology Project." Her research has received additional support from the Getty Foundation and the Sino-British Fellowship Trust. At SOAS, she works closely with faculty and graduate students interested in Chinese arts and cultures, art theory, cinematic arts, and digital art history. Dr. Yang is currently developing innovative research at the intersection of traditional Chinese calligraphy and contemporary digital media through her AHRC-funded project. This work explores how calligraphic imagination manifests in contemporary art and emergent media contexts, creating new pathways for understanding Chinese cultural heritage in the digital age.
Domenic Vitiello is an Associate Professor of City and Regional Planning at the University of Pennsylvania’s Weitzman School of Design. He holds a Ph.D. in History from the University of Pennsylvania (2004). His research focuses on immigrant communities, urban agriculture, and the history of urban planning. Vitiello’s work examines how migration patterns, food systems, and historical policies shape contemporary urban landscapes. He teaches courses on metropolitan food systems, migration and development, and the role of immigrant communities in urban contexts. His scholarly contributions include studies on the transformation of Chinatowns, the politics of sanctuary cities, and the ecological and economic potential of urban agriculture. Vitiello’s research bridges historical analysis with contemporary urban challenges, emphasizing questions of equity, sustainability, and community resilience. His work often intersects with themes of urban policy, cultural preservation, and transnational migration. Notable projects include analyses of Philadelphia’s urban development history, the impact of immigrant labor on cultural economies, and the role of food systems in community revitalization. Vitiello’s interdisciplinary approach combines urban studies, environmental sociology, and historical methodologies to address pressing urban issues.
Richard Hornbeck is the V. Duane Rath Professor of Economics at the University of Chicago Booth School of Business. He is an economic historian and applied-micro economist whose research focuses on the historical development of the American economy, examining why some places and people have become wealthier while others have remained poorer. Hornbeck is a research associate at the National Bureau of Economic Research, affiliated with programs on the Development of the American Economy, Development Economics, and Environmental and Energy Economics. Hornbeck's research spans multiple critical areas of economic history, with particular emphasis on slavery and emancipation economics, environmental history (especially the Dust Bowl migration), gender dynamics in 19th-century manufacturing, railroad development, and agricultural economics related to the Ogallala Aquifer. His work frequently utilizes newly digitized historical data to provide fresh insights into longstanding economic questions, connecting historical events to contemporary economic issues of wealth distribution and regional disparities. His publication record shows strong trends in American economic development research, with recent work focusing on the economic impacts of emancipation, historical manufacturing patterns by gender, and urban economic development. Many of his papers have been published as lead articles in top journals including the Journal of Political Economy, American Economic Review, and Review of Economics and Statistics. Hornbeck has received several prestigious honors including the Alfred P. Sloan Fellowship in 2014 and selection for the 2009 Review of Economic Studies Tour. His NBER affiliations demonstrate his standing in multiple subfields of economics research. Prior to joining Chicago Booth in 2015, Hornbeck was the Dunwalke Associate Professor of American History in the Economics Department at Harvard University. He received his PhD in economics from MIT in 2009 and a bachelor's degree in economics from the University of Chicago in 2004. His teaching includes courses on applied microeconomics in economic history and business in historical perspective, with course schedules extending through 2026.
Saskia Sassen is the Robert S. Lynd Professor of Sociology at Columbia University and Co-Chair of the Committee on Global Thought. Her research focuses on globalization, urban studies, immigration, and inequality, with key contributions to understanding the sociology of globalization, global cities, and systemic expulsions in the global economy. Major Projects: Global cities theory, expulsions framework, denationalization processes, and ethics of the city research. Books: The Global City , Expulsions: Brutality and Complexity in the Global Economy , Territory, Authority, Rights , and A Sociology of Globalization . Research Themes: Sassen's work interrogates how globalization reshapes economic, social, and environmental systems. She examines the interplay between territory and digitalization, the rise of expulsions beyond traditional inequality frameworks, and the privatization of urban spaces. Her scholarship bridges sociology, political economy, and environmental studies, emphasizing the need for new theoretical approaches to address complex global systems. Scientific Awards: Prince of Asturias Prize in Social Sciences (2013) Multiple doctor honoris causa (Delft University of Technology, DePaul University, Universite de Poitiers, Royal Stockholm Technical University, Ghent University, Warwick University, Universidad de Murcia, European University Institute, Universidad Nacional de Buenos Aires, Universidad Nacional de Cordoba, Universidad de Valencia, Universidad de Guadalajara, Ecole Normale Superieure) Member of Academia Europaea, Council on Foreign Relations, and Royal Academy of Sciences of the Netherlands Professional Activities: Sassen has led major research initiatives including the Transnationalism Project at the University of Chicago, the Herrhausen Foundation's Urban Age project, and the European Union Research Council-funded Cities at War: Global Insecurity and Urban Resistance . She advises governments, international organizations, and academic institutions on urban governance, migration, and global economic systems.
Mihye Won is an Associate Professor at Monash University’s Faculty of Education, specializing in innovative science education strategies. Her research integrates dialogic teaching, student-generated diagrams, immersive Virtual Reality (VR), and generative AI to enhance scientific understanding and creativity. She has secured Australian Research Council (ARC) funding for projects like Using Immersive Virtual Reality to Enhance Science Visualisation (2019–2025) and Drawing Science Diagrams to Enhance Scientific Creativity (2018–2025). Her work supports students, teachers, and early-career researchers, aligning with the UN Sustainable Development Goal for Education. PhD, University of Illinois at Urbana-Champaign: Inquiry-based science education via Dewey’s theory of inquiry Her research focuses on: Dialogic teaching to foster student reasoning Student-generated diagrams for conceptual understanding VR for visualizing complex science topics Generative AI in science learning Creative and critical thinking in science education Recent articles span VR applications, AI in physics education, collaborative drawing techniques, and curriculum-aligned creative pedagogy. Awards include the Most Valuable Paper Award 2024 for her work on enzyme-substrate interactions in VR. She serves on the advisory board for Chemistry Education Research and Practice and the editorial board of the International Journal of Science Education .
Zoe Goldstein is an Amro Lecturer in Postcolonial and Environmental Literature at Stanford University. She holds a PhD in English from CUNY Graduate Center (2024), an MFA in Creative Writing from NYU (2016), and a BA in English from UCLA (2014). Her research focuses on intersections of waste, queerness, and post-1945 anti-colonial literature and practice, particularly in challenging capitalist hierarchies of matter through reclamation of discarded spaces. Her work spans academic criticism and creative projects including a poetry manuscript and short story collection. Key publications include Void Ecologies: Resistance, Commoning and Pleasure in the Discard Space (2024 dissertation) and articles in The Radical History Review and Digital China . Supported by the Futures Initiative and recipient of the Jane Marcus Award, her interdisciplinary research bridges environmental humanities, postcolonial studies, and queer theory. Goldstein's academic contributions emphasize activist interventions in marginalized geographies and the transformative potential of creative writing to confront ecological crises.
Dr. Jennifer Evans is a Senior Lecturer in History within the School of Creative Arts at the University of Hertfordshire. Her academic career spans over a decade since completing her PhD at the University of Exeter in 2011, followed by two years of teaching there before joining Hertfordshire. She serves as the founding editor of the Early Modern Medicine blog and co-directs the Perceptions of Pregnancy research network with colleagues Leanne Calvert, Sarah Fox, and Chelsea Phillips. Her research focuses on the history of the body, medicine, and gender during 1550-1750, with particular emphasis on reproductive health, infertility, and miscarriage. Her scholarly work demonstrates deep engagement with both male and female experiences of health and sexuality in early modern England. Current projects include 'Wounded Wombs and Empty Cradles: Miscarriage and Pregnancy Loss in Early Modern England c.1600-1780' (Folger Shakespeare Library, 2025-2026) and 'Foraging for Early Modern Medicines 1600-1750' (AHRC-funded). Analysis of her recent publications reveals consistent thematic concentration on bodily experiences, particularly reproductive health across genders. Her work bridges medical history with gender studies, examining how bodily functions and dysfunctions intersected with social structures. The scholarship shows increasing attention to male experiences of reproductive health alongside traditional focus on women's histories, reflecting broader historiographical shifts toward more inclusive medical history. Dr. Evans actively supervises postgraduate students including Kiran Seera (PhD: 'Domestic Disorder: Crime, Kinship, and Space in Bedfordshire, c. 1650-1790') and has completed supervision of three PhD and two MA students. Her research has received substantial external funding including AHRC Early Stage Impact Accelerator Award funding for her foraging project that explores historical medicinal plant knowledge. She directs the Perceptions of Pregnancy researchers' network which has published two major collections and hosted multiple conferences. The network brings together scholars examining all aspects of fertility, pregnancy, childbirth and early parenthood from the seventeenth to twentieth century. Her public engagement includes numerous media appearances including BBC Radio 4's 'The Food Programme' (February 2024), BBC World Service's 'The Food Chain', and multiple television appearances.
