جستجوی استاد راهنمای دانشگاهی

Kristin Schwain is a Professor in the Department of Art History at the University of Missouri's School of Visual Studies. She holds a PhD in Art History and Humanities from Stanford University and a BA in Art History and Humanities from Valparaiso University. Her interdisciplinary research examines marginalized objects and practices in American art history, emphasizing their cultural significance through lived experience. Her educational background includes: PhD in Art History and Humanities, Stanford University BA in Art History and Humanities, Valparaiso University Dr. Schwain's research centers on American Material and Visual Culture, Art and Religion, Arts of the African Diaspora, and Public Humanities. She investigates overlooked artifacts to reveal their influence on everyday life, challenging assumptions about modernization's impact on religious expression. Her work bridges historical analysis with contemporary relevance through studies of traditional craft, artist books, photojournalism, and mass-produced objects as lenses into social practices. Her recent publications demonstrate consistent focus on art-religion intersections in American cultural history, from Henry Ossawa Tanner's biblical paintings to Afro-Cuban religious themes in Ediciones Vigía artist books. This body of work reveals evolving methodologies for uncovering marginalized narratives through interdisciplinary frameworks spanning visual culture, material studies, and diaspora scholarship. Her scholarly recognition includes: First Biennial National Basketry Association Book Award for Rooted, Revived, Reinvented: Basketry in America Dr. Schwain has secured major grants from the Smithsonian Institution, Luce/American Council of Learned Societies, Center for the Study of Religion and American Culture, and Georgia O’Keeffe Museum Research Center. Her collaborative public humanities projects with the Missouri School of Journalism's Pictures of the Year International and Scruggs-Vandervoort-Barney department store collection demonstrate institutional partnerships that translate academic research into community engagement. She actively collaborates with the Museum of Art and Archaeology at the University of Missouri on exhibitions like Rooted, Revived, Reinvented: Basketry in America and Juan Roberto Diago: Foraged Materials, Assembled Histories , fostering cross-generational dialogues through multi-venue traveling shows and digital initiatives including The iCatalog .

• American Material and Visual Culture
• Art and Religion
• Arts of the African Diaspora
• +۳ مورد دیگر

Margaret Graves is the Adrienne Minassian Associate Professor of Islamic Art and Architecture at Brown University’s History of Art and Architecture department, serving as Director of Graduate Study. She holds a PhD, MSc, and MA from the University of Edinburgh. Her research focuses on Islamic art and material culture, particularly medieval and modern acts of making, forgery, and colonial-era craft reform. Notable works include Arts of Allusion (2018), winner of major prizes, and her forthcoming Invisible Hands on 19th/20th-century ceramics forgery. Research interests span medieval Islamic intellectual history, colonial antiquities markets, and collaborations with conservators. Teaching includes courses on cultural heritage, museum studies, and Islamic art historiography. Awards include the 2019 International Center of Medieval Studies Book Prize and the 2021 Karen Gould Prize. Current projects explore postcolonial craft legacies, international banking ties to antiquities markets, and occult sciences in medieval craftsmanship.

• Islamic Art and Architecture
• Medieval Art
• Material Culture
• +۳ مورد دیگر

Mesha M Maren is an Associate Professor of the Practice of English at Duke University's Trinity College of Arts & Sciences since 2023. She holds an M.F.A. from Queens University of Charlotte (2014). Her academic career includes prior roles as Assistant Professor of the Practice (2019-2023) and extensive teaching in creative writing. Maren’s work focuses on narrative-driven creative writing, particularly exploring themes of rural life, family dynamics, and social issues through fiction and literary essays. Her acclaimed novel Sugar Run (2019) examines the complexities of Appalachian culture. She has received prestigious fellowships including the Fulbright Research Award (2018) and MacDowell Colony residency (2015). Recognition highlights include the Thomas Wolfe Fiction Prize (2015) and multiple short story contest victories. Her teaching portfolio spans introductory creative writing courses to advanced fiction workshops. Maren’s research interests intersect literary arts with sociocultural narratives, evident in publications like West Virginia in Transition (2019) and Milk River (2019). She actively engages in cultural initiatives through Duke's arts programs, co-teaching interdisciplinary courses on New York’s cultural landscape. Awards & Fellowships: Fulbright Research Award (2018) MacDowell Colony Fellowship (2015) Thomas Wolfe Fiction Prize (2015) Multiple short story contest victories (2011–2012) Teaching emphasizes craft development in fiction writing, with courses like Advanced Workshop in Fiction and Writing the City: New York as Subject . No formal lab affiliations are noted, though her creative projects often involve collaborative cultural research initiatives.

• Creative Writing
• Fiction Writing
• Literary Arts
• +۳ مورد دیگر

Dagmar Schäfer is a leading historian of science and technology, serving as Managing Director of the Max Planck Institute for the History of Science (MPIWG) and holding the Chair of China Studies and History of Technology at the University of Manchester (2011). She directs Department III: Artifacts, Action, Knowledge at MPIWG since 2013 and holds Honorary Professorships at Technische Universität Berlin (History of Science and Technology) and Freie Universität Berlin (China Studies). Her research spans the history of Chinese technology (Song-Ming dynasties), material culture, and knowledge systems, emphasizing artifacts' role in scientific diffusion. Doctorate (1996) and Habilitation (2005) in Sinology and History of Science Guest Professorships: Shanghai Jiao Tong University (2017), IAS Princeton (2019), European University Institute (2022) Her seminal work, The Crafting of the 10,000 Things (2011), explores 17th-century Chinese knowledge systems, earning the Pfizer and Levenson Prizes. Recent contributions focus on knowledge ownership (co-edited Ownership of Knowledge , MIT Press 2023) and plurilingual scholarship in Eurasia (co-edited Brill 2023). Her 2020 Leibniz Prize recognized her innovative approaches to global cultural studies. Publications analyze comparative technological paradigms, local knowledge in historical contexts, and transcultural artifact analysis. She is central to the Kn/Own/Able project challenging intellectual property norms in knowledge dissemination.

• History of Science
• History of Technology
• Sinology
• +۵ مورد دیگر

Golan Levin is Professor of Electronic Art at Carnegie Mellon University's School of Art, with courtesy appointments in the School of Design, School of Architecture, School of Computer Science, and Entertainment Technology Center. From 2009 to 2022, he served as Director and Co-Director of CMU's Frank-Ratchye STUDIO for Creative Inquiry, a laboratory dedicated to supporting atypical, anti-disciplinary research at the intersection of arts, science, technology, and culture. Levin's research spans interactive art, digital fabrication, information visualization, and generative design. He explores the critical potential of visualization, generative computation for expressive form, and how abstraction connects to realities beyond language. His practice engages interactive gestural robotics, nonverbal interaction aesthetics, and tactical applications of personal digital fabrication through responsive artifacts and media provocations that highlight human-machine relationships. His publications reveal consistent innovation in real-time audiovisual systems, interactive fabrication interfaces, and pedagogic tools for artists. Key trends include slit-scan video techniques, tangible augmented-reality performance, and noise-based visualizations, demonstrating his commitment to expanding human action vocabulary through digital media while bridging artistic expression with computational systems. Levin's work has received significant recognition: Permanent collection inclusion at Museum of Modern Art (MoMA) Whitney Biennial exhibition "50 Designers Shaping the Future" by Fast Company (2012) Competitive grants from National Endowment for the Arts, National Endowment for the Humanities, Creative Capital, and Rockefeller MAP Fund As an educator, Levin teaches "studio courses in computer science" on interactive art, experimental capture, and generative design, emphasizing computation as a medium for critical inquiry. His research funding from major cultural institutions supports interdisciplinary exploration at the arts-technology nexus. The Frank-Ratchye STUDIO for Creative Inquiry, which he directed for 13 years, remains a vital hub for anti-disciplinary collaboration, continuing his legacy of fostering creative agency through technology-infused artistic practice.

• Interactive Art
• Digital Fabrication
• Information Visualization
• +۴ مورد دیگر

Thompson S.H. Teo is a Professor in the Department of Analytics and Operations (DAO) at the National University of Singapore (NUS) Business School. He holds editorial roles in top journals including European Journal of Information Systems, International Journal of Information Management, and Communications of the AIS. His research spans information systems strategy, business-IT alignment, e-commerce, sustainability, and AI's societal impacts. With over 200 publications, he ranked #143 globally in 2023 among business scientists (research.com) and was recognized in Stanford's top 2% global scientists (2021-2023). Awards include the Best Associate Editor Award (2017) and AIS Distinguished Membership. Thompson's research interests include IT adoption, cyberloafing, supply chain digitalization, and green innovation. He teaches courses on innovation, Industry 4.0, and strategic IT at undergraduate, masters, and executive levels. Notable contributions include frameworks for commute experience analysis and AI adoption market signals. His work bridges theory and practice, addressing challenges in sustainability, organizational behavior, and digital governance. Affiliations: NUS Business School, Distinguished Editorial Advisory Board (IJoIM), Senior Member (INFORMS) Grants & Leadership: Extensive editorial leadership, supervised China Scholarship Council PhD students, and executive programs on innovation design thinking. Key Contributions: Over 270 publications, four co-edited books on IT/e-commerce, and policy-relevant studies on environmental regulations and green tech adoption. His research often employs mixed methods (e.g., QCA for corruption analysis, PLS-SEM for cyberloafing models) and addresses global issues like fake news mitigation via ChatGPT and pandemic-era customer engagement in short videos.

• Information Systems
• Business Systems
• Strategy and Organizational Behavior
• +۷ مورد دیگر

Michele Matteini serves as Associate Professor in the Department of Art History at New York University's College of Arts and Science, specializing in Late Imperial Chinese painting and material culture (ca. 1400-1800) with focus on Qing dynasty antiquarianism, collecting practices, and eighteenth-century transnational artistic exchanges. His academic credentials include: Ph.D. (2012) in History of Art from the Institute of Fine Arts M.A. (2004) in History of Art from New York University B.A. (2000) summa cum laude from the University of Venice, Ca’ Foscari Research interests encompass Late Imperial Chinese painting, antiquarianism, collecting culture, Qing history, urban culture, inter-Asian artistic exchanges, eighteenth-century globalism, craft traditions, embodied knowledge, and art historical methodology. His interdisciplinary approach bridges anthropology, religious studies, and art history to examine material culture across East Asia. Recent publications reveal consistent thematic focus on eighteenth-century material practices, analyzing antiquarian objects, historical figure cults, and cross-cultural artistic production. Works integrate art historical analysis with anthropological perspectives on topics like rock collecting, filial piety, and sacred materiality, demonstrating how objects functioned within social and global contexts. His scholarly recognition includes: The Andrew Mellon Foundation Fellowship for Assistant Professors, Institute for Advanced Study, Princeton (2013-2014) Ittleson Fellowship, Center for Advanced Study in the Visual Arts, National Gallery of Art (2007-2009) Panofsky Distinguished Fellowship, Institute of Fine Arts, New York University (2002-2007) Matteini's research has been supported by major fellowships from the Andrew W. Mellon Foundation and National Gallery of Art. While current advising activities and grant projects beyond these fellowships are not detailed in available sources, his extensive publication record indicates sustained scholarly productivity focused on East Asian material culture.

• Late Imperial Chinese painting and material culture
• antiquarianism and collecting culture
• Qing history
• +۶ مورد دیگر

Leslie Robison serves as Professor of Visual Arts and Dean of the School of Creative Arts & Letters at Flagler College in St. Augustine, Florida, teaching courses spanning foundational techniques to community-based practices including Drawing I, Painting I, Contemporary Drawing Practices, and the Prison Mural Practicum. Education MFA, University of Florida BFA, Washington State University Research Focus Robison's creative scholarship centers on Painting and Drawing within contemporary studio art, with emphasis on socially engaged practices that address incarceration, homelessness, and community empowerment through mediums including video and craft. Their work manifests in collaborative projects like the Sheltering Sky Project with homeless populations and Cellmates at youth correctional facilities. Exhibitions & Community Impact Recent solo exhibitions include What a Man, What a Man (Jacksonville University) and A Soft Insurrection (Dayton Society of Artists), while community initiatives feature the Prison Mural Practicum and R.B. Hayling Freedom Park's Let Freedom Ring Chimes Project. Group exhibitions span international venues including Nasty Women Art Prize showcases in Lisbon and Amsterdam.

• Painting
• Drawing
• Socially Engaged Art
• +۳ مورد دیگر

Scott Taylor is a Professor of Leadership & Organization Studies in the Department of Management at the University of Birmingham’s Birmingham Business School. He also serves as the Business School Director of External Engagement and Responsible Business and as Academic Lead for Accreditations. He has held academic positions at Open, Essex, Exeter, and Loughborough Universities, and has been affiliated with the University of Birmingham in two periods: 2002–2007 and since 2013, confirming his current active status. Education: PhD in Management, Manchester Metropolitan University MA in Human Resource Management, University of Bolton MA in Arts, University of Glasgow His research centers on feminism in organizations, with current projects exploring gender quotas in political parties and women in the craft brewing sector. His work critically examines misogyny, gendered workloads, and the roles of men in feminist organizational change. He has published extensively in top journals such as Gender, Work & Organization , Human Relations , and Organization . His recent publications reveal a consistent focus on gender, power, and organizational ethics, often from a feminist and critical perspective. Scott Taylor is currently Development Editor for the Journal of Business Ethics and serves on the editorial boards of Academy of Management Learning & Education , Leadership , and Organization . He supervises several postgraduate students including Jennifer Davies, Isbahna Naz, and Dannielle Dorn. He is also a member of the Chartered Association of Business Schools’ Equality, Diversity & Inclusion committee, reflecting his institutional leadership in equity issues. Scientific Awards and Recognitions: Member, Chartered Association of Business Schools EDI Committee He has taught and visited universities internationally, including Auckland, Delhi, São Paulo, Jeddah, Melbourne, and Lapland. His academic leadership, editorial roles, and sustained research output confirm his active and influential position in the field of organizational studies.

• Feminism in Organizations
• Gender and Leadership
• Organizational Studies
• +۷ مورد دیگر

Alana Clifton-Cunningham is a dedicated educator and researcher in fashion and textile design at the University of New South Wales, Faculty of Arts, Design & Architecture. With over two decades of experience in higher education, she has established herself as a leader in sustainable and innovative design education. Her work bridges traditional craftsmanship with cutting-edge technologies, creating experiential learning environments that prepare students for contemporary design practice while addressing global sustainability challenges. Educational Background: 2021 | UNSW - Learn to Lead: Progress Needs Resilient Leaders 2019 | UTS - Graduate Certificate in Higher Education Transdisciplinary Learning 2008 | UNSW (COFA) - Master of Design (Hons) Research 2002 | UTS - Graduate Certificate in Higher Education Teaching and Learning 2001 | TAFE - Diploma of Marketing Management 1993 | UTS - Bachelor of Design (Hons) (Fashion and Textile Design) Clifton-Cunningham's research focuses on sustainable fashion practices, with particular emphasis on circular economy principles in textile production and garment design. Her work explores scalable models for textile remanufacturing, clothing waste reduction, and sustainable workwear systems. She is deeply engaged in addressing clothing sizing issues and standards in Australia, advocating for more inclusive approaches to fit and body diversity. Her commitment to equity, diversity, and inclusion underpins all aspects of her leadership and teaching, making her a strong advocate for responsible design futures that prioritize both environmental sustainability and social justice. Her publication record demonstrates a consistent focus on the intersection of design education, cultural exchange, and sustainable practices. Notable works include her 2022 book chapter on cross-cultural textile workshops in India, her 2018 analysis of undergarment technology evolution, and her contributions to exhibitions like 'Out of Hand' at the Powerhouse Museum. These works collectively highlight her emphasis on hands-on, experiential learning that connects students with real-world sustainability challenges and cultural contexts. Research Grants: 2024 | Redesigning Clothing Waste Using a Circular Design Framework - LP230200929 $220,473K 2024 | Department of Community and Justice - $17,900 2024 | Education Focussed Community of Practice (PVCESE) - $2,500 2023 | Department of Community and Justice - $15,900 2023 | Education Focussed Community of Practice (PVCESE) - $6,995 2017 | AbbVie Pharmaceutical Pty Ltd, HS Support Garments: Chief Investigator - $35,000 Clifton-Cunningham actively supervises research in fashion and textile design, with a focus on sustainable practices and innovative design processes. Her extensive industry network, including partnerships with major fashion labels, brings real-world insight into the classroom. She has led international global studios, including immersive programs in India where students collaborate with artisans. Her current ARC Linkage project 'Redesigning Clothing Waste Using a Circular Design Framework' represents a significant contribution to sustainable fashion research. Her creative practice is reflected in numerous exhibitions, including the Seoul International Fashion Art Biennale (2016, 2018), Wangaratta Contemporary Textile Awards, and the Powerhouse Museum's 'Out of Hand' exhibition. These artistic endeavors complement her academic work, demonstrating the practical application of her research interests in sustainable and innovative textile design.

• Fashion and Textile Design
• Sustainable Design
• Circular Economy
• +۳ مورد دیگر

Dr. Kathryn A. Burnett is a Senior Lecturer in the Division of Arts and Media at the University of the West of Scotland, based in the School of Business and Creative Industries. She is actively involved in supervising PhD students and contributes to research areas including rural sociology, cultural heritage, and climate adaptation. Her work aligns with UN Sustainable Development Goals related to sustainable communities and environmental stewardship. Education: (Details not explicitly provided in text, but her extensive academic output suggests a PhD in related fields.) Research Interests: Dr. Burnett’s expertise spans Scottish culture, remote rural communities, island studies, and the creative industries. Her work emphasizes cultural work, resilience in marginalized regions, and the intersection of media, narrative, and place. She explores themes such as Gaelic heritage, climate adaptation strategies, and the socio-economic dynamics of small island communities. Recent Research Trends: Her publications highlight interdisciplinary approaches to rural regeneration, climate adaptation through participatory methods, and the mediatization of island spaces. Recent work includes studies on Arctic art education, coastal community resilience, and sustainable enterprise in remote areas. Awards: SFHEA (2021) Best Paper Award, Rural Enterprise ISBE, Cardiff (2013) Winner of Best Paper Rural Enterprise ISBE (2014) Grants & Advisory Roles: She has held external examiner roles at institutions like the University of Highlands and Islands and has been a Board Member of The Reid Foundation. Her activities include organizing conferences, hosting academic visitors, and contributing to national and international research networks. Labs/Teams: Collaborations include projects with the University of Lapland (e.g., Nurture: Living in the Landscape) and cross-border initiatives on Arctic studies and climate adaptation. She frequently engages in interdisciplinary research with environmental scientists and sociologists.

• Sociology
• Rural Sociology
• Cultural Heritage
• +۷ مورد دیگر

Edward O'Connor is an Assistant Professor in Human Resource Management at Maynooth University's School of Business . His research focuses on Careers, Skilled Migration, Expatriation, and HRM , with particular emphasis on the career motivations and experiences of EU10 migrants in Ireland's SME sector. He has published in journals such as European Management Review , Career Development International , and Human Relations , and presented at conferences like the Academy of Management Annual Conference and EURAM . Education: PhD in Business, Maynooth University BBS (Hons) in Business & Management, Maynooth University Certificate in Teaching and Learning, Maynooth University Research Interests: Career Development of Skilled Migrants HRM in SMEs Repatriation and Career Capital Contextual Influences on Migration Trajectories Publication Trends: His work bridges Talent Management and Migration Studies , analyzing how time, context, and SME environments shape migrant careers. Key themes include career crafting strategies , organizational justice , and repatriate capital utilization . Scientific Awards: Irish Research Council Scholarship (2014) John & Pat Hume Scholarship (2013) Teaching: Human Resource Management (HRM) Strategic HRM International HRM Organizational Theory

• Careers
• Skilled Migration
• Expatriation
• +۱ مورد دیگر

Claudia Berger is a Visiting Assistant Professor at the School of Information, Pratt Institute, and serves as the Digital Humanities Librarian at Sarah Lawrence College. They are actively engaged in digital scholarship, critical making, and interdisciplinary research at the intersection of libraries, technology, and the humanities. Education: MSLIS and Advanced Certificate in Digital Humanities, School of Information, Pratt Institute MA in Classics & Ancient History, University of Exeter BA in Electronic Media & Art and Classics, Bard College at Simon’s Rock Their research focuses on innovative methodologies in digital humanities, particularly data physicalization, digital environmental humanities, and critical engagement with data through craft and tactile experiences. They explore how digital tools can be reimagined through embodied and inclusive practices, often integrating queer perspectives and ecological awareness into scholarly work. Their recent publications reflect a strong trend toward interdisciplinary making, environmental justice, and pedagogical innovation in library and information science. Themes include countermapping, plant-human relations, craft-based digital scholarship, and inclusive professional identity formation. Their work bridges technical practice with critical theory, emphasizing accessibility and material engagement. Professional Service: Editor, dh+lib and dh+lib Review Deputy Secretary, Association for Computers and the Humanities (ACH) Former Librarian, The Mellon Foundation (supporting research in higher learning, arts and culture, public knowledge, and humanities in place) Claudia Berger is deeply involved in mentoring and shaping the future of information professionals through curriculum analysis, editorial work, and collaborative projects. While no formal grants or advising relationships are listed, their leadership in digital humanities education and community-building initiatives demonstrates significant scholarly impact. They maintain an active public research presence through a Zotero repository on physical data visualization.

• Digital Humanities
• Digital Environmental Humanities
• Data Physicalization
• +۷ مورد دیگر

Nicholas Mortimer is a Senior Lecturer in Design at Goldsmiths, University of London. He holds an MA in Design Interactions (Royal College of Art, 2013) and a BA in Fine Art Sculpture (University of Brighton, 2005). His work focuses on socially engaged design practices, reimagining historical performance traditions to address contemporary labor and societal issues. As co-founder of Post Workers Theatre (PWT), he explores workers’ theatre and creative resistance through collective writing, performance, and design. His research spans topics like gig economy critiques, housing privatization, and community activism, often blending performance, sound, and participatory methods. Education: MA Design Interactions, Royal College of Art, 2013 BA Fine Art Sculpture, University of Brighton, 2005 Research Interests: Performance as social critique Historical folk traditions and modern labor struggles Community-driven design practices Radical pedagogy and participatory methods Key Projects: Post Workers Theatre : Investigates politically engaged performance, addressing labor inequality through updated workers’ theatre forms. Autohoodening : Critiques Amazon labor practices via a reimagined midwinter ritual. Rave of the Ritualesque : Examines rave culture’s potential for collective resistance. Affiliations: Department of Design, Goldsmiths, University of London IASPIS (Swedish Arts Grants Committee) residency collaborations Labs/Teams: Post Workers Theatre collective Collaborations with institutions like Tate Liverpool, Luleå Arts and Crafts Biennale, and the Maidstone Museum

• Performance Design
• Labor Studies
• Social Activism through Art
• +۳ مورد دیگر

Morna O'Neill is a Professor and Department Chair at Wake Forest University, specializing in Eighteenth- and Nineteenth-Century European Art, with a focus on the intersection of art, design, and politics in Britain. Her research redefines traditional hierarchies between fine and decorative arts through a political lens. Research Interests: Art History, British Art, Arts and Crafts Movement, Political Art, Colonial Art, Domestic Interiors, Museum Studies. Key Publications include monographs on Walter Crane and Hugh Lane, and articles exploring topics such as socialist symbolism in decorative arts, imperial narratives in Victorian print culture, and the role of domestic spaces in art history. Her work has been recognized with the Historians of British Art Book Prize. Projects: Co-founder of the digital humanities initiative Home Subjects , which investigates the domestic display of art in Britain (1715–1914), supported by a National Endowment for the Humanities grant. She co-chaired the 2015 College Art Association conference session on private art display. Scientific Awards: Historians of British Art Book Prize for Best Book before 1900 (2011).

• Art History
• Eighteenth-century Art
• Nineteenth-century Art
• +۷ مورد دیگر