جستجوی استاد راهنمای دانشگاهی

Dr. Heather Inwood serves as University Associate Professor in Modern Chinese Literature and Culture within the Faculty of Asian and Middle Eastern Studies at the University of Cambridge. She is also a Fellow and Director of Studies at Trinity Hall, maintaining dual institutional affiliations that support her teaching and research activities across undergraduate and postgraduate programs. Her educational background includes a BA in Chinese Studies from the University of Cambridge (Trinity Hall), followed by advanced studies at Tsinghua University and Peking University, culminating in a PhD in modern Chinese literature from SOAS, University of London in 2008. Prior academic appointments include Assistant Professor at The Ohio State University (2008-2013) and Lecturer in Chinese Cultural Studies at the University of Manchester before returning to Cambridge in 2016. Professor Inwood's research program investigates the dynamic interactions between digital media and literary production in contemporary China, with particular focus on poetry communities, genre fiction, and transmedia storytelling. Her work bridges traditional literary analysis with digital humanities approaches, examining how online platforms transform authorship, reception, and cultural value. She has pioneered scholarship on internet poetry scenes, demonstrating their vitality despite public perceptions of poetry's decline in modern China. Her publication trajectory reveals a clear evolution from early work on poetry communities ( Verse Going Viral: China's New Media Scenes , 2014) toward broader investigations of digital narrative forms, game studies, and Sinophone cyberspace. Recent publications increasingly engage with science fiction, transmedia storytelling, and the algorithmic structures shaping literary production, reflecting both the changing digital landscape and her expanding methodological toolkit. Professor Inwood actively supervises five PhD students working on diverse projects spanning Misty poetry, queer narratives, gender studies, and poetic animality, demonstrating her commitment to nurturing next-generation scholarship in Chinese literary studies. Her research has been supported by British Academy Small Grants and similar funding mechanisms that enable sustained fieldwork and publication. Her teaching responsibilities include undergraduate courses on East Asian media and popular culture, Modern Chinese texts, and Modern Chinese literature, connecting classroom instruction directly to her research expertise. She also maintains public engagement through Chinese-language columns for BBC China and other media outlets, bridging academic and public discourse on contemporary Chinese culture.

• Contemporary Chinese literature
• Poetry studies
• Digital humanities
• +۵ مورد دیگر

Professor Mary Augusta Brazelton is a Professor at the University of Cambridge's Department of History and Philosophy of Science and a Fellow of Jesus College. She serves as Director of Studies in Natural Sciences (History and Philosophy of Science) at Jesus College (on leave 2024-2025). Her academic work focuses on the history of science and medicine in modern China, with particular attention to global health, transportation technologies, and the intersection of science and state power. Education: BA (Harvard), MPhil and PhD (Yale). Awards include the 2020 Student-led Teaching Award and the 2019 Zhu Kezhen Senior Award. She is also a Trustee and Research Fellow of the Needham Research Institute and a Council member of the American Association for the History of Medicine. Her research explores topics such as mass vaccination policies in 20th-century China, Sino-French scientific collaborations, and the history of penicillin development. Current projects include studies on the Sino-French Institute in Lyon and transnational histories of civil aviation. Publications include Mass Vaccination: Citizens' Bodies and State Power in Modern China (2019) and China in Global Health: Past and Present (2023). She actively contributes to academic discussions through media engagements and international conferences.

• History of public/global health
• Global studies of science, technology, and medicine
• Modern Chinese history
• +۳ مورد دیگر

Stephen M. Hart is a Professor of Latin American Film, Literature and Culture at University College London (UCL), affiliated with the School of European Languages, Culture and Society (SELCS) and the Department of Spanish, Portuguese and Latin American Studies. He is a General Editor at Tamesis Publishers and founder-director of the Centre of César Vallejo Studies at UCL. Education: BA (1980), MA (1984), PhD (1985) from University of Cambridge Academic Career: Lecturer at Westfield College (1984-1990), Associate/Full Professor at University of Kentucky (1991-1998), Senior Lecturer/Reader at UCL (1998-present) Specializing in Latin American literature, film, and culture, Hart has published extensively on César Vallejo and Santa Rosa de Lima, including critical editions of their works. His research spans literary theory, art history, and East-West relations, with a focus on documentary film-making and magical realism as a framework for understanding post-truth narratives. Recent publications address colonial sainthood processes, poetic modernism, and China-Latin America connections. He has directed documentary projects in Cuba since 2006 and received honors including the Order of Merit from the Peruvian Government and Honorary Doctorates from Peruvian institutions. Key Awards: Order of Merit for Distinguished Services (Peruvian Government, 2004), Honorary Doctorate (San Marcos University, 2004), Corresponding Member of Academia Peruana de la Lengua (2014) Leadership Roles: Director of UCL's ESRC DTC (2014), Director of Documentary Film-Making Summer School (Cuba, 2006-present) Teaching: Undergraduate courses on Latin American supernaturalism and cultural dilemmas; MA documentary film-making courses

• Latin American Literature
• Latin American Film
• Cultural Studies
• +۶ مورد دیگر

Dr Xin Xin is a Reader in International Communications at the University of Westminster , affiliated with the Communication and Media Research Institute (CAMRI) and the Contemporary China Centre . Her academic career spans over three decades, combining journalism, scholarship, and policy engagement. She previously held the RCUK Academic Fellowship (2006-2011) and UK/China Fellowship for Excellence (2008-2009) , focusing on China's soft power, media transformations, and digital labor. Educational Background: BA in Russian Language and Literature (Beijing International Studies University, 1994) MA in International Journalism (University of Westminster, 2003) PhD in Media and Communication (University of Westminster, 2006) Research Focus: Dr Xin's work bridges the political economy of Chinese media , global communications , soft power strategies , sociology of journalism , and grassroots digital practices . She critically examines how marketization, globalization, and digitalization reshape legacy media like Xinhua News Agency, alongside state-corporate soft power deployments and grassroots digital activism. Recent Publications highlight trends in AI-driven journalism , digital labor , party journalism modernization , and soft power analysis . Her articles span empirical studies of Xinhua's financialization and party journalism, comparative public diplomacy, and longitudinal analyses of digital inclusion in BRICS nations. Scientific Awards: RCUK Academic Fellowship (2006-2011) UK/China Fellowship for Excellence (2008-2009) Founding Editorial Board Member of Westminster Papers in Communication and Culture and Interactions: Studies in Communication & Culture Supervision: Dr Xin currently supervises PhD students on topics including Sino-African journalism, Chinese diaspora identity on YouTube, and gender dynamics in Chinese social media. She co-organized 11 international doctoral summer schools and served as second supervisor for over ten PhD candidates. Activities: She has delivered lectures at institutions such as the University of Pennsylvania, University of Birmingham, and Tsinghua University. Her consultancy work includes Oxford Analytica and the Media Diversity Institute, with media citations in Al Jazeera , NBC News , and The Washington Post .

• Political Economy of Chinese Media
• Global Communications
• Soft Power and Cultural Diplomacy
• +۱۱ مورد دیگر

Professor Leigh K. Jenco holds the position of Professor of Political Theory at the Department of Government, London School of Economics and Political Science (on sabbatical during 2024/25). Her expertise spans Chinese Thought, Taiwan Studies, Political Philosophy, and Global Intellectual History. She previously taught at the National University of Singapore and has held visiting roles at Taiwan's Academia Sinica, National Taiwan University, and the University of Heidelberg. Education: B.A. from Bard College M.A. and Ph.D. from University of Chicago Her research explores late Ming neo-Confucian concepts of equality through literary theory and the 20th-century rediscovery of Chinese folksong compendia. She leads the £1.5M British Academy-funded 'Chinese Global Orders' project and was the principal investigator for the EU's 'East Asian Uses of the European Past' initiative. She served as associate editor of the American Political Science Review (2016–2020). Her publications include groundbreaking monographs like Changing Referents (Oxford UP, 2015) and Making the Political (Cambridge UP, 2010), which bridge political theory with Chinese intellectual history. Current projects focus on Ming dynasty poetics and cross-cultural knowledge transfer. Grants & Projects: Lead investigator for 'Chinese Global Orders' (£1.5M, British Academy) EU H2020 'East Asian Uses of the European Past' (€1.2M) She is fluent in Classical Chinese, Mandarin, and English, and her work emphasizes global comparative frameworks to challenge Eurocentric narratives. Her research often intersects historical texts with contemporary political debates, particularly around cultural borrowing and identity formation.

• Political Philosophy
• Global Intellectual History
• Chinese Thought
• +۳ مورد دیگر

Professor Tim Bergfelder is a leading scholar in Film Studies at the University of Southampton, specializing in European and Asian cinema history, film industries, and transnational reception studies. He holds a professorial role in the Department of Film Studies, contributing to both research and academic leadership. Prior to his academic career, Bergfelder studied English Literature, Journalism, and History in Berlin before transitioning to film criticism. He earned his MSc and PhD in Film at the University of East Anglia, UK. His research has been internationally recognized through keynote speaking engagements across Asia, Australia, Europe, and the Americas. He advises on documentaries, exhibitions, and film retrospectives, blending academic expertise with public engagement. Current research focuses on the ERC-funded STUDIOTEC project examining European film studios (1930–1960). He leads the German-speaking émigrés in British cinema project and has coordinated AHRC-funded research on Brazilian stardom. Editorial roles include editor for Screen journal and Berghahn’s Film Europa series. Teaching interests include European film history, transnational cinema, and critical theory. He supervises multiple PhD students in Film Studies. Professional memberships span NECS, BAFTSS, and MeCCSA, with peer review roles for REF2014/2021 and various institutions.

• Film History
• European Cinema
• Asian Cinema
• +۳ مورد دیگر

Katherine Swancutt is Reader in Social Anthropology at King's College London, where she serves as Director of the Religious and Ethnic Diversity in China and Asia Research Unit (REDCARU) and Project Lead for the ERC Synergy Grant 'Cosmological Visionaries: Shamans, Scientists, and Climate Change at the Ethnic Borderlands of China and Russia' (2020-2026). She has conducted anthropological fieldwork for over two decades across Asia, focusing on Southwest China (among the Nuosu), Mongolia, Inner Mongolia, and Buryat regions of Russia. Her research centers on the anthropology of religion, with particular emphasis on shamanism, animism, dreams, and the relationship between cosmology and the environment. Her fieldwork explores how religious innovations are used to manage conflict and shape everyday life among diverse ethnic communities. She has established herself as a leading scholar in indigenous knowledge systems and their relevance to contemporary environmental challenges. Dr. Swancutt's extensive publication record reveals consistent thematic focus on ritual practices, divination systems, and cosmological frameworks, particularly among the Nuosu people of Southwest China. Her recent work examines how spiritual practices intersect with environmental change, social renewal, and cultural memory, bridging anthropology, religious studies, and environmental humanities to create innovative frameworks for understanding indigenous cosmologies in the context of climate change. ERC Synergy Grant 'Cosmological Visionaries' (£6m project connecting shamans, scientists, and rural communities) Author of four major publications including 'Fortune and the Cursed' (2012) and 'Crafting Chinese Memories' (2021) Founder of REDCARU, now an international network with branches in Chinese universities Recipient of significant research funding including ERC Synergy Grant As an educator, Dr. Swancutt teaches anthropology of religion at all levels and supervises PhD students focusing on long-term ethnographic fieldwork among ethnic minorities in China, Mongolia, or Russia. She actively engages with public audiences through exhibitions like 'Vital Signs: Another World is Possible' at the Science Gallery London, which showcases indigenous visions of climate change.

• Anthropology of Religion
• Social Sciences in China
• Shamanism
• +۱۲ مورد دیگر

Professor Qing Cao is Professor, Director of Studies, and Director of the Centre for Comparative Modernities at Durham University's School of Modern Languages and Cultures. His research examines Chinese media, communication, and modern intellectual history through three interconnected strands: the role of media in China's modernization, the impact of media language on social perceptions, and mutual China-West representations shaping identity politics. His research interests encompass China's modern intellectual history, Chinese politics, mass media dynamics, Western reporting on China, Chinese linguistics, and translation studies. Current projects include a book on Chinese state media's construction of alternative modernity and editorial work for the Routledge Research Encyclopaedia on Chinese Studies. Previously funded by AHRC and British Academy, his work explores the discursive transformation of Chinese society. Professor Cao's publications demonstrate sustained focus on discursive constructions of modernity and identity across historical periods, with recent work examining late Qing intellectual transformations through linguistic analysis. His supervision includes PhD students researching Western media representations of China, diplomatic language, and gender discourses in Chinese newspapers.

• Chinese media
• Modern intellectual history
• Chinese politics
• +۴ مورد دیگر

Professor J P Park holds the June and Simon Li Professorship in the History of Art at the University of Oxford and is a Fellow of Lincoln College. His research focuses on early modern Chinese and Korean art, with broader interests spanning print culture, cartography, literary criticism, and post-globalism in contemporary East Asian art. He has authored three influential books, including A New Middle Kingdom: Painting and Cultural Politics in Late Chosŏn Korea (1700-1850) (2018) and Art by the Book: Painting Manuals and the Leisure Life in Late Ming China (2012). His current project, Reinventing Art History: Forgery and Counterforgery in Early Modern Chinese Art , critiques traditional narratives of cultural renaissance in late Chosŏn Korea. His work has been published in major journals such as Art Bulletin , Artibus Asiae , and Third Text . Professor Park actively supervises DPhil and Master’s students in art history and related fields. His affiliations include Lincoln College, where he contributes to academic governance and research initiatives.

• Early Modern Chinese Visual Culture
• Korean Art History
• Post-Globalization in Contemporary Art
• +۳ مورد دیگر

Dr. Andrew D Radford is a Senior Lecturer in English Literature at the University of Glasgow's College of Arts, where he teaches across junior and senior honours courses in post-1900 Anglo-American Literature and contributes to the postgraduate MLitt program in Modernities. His academic expertise spans European Modernism, British Surrealism, post-1945 British fiction, and book history, with a particular focus on underexplored writers and their contributions to literary innovation. Dr. Radford's research encompasses European Modernism, British Surrealism (particularly Ithell Colquhoun and Leonora Carrington), Poetry and Politics of the 1930s, Post-1945 British fiction (Elizabeth Bowen, Muriel Spark, Barbara Pym, Ivy Compton-Burnett, Barbara Comyns, Ann Quin), Paul Nash and British Art 1900-1940, Book History, George Borrow studies, and Contemporary Literature. He has published extensively on Mary Butts and British neo-romanticism, as evidenced by his 2014 monograph, and maintains a long-standing research interest in John Calder, the Scottish-Canadian translator and anti-censorship campaigner. His recent publications reveal a consistent focus on literary recovery projects, particularly concerning women writers and marginalized voices. He has produced scholarly editions of George Borrow's works, edited collections on Modernism and Myth, and is completing research on Women Writers of the Second World War, examining how country house fiction served as laboratories for exploring class hierarchies and social dynamics during wartime. Dr. Radford has supervised numerous PhD students on diverse topics including eco-criticism, feminist classicism, Gothic fiction, British writings on China, textile orientalisms, and African women writers. He leads the AHRC Research Network "Popular Occulture in Britain 1875-1947" which investigates the influence of occult beliefs on British popular culture, resulting in the 2018 Routledge publication "The Occult Imagination in Britain, 1875-1947" which he co-edited with Professor Christine Ferguson.

• European Modernism
• British Surrealism
• Poetry and Politics of the 1930s
• +۷ مورد دیگر

Professor Fang Liu serves as a Professor of Operations Management at Durham University Business School (DUBS). She joined Durham University in 2023 after academic positions at The University of Chinese Academy and Nanyang Technological University, bringing extensive expertise in supply chain systems and operational resilience. Her educational foundation includes a doctoral degree in Operations Management from Duke University's Fuqua School of Business, USA. Liu's research centers on Supply Chain Resilience, Inventory Management, E-commerce and Warehouse Management, and Corporate Social Responsibility and Sustainability. Her work develops innovative frameworks for mitigating disruption risks while optimizing resource allocation, with direct applications in global logistics networks and sustainable operations. She bridges theoretical rigor with practical implementation across diverse sectors. Analysis of her publication trajectory reveals a strategic evolution from foundational inventory theory toward contemporary challenges in e-commerce logistics and sustainable supply chains. Her recent work increasingly addresses healthcare operations and carbon-neutral supply chain design, consistently published in premier journals like Operations Research and Production and Operations Management. Professor Liu has secured multiple competitive research grants as Principal or co-Principal Investigator. She actively translates academic insights into practice through collaborations with organizations including Cummins, Singapore IFRC, and Meide, focusing on operational optimization and resilience building. While specific lab structures aren't detailed, her industry partnerships demonstrate applied research engagement, particularly in developing solutions for complex operational challenges faced by multinational corporations and humanitarian organizations.

• Supply chain resilience
• Inventory management
• E-commerce and warehouse management
• +۱ مورد دیگر

Dr. Alexander Supartono is a Lecturer at the School of Arts and Creative Industries, Edinburgh Napier University. He holds a PhD in Photography History from the University of St Andrews (2015), MA in Southeast Asian Studies from Ohio University (2010), and BA in Social Philosophy from Driyarkara School of Philosophy (2001). His research focuses on colonial/postcolonial visual culture, particularly photography’s role in decolonizing art history, and collective art activism. He is a member of the Indonesian art collective Taring Padi, renowned for political banner art. As an educator, he has supervised doctoral projects on photographic memory, landscape photography, and seafaring literature. His editorial roles include advisory boards for Photographies , Southeast Asia Now , and Trans-Asia Photography Review . Awards include the Ground-Breaking Subject Matter Accolade and Scottish Overseas Research Student Awards. Recent work explores Documenta 15 controversies, colonial photographic traditions, and Southeast Asian museum practices. Key projects include Customised Postures, (De)colonising Gestures (2024) and Othering Studio Portraiture (2024), examining decolonial aesthetics and photographic legacies. He has delivered over 30 invited lectures globally on topics like Taring Padi’s political art and postcolonial archives.

• Colonial and Postcolonial Visual Culture
• Photography History
• Art Activism
• +۳ مورد دیگر

Dr. Liang Ge is a Lecturer at King's College London teaching across the Digital Humanities Department and Culture, Media and Creative Industries Department. Holding a PhD from King's College London's Culture, Media and Creative Industries Department, they specialize in the intersection of digital media, gender/sexuality studies, and East/Southeast Asian popular cultures. BLit in Chinese Language and Literature, Peking University MSc in Sociology (with distinction), London School of Economics and Political Science PhD in Culture, Media and Creative Industries, King's College London Their research explores digital intimacy, queer fandoms, and cultural production in Chinese digital spaces, with particular focus on danmei (male-male romance) literature and its socio-political implications. They examine how state power, platform capitalism, and fan communities interact within China's digital landscape, analyzing affective labor, censorship mechanisms, and identity formation through frameworks of ambivalence and queer theory. Liang Ge's scholarly contributions appear in leading journals including Media, Culture & Society , European Journal of Cultural Studies , and Asian Studies Review , with research trends revealing sustained engagement with digital intimacy commodification, state-fandom power dynamics, and postcolonial queer methodologies across East Asian contexts. Great Britain-China Educational Trust Award (2023) Kelly Quinn Scholarship, Association for Internet Researchers (2024) MeCCSA Journal Article of the Year Award (Shortlisted, 2024) Sino-British Fellowship (2021) As an active scholar, they serve on the Society for Cinema and Media Studies committee (2023-2025) and contribute to UN Sustainable Development Goals through research on gender equality and inclusive cultural participation. Their work bridges academic analysis with contemporary digital culture debates, particularly regarding LGBTQ+ representation in Sinophone contexts.

• Digital Media
• Gender and Sexuality Studies
• East Asian Popular Culture
• +۵ مورد دیگر

Dr. Anders Karlsson is a distinguished scholar of Korean history at SOAS University of London, where he has been a faculty member since 2000. He is affiliated with the School of Languages, Cultures and Linguistics and the Centre of Korean Studies. His academic career has established him as a leading Western expert on Choson Korea (1392-1910), with particular expertise in legal history, statecraft, and social institutions of the period. Dr. Karlsson received his PhD in Korean history from Stockholm University in 2000 with a dissertation on the Hong Kyongnae Rebellion, which erupted in the North-western part of the Korean peninsula in 1812. His doctoral research established the foundation for his subsequent scholarship on rural society, famine relief, and local administration in late Choson Korea. Dr. Karlsson's research focuses on the social, institutional and intellectual history of Choson Korea. His work explores Confucian statecraft, famine and disaster relief mechanisms, penal law, rural unrest and rebellion, and writing systems. His scholarship is characterized by meticulous archival research and innovative theoretical approaches that bridge historical, legal, and cultural studies perspectives. He has made significant contributions to understanding how law functioned as an instrument of statecraft in premodern Korea, particularly examining the relationship between legal theory and practice, and how social status influenced legal outcomes. His publication record demonstrates a clear evolution from early work on peasant rebellions to increasingly sophisticated analyses of legal and administrative systems. The most recent fifteen years of his scholarship show a pronounced focus on legal history, with particular attention to how Confucian ideology shaped legal development and implementation. His articles reveal expertise in analyzing primary sources in Korean, Chinese, and Swedish, reflecting his unique position as a European scholar deeply immersed in East Asian historical materials. Dr. Karlsson has supervised numerous doctoral students working on Korean history topics, including: Lee H. - "The effect of the genre-based approach on KFL advanced learners' writing and reading" Jang H.J. - "Exploring the Development of Intercultural Competence of University Students Majoring in Korean" Kilkelly P. - "Mainstream culture and the inculturation of Catholicism in late Chosŏn Korea" Choi Y.-C. - "A History of Protestant theory of liberty in Korea, 1886-1917" Jin S.P. - "Korean neutralisation attempts (1882-1907): retracing the struggle for survival and imperial intrigues" Verdier-Shin M.-L. - "Contextualised mission: the South Korean evangelical response to the humanitarian crisis in North Korea (1995-2012)" Song S.K. - "Intellectuals and the state: the resilience and decline of Neo-Confucianism as state ideology in Joseon Korea" At SOAS, Dr. Karlsson teaches courses on Korean history, contemporary Korean culture and society, and Chinese characters (Hanja) as they are used in Korean. His teaching reflects his deep engagement with both historical and contemporary aspects of Korean studies, providing students with comprehensive perspectives on Korean civilization. He also maintains a significant profile as a literary translator, having translated Korean novels into Swedish for 25 years, including recent works by Han Kang, the 2024 Nobel Prize in Literature laureate.

• Korean history
• Choson Korea
• Confucian statecraft
• +۵ مورد دیگر

Professor Hannah Lowe is a faculty member in the Department of English and Creative Writing at Brunel University, affiliated with the College of Business, Arts and Social Sciences. Her academic work bridges creative writing, memory studies, and postcolonial studies, focusing on British multicultural society and its ties to the Caribbean and China. PhD in Creative Writing, Newcastle University (AHRC-funded) MA in Refugee Studies, University of East London BA (hons) in American Literature, University of Sussex PGCE Post-Compulsory Education Hannah's research centers on contemporary poetry, life writing, and narratives of migration and diaspora. She explores postwar Caribbean arrival to Britain, representations of migration in literature, and the creative process in digital contexts. Her work often intertwines personal and historical narratives, particularly examining Chinese settlement in the UK and the Windrush legacy. Hannah's publications include books like The Kids (2021) and journal articles such as "In the Frame: Women Writers and the Windrush Legacy" (2018). These works emphasize themes of cultural identity, historical memory, and diaspora experiences. 2024 Eccles Centre-Hay Festival Writers Award 2021 Costa Poetry Award 2021 Costa Book Award Fellow of the Higher Education Academy Fellow of the Royal Society of Literature Hannah supervises PhD students in creative writing, particularly poetry and life writing. She has received grants like the AHRC funding for her doctoral research and participates in networks such as the Chinese-Caribbean Studies Network.

• Creative Writing
• Memory Studies
• Postcolonial Studies
• +۶ مورد دیگر