Dr.-Ing. Tobias Fiebig is a Senior Researcher at the Max Planck Institute for Informatics (Internet Architecture department) since April 2022. He previously served as a permanent Assistant Professor at TU Delft's Faculty of Technology, Policy and Management from 2017-2022. His work combines network measurement with human factors to improve security practices, focusing on email protocols, DNS infrastructure, and academic cloud migration. PhD in Computer Science from TU Berlin (2017) MSc in System and Network Engineering from University of Amsterdam (2013) BSc in Cognitive Science from University of Osnabrück (2012) His research spans Internet security (DNS, IPv6, email), academic freedom in cloud contexts, and human-centered security challenges. Recent work analyzes MTA-STS deployment, DNS sampling biases, and university cloud migration privacy implications. He has presented at top conferences including USENIX Security , IEEE Symposium on Security and Privacy , and ACM CCS . Teaching roles include lecturing Data Networks (2023-24) and On the Practice of System and Network Engineering (2024), with prior module management in cyber security analytics and sustainable system operations.
Ian Ewart is an Associate Professor at the University of Reading's School of the Built Environment, serving as Head of Construction and Engineering Management and Research Group Lead for Organisation, People and Technology. He chairs the Research Ethics Committee since 2016 and supervises undergraduate/postgraduate dissertations. His academic journey spans engineering and anthropology: DPhil Social and Cultural Anthropology, University of Oxford, St Hugh's College (2007-2012) MSc Material Anthropology and Museum Ethnography, University of Oxford, St Hugh's College (2006-2007) BA (Hons) Archaeology and Anthropology, University of Oxford, Harris Manchester College (2003-2006) Diploma in Management Studies, University of the West of England (1990-1994) BEng (Hons) Mechanical Engineering, Staffordshire University (1983-1987) Ewart's research integrates ethnographic methods with digital technology studies, examining human-technology interactions in construction and domestic settings. His work bridges engineering practice and social anthropology, focusing on skill transmission, sustainable design, and multisensory experiences in virtual environments. Publications from 2025-2013 reveal a dominant trajectory in digital twins for socio-ecological sustainability, VR-based occupant behavior prediction, and HBIM for heritage conservation. The corpus demonstrates consistent cross-disciplinary innovation, merging archaeological reconstructions with healthcare applications while maintaining anthropological rigor. Key recognition: ESRC Future Research Leader fellowship (2013) for Designing Healthy Homes project He supervises PhD candidates like Afolabi Dania (Nigerian sustainable construction) and Joanna Hull (Heritage BIM), leveraging ESRC funding for ethnography-VR health studies. His grants emphasize participatory design and real-world impact assessment in built environments. Leaders the Organisation, People and Technology research group, developing multisensory Roman town reconstructions with sound/smell integration to advance archaeological and architectural experience modeling.
Nick Montfort is a Professor of Digital Media at Massachusetts Institute of Technology (MIT) and Professor II & Principal Investigator at the University of Bergen 's Center for Digital Narrative. He directs MIT's Trope Tank lab/studio and contributes to platform studies, critical code studies, and electronic literature. Ph.D. in Computer and Information Science from University of Pennsylvania (2007) M.A. in Creative Writing (Poetry) from Boston University (2001) S.M. in Media Arts and Sciences from MIT (1998) B.S./B.A. in Computer Science and Liberal Arts from University of Texas at Austin (1995) Montfort's research focuses on computational creativity and digital poetics , particularly through exploratory programming and constraint-based writing . He has developed over ten computer-generated print books and co-edited MIT Press volumes like The Future and The New Media Reader . His work bridges computer science and literary arts , emphasizing algorithmic expression and platform-specific creation. His recent computational works include All the Way for the Win (2025), written entirely in three-letter words, and collaborations like The Deletionist and Sea and Spar Between . Notable books cover interactive fiction ( Twisty Little Passages ), platform studies ( Racing the Beam ), and generative literature ( 10 PRINT ). He also co-edits the Hardcopy and Using Electricity book series. Montfort's academic contributions span digital narrative systems , creative code , and computer-generated literature . His 101 BASIC Poems and Output: An Anthology of Computer-Generated Text exemplify his focus on code as cultural artifact and algorithmic literary practice . He has presented at major conferences including ELO, C&C, and Digital Arts and Culture, addressing topics from minimalist computational poems to narrative modeling . Through collaborations with institutions like University of Bergen and MIT's Comparative Media Studies/Writing, Montfort explores digital storytelling , machine-generated poetry , and platform-specific creativity . His academic leadership includes directing the Trope Tank and co-founding Bad Quarto press.
Prof. Dr.-Ing. Ahmad Osman is a Professor at the Saarland University of Applied Sciences (htw saar), specializing in Test Technologies and Test Methods within the Faculty of Engineering. He also holds an Adjunct Professor position at Laval University in Quebec, Canada, in the Department of Electrical Engineering and Computer Science. His research focuses on Artificial Intelligence applications in Signal and Image Processing for Non-destructive Testing (NDT) , with extensive work on Deep Learning , 3D Ultrasound Tomography , and Sensor Data Fusion in industrial contexts. Engineering Artificial Intelligence Signal Processing Image Processing Non-destructive Testing Quality Control Augmented Reality Osman leads the AutomaTiQ research group and serves as Head of the Algorithms/Signal and Data Processing Department at Fraunhofer IZFP . His recent publications (2017–2022) emphasize Deep Learning for defect detection in CFRP , Terahertz Imaging for artwork diagnostics, and Acoustic Sensors for agricultural quality control. He has organized international conferences on Structural Health Monitoring and contributed to Springer books on NDT technologies. His projects include ComforTex-AI (2024) and development of 3D positioners for ultrasound measurements. Collaborations span institutions in Germany, Canada, Italy, and Brazil, with advisory roles in the German Society for NDT and technical committees for conferences in Montreal and Egypt.
Michael Wheeler is a Professor in Philosophy at the University of Stirling, focusing on cognitive science, phenomenology, and the philosophy of technology. His work bridges existentialist philosophy with modern AI ethics and embodied cognition. Key Research Themes: Extended mind, distributed cognition, and transparency in smart machines. Recent Projects: Explore the societal impact of AI, cognitive change in the arts, and the interplay between aging and cognition. Selected Articles (2024-2019): His publications span topics like creativity and contingency in the arts, transparency in AI, and the evolutionary psychology of reasoning. Notable Contributions: Advocates for integrating phenomenology into cognitive science and challenges representationalist frameworks in AI and robotics.
Professor Bert Smith is a distinguished academic at the University of Oxford, serving as a Fellow of Lincoln College. He holds the position of Professor in the Faculty of Classics, with a specialization in Greek Archaeology and Roman Art/Archaeology. His academic journey includes MA, MPhil, and DPhil degrees from Oxford University. Prior to his current role, he was a Harkness Fellow at Princeton University (1983-85) and taught Hellenistic and Roman art at New York University’s Institute of Fine Arts (1986-1995). His research focuses on the art and visual cultures of the ancient Mediterranean, particularly the relationship between visual representation and social/political contexts. As director of the Aphrodisias excavation project since 1991, he has contributed significantly to understanding the archaeology of Greek cities in the Eastern Roman Empire. Key achievements include a British Academy/Philip Leverhulme Fellowship (2007-2008) and leadership in the AHRC-funded 'Last Statues of Antiquity' project (2009-2012), resulting in a collaborative book (2016). Teaching responsibilities include lectures and seminars on Greek and Roman art and archaeology. His publications span over four decades, with notable works on sarcophagi iconography, Aphrodisias excavations, and Hellenistic art. He actively collaborates with institutions like the Oxford Centre for Greek and Roman Antiquity (OCGRA). Current research continues to explore late antiquity art and archaeology through fieldwork and interdisciplinary projects.
Jay Strader is a Professor in the Department of Physics and Astronomy at Michigan State University, where he serves as Graduate Director for the astronomy PhD program and Associate Chair for astronomy. His research focuses on compact objects, particularly black holes and neutron stars in globular clusters, neutron star binaries in Fermi gamma-ray sources, and intermediate-mass black holes. He has received a Packard Fellowship for Science and Engineering and grants from NSF and NASA. His research group includes postdoc Ryan Urquhart, graduate students Thomas Do and Rebecca Kyer, and several undergraduates, with past students like Teresa Panurach (now director of NoVEL Consortium) and Samuel Swihart (NRC fellow at Naval Research Lab). Education: PhD in Astronomy, UC-Santa Cruz/Lick Observatory Awards: Packard Fellowship Collaborations: Member of Rubin Observatory's Stars, Milky Way, and Local Volume science collaboration since 2008 Previous Positions: Hubble Fellow and Menzel Fellow at Harvard-Smithsonian Center for Astrophysics (2007-2012) Program Initiatives: Co-founder of PAREDS program for early research opportunities at MSU His work has been supported by NSF and NASA grants, and he has contributed to studies on black holes in M22, hypervelocity globular clusters around M87, and transitional millisecond pulsars. His group collaborates with Laura Chomiuk and contributes to data catalogs like the M31 globular cluster velocity dispersion database.
Sam Pizelo is an Assistant Professor of Game Studies at the Institute for Communication, Culture, Information & Technology (ICCIT), University of Toronto. His research investigates the role of games as modeling technologies in the development of computing, artificial intelligence, and neoliberal capitalism. He is actively engaged in both scholarly and creative practices, integrating media art, data science, and game design into his academic work. Research Interests: Sam's work spans game studies, digital humanities, media theory, and critical computing. He explores how games function as epistemic tools that shape knowledge production, particularly in technoscientific domains. His research connects historical analysis with contemporary digital methods to examine the cultural and philosophical implications of games. The recent publications reflect a strong focus on the historical and systemic roles of games in shaping modern computing and thought. Themes include the modeling revolution, systems thinking, and the deep cultural roots of game logic. His work bridges humanities scholarship with computational practice. Scientific Contributions: Co-creator of Project Quintessence , a corpus exploration framework combining machine learning and dynamic visualizations for archival research. Founding member of the Degrowth Game Design Project (DeGDP) , a multi-campus initiative exploring games for post-growth futures. Sam Pizelo is an active researcher and media practitioner without listed advisees or awards in the provided text. He maintains academic affiliations with the University of Toronto and previously held a visiting position at NYU.
Radu Iovita is an Associate Professor in the Department of Anthropology at New York University. Previously, he held positions at the University of Tübingen (until 2023) and the Leibniz Research Institute for Archaeology in Germany. His research focuses on Paleolithic archaeology, human-environmental interactions, and stone tool technology, with a specific emphasis on the Eurasian loess steppe. He leads the EU-funded PALAEOSILKROAD project in Kazakhstan, investigating human dispersals during the Late Pleistocene. His Anthrotopography lab combines microscopic analysis of tool use and remote sensing to reconstruct past landscapes. Education: PhD in Anthropology (University of Pennsylvania, 2008), MPhil in Archaeology (University of Cambridge, 2002), AB in Anthropology (Harvard University, 2001). Key grants include an ERC Starting Grant (2017–2022). Research interests span lithic technology, experimental archaeology, and geoarchaeological methods. Recent work includes discoveries of Paleolithic sites in Kazakhstan, studies on Neanderthal adhesive use, and AI-driven analysis of use-wear patterns. Collaborations involve institutions like ETH Zurich and the University of Tübingen. He is actively involved in field projects in Central Asia and lab-based experimental studies.
Prof. Dr. Øyvind Eide is a Professor in Digital Humanities at the University of Cologne, affiliated with the Department of Digital Humanities under the Faculty of Arts and Humanities. He holds a PhD in Digital Humanities from King’s College London (2013). His research focuses on transformative digital intermedial studies, critical spatial formalization of cultural heritage information, and the relationship between texts and maps as media. He previously served as Chair of the European Association for Digital Humanities (EADH) from 2016–2019 and is actively involved in ICOM’s CIDOC committee. Eide’s work bridges theoretical and practical dimensions of digital humanities, emphasizing spatial analysis, ontology modeling, and interdisciplinary methodologies. His academic contributions include seminal works on network visualization in humanities, cultural heritage ontologies, and the application of critical formalization in media studies. Current research explores the interplay between verbal and spatial expressions of geography in historical narratives. Eide teaches courses such as 'Modelling and Digital Maps' and 'Digital Cultural Heritage,' reflecting his commitment to both research and education. Notable projects include the Ibsen Manuscripts digitization initiative, the GeoModelText tool for spatial narrative analysis, and contributions to archaeological document interconnection through the CIDOC CRM framework. He is Vice Director of the Scholarly Platform: Reflecting and Shaping the Digital Age at the University of Cologne.
Ketika Garg is a Postdoctoral Scholar Research Associate in the Division of the Humanities and Social Sciences at the California Institute of Technology (Caltech), with an office in the Broad Center for Biological Sciences. Her research focuses on the interplay between individual and social decisions, using experimental and computational methods to explore how social environments influence decision-making and collective behavior. She investigates contexts ranging from traditional foraging paradigms to modern social media landscapes, developing innovative experimental frameworks to study these dynamics. Her research interests span computational neuroscience, social media analysis, and collective behavior, with a particular emphasis on understanding exploration-exploitation trade-offs in both natural and digital environments. She has contributed to studies on hunter-gatherer foraging networks, online toxicity dynamics, and the evolution of search strategies in collective foraging systems. Her work bridges disciplines such as psychology, ecology, and computer science to address fundamental questions in decision-making and social interaction. Dr. Garg’s publications reflect her interdisciplinary approach, covering topics like synergy in collective problem-solving, the roots of online toxicity, and the application of Lévy walks in virtual foraging experiments. While no formal awards or grants are explicitly listed in the provided materials, her research trajectory demonstrates a commitment to advancing methodologies in computational social science. Contact: kgarg@caltech.edu Office: Broad Center for Biological Sciences (96) Phone: 626-395-1755
Crytal Lee is an Assistant Professor in Computational Media and Design at MIT, with a joint appointment in the Schwarzman College of Computing and Comparative Media Studies/Writing. She is also a Faculty Associate at Harvard's Berkman Klein Center for Internet & Society, co-leading the Ethical Tech Working Group, and a Senior Fellow at Mozilla's Responsible Computing Challenge. Her research focuses on data visualization, disability studies, and ethical technology, emphasizing the 'life-cycle of data representations.' Education: PhD in History, Anthropology, Science, Technology, and Society from MIT (2022); MA and BA (High Honors) in History of Science from Stanford University (2016 and 2015). Research Interests : Crystal examines how data is curated, visualized, and contested, with a particular lens on disability justice and accessible design. Her work bridges STS, HCI, and critical data studies, addressing issues like misinformation, algorithmic bias, and inclusive technology. Awards & Grants : Honorable Mentions at EuroVis 2022 and CHI 2021; NSF Dissertation Improvement Grant; SSRC Social Data Fellowship. Advising & Mentorship : Advised projects on accessible visualization, participatory AI, and disability inclusion. Current book project: Crip Computation . Labs & Teams : Co-leads Ethical Tech Working Group at Berkman Klein; involved in MIT's Data + Feminism Lab and Accessible Interactions projects.
Jas Brooks is an incoming Assistant Professor at MIT's Department of Electrical Engineering and Computer Science (EECS) and the Computer Science and Artificial Intelligence Laboratory (CSAIL), starting Fall 2026. They completed a PhD in Computer Science at the University of Chicago under Prof. Pedro Lopes, focusing on perceptual engineering—designing interfaces to modulate human sensory perception. Their work addresses challenges in power efficiency and miniaturization for senses like taste, touch, and smell, enabling applications in health, safety, and immersive experiences. Research interests span HCI, olfactory interfaces, thermal feedback systems, and wearable technology. Notable publications include Best Paper Awards at CHI 2020 and CHI 2021, and Honorable Mentions at UIST 2023 and UIST 2021. Awards include the NSF Graduate Research Fellowship, Siebel Scholar, and Rising Star in EECS. Brooks has presented at MIT, UCSD, and international symposia, including a keynote at the 'New Metabolism' event. They co-organized workshops on smell/taste interfaces (STT21, STT23) and led projects like the Timeless Smell Archive and Smell & Paste prototyping toolkit. Teaching includes a graduate VR course at SAIC and contributions to sensory education via the CBORG initiative. Labs/teams include Pedro Lopes' research group at UChicago and collaborations with institutions like the Media Archaeology Lab. Current projects explore adaptive EMS systems, thermal feedback wearables, and historical scent technologies.
Dr. Alastair Key serves as Director of Studies in Archaeology and Official Fellow in Archaeology at Queens' College, University of Cambridge. His research bridges Paleolithic archaeology, stone tool technology, and hominin behavioral evolution through experimental and computational approaches. Director of Studies and Official Fellow at Queens' College, Cambridge Specializes in Paleolithic stone tool analysis, Acheulean technology, and hominin adaptation Conducts experimental archaeology and computational modelling to assess tool functionality Key's research focuses on Acheulean handaxe production , lithic microwear patterns , and ergonomic constraints in prehistoric tool use . He has extensively published on topics including glacial-stage hominin occupations , Oldowan toolmakers , and machine learning applications to archaeological analysis . His recent publications (2025-2023) span diverse subfields: Acheulean chronology , hominin tool use biomechanics , experimental projectile testing , and computational morphometric methods . The work often integrates multidisciplinary datasets and open-source analytical tools to address fundamental questions about human technological evolution. Current research directions include stone tool sharpness quantification , handaxe social signaling potential , and cross-species tool use comparisons through primate studies.
Professor Anna Marie Munster is a distinguished academic and artist at UNSW Art and Design (College of Fine Arts), where she has held a full-time tenured position since 2001. Her work bridges theoretical scholarship with creative practice, establishing her as a leading figure in digital media art and critical theory. University: University of New South Wales School: College of Fine Arts (UNSW Art and Design) Position: Professor Qualifications: PhD from UNSW (2002), BA (Class 1 Hons with University Medal) from University of Sydney (1984) Professor Munster's research explores the intersections of art, technology, and philosophy, with particular focus on statistical visuality, radical empiricism, the politics and aesthetics of machine learning, and more-than-human perception. Her work integrates process philosophy with contemporary media practices, examining how time, movement, and sonicity shape our experience of digital environments. She approaches these topics through both theoretical scholarship and creative practice, often collaborating with artist Michele Barker on multi-channel audiovisual installations. Her publications reveal a consistent trajectory exploring the relationship between embodiment and digital media, with recent work focusing on AI and machine learning in cultural contexts. Munster's creative output demonstrates sophisticated integration of technical innovation with philosophical inquiry, particularly in how her installations challenge conventional perceptions of time and space. ARC, UNSW Student Council Award for Excellence in Postgraduate Supervision (2017) Dean's Award for Excellence in Postgraduate Supervision (2015) Highly commended for Materializing New Media at Prix Ars Electronica (2008) Winner of National Digital Art Awards 'The Harries' (2006) University Press of New England Publishing Award (2005) Professor Munster has completed over 20 PhD and Masters supervisions at UNSW and been involved in another 10 secondary supervisions. She currently supervises five PhD candidates working on diverse topics including coding materialities, critical bio-textiles, schizophrenia and XR technologies, sound and resonance, and affective drawing. Her ARC-funded research projects demonstrate sustained commitment to interdisciplinary work, particularly at the intersection of art, science, and technology. Her creative practice with Michele Barker has resulted in numerous commissioned installations exploring perception, embodiment, and the relationship between humans and technology.
