جستجوی استاد راهنمای دانشگاهی

• Modern Chinese literature
• Cinema and film history
• Cultural history
• +۵ مورد دیگر

Christopher Rea is a Professor of Modern Chinese Literature in the Department of Asian Studies at the University of British Columbia's Faculty of Arts. He serves as a faculty member and former Associate Head of the Department of Asian Studies, former Director of the Centre for Chinese Research, an associate of the Hong Kong Studies Initiative, and a Faculty Fellow of St. John's College. His academic journey includes a Ph.D. from Columbia University (2008) and a B.A. from Dartmouth College (1999). Rea's research focuses on the modern Chinese-speaking world, with particular expertise in Chinese literature, cinema, print culture, translation, and the cultural history of humor and deception. His scholarly approach bridges literary analysis, cultural history, and film studies, creating a distinctive interdisciplinary perspective on modern Chinese cultural production. He is particularly known for his work on Republican-era China (1912-1949), exploring how cultural forms evolved during this transformative period. His major publications reveal a trajectory from studies of humor and laughter in modern China ( The Age of Irreverence , 2015) to literary hoaxes and deception ( The Book of Swindles , 2017), Chinese cinema ( Chinese Film Classics , 2021), and research methodology ( Where Research Begins , 2022). His current projects include China on the Make: Stories of Chinese Deception and The Unfinished Comedy , a sequel to The Age of Irreverence . National Endowment for the Arts Translation Fellowship (2024) UBC Dean of Arts Mentorship Award (2024) UBC Killam Research Prize (2022) Joseph Levenson Book Prize (2017) Rea actively supervises graduate students and has developed significant digital resources, including the Chinese Film Classics project (chinesefilmclassics.org) featuring 40+ subtitled Chinese films and 22 video lectures, and a YouTube channel with over 250 videos on Chinese cinema and culture. His teaching extends to free online courses on The Modern Chinese Novel and early Chinese cinema, demonstrating his commitment to making scholarly resources accessible beyond traditional academic boundaries.

Harsha Ramمشاهده پروفایل

دانشیار

• Russian and European Enlightenment
• Romanticism and Modernism
• Georgian and Caucasus Literary History
• +۸ مورد دیگر

Harsha Ram is an Associate Professor in the Department of Comparative Literature at the University of California, Berkeley. His research focuses on Russian and European Enlightenment, modernist literature, and the cultural histories of the Caucasus region. He holds dual B.A. Honors degrees in Italian and Russian from the University of Sydney and University of New South Wales, and a Ph.D. in Comparative Literature from Yale University. His work bridges literary theory, post-colonial studies, and geopoetics, with a particular emphasis on Georgia's literary modernism and its intersections with Russian imperial culture. Key themes include spatial theory, peripheral modernisms, and the transnational dimensions of cultural production. Recent work examines the role of ritual feasts in Georgian national identity and the geopoetics of Eurasian avant-garde movements. Ram has published extensively on figures like Velimir Khlebnikov and Boris Pasternak, exploring their engagement with imperial legacies and revolutionary aesthetics. His book The Imperial Sublime: A Russian Poetics of Empire (2003) remains a seminal study of Russian imperial poetics. Current projects include studies on Georgian literary encounters with Russian culture and the symbolic dimensions of Caucasus representations. His scholarship frequently appears in leading journals such as Modernism/Modernity , Slavic Review , and Ab Imperio . He has held visiting positions at institutions globally and actively participates in interdisciplinary dialogues between literary studies, history, and cultural geography.

Kate Hollandمشاهده پروفایل

دانشیار

• 19th Century Russian Literature
• Literary Theory
• History of the Novel
• +۳ مورد دیگر

Kate Holland is an Associate Professor and Acting Associate Chair (Graduate) at the University of Toronto, specializing in 19th-century Russian literature and its cultural contexts. Her work focuses on the history of the novel, Russian literary theory, and the interplay between Russian and European literary traditions. She teaches courses such as 'The Golden Age of Russian Literature' and 'Dostoevsky in Literary Criticism and Theory.' Dr. Holland earned her PhD from Yale University (2004) and a BA/MA from the University of Cambridge (1998). Her research explores themes like genre evolution in Dostoevsky’s works, the publication culture of 19th-century Russian periodicals, and the theoretical frameworks of Historical Poetics. Her recent publications include A Dostoevskii Companion: Texts and Contexts (2018) and The Novel in the Age of Disintegration (2013), analyzing Dostoevsky’s engagement with genre and modernity. Her scholarship frequently examines narrative form, cultural history, and the intersection of literature with philosophical and religious thought.

• Drama history
• Quantitative literary studies
• Digital literary studies
• +۳ مورد دیگر

Jan Jokisch is a Researcher and PhD student at the Max Planck Institute for Empirical Aesthetics in Frankfurt am Main, Germany, affiliated with the Heisenberg research group. His academic background includes a Master's in Comparative Literature from Johannes Gutenberg University Mainz and the University of Massachusetts Amherst, and a Bachelor's in Comparative Literature and Philosophy from Mainz. He has lectured in German language and literature at Argentine universities and served as a translator for the DEFA Film Library. His research focuses on drama history, quantitative and digital literary studies, and methodologies in the humanities, with current collaboration on the DFG-funded 'Forager Folklore Database (FFDB)' project. Education highlights include a thesis on 'Epistemological Horror in Literature' (2021) and a BA thesis reinterpreting Shklovsky's literary theory through Heidegger's phenomenology (2018). Jokisch has been recognized with DAAD scholarships (2019, 2021) and the Gutenberg Lehrkolleg Award (2018). He has authored and edited conference proceedings, including works on distant reading methodologies and interdisciplinary language studies. His academic work bridges computational analysis with traditional humanities, emphasizing the role of technology in literary research. Collaborations and editorial roles reflect his commitment to fostering international student scholarship and innovative research practices.

Lisa Gilmanمشاهده پروفایل

استاد

• Folklore
• Ethnomusicology
• Performance Studies
• +۴ مورد دیگر

Lisa Gilman is a Professor of Folklore and English at George Mason University, and the outgoing Editor-in-Chief of the Journal of American Folklore . Her research focuses on refugee arts initiatives, intangible cultural heritage, and the intersections of performance, gender, and politics in global contexts. She has conducted extensive fieldwork in Malawi, Turkey, France, and the U.S., emphasizing marginalized communities. Her academic journey includes a PhD in Folklore from Indiana University, followed by roles at the University of Oregon and Mzuzu University (Malawi). Key awards include the Fulbright Teaching/Research Award and Rippey Innovative Teaching Award. She produced the documentary Grounds for Resistance , exploring anti-war activism among U.S. veterans. Her current project, the Dzaleka Art Project , collaborates with refugees in Malawi to document cultural creativity and advocate for visibility. This work has been featured in the Wilson Center and Smithsonian publications. Gilman teaches courses on public humanities, ethnographic fieldwork, and digital storytelling, integrating community engagement with academic rigor. Her publications span topics from African expressive culture to UNESCO policy impacts, with notable books including My Music, My War and co-edited volumes like Africa Every Day . Grants include funding from the Woodrow Wilson Center and the National Endowment for the Arts.

İBRAHİM DAĞILMAمشاهده پروفایل

مدرس

• Zaza Language and Literature
• Comparative Literature
• Folklore Studies
• +۳ مورد دیگر

İbrahim Dağılma is a Lecturer in Zaza Language and Literature at Bingöl University's Faculty of Arts and Sciences since 2013. He holds a Master's (2017) and PhD (2021) in Zaza Language and Literature from Bingöl University's Living Languages Institute. He previously served as a Turkish Language teacher in the Ministry of National Education and authored/co-authored Zazaki textbooks for grades 5-8 published by MEB between 2018-2019. He currently chairs the Zaza Language and Literature department and teaches courses like Modern Zaza Literature and Comparative Literary Analysis. Education: Bachelor's in Turkish Education, Dicle University (1997) Uncompleted Journalism studies at Istanbul University (2010) Master's and PhD in Zaza Studies (2017-2021) Research focuses on Zaza language preservation, modern literary movements, folklore documentation, and comparative studies between Zaza and other languages. He has published 11 books including 'Edebiyato Modern ê Zazaki' and 'Süleyman Hilmi Tunahan', and frequently presents at international conferences on topics like Zaza cultural identity and migration narratives. His recent academic work explores linguistic comparisons between Zaza and Farsi, analysis of traditional Zaza texts, and the role of folklore in educational materials. He has advised 18 undergraduate theses and participated in numerous thesis juries. His research has been published in refereed journals like Bingöl Araştırmalar Dergisi and The Journal of Mesopotamian Studies.

Ksana Blankمشاهده پروفایل

مدرس ارشد

• Russian Literature
• Stylistics
• Interdisciplinary Studies
• +۳ مورد دیگر

Ksana Blank is a Senior Lecturer at Princeton University’s Department of Slavic Languages and Literatures. She coordinates the Russian Language Program and directs the Princeton-in-Petersburg Program, fostering academic exchange and interdisciplinary research. With a PhD in Russian Literature (Columbia University, 1997) and a BA in French Philology (St. Petersburg State University, 1979), her academic career spans over two decades at Princeton, preceded by teaching roles at Hunter College and Middlebury College Russian Summer School. Education: PhD, Russian Literature, Columbia University (1997) BA, French Philology, St. Petersburg State University (1979) Her research centers on Russian literature, emphasizing stylistic analysis and interdisciplinary connections with music, visual arts, folklore, and religious philosophy. Notable works include studies on Dostoevsky’s dialectics, Gogol’s The Nose , and the interplay between Russian modernism and Western art movements. She has authored multiple books and articles, many translated into Russian, and has published in academic journals across Russia, Europe, and China. Recent publications explore Dostoevsky’s paradoxes, Gogol’s linguistic innovation, and the intersection of Russian literature with music (Shostakovich), art (Malevich), and philosophy. Her 2023 book Парадоксы классики expands traditional interpretations of classic works through interdisciplinary lenses, while her 2021 The Nose guide deciphers Gogol’s wordplay and its narrative function. Earlier works address Tolstoy’s spiritual crisis and Bakhtinian dialogism in Russian literary theory. While no scientific awards are listed, her contributions to pedagogy include advanced Russian language courses and graduate-level Tolstoy studies. She currently works on Leo Tolstoy’s The Prisoner of the Caucasus and teaches courses on Russian literature, spirituality, and translation.

• Zoroastrian Studies
• History of Religions
• Iranian Religions
• +۶ مورد دیگر

Prof. Dr. Kianoosh Rezania is a Professor of West Asian Religious History and Director of the Käte Hamburger Kolleg Dynamics of Religious History at Ruhr University Bochum. His research focuses on Zoroastrianism, Iranian religions, and the history of religions, with a particular emphasis on ancient Iranian languages and interreligious dynamics. He holds a Ph.D. from Georg-August University Göttingen and has conducted extensive research on topics such as Zoroastrian cosmology, Sasanian-Zoroastrian interactions, and the transmission of religious texts. His work combines philological analysis with historical and cultural studies approaches. Rezania's academic career includes roles as a research associate at Göttingen University and his habilitation project on spatial concepts in early Zoroastrianism. He has directed major research initiatives like the Graduate School of Metaphor and Religion (GSMR) and the Käte Hamburger Kolleg. His publications span monographs, edited volumes, and peer-reviewed articles exploring themes such as religious economics, Middle Persian lexicography, and cross-cultural exchanges between the Safavid and Mughal empires. His current projects include the 'Zoroastrian Middle Persian: Digital Corpus and Dictionary' initiative and studies on Pahlavi literature's interreligious context. He collaborates internationally, leading interdisciplinary teams and contributing to digital humanities efforts in religious studies.

Rahim Shayeganمشاهده پروفایل

استاد

• Ancient Iranian History
• Iranian Philology
• Cultural Exchange Studies
• +۳ مورد دیگر

M. Rahim Shayegan is a prominent scholar in Iranian and Near Eastern studies, specializing in Old and Middle Iranian philology, Achaemenid-Sasanian history, and Greco-Roman-Iranian cultural interactions. He holds a PhD from Harvard University and has conducted postdoctoral research at the University of Göttingen and Sorbonne. His work bridges philology, epigraphy, and historical analysis to explore ancient political ideologies, religious traditions, and cross-cultural exchanges. Education: PhD, Iranian Philology & Ancient History, Harvard University MA, Iranian Philology, Sorbonne University BA, Philosophy & Comparative Philology, University of Cologne Research Interests: Iranian epigraphy and royal inscriptions Political dynamics of pre-Islamic Iranian empires Greco-Roman and Iranian cultural dialogues Zoroastrianism and ancient Near Eastern religions His publications include seminal works like Arsacids and Sasanians: Political Ideology in Post-Hellenistic Persia (2011) and Cyrus the Great: Life and Lore (2019). He has held prestigious fellowships at the Guggenheim Foundation and is a member of the Austrian Academy of Sciences. Awards: Ehsan Yarshater Book Award (2012) Academia Europaea Membership (2019–) Courses Taught: Achaemenid Civilization Sasanian History Old Persian Cuneiform Zoroastrianism and Ancient Religions

• Social and Cultural Anthropology
• Southeast Asia
• Indonesia
• +۹ مورد دیگر

Timo Kaartinen serves as Professor of Social and Cultural Anthropology and Vice Dean for Research and Doctoral Education at the University of Helsinki 's Faculty of Political Science . Since 1992, he has conducted extensive research in Southeast Asia with a focus on Indonesia, exploring communicative practices, narratives, and cultural responses to uncertainty. His teaching spans social change in bachelor's, master's, and doctoral programs, covering environmental anthropology, political anthropology, cosmologies, religions, and linguistic anthropology. PhD in Anthropology, University of Chicago (2001) Docent (Adjunct Professor), University of Helsinki (2011) Research interests center on ethical discourse in Indonesian Islamic universities, resource politics in oil palm estates, and linguistic anthropology with emphasis on storytelling, folk poetry, and minority language revitalization. His work combines ethnographic focus on Southeast Asia with theoretical contributions to frontier studies and postcolonial anthropology. Recent publications examine frontier temporalities (2020-2025), Islamic transformations (2019), and oral narrative structures (2017-2013). Key projects include ARCTIC Research Centre (2025-2029), Diversity in Society and Life (DIVSOL) (2025-2030), and Religious Movements in Ethical Life (2019-2023). Grants from the Academy of Finland and University Profiling Funding support these initiatives. Academic activities include keynote speeches at international conferences (e.g., Empowering Local Wisdom 2014, Labor Migration in Asia-Pacific 2013) and editorial roles. He has conducted fieldwork in Indonesia since 1992, focusing on Bandanese cultural heritage and Maluku religious dynamics . His methodological approach combines ethnographic fieldwork with historical document analysis .

Hannah Zdanskyمشاهده پروفایل

استادیار

• Old and Middle English Literature
• Medieval Manuscript Studies
• Historical Linguistics
• +۷ مورد دیگر

Dr. Hannah Zdansky is an Assistant Professor of English at Belmont Abbey College, specializing in medieval languages, literatures, and manuscript studies. Her research focuses on cross-cultural connections in medieval Britain and Ireland, particularly exploring multilingualism, religion in literature, and medieval reading practices. She holds a B.A. from Baylor University, an M.A. from the National University of Ireland, Galway, and a Ph.D. from the University of Notre Dame. Her expertise spans Old and Middle English, French, Irish, Welsh, and Latin, with a methodological focus on digital humanities and the history of the book. Dr. Zdansky’s work examines how medieval literary and material cultures were shaped by multicultural interactions, including studies on medieval manuscripts, the role of women in literary production, and the intersection of religion with secular narratives. Her recent scholarly engagements include presentations on topics like the transnational dimensions of medieval texts, the interplay between sacred and secular themes in works such as Gui o Bharbhuic , and comparative analyses of Welsh and English manuscript traditions. Her publications span peer-reviewed articles, encyclopedia entries, and book reviews, reflecting her commitment to interdisciplinary medieval studies. Dr. Zdansky teaches a wide range of courses, from Old English Language and Literature to Irish History, emphasizing close textual analysis and historical context. She has advised numerous students through independent studies and thesis work, fostering academic rigor and intellectual curiosity in her classroom.

Brigitte Stegerمشاهده پروفایل

مدرس ارشد

• Japanese society
• Cultural anthropology
• Gender studies
• +۵ مورد دیگر

Dr. Brigitte Steger is a Senior Lecturer in Modern Japanese Studies at the University of Cambridge, where she serves as a Fellow in Asian and Middle Eastern Studies at Downing College. She teaches modern Japanese society courses and directs graduate affairs while serving as Secretary of the Degree Committee. MA, MPhil, PhD in Japanese Studies (University of Vienna) Visiting researcher at multiple Japanese universities Co-founder of Cambridge Creative Circular Plastics Centre sub-project Her research focuses on cultural anthropology of Japanese daily life, particularly sleep practices (inemuri), gender dynamics in urban spaces, disaster response rituals, and cleanliness/waste practices. She conceptualizes sleep as socio-cultural performance and examines temporal practices in premodern Japan. Recent publications analyze Heian-era sleep patterns, 2011 tsunami shelter hygiene, and plastic consumption in consumer societies. She leads international research on historical timekeeping and contemporary waste practices. Her edited volumes explore Japanese gender diversity, including 'herbivore boys' and manga girl culture. Scientific awards: Bank Austria Prize (2002) Vorarlberg Science Award (2005) University of Cambridge weekly research contributor She supervises graduate research projects and serves on the European Association for Japanese Studies and Japan Anthropology Workshop councils. Her 2025-26 sabbatical focuses on completing Heian-period sleep research.

Mustafa GulTekinمشاهده پروفایل

دانشیار

• Turkish Folklorics
• Turkish Folklore
• Folk Literature
• +۵ مورد دیگر

Associate Professor Mustafa GulTekin serves at Gaziantep University in the Faculty of Arts and Sciences , affiliated with both the Department of Turkish Language and Literature and the Department of Turkish Folklore . He holds a Doctorate in Turkish Folklorics (2010) from Ege University and has been teaching since 2004. Education: PhD in Turkish Folklorics, Ege University (2004-2010) MA in Turkish Language and Literature, Gaziantep University (2002-2004) Bachelor in Turkish Language and Literature, Balikesir University (1997-2001) Research Focus: Specializes in Turkic world fairy tales, oral literature analysis, minstrelsy traditions, and intangible cultural heritage. His work intersects folklore methodology with performance studies and cultural anthropology. Projects: Led/managed national projects including TUBITAK-funded research on Diyarbakir Alevi ocaks (2013-2016), Uzbek cultural studies in Gaziantep (2012-2015), and applied Karagöz education programs (2009-2010). Administrative Roles: Head of Department (2014-2017, 2012-present) Deputy Head of Department (2017-present, 2011-2012) Director of Research and Application Center (2012-2016)

Tarryn Chunمشاهده پروفایل

دانشیار

• Chinese Theatre
• Asian Theatre
• Theatre History
• +۳ مورد دیگر

Tarryn Chun is an Associate Professor in the Department of Film, Television, and Theatre at the University of Notre Dame, with a concurrent appointment in the Department of East Asian Languages and Cultures. She is also a Faculty Fellow at the Liu Institute for Asia and Asian Studies. Her research focuses on modern and contemporary Chinese theatre, with an emphasis on intersections between performance, technology, and media. She holds a Ph.D. from Harvard University and completed a postdoctoral fellowship at the University of Michigan’s Lieberthal-Rogel Center for Chinese Studies. Her work explores topics such as technological modernization in Chinese theatre, intercultural performance, and the role of digital media in contemporary performance. Key publications include Revolutionary Stagecraft: Theatre, Technology, and Politics in Modern China (2024) and articles on topics like digitally enhanced Chinese performance and Mao-era theatrical practices. She serves on the boards of the Association for Asian Performance and the Association for Chinese and Comparative Literature, and is the Online Editor for Theatre Journal . Her research has been supported by awards such as the 2021 National Endowment for the Humanities Fellowship. She teaches courses on global theatre history, Asian theatre, and intercultural performance.

Katherine Saltzman-Liمشاهده پروفایل

دانشیار

• Japanese Performing Arts
• Kabuki Theater
• Japanese Literature
• +۶ مورد دیگر

Katherine Saltzman-Li is an Associate Professor at the University of California, Santa Barbara (UCSB), affiliated with the Department of East Asian Languages & Cultural Studies, the Program in Comparative Literature, and the Department of Theater and Dance. Her research focuses on Japanese performing arts, particularly Kabuki theater, Japanese literature, and folklore. She holds a Ph.D. from Stanford University. Her work examines Edo-period Kabuki playwriting through studies of rare treatises like Kezairoku , interactions among Edo artists, and adaptations of puppet theater into Kabuki. She co-edited Cultural Imprints: War and Memory in the Samurai Age (2022) and Realisms in East Asian Performance (2023), challenging Eurocentric theatrical realism frameworks. She co-curated exhibitions on Japanese theater prints at the Santa Barbara Museum of Art and directs the Japanese Performing Arts Research Consortium (JPARC). Her teaching spans Japanese literature, folklore, and performance studies, including courses on traditional theater, comparative drama, and digital humanities applications in theater research.