جست‌وجوی استاد و پژوهشگر

• Modern Chinese literature
• Cinema and film history
• Cultural history
• +۵ مورد دیگر

Christopher Rea is a Professor of Modern Chinese Literature in the Department of Asian Studies at the University of British Columbia's Faculty of Arts. He serves as a faculty member and former Associate Head of the Department of Asian Studies, former Director of the Centre for Chinese Research, an associate of the Hong Kong Studies Initiative, and a Faculty Fellow of St. John's College. His academic journey includes a Ph.D. from Columbia University (2008) and a B.A. from Dartmouth College (1999). Rea's research focuses on the modern Chinese-speaking world, with particular expertise in Chinese literature, cinema, print culture, translation, and the cultural history of humor and deception. His scholarly approach bridges literary analysis, cultural history, and film studies, creating a distinctive interdisciplinary perspective on modern Chinese cultural production. He is particularly known for his work on Republican-era China (1912-1949), exploring how cultural forms evolved during this transformative period. His major publications reveal a trajectory from studies of humor and laughter in modern China ( The Age of Irreverence , 2015) to literary hoaxes and deception ( The Book of Swindles , 2017), Chinese cinema ( Chinese Film Classics , 2021), and research methodology ( Where Research Begins , 2022). His current projects include China on the Make: Stories of Chinese Deception and The Unfinished Comedy , a sequel to The Age of Irreverence . National Endowment for the Arts Translation Fellowship (2024) UBC Dean of Arts Mentorship Award (2024) UBC Killam Research Prize (2022) Joseph Levenson Book Prize (2017) Rea actively supervises graduate students and has developed significant digital resources, including the Chinese Film Classics project (chinesefilmclassics.org) featuring 40+ subtitled Chinese films and 22 video lectures, and a YouTube channel with over 250 videos on Chinese cinema and culture. His teaching extends to free online courses on The Modern Chinese Novel and early Chinese cinema, demonstrating his commitment to making scholarly resources accessible beyond traditional academic boundaries.

Elizabeth McCrackenمشاهده پروفایل

استاد

• Creative Writing
• Fiction
• Short Stories
• +۴ مورد دیگر

Elizabeth McCracken is a Professor in the College of Liberal Arts at the University of Texas at Austin, where she teaches creative writing courses including Advanced Fiction Workshop (CRW 355F), Literature for Writers (E 380F), and Fiction Writing (CRW 325F). She also teaches in the low residency MFA program at Bennington College. McCracken received her M.F.A. from the University of Iowa in 1990. Her academic career has been distinguished by numerous grants and fellowships from prestigious organizations including the Guggenheim Foundation, the National Endowment for the Arts, and the Radcliffe Institute for Advanced Study. Her creative interests focus on Creative Writing , particularly Fiction , Short Stories , and Autobiographical Writing . McCracken's work explores complex human relationships, grief, memory, and the transformative power of storytelling. Her writing is characterized by its emotional depth, wit, keen observation of human nature, and ability to blend the comic with the heartbreaking. McCracken's publications have established her as a significant voice in contemporary American literature. Her work has been widely recognized for its originality and emotional resonance, appearing in prestigious collections such as The Best American Short Stories, The Pushcart Prize, and The O. Henry Prize Stories. Winner of The Story Prize for Thunderstruck & Other Stories (2015) Finalist for the National Book Award for The Giant's House (1996) Named one of the 20 Best Young American Novelists by Granta Recipient of grants from the Guggenheim Foundation, NEA, American Academy in Berlin, and other prestigious organizations As an educator, McCracken has mentored numerous writing students through her positions at the University of Texas and Bennington College. Her teaching emphasizes both technical craft and emotional authenticity, encouraging students to find their unique voices while developing strong writing techniques. Her 2023 novel The Hero of This Book has been named a Top Ten Best Book of the Year by Time and People magazines, further cementing her reputation as one of America's finest contemporary writers.

Julie Rakمشاهده پروفایل

استاد

• Life Writing
• Autobiography
• Diaries and Journals
• +۹ مورد دیگر

Julie Rak is the HM Tory Chair and Professor in the Department of English and Film Studies at the University of Alberta. She holds a BA and PhD from McMaster University and an MA from Carleton University. Her research focuses on auto/biography, life writing, and nonfiction in North America, with specialties in gender, Canadian literature, and publishing studies. She has authored or co-edited numerous books, including False Summit: Gender in Mountaineering Nonfiction (2021) and The Routledge Introduction to Auto/biography in Canada (2023). Rak’s academic roles include interim Chair of the EFS Department (2023–2024) and leadership in the Stories of Change research group. She has received prestigious awards such as the J. Gordin Kaplan Award (2023) and the Killam Annual Professorship (2017–2018). Her research explores marginalized narratives, including Inuit literature and digital life writing, with a commitment to inclusivity and community engagement. Her teaching spans undergraduate and graduate courses on autobiography, gender theory, and Canadian literature. She actively supervises research projects and supports student initiatives like the Roger Smith Undergraduate Research Award. Rak’s work bridges academic rigor with public scholarship, with over 90 media engagements. Education: PhD in English, McMaster University MA in Canadian Studies, Carleton University BA in English, McMaster University Grants & Projects: SSHRC Insight Grant for Government Agents, Literary Agents: Inuit Books and Government Intervention, 1968–1985 Leadership in the Stories of Change initiative Awards & Honors: Fellow of the Royal Society of Canada (2022) Henry Marshall Tory Chair (2019–2025) 2024 Visiting Professor at Merton College, Oxford

Walter D. Penrose, Jr.مشاهده پروفایل

استاد

• History of Gender and Sexuality
• Classical Reception Studies
• Disability Studies
• +۴ مورد دیگر

Walter D. Penrose, Jr. is a Professor at San Diego State University specializing in the History of Gender and Sexuality in Ancient Greek, Hellenistic, and South Asian contexts. His work also explores the Reception of Classics in modern periods, Disability Studies, and Ancient Religions. Penrose holds a Ph.D. in History from the City University of New York (2006) and a B.S. in Business Administration from California State University, Long Beach (1988). His research interests span interdisciplinary topics including gender diversity in classical thought, queer historiography, and cross-cultural comparisons of ancient societies. Penrose has published widely on topics such as Amazons in classical and modern media, disability discourse in antiquity, and homoeroticism in South Asian history. His 2016 monograph Postcolonial Amazons is a foundational text in comparative studies of gendered heroism in Greek and Sanskrit literature. Penrose’s publications include over a dozen book chapters and journal articles, with recent contributions analyzing gendered power dynamics in Hellenistic royal courts (2021), visual representations of Amazons in Troy adaptations (2022), and the intersection of disability and identity in ancient Greece (2015). His pedagogical work emphasizes inclusive approaches to teaching challenging classical topics like homophobia and gender variance. While no specific grants or awards are noted, Penrose’s work consistently bridges classical studies with modern interdisciplinary frameworks, contributing to fields such as queer studies, disability studies, and world history. His research continues to explore marginalized voices in ancient texts and their contemporary receptions.

Ute Fendlerمشاهده پروفایل

استاد

• Francophone Literatures
• Postcolonial Studies
• African Cinema
• +۷ مورد دیگر

Prof. Dr. Ute Fendler holds the Chair of Romance Literature and Comparative Studies with Special Emphasis on Africa at the University of Bayreuth. Her academic journey includes a 2006 Habilitation and 1992 PhD from Saarland University, with research spanning Francophone African literatures , intermedial phenomena , and postcolonial cinematic analysis . She coordinates the Bayreuth Academy of Advanced African Studies as Vice-Director and serves on multiple editorial boards. 2006-Present: Professor at University of Bayreuth 2011-2015: Director of Institute for African Studies 2015-Present: Vice-Director of Bayreuth Academy of Advanced African Studies Her research interrogates urban ecotonal spaces through African music videos, transnational cinematic flows in African and Afro-Asian contexts, and mediated memory practices . Recent publications explore post-apocalyptic storytelling and decolonial aesthetics in music videos and films. Scientific contributions include: 2025: Staging Atmosphere: Urban Ecotonal Spaces in African Music Videos (Brill) 2024: Co-edited Asia-Africa: Multifaceted Engagement (Palgrave Macmillan) 2022: Animating the Future: Superheroes in Africa (Brill) 2020: Ghosts as Mediators: Memory and Hauntology (iwalewabooks) 2019: K-Pop Fandom in Germany (Korea University Press) She received the Faculty Enrichment Award from the Canadian Embassy in 2005 and serves on multiple academic committees including the University Library Commission (2007-2016).

Aida Levy-Hussenمشاهده پروفایل

دانشیار

• African American Literature
• American Literature
• Gender and Sexuality Studies
• +۴ مورد دیگر

Aida Levy-Hussen is an Associate Professor in the Department of English Language and Literature at the University of Michigan's LSA (Literature, Science, and the Arts) College. Her research focuses on African American literature, trauma studies, gender and sexuality studies, and 20th-century American literature. She holds an A.B. from Harvard University (2003) and a Ph.D. from Emory University (2009). Levy-Hussen's work interrogates the intersections of race, memory, and cultural expression. She examines how African American writers engage with historical trauma, particularly slavery's legacies, and explores themes like boredom, affect, and narrative form in contemporary works. Her recent scholarship includes analyses of Ishmael Reed’s postmodern historiography and Spike Lee’s satirical film Bamboozled . She currently teaches courses on African American literature, Toni Morrison, and narrative theory. Her office is located in 3232 Angell Hall, with regular appointment-based office hours. No scientific awards are explicitly mentioned, but her prolific publication record reflects sustained academic impact in literary studies. Levy-Hussen’s writing emphasizes interdisciplinary approaches, blending literary criticism with cultural theory, psychoanalysis, and historical analysis. Her book How to Read African American Literature (2016) provides a transformative framework for interpreting post-civil rights fiction.

Luca Somigliمشاهده پروفایل

استاد

• European Modernism
• Italian Modernism
• Futurism
• +۵ مورد دیگر

Luca Somigli is a Professor at the University of Toronto, holding the Emilio Goggio Chair in Italian Studies. His research focuses on European and Italian modernism, avant-garde movements, futurism, detective fiction, genre literature, and comics. Born in Florence, he earned a Laurea from the Università degli Studi di Firenze and a PhD in Comparative Literature from SUNY Stony Brook. Educational Background: PhD, State University of New York at Stony Brook Laurea, Università degli Studi di Firenze Luca's scholarship explores tensions between modernism and postmodernism, colonial narratives in Italian crime fiction, and the intersection of visual narratives with cultural themes. His recent publications include co-edited volumes on futurism and modernism, alongside articles analyzing authors like Marinetti, Pirandello, and Camilleri. Key research trends include: Colonialism in Italian historical fiction Symbolist and avant-garde artistic movements Visual storytelling in comics and film The legacy of fascist ideology in literature Scientific awards highlight his contributions: the 2019 Visiting Scholar at Université de Haute-Alsace and the 2003 American Association for Italian Studies Book Award. Luca has co-authored works with scholars like Federico Luisetti and Eleonora Conti, and his conference presentations address neomodernist novels and modernist historiography. He serves as Chair of the Department of Italian Studies (2021-present) and previously as Associate Chair – Graduate (2020-2021).

Sunny Stalter-Paceمشاهده پروفایل

استاد

• American Literature
• American Modernism
• Performance Studies
• +۶ مورد دیگر

Sunny Stalter-Pace serves as the Hargis Professor of American Literature in Auburn University's College of Liberal Arts, English Department. A specialist in modernist performance, literature, and urban space, she authored Imitation Artist: Gertrude Hoffmann's Life in Vaudeville and Dance (2020) and is currently completing a cultural history of the New York Hippodrome. Her work bridges academic research with public engagement through blogs, interviews, and collaborations with institutions like the Library of Congress. Her educational foundation includes: Ph.D. in English, Rutgers University (2007) M.A. in English, Rutgers University (2003) B.A. in English and French, Loyola University Chicago (1997), magna cum laude Stalter-Pace's research interrogates intersections of mobility, gender, and performance in 20th-century American culture. She examines how vaudeville, subway systems, and theatrical spectacles shaped public identity, with particular attention to women's experiences and spatial politics. Her methodology combines literary analysis, archival research, and visual studies to reveal how imitation and movement function as cultural forces. Current projects explore aquatic performances at the New York Hippodrome and the legacy of vaudeville producer Gertrude Hoffmann. Her 15 most recent publications demonstrate an evolving trajectory from subway systems ( Underground Movements , 2013) toward aquatic spectacles and vaudeville legacies, consistently centered on New York City's infrastructure. This body of work establishes mobility studies as a critical lens for understanding modernism, revealing how transportation networks and performance venues structured social interactions. Her interdisciplinary approach connects theater history, gender studies, and urban theory to uncover marginalized narratives in American cultural production. Key recognitions include: Harry Ransom Center Fellowship (2020) New York Public Library Short-Term Research Fellowship (2020) Alabama Humanities Foundation Grant (2014) College of Liberal Arts Excellence in Teaching Award nomination (2011) Multiple research fellowships from 2003-2017 Stalter-Pace has secured substantial funding for archival research through fellowships from the NEH, MLA, and university grants. She serves on Biographer’s International Organization's program committee and curated the 'Common Grounds' exhibition at Auburn's Jule Collins Smith Museum. Her teaching innovations include the first-year seminar 'Thinking Through the Arts' and courses on contemporary drama that integrate Hamilton into American literature pedagogy. As Book Review Editor for Transfers: Interdisciplinary Journal of Mobility Studies , she shaped scholarly discourse in mobility studies. Through her Hippodrome research blog and collaborations with the New York Public Library, Stalter-Pace transforms specialized scholarship into accessible public history. Her Library of Congress presentation on Albertina Rasch and the Hippodrome exemplifies her commitment to bridging academic research with community engagement, while ongoing interviews and blog posts extend her work beyond traditional academic boundaries.

• Italian Cinema
• World Cinema
• Screenplay Studies
• +۵ مورد دیگر

Claudia Romanelli serves as Associate Professor of Italian and Italian Program Director within the Department of Modern Languages & Classics at the University of Alabama, where she also functions as Italian Undergraduate Advisor. Her office resides in BB Comer Hall 217 with contact details cromanelli@ua.edu and (205) 348-5059. Dr. Romanelli holds a PhD from the University of Wisconsin-Madison. Her research centers on Italian cinema within global contexts , screenplay authorship , collaborative creative processes , postcolonial narratives , and intermedia experimentation . As a generalist in Italian literature specializing in modern and contemporary periods, she currently develops a book manuscript analyzing Pier Paolo Pasolini and Federico Fellini's cinematic relationship. Her work bridges film studies, literary criticism, and cultural theory with particular attention to marginalized perspectives. Analysis of her 2009-2024 publications reveals sustained engagement with Pasolini's screenwriting contributions to Fellini's films, adaptations of literary works to cinema, and examinations of otherness in Italian cultural production. Key thematic threads include authorship models in collaborative filmmaking, postcolonial representations, and transnational co-production dynamics within European cinema. No scientific awards were documented in the source material. As Italian Undergraduate Advisor, Dr. Romanelli guides student academic trajectories. While departmental highlights mention French PhD students Olabayo Awodirepo, Mablka Lambon, and Diweng Mercy Dafong, her specific graduate advisees remain unspecified. No research grants or funded projects were referenced. No dedicated research laboratories or collaborative teams were identified in the provided information.

Grace D. Gipsonمشاهده پروفایل

استادیار

• Black popular culture
• Digital humanities
• Comic books and fandom culture
• +۳ مورد دیگر

Dr. Grace D. Gipson is an Assistant Professor in the Department of African American Studies at Virginia Commonwealth University (VCU), where she has taught since 2020. Her work focuses on Black future feminism, exploring intersections of race, gender, and popular culture through comic books, Afrofuturism, and digital humanities. She holds a Ph.D. from UC Berkeley, an M.A. from Georgia State University, and a B.A. from Clark Atlanta University. Previously, Gipson served as a postdoctoral fellow at the University of Rochester’s Frederick Douglass Institute and a visiting lecturer at Georgia State University. Her research examines Black female identities in comics, online academic networks, and representations of race/gender in speculative fiction. Key projects include a forthcoming book analyzing Black female identities in comics fandom and a study on Black academic-popular networks. Her work appears in venues like AAIHS/Black Perspectives and edited volumes on Afrofuturism. Gipson actively engages with communities through projects like the #BlackComicsChat podcast, advocating for inclusive representation in media. Her scholarship bridges academia and pop culture, emphasizing marginalized voices in creative industries.

Alice Kellyمشاهده پروفایل

استادیار

• Twentieth-Century Literary and Cultural History
• Anglo-American Modernism
• Literary and Cultural Memory
• +۳ مورد دیگر

Alice Kelly is an Assistant Professor of Literature and History at the University of Warwick . As the Co-Convenor of the English and History degree , she is actively involved in interdisciplinary teaching and research. Education: BA in English Literature, University of Sussex MSt in English and American Studies, University of Oxford PhD in English Literature, University of Cambridge Her research expertise lies in twentieth-century literary and cultural history , particularly Anglo-American modernism and literary and cultural memory, especially of war . She is the author of Commemorative Modernisms: Women Writers, Death and the First World War (2020) and has edited a special issue on American First World War Literature (2022). Her recent publications and public engagement explore the intersection of literature, memory, and cultural history , including commentary on The Great Gatsby and its centenary significance . She has also contributed to discussions on contemporary fiction , reviewing works such as Orbital and James . She has received multiple scientific awards , including the British Academy Rising Stars Engagement Award , the Women in the Humanities Fellowship at TORCH Oxford , and the Fox International Fellowship at Yale University .

Ralph E Rodriguezمشاهده پروفایل

استاد

• Latinx Literature
• Chicano Studies
• Critical Race Studies
• +۸ مورد دیگر

Ralph E Rodriguez is a Professor at Brown University , affiliated with both the American Studies and English departments. His work bridges Latinx literature , Chicano studies , and critical race theory , with over two decades of academic contributions. Education : PhD in English (1997) and BA in English (1992) from the University of Texas and Old Dominion University respectively Research focuses on ethnic expectations in literature , transnational identity , and border relations . Current projects analyze multilingual writers and creative non-fiction narratives. Funded by prestigious institutions like the NEH , Woodrow Wilson Foundation , and Cogut Center for the Humanities , he has published extensively on topics including Chicana/o identity , racial surfaces in graphic art , and assimilation critiques . His teaching awards from Brown, Penn State, and University of Texas highlight his commitment to pedagogy that merges radical love with critical analysis . Collaborations with scholars like Valeria Luiselli and affiliations with the American Studies Association and Latinx Studies Association underscore his influence in interdisciplinary fields. Scientific Awards & Fellowships MLA Best Book Prize (2006) Cogut Center Faculty Fellowship (2014) NEH Younger Scholar (1991) Phi Kappa Phi & Sigma Tau Delta honor society memberships Students engage through courses on Latinx cultural theory , creative non-fiction , and contemporary fiction , reflecting his dedication to community-building in academic environments. His radical love pedagogy emphasizes dialogue, positionalities, and equitable knowledge production across identity markers like race, class, and gender.

Bettina Kümmerling-Meibauerمشاهده پروفایل

استاد

• Children's Literature
• Picturebook Research
• European Avant-Garde Movements
• +۱۰ مورد دیگر

Bettina Kümmerling-Meibauer is a Full Professor of German Literature and Literary Didactics at the Eberhard Karls University of Tübingen, specializing in children's literature, picturebook research, and intermedial studies. With a habilitation from Tübingen (2001) and a PhD from Cologne (1990), she has held guest professorships in Sweden and Austria, declined a chair at the Free University of Bolzano (2014), and led EU-funded projects like Canon Constitution and Canon Change in Children's Literature (2017) and The Digital Literacy and Multimodal Practices of Young Children (2015–2019). Her research spans avant-garde children's literature, Jewish children's books, and early literacy. Education : PhD in German Philology (University of Cologne, 1990); Habilitation in Children's Literature (Tübingen, 2001). Her research interests focus on intersections between children's and adult literature, avant-garde aesthetics in picturebooks, and the political dimensions of children's media. She has co-edited The Routledge Companion to Picturebooks (2018) and Canon Constitution and Canon Change in Children's Literature (2017). Recent publication trends highlight her work on cognitive challenges in picturebooks, the impact of digital media on young adult literature, and the legacy of classical myths in contemporary children's works. She has also explored topics like propaganda in GDR photographic books and multilingual children's literature. Scientific awards include the 2017 ChLA Edited Book Award for Children’s Literature and the Avant-Garde (co-edited with Elina Druker). She serves on editorial boards for journals like International Research in Children’s Literature and Libri & Liberi . Advising includes completed doctorates on topics like Swedish fantasy reception in Germany, initiation novels in 20th-century children's literature, and gender discourse in Erich Kästner adaptations. She has advised on international doctoral projects in the UK, Belgium, South Africa, Portugal, Sweden, and Spain.

Erik Bornمشاهده پروفایل

استادیار

• Media History and Theory
• German Studies
• Medieval Studies
• +۷ مورد دیگر

Erik Born is an Assistant Professor in the Department of German Studies at Cornell University's College of Arts and Sciences, with active affiliations in Media Studies, Medieval Studies, Performing and Media Arts, and Visual Studies programs. His academic credentials include: PhD in German Studies and Medieval Studies (with Designated Emphasis in Film & Media Studies) from the University of California, Berkeley BA in Fundamentals: Issues & Texts from the University of Chicago Born's research centers on transhistorical connections across literary, media, and cultural studies, critically examining relations between 'old media' and 'new media' from manuscripts to digital networks. His work spans medieval media theory, early German science fiction, cinema history, and speculative media philosophy, evidenced by current book project 'Wireless Futures, 1900/2000/2100' reinterpreting historical precursors to mobile connectivity and upcoming research on 'Premodern Cultural Techniques' analyzing premodern reading/writing practices. Publication analysis reveals consistent interdisciplinary methodology bridging German Studies, Medieval Studies, and Film & Media Studies through media archaeology and cultural techniques frameworks. His scholarship demonstrates chronological range from medieval manuscript culture to digital networks while maintaining focus on German-language contexts and transhistorical media continuity. As an engaged member of Cornell's interdisciplinary academic ecosystem, Born contributes to multiple programs fostering innovative cross-disciplinary research in media and cultural studies.

Robert Peasleeمشاهده پروفایل

دانشیار

• Media Power
• Fan Cultures
• Film Studies
• +۵ مورد دیگر

Robert Peaslee is an Associate Professor in the Journalism & Creative Media Industries program of the College of Media & Communication at Texas Tech University , where he also serves as Associate Dean of the Honors College . His scholarship bridges media anthropology, fan studies, and adaptation theory, with particular attention to the cultural politics of superheroes, screen tourism, and global media flows. Education Ph.D., University of Colorado, Boulder, 2007 Research Interests Peaslee’s work interrogates how media texts and industries shape social power relations. Employing ethnographic and textual methods, he has examined: fan cultures and participatory audiences the spatial politics of screen tourism destinations such as Hobbiton and Game of Thrones filming sites the global circulation of superhero narratives and their moral economies representations of place, memory, and identity in film and television Across these strands he explores how media producers and consumers co-create meaning, often through transnational and digital contexts. Publication Trajectory His recent publications display a consistent focus on adaptation and transmedia storytelling, especially where comic-book superheroes and cult texts intersect with tourism and fan labor. The 2020 co-edited volume The Supervillain Reader and the 2016 collection Marvel Comics into Film exemplify his leadership in consolidating critical discourse around comic-to-screen adaptation. Parallel articles on screen tourism investigate how locations such as New Zealand’s Hobbiton or Northern Ireland’s Game of Thrones sites become contested spaces of authenticity and commodification. Awards & Honors Member, TTU Teaching Academy TTU President’s Excellence in Teaching Award Professing Excellence Award, Research Chair, Visual Communication Division, AEJMC (2011) 2nd Place, Top Faculty Papers Competition, AEJMC Visual Communications Division (2010) 2009–2010 Professing Excellence Award, Texas Tech University 2010 Nominee – Outstanding Faculty, Student Disability Services, Texas Tech University Teaching, Service & Leadership Peaslee teaches undergraduate and graduate courses that integrate critical theory with creative practice, including Visual Communication, Writing for Series Television, and Qualitative Research Methods. He has coordinated the TTU International Film Series and formerly served as Programming Chair for the Flatland Film Festival in Lubbock. His record of service includes editorial board membership for the American Communication Journal and leadership roles within AEJMC’s Visual Communication Division. Labs & Creative Spaces While no formal lab is listed, his ongoing longitudinal ethnographic projects on screen-tourism sites and his editorial collaborations function as de facto research collectives involving graduate students and international scholars.