Elisabeth Jean Wood is a Professor of Political Science at Yale University and holds a concurrent professorship at the Santa Fe Institute. Her research focuses on political violence, particularly sexual violence during war, civil war dynamics, and social movements. She is renowned for her work on insurgent transitions in South Africa and El Salvador, as well as her analysis of variation in wartime sexual violence. Wood has authored influential books including Forging Democracy from Below (2000) and Insurgent Collective Action and Civil War in El Salvador (2003). Her recent work examines the Myanmar military's sexual violence against the Rohingya, emphasizing ideological motivations and institutional frameworks. Wood teaches courses on comparative politics, political violence, and qualitative research methods at Yale. She serves on editorial boards for Politics and Society , American Political Science Review , and the Contentious Politics series. Her research emphasizes ethical fieldwork practices and transparency in qualitative studies, addressing challenges in conflict zones. Her work bridges theoretical contributions with policy implications for understanding and preventing conflict-related atrocities.
Prof. Stefan Rohdewald is a Professor of East and South-Eastern European History at the University of Leipzig since 2020. Previously, he held positions at Justus Liebig University Giessen (2013-2020), University of Passau (2003-2012), and University of Zurich (1998-2001). His research focuses on transregional histories, religious memory, and intercultural communication in Eastern Europe and the Ottoman sphere. Key roles include coordinating DFG’s Transottomanica program and leading the GiZo partnership with University of Zagreb. Education: PhD (2004, University of Zurich), Habilitation (2012, University of Passau). Research interests span memorial discourses, Ottoman-Europe relations, and sport history. Major projects include studies on Serbo-Bulgarian religious figures and transottoman mobility dynamics. He chairs conferences on minority politics and Ottoman Europe, contributing to over 70 peer-reviewed publications. Award-winning publications include Götter der Nationen (2014) and Vlad der Pfähler (2017). His work bridges Eastern European, Ottoman, and transnational histories through innovative methodological frameworks.
José Eduardo Villalobos Graillet is an Assistant Professor of Spanish at Idaho State University , specializing in Modern Peninsular Literature and Culture with a focus on visual culture (film and television) . He previously held a position as Spanish Instructor at Wilfrid Laurier University in the Department of Languages and Literatures. Research Areas : Spanish Film Studies, Spanish Medieval Literature, Latin American and Caribbean Studies, Teaching Spanish as a Foreign Language, Visual Culture, and Critical Pedagogy. His scholarly work examines film and television adaptations of 'La Celestina' , analyzing censorship dynamics across Francoist Spain, the Democratic Transition, and contemporary Spain. He also contributes to Spanish pedagogy , developing technological tools like Lang-8 for written expression and culturally immersive teaching units on topics such as winter festivals and Caribbean music. His publications span both critical academic analysis and methodological innovations for language instruction. Key Themes in Publications : Adaptation fidelity, political censorship, intercultural pedagogy, and the role of digital platforms in language learning.
Andrea Korda, PhD (University of California, Santa Barbara), is an Associate Professor of Fine Arts & Humanities and Associate Dean (Research) at the Augustana Campus of the University of Alberta. Her academic career bridges art history, material culture studies, and pedagogical innovation. Educations: BA in Fine Arts, Queen's University MA in Art History, Concordia University PhD in Art History, University of California, Santa Barbara Research Focus: Dr. Korda specializes in 19th-century visual and material culture, with a focus on education's visual dimensions, children's literature, and community-engaged projects like the award-winning Crafting Communities initiative. She co-curated the virtual exhibition Photographies (Bruce Peel Special Collections) and explores hands-on learning through historical crafts. Teaching: Courses include modern art history (AUART 220), photography theory (AUART 225), and special topics in visual culture (AUART 382). She emphasizes experiential learning and digital humanities integration, as seen in her work with the Getty Museum Challenge and OER projects. Collaborations: Leads interdisciplinary teams on projects like Crafting Communities , blending scholarship with public engagement. Her research bridges historical methodologies with contemporary pedagogical practices, fostering connections between academia and communities.
Prof. Dr. Barbara Mittler is Professor of Sinology at Heidelberg University and founding co-director of the Heidelberg Centre for Transcultural Studies (CATS) and the Cluster of Excellence 'Asia and Europe in a Global Context.' Her research explores Chinese cultural policy, print media, musicology, visual culture, and transcultural studies. Mittler's scholarly contributions include groundbreaking work on Cultural Revolution culture, early Chinese print media (particularly women's magazines), and the transcultural flows of cultural production. Her current projects examine Mao as a global icon and comparative studies of Asian 'fathers of the nation.' Her publication record demonstrates consistent focus on cultural transmission mechanisms, with recent research developing transcultural frameworks for understanding cultural exchange and historical analysis. Publications reflect an interdisciplinary approach combining visual analysis, media studies, and historical methodology. Mittler has received numerous honors including the Fairbank Prize, Heinz-Maier-Leibnitz Prize, and memberships in the Leopoldina and Heidelberg Academy of Sciences. She leads major initiatives like the China-Schul-Akademie developing educational materials about China for German schools.
Amr Youssef is a Professor at the Concordia Institute for Information Systems Engineering, Concordia University. His research focuses on applied cryptography, network security, cyber-physical systems security, blockchain, and privacy. He has contributed extensively to securing smart grids, IoT devices, and web applications through cryptographic protocols and machine learning-driven solutions. His work addresses critical challenges in cybersecurity, including e-voting systems, fault-tolerant differential protection, and privacy-preserving communication protocols. He explores vulnerabilities in modern systems such as SSO permissions, JavaScript exploits, and stalkerware tools, while developing frameworks like MEGR-APT for APT detection and TEE-Receipt for non-repudiation. Youssef’s research integrates interdisciplinary approaches, combining cryptography with AI (e.g., vision transformers for power quality analysis) and leveraging trusted execution environments (TEE) for secure computing. His projects often involve collaboration with industrial standards (e.g., IEC 61850), emphasizing practical implementations in real-world systems.
Professor Peter John Edgley Robinson is a distinguished academic and poet at the University of Reading, where he holds the position of Professor in the Department of English Literature, part of the School of Humanities. He is renowned for founding the English Literature with Creative Writing joint degree program and the MA in Creative Writing. His research focuses on modern and contemporary poetry, publishing, and translation, with a particular interest in 20th-century literary movements and interdisciplinary studies. Responsibilities include leading the Poetry & Poetics strand of the Modern Studies Centre and supervising doctoral research in creative writing and academic topics such as post-war Japanese poetry, Muriel Rukeyser’s work, and travel writing. He has held roles as poetry editor for Two Rivers Press and contributed to academic publications like The Fortnightly Review . His career includes teaching at Tohoku University in Japan and organizing events like the Reading Poetry Festival. Key awards include the Cheltenham Prize (1988), the John Florio Prize (2008), and Poetry Book Society recommendations. His publications span poetry collections, critical essays, translations, and novels, reflecting his expertise in literary analysis and creative expression. Notable works include The Sound Sense of Poetry (2018), Ravishing Europa (2019), and Retrieved Attachments (2023). Education: BA from University of York (1974), PhD from University of Cambridge (1981). Translations: Includes works by Vittorio Sereni, Pietro De Marchi, and Giorgio Bassani. Editorial Roles: Numbers magazine, Reading Poetry Festival , and The Oxford Handbook of Contemporary British and Irish Poetry . His research explores intersections between poetry, economics, and cultural identity, with a focus on publishing policies and lyrical forms. He remains active in mentoring emerging writers and fostering interdisciplinary collaboration.
Elias Dinas is a Full-time Professor in the Department of Political and Social Sciences at the European University Institute (EUI). He holds the Swiss Chair in Federalism, Democracy, and International Governance. His research focuses on political socialization, authoritarian legacies, and research methodology. Dinas earned his PhD in Political Science from the EUI in 2010. His research interests include the impact of historical traumas on political attitudes, experimental methods, and the dynamics of norm change. He collaborates with institutions like the Graduate Institute in Geneva through seminars, conferences, and methodological workshops. Recent work explores topics such as ideology mapping via AI, the electoral effects of early voting experiences, and the interplay between migration crises and public policy. His research has been published in top journals like the American Political Science Review and highlighted in outlets like The New York Times. Received the Michael Wallerstein Award (2019) for his work on migration and hostility. Supervises 14 students researching memory politics, norm change, and intergroup relations. Leads projects on post-authoritarian ideologies, German political identity, and elite-driven norm erosion. His teaching and supervision emphasize causal inference, experimental design, and quantitative methods, reflecting his commitment to rigorous political analysis.
Patricia M. Thornton is an Associate Professor in the Department of Politics and International Relations (DPIR) at the University of Oxford and a Fellow and Tutor in Politics at Merton College. She specializes in Chinese politics, focusing on state-society interactions, authoritarian governance, and the legacies of the Cultural Revolution. Her research explores institutions, practices, and networks shaping governance in China, including works like *Disciplining the State* (2007) and *Red Shadows* (2017). She has held leadership roles at Oxford, including Chair of the Sub-Faculty of Politics and International Relations, and served on editorial boards such as *The China Quarterly*. Her work addresses contemporary challenges like authoritarian resilience, social control mechanisms, and political dissent. Research Interests: - State formation and governance in China - Authoritarian political systems - Memory and legacies of the Cultural Revolution - Party-state dynamics and social movements - Comparative political institutions Publications highlight themes like economic governance, social movements, and policy implementation. She has supervised numerous PhD students, many now leading academics in Asia-Pacific studies. Her contributions to understanding China’s political evolution are complemented by media commentary on current events, including analysis of Xi Jinping’s governance strategies and societal trends. Awards: Merton College Fellowship Key Projects: Edited *To Govern China* (2017) and *Red Shadows* (2017)
Elizabeth Blake is an Associate Professor of Russian and Division Coordinator in the Department of Languages, Literatures and Cultures at Saint Louis University's College of Arts and Sciences. Her research focuses on 19th-century Russian literature, particularly Dostoevsky and Tolstoy, with emphases on empire studies, exile cultures, and religious dialogues between Russian Orthodoxy and Polish/French Catholicism. She has published two major books: *Dostoevsky and the Catholic Underground* (2014) and *Travels from Dostoevsky’s Siberia* (2019). Her work bridges literary analysis with historical context, examining themes like human rights, cultural mobility, and gender roles. Blake teaches courses ranging from language proficiency to advanced topics in Russian literature and cinema, including *Russian and Soviet Cinema* and *Dostoevsky Through the Centuries*. She has received numerous grants including Mellon and Fulbright-Hays awards for research in Russia and Poland. Her academic career includes extensive reviews for journals like *Slavic Review* and *Canadian Slavonic Papers*, alongside professional involvement with organizations such as the North American Dostoevsky Society. Blake’s teaching excellence is recognized through awards like the Spirit of the Billiken Award (2016), reflecting her impact on both scholarship and student mentorship.
Ian Frigaard is a Professor in the Department of Mechanical Engineering at the University of British Columbia (UBC), affiliated with the Faculty of Applied Science. He also holds an appointment in the Department of Mathematics. His research group operates in UBC's Complex Fluids Lab, focusing on interdisciplinary studies combining mathematical, experimental, and computational approaches. Education: B.Sc. (University of Wales) M.Sc. (University of Oxford) D.Phil. (University of Oxford) C.Math. (Certificate in Mathematics) Research Interests: Professor Frigaard specializes in non-Newtonian fluid mechanics, particularly the mechanics of visco-plastic (yield stress) fluids. His work addresses industrial challenges in petroleum engineering, including well cementing, leakage prevention, and abandonment techniques related to GHG emission control and environmental protection. Research methodologies span theoretical modeling, experimental validation, and computational simulations. Publication Trends: Recent work (2021–2023) emphasizes bubble dynamics in complex fluids, displacement flows in annular geometries, wellbore integrity modeling, and stochastic risk assessment for oil/gas operations. Publications frequently appear in top-tier journals like the Journal of Fluid Mechanics and Journal of Non-Newtonian Fluid Mechanics . Awards & Honors: CSME Fluid Mechanics Medal (2024) Stanley G. Mason Award, Canadian Society of Rheology (2022) Killam Research Prize, UBC (2019) Academic Leadership: Leads a research group of 10+ graduate students and postdocs. Provides summer internships and collaborates extensively with the petroleum industry. Research is supported by industrial partnerships and institutional grants. Facilities: Conducts experiments in UBC's Complex Fluids Lab, equipped for advanced rheological measurements and flow visualization.
Anupama Rao is Professor of History and MESAAS (Institute for Comparative Literature and Society) at Columbia University, with affiliations in Women's, Gender and Sexuality Studies and Human Rights. She is based at Barnard College, where she holds office hours and engages in interdisciplinary teaching and research. Her educational background includes a B.A. with honors from the University of Chicago and a Ph.D. from the Interdepartmental Program in Anthropology and History at the University of Michigan. Rao’s research spans South Asian history and anthropology , gender and sexuality studies , caste and race , social theory , comparative urbanism , and colonial genealogies of human rights . She is known for her groundbreaking work on anti-caste thought, particularly the political philosophy of B. R. Ambedkar, and for theorizing caste subalternity in modern India. Her scholarship critically examines the intersections of caste, gender, urban space, and political subjectivity. Her recent and ongoing publications reflect a deep engagement with global racisms, Cold War humanism, and justice futures. Key themes across her articles include Dalit aesthetics, subaltern urbanism, affirmative action, and the transnational dimensions of caste. Her work shows a consistent trend toward interdisciplinary, postcolonial, and decolonial frameworks that challenge Western-centric epistemologies. Fellow-in-Residence, National Humanities Center (2008–2009) Fellow, Center for Advanced Study in the Behavioral Sciences, Stanford (2010–2011) Fellow, REWORK, Humboldt University, Berlin (2014–2015) Global Humanities Institute Awardee, CHCI (2023) Rao has served as Senior Editor of Comparative Studies in South Asia, Africa, and the Middle East (2012–2021), President of the Society for the Advancement of the History of South Asia (SAHSA), and member of the South Asia Council of the Association for Asian Studies. She is Principal Investigator for the Mellon-funded Global Humanities Institute project Global Racisms, Cold War Humanism, and Just Futures (2022–2024) and co-directs Geographies of Injustice at Columbia’s Center for the Study of Social Difference. She has secured major research grants from the ACLS, NEH, SSRC, and Mellon Foundation. She advises and mentors graduate students, though specific names are not listed in the text. Rao directs the Institute for Comparative Literature and Society and convenes the Ambedkar Initiative, fostering interdisciplinary research and public engagement on caste, race, and justice. She leads and participates in multiple research collectives, including the Geographies of Injustice project and the Asian Spatialities initiative. She is deeply involved in institutional leadership through her roles at the Institute for Comparative Literature and Society and the Ambedkar Initiative, both of which serve as hubs for critical humanities research.
Laura Maria Lojo Rodriguez is a Professor in the Department of English and German Philology at the University of Santiago de Compostela , specializing in British literature and modernist/postmodernist fiction. She leads the Discourse and Identity research group (GI DI-1924), focusing on English language, literature, and culture through interdisciplinary frameworks. Her work intersects with the Humanities Research Institute (iHUS) . Her research spans: Gender and identity in Woolfian studies Migration narratives in contemporary short fiction Postcolonial themes in British-Irish literature Ecocritical and posthuman anxieties in Johnson's works Recent publications examine border politics, maternal discourses, and cross-cultural literary bonds. She has also contributed to translation studies, particularly Woolf's Spanish reception. Her academic output bridges literary theory with socio-political analysis.
Sunny Xiang is an Associate Professor of English at Yale University, where she teaches and conducts research at the intersection of literature, race, war, and empire. Her work critically examines U.S. military empire in Asia and the Pacific, particularly through aesthetic, cultural, and documentary forms from the mid-twentieth century. She is affiliated with the Department of English in the Faculty of Arts and Sciences at Yale. Ph.D., University of California, Berkeley B.A., Northwestern University Her research focuses on the cultural genealogies of American empire, with an emphasis on how war and militarism shape perception, knowledge, and everyday life. Key areas include Cold War aesthetics, Asian American studies, Pacific studies, critical militarization studies, and feminist science studies. She is particularly interested in how literary and cultural forms reveal the intimate, quotidian, and often invisible operations of empire. Her publications span journals such as ASAP/Journal , Radical History Review , PMLA , and Public Books . Her first book, Tonal Intelligence: The Aesthetics of Asian Inscrutability During the Long Cold War (Columbia University Press, 2020), explores the visual and narrative trope of Oriental inscrutability in relation to U.S. intelligence operations. Her current project, Chemical Apophenia: Air Conspiracies and Skin Connections in the Toxic Tropics , investigates how WWII military science in the Pacific generated new paradigms for detecting toxicity. The articles reflect a consistent engagement with themes of militarized domesticity, aesthetic excess, diasporic memory, and the entanglement of fashion, food, and war in imperial contexts. Mundane Militarisms: War, Archives, and Everyday Life (2024) Militarized Comfort: How to Feel Naked While Wearing Clothes (2023) Bikinis and Other Atomic Incidents: The Synthetic Life of the Nuclear Pacific (2022) Wars of Contemporary Life (2020) Global China as Genre (2019) Sunny Xiang has not been mentioned in relation to any scientific awards or fellowships in the provided text. She teaches courses such as War and Everyday Life, Readings in Comparative World English Literatures, and The Teaching of English. While her advisees or research teams are not listed, her scholarship demonstrates deep engagement with interdisciplinary methodologies and collaborative work, such as with the Mundane Militarisms Collective. She has not indicated any lab affiliations, but her research involves critical archival work and analysis of visual, literary, and cultural materials.
Tina Dacin is a Professor of Strategy and Organizational Behavior at the Smith School of Business, Queen's University, Canada. She holds the Stephen J.R. Smith Chair and serves as Director of the Community Impact Research Program. Her roles include former Director of the Smith School’s Centre for Social Impact, former University Senate member, and former Chair of the Principal’s Innovation Fund Committee. She co-founded the Community of Social Innovation Chair and holds affiliations with the Academy of Management and Informs. Education: Ph.D. (1993) in Business Administration from the University of Toronto and M.A. in Psychology from the University of New Brunswick. Research focuses on cultural heritage, social innovation/entrepreneurship, strategic alliances, and globalization. Key themes include custodianship, tradition preservation, place-making, and institutional dynamics. Recent work explores craft-based ventures, place-sensitive organizational practices, and institutional renewal in crises like the Detroit water wars. Awards: None explicitly listed, though her chair position reflects academic distinction. Teaching includes courses on global social impact and analytics/ethics policy. Labs/Teams: Leadership in the Community Impact Research Program and the Scotiabank Centre for Customer Analytics.
