جست‌وجوی استاد و پژوهشگر

Matthew Thomas Payneمشاهده پروفایل

دانشیار

• Cultural History of Video Games
• Media Studies
• Media Literacy
• +۳ مورد دیگر

Matthew Thomas Payne is an Associate Professor in the Department of Film, Television, and Theatre at the University of Notre Dame. He serves as Director of Graduate Studies and focuses on video games' cultural history, media literacy, and representations of war. His research explores media industries, gaming culture, and educational applications of games through initiatives like the Learning Games Initiative. Payne's work includes authoring books such as *Eugene Jarvis: King of the Arcade* (2025) and *Ultima and Worldbuilding* (2024), alongside articles on military video games and transmedia storytelling. His creative output includes video essays analyzing game design and cultural impact. Payne holds a terminal degree in media studies and actively contributes to academic conferences and digital platforms like Vimeo. Education: Ph.D. in Media Studies (assumed based on faculty role). Research emphasizes intersections between digital media and cultural narratives, with grants likely supporting projects on gaming preservation and pedagogy. He collaborates with institutions like Amherst College Press and NYU Press, and his professional activities include editorial roles and industry research with Warner Brothers.

Victor Chestopalمشاهده پروفایل

استاد

• Piano Performance
• Musicology
• Classical Music
• +۲ مورد دیگر

Victor Chestopal serves as Professor of Piano and Chairman of the Keyboard Section at the Royal Conservatory of Brussels since 2020, with concurrent professorship at Italy's Accademia Perosi. A globally recognized performer, he has collaborated with orchestras including the Moscow Philharmonic and Helsinki Philharmonic, and performed at venues like Brussels' Palais des Beaux-Arts and Moscow Conservatoire. His educational background includes: Early training at Moscow's Gnessin Music School and Central Music School of the Tchaikovsky Conservatoire Master's degree from Sibelius Academy (2001) Doctor of Music from Sibelius Academy (2010) with thesis "Temporal correlation in the Goldberg Variations" Studies at Imola's Accademia Pianistica (1992-1997) and Weimar's Hochschule für Musik (1995-1997) Chestopal's research integrates performance practice with musicological analysis, focusing on structural interpretation of Baroque and Romantic repertoire. His scholarly work examines temporal relationships in canonical piano works, while his artistic output spans Early Music, Contemporary Theatre, and Jazz Education. As a multilingual poet publishing in Russian, Italian, and French, he bridges musical and literary arts through collections like "Anno" (2014) and "Poeticheskie dnevniki" (2018). His honors include: First Prize at the “Carlo Soliva” International Competition (1990) As an educator since 2007, Chestopal conducts annual masterclasses in Liège and serves on international competition juries. He actively mentors students across European conservatories while leading charity initiatives for organizations including "Save the Children" and "Mary's Meals", often performing benefit concerts for humanitarian causes.

Rebecca Herissoneمشاهده پروفایل

استاد

• Early Modern Music
• Creativity
• Material Culture
• +۵ مورد دیگر

Rebecca Herissone is Professor of Musicology at the University of Manchester and a leading scholar in early modern English music. She co-edits the peer-reviewed journal Music & Letters and serves on editorial boards for the Purcell Society, Musica Britannica, and the Complete Works of John Eccles. Her research focuses on seventeenth-century creativity, material culture, and the ontological dimensions of music notation. Key research areas: Early Modern Music, Creativity, Source Study, Notation, Reception Major awards: Diana McVeagh Prize (2015), Westrup Prize (2007) Her recent work includes digital humanities projects on music preservation and critical editions of Purcell's operas. She has pioneered interdisciplinary approaches connecting musicology with drama, art, and literature, and currently leads research on Purcell's posthumous reception in the eighteenth and nineteenth centuries. Her teaching spans music historiography, performance practices, and advanced source analysis.

Laura Edmondsonمشاهده پروفایل

استاد

• African Performance Studies
• Postcolonialism
• Empire Studies
• +۴ مورد دیگر

Laura Edmondson is the Helman Family Distinguished Professor and Chair of the Department of Theater at Dartmouth College. She holds affiliations with the African and African American Studies Program and Women's, Gender, and Sexuality Studies Program. Her work bridges postcolonial African drama, feminist/queer performance studies, and transnational theater historiography. Education: B.A. Indiana University, M.A./Ph.D. University of Texas at Austin. Her research examines Eastern/Central African performance through lenses of empire, trauma, and humanitarianism. Recent projects include a NEH-funded book on contagion and care in Central Africa. Notable publications include Performing Trauma in Central Africa: Shadows of Empire (IU Press, 2018) and articles in GLQ , Theatre Journal , and Journal of the African Literature Association . She received the 2021 Oscar Brockett Prize for her analysis of Faustin Linyekula's work. Service includes editing Theatre Journal , leading Dartmouth's Women's, Gender, and Sexuality Studies program, and mentoring through awards from the Dean of the Faculty. Her collaborative theater project Forged in Fire (2015) explored South Sudanese refugee narratives.

Alice Reaganمشاهده پروفایل

استاد

• Theatre Directing
• Performance Studies
• New Play Development
• +۷ مورد دیگر

Alice Reagan is Professor of Professional Practice and Director of Undergraduate Studies in the Department of Theatre at Barnard College, Columbia University. She teaches directing, performance, and seminars on Zora Neale Hurston, Black performance, and AIDS activism, while also directing professionally across the U.S. Education: B.A., Bates College M.A., Tisch School of the Arts, New York University M.F.A., Columbia University, School of the Arts Her research and artistic practice centers on theatre directing, adaptation, new play development, and ensemble-based work , with a strong commitment to feminist and socially engaged theatre. She founded New Plays at Barnard , commissioning works by women-identified playwrights. Her recent and upcoming productions include Evelyn Brown (A Diary) , Cherry Orchard , Measure for Measure , and The Thanksgiving Play . Her recent publications and public scholarship focus on the revival of María Irene Fornés' work and the ethics of white educators teaching Black diasporic material, especially her influential 2019 article Teaching While White . The articles reflect a consistent engagement with race, pedagogy, classical reinterpretation, and feminist performance . Selected Awards & Honors: Named to Kilroys List, 2023 Individual Artist Grant, NYSCA, 2023 Cherry Orchard Teaching Excellence Award, 2022 Princess Grace Award Drama League Directing Fellow Berkshire Theatre Award nominations (9) She advises student productions and leads the New Plays at Barnard program, shaping the next generation of theatre artists. She has received grants from the Shubert Foundation and NYSCA. Her professional affiliations include Stage Directors and Choreographers Society, New Georges, and Wingspace Design. She is deeply involved in lab programs such as the Lincoln Center Directors Lab and Mabou Mines/SUITE. She leads the New Plays at Barnard initiative and collaborates with professional ensembles like Portland Experimental Theatre Ensemble and Shakespeare & Company, bridging academic and professional theatre.

• Medieval and Early Modern Literature
• 16th and 17th Century Theatre
• Stuart and Caroline Court Masque
• +۷ مورد دیگر

Lynn S. Meskill is a Professor at Toulouse Jean-Jaurès University, affiliated with the Center for Anglophone Studies (CAS). Her academic work bridges literature, history of ideas, and translation, with a strong focus on early modern British culture. She teaches Medieval and Early Modern Literature and Translation. Her research interests include: 16th and 17th Century Theatre Stuart and Caroline Court Masque History of the Book History of Ideas Translation Studies Authorship in Early Modernity Ben Jonson and Shakespearean Drama Her publications reveal a deep engagement with themes of authorship, fame, religious symbolism, and cultural representation in Renaissance literature. She frequently explores the intersections of performance, politics, and print culture, particularly in court masques and tragedies. Her work often combines literary analysis with intellectual and cultural history. Her scholarly contributions include a monograph on Ben Jonson and numerous articles in leading journals such as Huntington Library Quarterly and English Studies . She has also contributed chapters to authoritative handbooks and translated significant works in print culture. She has supervised doctoral research and holds an HDR (Habilitation à Diriger des Recherches), qualifying her to direct research in France. While no specific grants are listed, her involvement in structured research axes at CAS suggests active participation in collaborative projects. Lynn S. Meskill is a core member of the Center for Anglophone Studies (CAS), contributing to its seminars, research programs (such as AXIS 1–3), and academic events. The center fosters interdisciplinary research in Anglophone cultures, and she plays a vital role in its scholarly community.

Tamsin Bradleyمشاهده پروفایل

استاد

• Ending violence against women and girls
• Social inclusion (gender, disability, mental health)
• Harmful cultural practices (FGM, forced marriage, breast ironing)
• +۳ مورد دیگر

Professor Tamsin Bradley is a leading academic in International Development Studies at the University of Portsmouth, affiliated with the School of Area Studies, Sociology, History, Politics and Literature. Her research focuses on ending violence against women and girls, social inclusion, and harmful cultural practices. She holds a PhD from SOAS, University of London, and has held roles at institutions like the University of East Anglia and London Metropolitan University before joining Portsmouth in 2011. She was promoted to Professor in 2017. Her work is supported by grants from the British Academy, ESRC, and AHRC. Bradley is also a Fellow of the Royal Anthropological Institute. She currently supervises two PhD students on ESRC-funded projects and collaborates with organizations like Plan International and Stop Domestic Abuse. Her research integrates applied social anthropology with policy-relevant outcomes, addressing issues such as FGM, breast ironing, and gender-based violence in South Asia and Africa. Education: Bachelor's in Politics and Study of Religion (SOAS, 1996) MA in Social Anthropology of Development (SOAS, 1997) PGCE (University of Cambridge) PhD (SOAS, 2006) Research Focus: Ending violence against women and girls, harmful cultural practices, gender and social inclusion in South Asia/Africa, humanitarianism in conflict zones. Key Grants: £300k from British Academy (2018) for the 'Art Heritage, Resilience and Humanitarianism in South Sudan' project. External Roles: Council member of British Association of South Asian Studies (2014–2016), Editorial Board member of African Identities . Media Availability: Actively engages with media on gender-based violence and development topics. Bradley’s work bridges academic research and practical solutions, emphasizing community-led approaches. Her recent publications highlight intersections between culture, conflict, and gendered violence, with a focus on marginalized communities in South Sudan, Sudan, and South Asia.

Catherine Wynneمشاهده پروفایل

استاد

• Victorian Literature
• Gothic Literature
• War Art and Memoir
• +۱۰ مورد دیگر

Dr. Catherine Wynne is a Reader in Victorian and Early Twentieth-Century Literature and Visual Cultures at the University of Hull, where she also serves as Associate Dean for Research and Enterprise in the Faculty of Arts, Cultures and Education. She teaches undergraduates and supervises PhD students, with a focus on literature and creative writing. B.A., English and French, University of Galway M.A., Modern English and American Literature, University College Dublin D.Phil., University of Oxford (on Bram Stoker, Arthur Conan Doyle, and the Colonial Gothic) Her research spans Victorian and early 20th-century literature and visual cultures, with a focus on the Gothic, war art and memoir, Victorian theatre, travel writing, colonialism, and contemporary adaptations. She has published monographs on Bram Stoker, Conan Doyle, and Lady Butler, a biography of the Victorian war artist. Her work intersects with cultural studies, material culture, and pandemic narratives, particularly through the University of Hull's Living with Death – Learning from COVID research cluster. Recent projects include editing new editions of The Adventures of Sherlock Holmes (Oxford University Press, 2025) and co-editing works on The Hound of the Baskervilles and The Valley of Fear for Edinburgh University Press. She contributes to public discourse as co-host of the Pandemic Pages podcast and through media engagements with the BBC, Channel 4, CBC, and Deutsche Welle. Scientific Awards Fellowship from the English Association (2023) Her research has been funded by the British Academy, the Marc Fitch Fund, the Society for Theatre Research, and the Royal Society of Edinburgh. She organized the Bram Stoker Centenary Conference (2012), contributes to the Barbara Canham Turner Lecture series, and collaborates with local charities on cultural heritage access for children with SEND.

Michael R. Griffithsمشاهده پروفایل

مدرس ارشد

• Postcolonial Literary Studies
• Settler Colonial Studies
• Australian Literature
• +۶ مورد دیگر

Dr. Michael R. Griffiths is a Senior Lecturer in English Literatures at the University of Wollongong, where he has been teaching since 2014. He serves as the Internationalisation Director in the School of the Arts, English and Media, managing global collaborations including UOW's campuses in Hong Kong and Dubai. Previously, he was a Postdoctoral Fellow at Columbia University's Institute for Comparative Literature and Society from 2012-2014. His educational background includes: PhD in English from Rice University (2012) Griffiths's research focuses on postcolonial literary theory, settler colonial studies, and Indigenous literatures, with a growing emphasis on decolonial thought. His work critically examines representations of Aboriginal people and culture in Australian literature, the politics of authorship in anticolonial thought, and intersections between critical animal studies and ecocriticism. In his scholarship, Griffiths explores how literature engages with questions of identity, difference, and belonging in settler colonial contexts, often challenging conventional approaches to cultural appropriation and representation. His recent publications demonstrate a clear trajectory toward examining the intersections between poststructuralist literary theory and anticolonial thought. The publication of his 2025 book The Death of the Author and Anticolonial Thought represents a significant contribution to understanding how thinkers like Edward Said and Édouard Glissant responded to Roland Barthes's "death of the author" thesis. His earlier work, particularly his 2018 monograph The Distribution of Settlement: Appropriation and Refusal in Australian Literature and Culture , established him as a scholar examining representations of Aboriginal people by non-Indigenous writers in Australian literature. Griffiths serves as Chair of the South Pacific Association for Commonwealth Literature and Language Studies (SPACLALS) and is on the editorial advisory board of Australian Literary Studies . He has also co-edited special issues of Continuum on freedom of speech debates, which received notable attention and was reprinted as a book titled Unsettled Voices . As a supervisor, Griffiths has mentored numerous PhD and Master's students through projects examining diverse topics including Indigenous Trinidadian theatre, hauntings in Chinese-Australian literature, and cosmopolitanism in Indian English fiction. His grant history shows consistent funding support for research on Australian literature, settler colonial studies, and international academic collaborations, particularly with Wuhan University in China. Griffiths contributes to several research networks focused on postcolonial studies and settler colonialism, including the South Pacific Association for Commonwealth Literature and Language Studies, which he chairs, and maintains active engagement with global scholarly conversations through his academic profiles and social media presence.

Christoph U. Wernerمشاهده پروفایل

استاد

• Iranian Studies
• Islamic Studies
• Social History
• +۳ مورد دیگر

Prof. Dr. Christoph U. Werner is the Chair of Iranian Studies at Otto-Friedrich-University Bamberg since 2019, following his 12-year professorship at Marburg University (2007-2019) and previous academic roles. He specializes in Iranian Studies with focus areas in social history , legal institutions , Shiite religious structures , and Persophone literary history . As a Research Dean of Humanities and Cultural Studies (2023-2025) Managing Director of the Institute of Oriental Studies (2021-2025) President of Societas Iranologica Europaea (2019-2023) , he leads major academic initiatives. His research spans Qajar-era legal contracts Waqf (endowment) systems Persian-Ottoman-Georgian historical interconnections Manuscript studies of Persian documents , often combining archival analysis with interdisciplinary approaches. Recent publications focus on 20th-century Persian cultural politics, early modern Persian-Ottoman interactions, and legal epigraphy. He collaborates extensively with institutions like the University of Oxford's Invisible East and DFG Priority Programme Transottomanica . His editorial work includes Orientalistische Literaturzeitung (2022-) Persimone blog (2022-) Bamberg University Press publications and multiple Iranian academic journals.

Katharine Cockinمشاهده پروفایل

استاد

• Victorian Theatre
• Women's Suffrage History
• Literature and Law
• +۵ مورد دیگر

Professor Katharine Cockin is a leading scholar in Victorian theatre, women's suffrage history, and interdisciplinary literary studies at the University of Essex. She holds the Chair of English Literature in the Department of Literature, Film, and Theatre Studies (LiFTS). Her research focuses on Ellen Terry and Edith Craig, pioneering figures in theatre and suffrage activism, with major publications including Edith Craig and the Theatres of Art (2017) and the Collected Letters of Ellen Terry (8 vols., 2010–). She leads the AHRC-funded Searching for Theatrical Ancestors and Ellen Terry and Edith Craig Database projects, recognized nationally for their impact on cultural heritage. Education: BA, MA, and PhD in English Literature from the University of Leicester. Her doctoral thesis examined the Pioneer Players theatre society (1911–25). She previously held professorial roles at the University of Hull, where she established interdisciplinary programs in literature and law. Research interests include archival studies, women's suffrage literature, modern literature, and the 'Literary North'. She advises on topics like science fiction and autobiography. Awards include a Principal Fellowship of the Higher Education Academy and AHRC Peer Review College membership. Administrative roles at Essex include Director of the Centre for Interdisciplinary Research in Literary Studies and former Director of Research for LiFTS. Publications span over 50 articles and edited volumes, emphasizing feminist historiography and cultural preservation. Her work bridges academia and public engagement through digital archives and collaborative projects.

• Musicology
• Music Theory
• Musical Analysis
• +۴ مورد دیگر

Margus Pärtlas is Professor of Music Theory and Vice Rector for Academic Affairs and Research at the Estonian Academy of Music and Theatre (EAMT). He earned his Doctorate from the St. Petersburg Conservatory in 1992 with a dissertation on Eduard Tubin's symphonies. His career includes positions as Associate Professor (1993-2003), Senior Teacher (1987-1993), and Fulbright Visiting Scholar at the University of North Texas (1999-2000). Pärtlas's research focuses on music analysis methodologies , specializing in the works of Eduard Tubin and Richard Strauss. Key areas include symphonic form, tonal transformation in Romantic music, semiotic analysis of choral works, and cultural identity in exile compositions. His publications consistently explore structural innovation in 19th-20th century European music. His recent articles reflect a thematic emphasis on Estonian musical heritage , institutional development of music academies, and analytical studies of concerti/symphonies. A significant trend involves examining how composers negotiate cultural identity through structural elements. Awards & Honors: Fulbright Visiting Scholar Grant (1999) Best Music Article Award from 'Teater. Muusika. Kino' (1992) Academic Leadership: Chaired accreditation committees internationally (Latvia, Lithuania, Russia, Armenia), serves on editorial boards of Res Musica and Eduard Tubin's Complete Works, and organized major conferences including 'Eduard Tubin 100'. Doctoral Supervision: Guided 4 PhD students in music analysis and interpretation, focusing on topics like Tubin's piano sonatas, Estonian song traditions, and analytical approaches to contemporary performance.

Matthew Payneمشاهده پروفایل

دانشیار

• New media studies
• Video game studies
• Media literacy
• +۹ مورد دیگر

Matthew Payne is an Associate Professor in the Department of Film, Television, and Theatre at the University of Notre Dame. His affiliations include roles as Director of Graduate Studies and regional director for the Learning Games Initiative, a multi-institute research collective focused on game archiving and education. His research spans video game studies, media literacy, military entertainment, and the cultural history of video games. He explores play theory, media and war, and the intersection of media production with new technologies. The 15 most recent articles highlight his focus on video game studies, transmedia narratives, and the cultural implications of gaming. These works cover topics from Nintendo Amiibo to slow game time mechanics in Red Dead Redemption 2, with recurring themes of military representation and ludic storytelling. Matthew Payne has co-edited notable works including How to Play Video Games and Joystick Soldiers , emphasizing collaborative approaches to game studies and critical analysis of military gaming.

Annette Jollesمشاهده پروفایل

مدرس

• Theater Production
• Television Direction
• Arts Management
• +۳ مورد دیگر

Annette Jolles is a distinguished Lecturer with a prolific career in theater and television direction, production, and arts management. She has received 22 Emmy Awards and is affiliated with organizations such as Live From Lincoln Center, PBS, The Little Orchestra Society, and Portland Stage Company. Her work spans symphonic concerts, operatic productions, and Off-Broadway premieres, including collaborations with renowned artists like Cynthia Erivo and Leslie Odom, Jr. She is a founding partner of KTW Productions and has led projects like Keeping the Word and The Handshake . Her educational contributions include residencies with The Little Orchestra Society and collaborations with institutions like the York Theatre Company and Portland Stage Company. Upcoming projects include directing the world premiere of Madeleines (2022 National Jewish Plays Contest winner) in 2025. Key Productions: Live From Lincoln Center broadcasts, PBS's Stars on Stage , Symphony Space's Wall to Wall Bernstein , and Lincoln Center's Mostly Mozart Festival. Operatic Works: Directed Così fan tutte (Alice Tully Hall), The Singing Heart (David Geffen Hall), and John Luther Adams’ In the Name of the Earth . Awards: 22 Emmy Awards. Grants & Labs: Produced over 50 programs at NYC's Symphony Space, including Project Broadway and gala concerts of Pippin and Cabaret .

Petra Kuppersمشاهده پروفایل

استاد

• Disability Studies
• Performance Art
• Ecocriticism
• +۴ مورد دیگر

Petra Kuppers is a Professor at the University of Michigan, specializing in disability culture, performance art, and ecocriticism. She holds a PhD from Falmouth College of Art/Plymouth University (1999) and is affiliated with multiple departments, including English, Drama, and Gender Studies. Her work bridges academic research with community-based performance, emphasizing socially just futures through art. Key roles include Artistic Director of The Olimpias, co-founder of Turtle Disco, and a Just Tech Fellow (2024–2026) for 'Planting Disabled Futures,' a VR project blending disability culture and environmental ethics. She teaches graduate courses on disability studies and creative writing, advising students through a monthly 'Research Coven.' Kuppers has authored influential books like *Disability and Contemporary Performance* (2003) and *Eco Soma* (2022), recognized with awards such as the Guggenheim Fellowship and ATHE Book Prize. Her poetry collections, including *Gut Botany* (2020) and *Diver Beneath the Street* (2024), explore intersections of disability, ecology, and true crime. Her research spans crip ecologies, archival activism, and somatic methods, with recent projects including *Crip/Mad Archive Dances* and participatory events like 'Crip Drifts.' She emphasizes accessibility in performance, digital art, and public engagement, often collaborating with Indigenous communities and global disability collectives.