جستجوی استاد راهنمای دانشگاهی

Emily C. Bartelsمشاهده پروفایل

استاد

• Early Modern Literature
• Shakespeare Studies
• Christopher Marlowe Studies
• +۳ مورد دیگر

Emily C. Bartels is a Professor of English at Rutgers University specializing in early modern literature and culture, with particular expertise in Shakespearean and non-Shakespearean drama. She has served as director, and is now dean, of the Middlebury Bread Loaf School of English since 2010, a summer Master's program designed for K-12 English teachers. Professor Bartels received her BA from Yale University and both her MA and PhD from Harvard University. Her academic background positioned her to become a leading scholar in Renaissance literature studies. Her research examines questions of race, cross-cultural relations, gender, genre, and performance in early modern English drama. Professor Bartels is renowned for her groundbreaking work on Shakespeare's Othello and Christopher Marlowe's plays, analyzing how these texts represent cultural and racial difference. She has significantly contributed to postcolonial approaches to early modern literature, revealing how English drama engaged with global encounters and representations of the 'other' during the Renaissance period. Her scholarship demonstrates how early modern writers both reflected and shaped contemporary attitudes toward difference, particularly regarding race, religion, and national identity. Professor Bartels' publications reveal a consistent scholarly trajectory examining racial and cultural representation in early modern England. Her work spans from detailed analyses of specific plays like Hamlet and Julius Caesar to broader studies of how England conceptualized Africa and non-Christian cultures during the Renaissance. A recurring theme throughout her career is the analysis of how early English drama both reflected and shaped contemporary attitudes toward difference, particularly regarding race, religion, and national identity. Roma Gill Prize for Best Work on Christopher Marlowe (1993-94) for Spectacles of Strangeness: Imperialism, Alienation, and Marlowe Board of Trustees Fellowship for Scholarly Excellence (1993) School of Arts and Sciences Award for Distinguished Contributors to Undergraduate Education (2008 & 1993) Warren I. Susman Award for Excellence in Teaching (2008) Solmsen Fellowship at the Institute of Research in the Humanities, University of Wisconsin (1995) Black Atlantic Project fellowship from the Rutgers Center for Historical Analysis Professor Bartels has demonstrated exceptional commitment to both research and teaching excellence. She has developed innovative courses exploring the intersections of literature, history, and cultural studies, including undergraduate seminars on Othello and Hamlet, and graduate courses on Shakespeare Page and Stage. Her administrative role as dean of the Middlebury Bread Loaf School of English demonstrates her commitment to education beyond traditional university settings. Her fellowships from prestigious institutions indicate successful grant acquisition throughout her distinguished career. Professor Bartels has been actively involved with the Shakespeare Association of America and has collaborated with international scholars like Emma Smith of the University of Oxford. Her work has positioned her at the forefront of conversations about early modern literature, race studies, and postcolonial approaches to Renaissance drama, influencing how scholars understand the intersections of literature, race, and cultural identity in the early modern period.

Laurie Shannonمشاهده پروفایل

استاد

• Early Modern Literature
• Gender & Sexuality Studies
• Environmental Humanities
• +۵ مورد دیگر

Laurie Shannon is the Franklyn Bliss Snyder Professor of English at Northwestern University, with a J.D. from Harvard Law School and a Ph.D. from the University of Chicago. She studies English literature and culture in the long sixteenth century, focusing on the history of ideas in language, stakeholdership, embodiment, and cross-species relations. She serves as convener of The Anne Lister Society and is collaborating with Oxford University Press on a scholarly edition of Anne Lister’s Journal. Education: J.D., Harvard Law School; Ph.D., University of Chicago Shannon’s research explores the political imagination in early modern literature, particularly through friendship (Sovereign Amity: Figures of Friendship in Shakespearean Contexts) and animal studies (The Accommodated Animal: Cosmopolity in Shakespearean Locales). Her current monograph, 'Frailty’s Name: Shakespeare and the Natural History of Human Being,' examines human negative exceptionalism in Renaissance thought and its implications for climate crisis ethics. Her publications span Shakespeare studies, queer theory, environmental humanities, and textual editing. Notable awards include the Elizabeth Dietz Memorial Award, Robert B. Cox Teaching Award, and Dean’s Award for Graduate Mentoring. She has held NEH, ACLS, and Guggenheim fellowships. Scientific Awards: Elizabeth Dietz Memorial Award, Robert B. Cox Distinguished Undergraduate Teaching Award, Dean's Award for Graduate Mentoring, NEH Fellowship, ACLS Fellowship, Guggenheim Fellowship Shannon contributes to the Anne Lister Diary Transcription Project and has served as English Department Chair at Northwestern. Her recent articles focus on Shakespeare’s engagement with natural history, queer cosmology, and animal sovereignty, reflecting her interdisciplinary approach.

Blair Hoxbyمشاهده پروفایل

استاد

• Early Modern Literature
• Tragedy and Tragic Theory
• Milton Studies
• +۷ مورد دیگر

Blair Hoxby is Professor of English at Stanford University's School of Humanities and Sciences, where he has taught since 2007. Previously, he served as Associate Professor of History and Literature at Harvard University (2005-2007) and Associate Professor of English at Yale University (2003-2005), where he began as Assistant Professor in 1998. His academic journey includes a Ph.D. in English from Yale University (1998), an M.Phil. in English Studies from the University of Oxford (1990), and an A.B. in English and American Literature and Language from Harvard University (1988). Hoxby's research focuses on literature and culture from 1500 to 1800, with particular emphasis on tragedy theory, Milton studies, and the intersection of literature and economics. His notable works include What Was Tragedy? Theory and the Early Modern Canon (2015) and Mammon's Music: Literature and Economics in the Age of Milton (2002). He argues that early modern tragedy differed significantly from contemporary understandings of the genre, with passions rather than deeds or character serving as the keys to early modern tragic performance. Hoxby's recent scholarly output reveals a consistent engagement with early modern theatrical practices, particularly tragedy and opera. His work demonstrates sophisticated interdisciplinary approaches, connecting literary analysis with historical context, economic theory, and performance studies. He has made significant contributions to understanding how commercial culture shaped literary production and how theatrical conventions evolved across national boundaries in Europe. Scientific Awards and Honors Internal Fellow, Stanford Humanities Center (2009-2010) Morse Fellowship, Juilliard School (2001-2002) Samuel and Ronnie Heyman Prize, Yale University (2001) John Addison Porter Prize, Yale University (1999) Rhodes Scholarship, University of Oxford (1988-1990) Hoxby has supervised numerous doctoral students and served in various administrative roles at Stanford, including Director of Undergraduate Studies (2011-2014) and Director of Graduate Admissions (2008-2011). His teaching portfolio includes courses on English poetry from the Renaissance to Romanticism, tragedy and tragic theory from Aristotle to the present, theater history, and performance theory. Currently, he teaches courses such as Court Theater from Shakespeare to Mozart and Introduction to English II: From Milton to the Romantics . Hoxby maintains active scholarly engagement through committee memberships, including the Executive Committee of the Milton Society of America (2009-2013) and service as a referee for major academic presses including Oxford University Press and the University of Pennsylvania Press.

• Medieval and Early Modern Literature
• 16th and 17th Century Theatre
• Stuart and Caroline Court Masque
• +۷ مورد دیگر

Lynn S. Meskill is a Professor at Toulouse Jean-Jaurès University, affiliated with the Center for Anglophone Studies (CAS). Her academic work bridges literature, history of ideas, and translation, with a strong focus on early modern British culture. She teaches Medieval and Early Modern Literature and Translation. Her research interests include: 16th and 17th Century Theatre Stuart and Caroline Court Masque History of the Book History of Ideas Translation Studies Authorship in Early Modernity Ben Jonson and Shakespearean Drama Her publications reveal a deep engagement with themes of authorship, fame, religious symbolism, and cultural representation in Renaissance literature. She frequently explores the intersections of performance, politics, and print culture, particularly in court masques and tragedies. Her work often combines literary analysis with intellectual and cultural history. Her scholarly contributions include a monograph on Ben Jonson and numerous articles in leading journals such as Huntington Library Quarterly and English Studies . She has also contributed chapters to authoritative handbooks and translated significant works in print culture. She has supervised doctoral research and holds an HDR (Habilitation à Diriger des Recherches), qualifying her to direct research in France. While no specific grants are listed, her involvement in structured research axes at CAS suggests active participation in collaborative projects. Lynn S. Meskill is a core member of the Center for Anglophone Studies (CAS), contributing to its seminars, research programs (such as AXIS 1–3), and academic events. The center fosters interdisciplinary research in Anglophone cultures, and she plays a vital role in its scholarly community.

Victoria Kahnمشاهده پروفایل

استاد

• Renaissance and Early Modern Literature
• Critical Theory
• Political Theory
• +۵ مورد دیگر

Victoria Kahn is a Professor and Katharine Bixby Hotchkis Chair in English at the University of California, Berkeley. She specializes in Renaissance and Early Modern literature, Critical Theory, and political thought. Her research explores the intersections of literature, philosophy, and political theology, with a focus on figures like Machiavelli, Hobbes, and Milton. She has held academic roles at Princeton University and UC Irvine before joining Berkeley in 1997. Her key publications include The Trouble with Literature (2020), The Future of Illusion (2014), and Wayward Contracts (2004). These works analyze early modern texts and their impact on modern political and philosophical discourse. She also contributes to comparative literature, examining continental Renaissance texts and literary theory. Education: Ph.D. in English Literature (implied by career path but not explicitly stated) Research Interests: Contract theory, political obligation, Machiavelli’s legacy, and the role of literature in shaping political thought. Her scholarly contributions include interdisciplinary analyses of early modern political theology, rhetoric, and aesthetics. Kahn’s work bridges literary studies with political philosophy, emphasizing the enduring relevance of Renaissance texts. Grants and advising details are not explicitly mentioned, but her extensive publication record reflects sustained academic engagement. She is affiliated with the Department of English and Comparative Literature programs at Berkeley.

Rosa Andujarمشاهده پروفایل

مدرس ارشد

• Ancient Greek Tragedy
• Ancient Greek Comedy
• Archaic Greek Poetry
• +۹ مورد دیگر

Rosa Andujar is a Senior Lecturer in Liberal Arts at King's College London, where she is affiliated with both the Department of Liberal Arts and the Department of Classics within the Faculty of Arts & Humanities. She serves as Editor of the American Journal of Philology and holds positions on the editorial boards of Brazilian journals Nuntius Antiquus and PhaoS - Revista de Estudos Clássicos. Dr. Andujar was elected to the Program Committee of the Society for Classical Studies for a three-year term (2022-2025), serving as Vice President for Program and Chair from 2023-2025. Her research focuses on two complementary areas: Ancient Greek tragedy, particularly the tragic chorus and its performance capabilities Global receptions of Greek drama, with special emphasis on Latin America and the Caribbean Dr. Andujar's work examines how engagements with Graeco-Roman antiquity intersect with questions of gender, race, class, and national identity. She has particular expertise in Cuban adaptations of Greek tragedy and Latinx receptions of classical drama, exploring how these cultural encounters create new narratives that challenge traditional understandings of classical reception. Her research has been recognized with prestigious awards including the 2020 London Hellenic Prize for 'The Greek Trilogy of Luis Alfaro' and the 2022 AJP Best Article Prize. She has secured significant research funding from the Loeb Classical Library Foundation, British Academy, A. G. Leventis Foundation, Harvard Center for Hellenic Studies, Andrew W. Mellon Foundation, and Fundación BBVA. Dr. Andujar's current research projects include 'The Cambridge Companion to Classics and Race' (edited volume), 'La Puerta Electra/The Electra Door' (critical bilingual anthology of Cuban rewritings), and 'Tragedy and Revolución' (monograph on Greek drama in Caribbean cultural history), supported by recent fellowships from the Loeb Classical Library Foundation and British Academy. She is actively involved in academic service as Editor of the American Journal of Philology, co-editor of the 'Classics and the Postcolonial' book series for Routledge, and Advisory Board member of 'Hesperides: Classics in the Luso-Hispanic World.' Her external examining work for the University of Birmingham (2018-2023) demonstrates her commitment to academic standards across institutions.

Alexander Tulinمشاهده پروفایل

دانشیار

• Ancient Greek Philosophy
• Plato
• Ancient Law
• +۶ مورد دیگر

Alexander Tulin is an Associate Professor in the Department of English at Howard University, within the College of Arts & Sciences. He has been a faculty member at Howard since 1990, originally in the Department of Classics, which he chaired from 2017 to 2021 before its closure led to his transition to the English Department. Institution: Howard University School: College of Arts & Sciences Department: Department of English Academic Rank: Associate Professor Email: atulin@Howard.edu Education: PhD in Classics, Columbia University, 1990 Dr. Tulin's research and teaching span classical antiquity and modern literature. His primary scholarly interests include Ancient Greek Philosophy, Plato, Ancient Law, and Rhetoric, with a current focus on the interstices between Antiquity and Modernity. In the English Department, his teaching centers on Modernism, modern art from 1870–1950, and the 20th-century novel in Europe and America. His publications reflect a deep engagement with classical philosophy and textual analysis. The most recent works show a sustained interest in Platonic dialogues, Socratic method, philosophical rhetoric, and the interpretation of ancient legal and literary texts. He has also contributed numerous scholarly reviews, demonstrating active participation in the academic discourse of classical studies. Scientific Awards: No specific awards or honors are mentioned in the provided text. Advising and Grants: There is no information available regarding students advised, research grants, or funding received. Labs and Research Teams: No information is provided about laboratories, research groups, or collaborative teams associated with Dr. Tulin.

Bonnie Honigمشاهده پروفایل

استاد

• Democratic Theory
• Feminist Theory
• Cultural Studies
• +۵ مورد دیگر

Bonnie Honig, Nancy Duke Lewis Professor at Brown University, holds joint appointments in Modern Culture and Media and Political Science , with courtesy roles in Religious Studies and Theater and Performance Studies . Her scholarly work intersects democratic theory , feminist critique , and cultural analysis , examining how inherited political narratives shape collective action. Education: PhD (Johns Hopkins, 1989), MSc (London School of Economics, 11981), BA (Concordia University, 1980) Central to her research is a reexamination of classical texts like Sophocles' Antigone and Euripides' Bacchae to develop agonistic democratic models . Her Antigone, Interrupted (2013) challenges heroic readings of Antigone, proposing instead a collective feminist politics rooted in textual counter-interpretations. Public Things: Democracy in Disrepair (2017) argues for shared objects as democratic orientation devices , while Emergency Politics (2009) analyzes crisis responses beyond Schmittian frameworks. The 2021 dual publications A Feminist Theory of Refusal and Shell Shocked: Feminist Criticism After Trump extend these themes through Trump-era analysis and queer theoretical lenses . Scientific Awards: 2023-24 Guggenheim Fellowship 2012 David Easton Prize 2012 Okin-Young Award 2007-08 American Philosophical Society Fellowship 1994 Scripps Prize Affiliated with the American Bar Foundation and Digital Democracy Group at Simon Fraser University, Honig's teaching spans feminist theory , Politics and Film , and advanced seminars on Arendt . Her Shell Shocked analysis of Trump-era disaster patriarchy connects classical feminist frameworks to contemporary political crises.

Ato Quaysonمشاهده پروفایل

استاد

• African Literature
• Postcolonial Literature
• Shakespeare Studies
• +۱۰ مورد دیگر

Ato Quayson is the Jean G. and Morris M. Doyle Professor of Interdisciplinary Studies and Professor of English and African and African American Studies at Stanford University, where he also chairs the Department of African and African American Studies. He previously held professorships at New York University (2017–2019) and the University of Toronto (2005–2017), where he was inaugural director of the Centre for Diaspora and Transnational Studies and became a University Professor (2016), the university's highest honor. His academic journey includes a B.A. (First Class Honors) in English and Arabic from the University of Ghana (1989) and a Ph.D. in English from the University of Cambridge (1995). He held a Junior Research Fellowship at Wolfson College, Oxford, and was a Reader in Commonwealth and Postcolonial Literature at Cambridge (1995–2005), concurrently directing the Centre for African Studies and serving as Pembroke College Fellow. Quayson’s research explores postcolonial literature, urban studies, disability studies, and cultural theory. His work bridges global and local contexts, with notable publications such as Oxford Street, Accra (Urban History Association Prize) and Tragedy and Postcolonial Literature (Warren-Brooks Prize). He co-edits the Cambridge History of Postcolonial Literature and chairs initiatives like Contours: The Cambridge Literary Studies Hour . His accolades include fellowships from the Ghana Academy of Arts and Sciences (2006), the Royal Society of Canada (2013), the British Academy (2019), and the American Academy of Arts and Sciences (2023). He has also served as President of the African Studies Association (2019–2020). Quayson curates the YouTube channel Critic.Reading.Writing , discussing literature and urban studies, and teaches courses on global Black diaspora studies and Toni Morrison’s work. His current projects include Accra Chic: A Locational History of Fashion and studies on exile in African literature.

Loren Krugerمشاهده پروفایل

استاد

• Critical Theory
• Theories of Diaspora and Decolonization
• African Literature in English
• +۴ مورد دیگر

Loren Kruger is a Professor at the University of Chicago, specializing in interdisciplinary research that bridges Critical Theory, Postcolonial Studies , and Urban Performance . Her work spans African literature, modern drama, and transnational urban studies, with a focus on Johannesburg and Chicago as 'South Sides' of global significance. She holds a Ph.D. from Cornell University (1986) and has taught at UChicago since 1986. Key Research Areas: Critical Theory, Postcolonial Decolonization, African-American Theatre, Urban Studies Notable Contributions: Pioneering studies on comparative urban performance, translating revolutionary texts, and analyzing diasporic cultural legacies Her publications include Imagining the Edgy City (Oxford, 2013) and the recent Beyond the Internationale (2024), which explores Brechtian influences and urban resistance. Awards include the MLA Scaglione Prize (2005) and the Constantinidis Prize (2012). Current projects examine the Internationale in red world literature, theatre-politics intersections, and transcontinental family histories. Scientific Awards: MLA Scaglione Prize for Comparative Literary Study (2005) Philadelphia Constantinidis Prize (2012)

• Late Roman History and Literature
• Late Antiquity
• Syriac Studies
• +۵ مورد دیگر

Professor Alberto Rigolio is a leading scholar of Classics and Ancient History at Durham University, specializing in the cultural and intellectual history of the Eastern Mediterranean during the Roman and late antique periods. He holds a D.Phil. from Oxford University and has held prestigious fellowships at Harvard Dumbarton Oaks, Princeton Society of Fellows, and All Souls College Oxford. His research focuses on Syriac literature, Greco-Syro-Arabic translation movements, and religious debates in late antiquity. Rigolio has published extensively, including his award-winning monograph Christians in Conversation (2019), and currently leads projects supported by the British Academy and the Institute for Advanced Study. He supervises PhD students across multiple institutions and mentors postdoctoral researchers like Dr. Karl Heiner Dahm and Dr. Mara Nicosia. His work bridges classical antiquity with early Christian and Islamic intellectual traditions, emphasizing literary and educational exchanges in late antique societies. Educations: D.Phil., University of Oxford (2014) MPhil/BA, University of Milan and Oxford Research Interests: Syriac literary emergence, Greek-Syriac-Arabic translation networks, late antique dialogues, early Christian theology, and the cultural history of the Roman Near East. Rigolio's current projects investigate how Syriac became a major literary language and its role in transmitting Graeco-Roman thought to early medieval cultures. Grants & Awards: British Academy Mid-Career Fellowship (2024) All Souls College Visiting Fellowship (2024) Princeton IAS Membership (2023) Advising & Mentoring: Supervised 9 PhD students, including Cédrik Michel (Lancaster University Lecturer) and Lila Knight (awarded 2024). Mentors postdoctoral scholars in areas like Syriac rhetoric and late antique religious conflict. Labs/Teams: Leads interdisciplinary research groups at Durham and collaborates with institutions like the Institute for Advanced Study, focusing on textual analysis and cultural history.

• Ancient Greek Literature
• Tragedy
• Lyric Poetry
• +۳ مورد دیگر

Patrick Finglass is the Henry Overton Wills Professor of Greek at the University of Bristol, leading the Department of Classics & Ancient History. He holds academic memberships in the Academia Europaea and Niedersächsische Akademie der Wissenschaften zu Göttingen. His research focuses on ancient Greek literature, particularly lyric poetry and tragedy, with notable expertise in Sophocles, Euripides, Pindar, Sappho, and Alcaeus. Education: MA, DPhil (Oxford). Prior roles include Professor of Greek and Head of Department at the University of Nottingham, and Director of the AHRC South West and Wales Doctoral Training Partnership. He served as a Leverhulme Major Research Fellow (2020–2023) and was a visiting scholar at the Institute for Advanced Study, Princeton. Research highlights include a 2024 monograph on Euripides’ lost plays and ongoing critical editions of Sappho and Alcaeus. He has published over 170 works, including editions of Sophocles’ plays and co-edited volumes on Sappho and Stesichorus. Awards include the Philip Leverhulme Prize (2012) and Rudolf Meimberg Preis (2019). Teaching and supervision: Advised 8 PhD students as principal supervisor. Taught courses on Archaic Greece, Sappho’s poetry, and Greek tragedy. Editorial roles include editorship of Classical Quarterly and advisory boards for major classical publications.

C. Michael Sampsonمشاهده پروفایل

دانشیار

• Classical Philology
• Greek and Latin Literature
• Papyrology
• +۵ مورد دیگر

C. Michael Sampson is an Associate Professor in the Department of Classics at the Faculty of Arts , University of Manitoba . Holding a PhD in Classical Studies (2009) from the University of Michigan, an MA in Classics (2003) from Dalhousie University, and a BA (First Class Honours) in Classics and Early Modern Studies (2001) from the University of King's College, Sampson is a broadly trained philologist specializing in Greek and Latin literature with a focus on poetry, and a papyrologist working on fragmentary texts from Egypt. Research interests: Greek/Latin literature, papyrology, reception studies, Hellenistic literature Current project: The Books of Karanis (interdisciplinary study of Greek literary culture in Egypt) Awards: SSHRC Insight Grant (2021-2025), SSHRC Connections Grant (2020-2022), Community Engagement Award (2018) Editorial roles: Digital Corpus of Literary Papyri, Pylon: Editions and Studies of Ancient Texts Teaching: Courses on Ancient Greek culture, Roman comedy, Euripides, and Archaic poetry

Isobel Hurstمشاهده پروفایل

مدرس

• Classical Reception Studies
• Victorian Literature
• Women's Writing
• +۳ مورد دیگر

Isobel Hurst is a Lecturer in the Department of English and Creative Writing at Goldsmiths, University of London. Her research specializes in Classical Reception Studies, focusing on the interplay between Greek and Roman literature and 19th-century women's writing. Academic qualifications: D.Phil. (2003), M.Phil. in English Studies (2000), BA in Classics and English (1995) - all from the University of Oxford Her research explores how women writers like Elizabeth Barrett Browning and George Eliot creatively engaged with classical texts to challenge gender norms and societal constraints, particularly through reworkings of Homeric and Virgilian themes. She examines intersections between domesticity and epic traditions, feminist reinterpretations of mythology, and the role of classical education in women's authorship. Recent publications analyze Louise Glück's mythic poetry, Victorian epic traditions, and transatlantic classical dialogues. She supervises PhD students working on topics including Sapphic poetics, prophetic figures in literature, and epic subversions in contemporary forms. Isobel contributes to academic discourse through her involvement with the Decadence Research Centre and Centre for Comparative Literature, bridging classical traditions with modern literary innovations through both teaching and research.

David M Feldshuhمشاهده پروفایل

استاد

• Theater
• Arts and Healthcare
• Social Issues
• +۳ مورد دیگر

David M Feldshuh is a Professor in Performing and Media Arts at Cornell University with over 40 years of service, uniquely combining a board-certified emergency medicine physician career with theater artistry. As founding Artistic Director of the Schwartz Center for the Performing Arts, he leads a resident company of professional actors collaborating with students across Cornell. His education spans Dartmouth College (B.A. Philosophy, Phi Beta Kappa, cum laude), London Academy of Music and Dramatic Arts, and dual Ph.D. (Theatre) and M.D. (Medicine) from the University of Minnesota, followed by Emergency Medicine residency at Hennepin County Medical Center and board certification. Feldshuh’s research centers on theater as a vehicle for social change, particularly at the arts-healthcare intersection. He pioneers creativity training methodologies derived from Zen meditation, Gestalt Therapy, and martial arts to enhance professional presence. His work examines ethical dilemmas in medical practice through performance, with emphasis on cultural bias mitigation and historical trauma processing. His creative output reveals consistent focus on social justice narratives, evolving from historical adaptations like Antigone to contemporary explorations of systemic inequity. Recent works demonstrate increasing formal innovation through multi-role performance structures and transmedia storytelling approaches that bridge academic and public engagement. Major honors include: Pulitzer Prize Finalist and 5 Emmy Awards for Miss Evers' Boys Cornell’s Stephen H. Weiss Presidential Fellowship (highest teaching honor) Distinguished Service Award from Tuskegee University’s National Bioethics Center AMA “Freddy” Award for medical film excellence CINE Golden Eagle for documentary work Feldshuh mentors through honors tutorials and developed the globally adopted eCornell course Acting in Public , teaching 1,600+ students across 15 countries. His Schwartz Center leadership established institutional grant frameworks supporting large-scale productions like Bernstein’s Mass with 138 performers. Current initiatives include leadership workshops for Cornell Tech and corporate clients, extending his presence-training methodology beyond academia. He maintains active creative practice through the Schwartz Center’s resident company, directing major productions while integrating medical ethics into performance pedagogy. His stadium announcing role at Cornell commencements for 20+ years exemplifies his commitment to institutional community engagement.