Winnie Wong is a Professor of Rhetoric at the University of California, Berkeley. Her research focuses on art history, particularly exploring themes of fakes, forgeries, and authorship through interdisciplinary approaches. She examines the global artistic networks of Hong Kong, Guangzhou, and Shenzhen, challenging Western narratives of Chinese artistic practices. Wong holds a PhD from MIT's History, Theory + Criticism program and was a Harvard Society of Fellows Junior Fellow. Her major works include Van Gogh on Demand: China and the Readymade (2014, Joseph Levenson Prize winner), Learning from Shenzhen (2017), and a forthcoming book on Canton trade portraitists. She teaches courses like Theory of the Copy and Rhetoric of the Image , mentoring undergraduates through the Undergraduate Research Apprentices program and advising PhD students in art history and visual studies. Wong's research has been supported by grants from Mellon Foundation, ACLS, SSRC, and others. Her work has been translated into multiple languages and appears in journals like Current Anthropology and Law & Literature . She frequently discusses her work on podcasts and collaborates with museums including M+ and the Asian Art Museum.
University of California, Los AngelesUnited States
Yunxiang Yan is a Professor in the Department of Anthropology at the University of California, Los Angeles (UCLA). His work focuses on China and Cultural Anthropology , with specific expertise in Economic Anthropology , Family and Kinship , and Individualization . Education: Ph.D. in Social Anthropology from Harvard University (1993). Yan’s research explores the intersection of social change , moral theory , and family dynamics in modern China. His ethnographic studies in rural villages provide foundational insights into exchange theory and cultural globalization . Recent publications analyze food safety , medical ethics , and moral crises in China, reflecting his interdisciplinary approach combining anthropology, sociology, and philosophy. Articles span themes like intergenerational intimacy , political oppression , and networked social structures . Scientific Awards: Guggenheim Fellowship Levenson Prize-winning Research Yan’s work bridges local Chinese studies with global anthropological discourse. He has held positions at the Chinese University of Hong Kong, Johns Hopkins University, and UCLA since 1996. His career reflects a commitment to documenting the lives of ordinary people, rooted in his early experiences as an expelled villager during Maoist China. Contact: yan@anthro.ucla.edu
Haiyan Lee serves as the Walter A. Haas Professor of the Humanities and Professor of East Asian Languages and Cultures and of Comparative Literature at Stanford University. She has held these positions since joining Stanford in 2009, and currently serves as Chair of the East Asian Languages and Cultures department (2020-present). Her academic journey includes previous teaching appointments at the University of Colorado at Boulder and the University of Hong Kong, along with post-doctoral fellowships at Cornell University and Harvard University. Lee's research spans multiple interdisciplinary fields with particular focus on modern Chinese literature and cultural production. Her work bridges literary studies with law, philosophy, cognitive science, affect theory, gender studies, and environmental humanities. She has developed influential theoretical frameworks including the concept of "high justice" and "low justice" in Chinese legal imagination. Her current research explores animism, cognition, and the Chinese environmental imagination, extending her longstanding interest in human-animal relations. Lee's publications reveal a consistent trajectory examining Chinese cultural production through innovative theoretical lenses. Her recent work shows increasing engagement with legal theory, environmental humanities, and cognitive approaches to literature. She has produced significant scholarship on Chinese concepts of justice, love, and the stranger, moving across historical periods from early 20th century to contemporary China. Biennial Book Prize, Honorable Mention, International Society for Chinese Law and History (ISCLH) (2024) Humanities Seed Grant, Stanford School of Humanities and Sciences (2023-2025) Bass Fellowship in Undergraduate Education, Stanford University (2022-2027) Joseph Levenson Book Prize, The Association for Asian Studies (2009) Professor Lee actively mentors doctoral students across multiple disciplines, serving as dissertation advisor, co-advisor, and committee member for students working at the intersection of Chinese studies, law, literature, and cultural theory. Her teaching includes courses across East Asian humanities, comparative literature, and interdisciplinary environmental studies. She has received significant research support including the Frederick Burkhardt Residential Fellowship from the American Council of Learned Societies and a residency at the Center for Advanced Study in the Behavioral Sciences.
Nathan Martin is an Associate Professor of Music Theory at the University of Michigan, School of Music, Theatre & Dance. He joined in 2015 after postdoctoral fellowships at Columbia, Harvard, Katholieke Universiteit Leuven, Hochschule für Musik Freiburg, and Yale. He holds a PhD from McGill University’s Schulich School of Music (2009). His research focuses on the history of music theory and musical form analysis, particularly the works of Jean-Philippe Rameau and their reception among Enlightenment thinkers like Jean-Jacques Rousseau. He integrates intellectual history with practical analytical methods, emphasizing both contextual and emic perspectives. Recent interests include adapting empirical social science and linguistics methods to study musical form. Key publications include articles on Rameau’s harmonic concepts, Rousseau’s musical writings, and global music theory history. His 2014 article on Rameau’s supposition/suspension theories earned the Society for Music Theory’s Outstanding Publication Award. He co-edited Formal Functions in Perspective (2015) and served as co-editor of Music Theory & Analysis until 2019. Professional highlights include the Edward T. Cone Membership at the Institute for Advanced Study (2018–2019) and a 2023 visiting researcher role at the Max Planck Institute for Empirical Aesthetics. His work bridges historical analysis with contemporary empirical approaches, fostering interdisciplinary dialogue in music theory.
Martin Kern is the Joanna and Greg Zeluck ’84 P13 P18 Professor in Asian Studies at Princeton University. He specializes in ancient Chinese literature, philology, and textual studies, with a focus on poetry, ritual, and cultural memory. Kern co-edits T'oung Pao and directs the "International Center for the Study of Ancient Text Cultures" at Renmin University, Beijing. Education: Ph.D. in Sinology, Cologne University M.A. in Sinology, Cologne University His research spans early Chinese rhetoric, authorship debates, manuscript analysis, and the intersection of writing/orality. He has led Princeton's "Comparative Antiquity" initiative (2018–2022) and co-directs the Princeton-Venice Summer School in Classical Chinese. Recent publications include studies on the Classic of Poetry , Chuci , and Zuozhuan , emphasizing newly discovered manuscripts and their impact on understanding ancient Chinese textuality. His work often bridges philological rigor with comparative theoretical frameworks. Scientific Awards: Member of the American Philosophical Society President of the American Oriental Society (2023–2024) Kern's editorial roles include co-editing the monograph series Studies in the History of Chinese Texts and the Handbook of Oriental Studies: Section 4 China . He has held leadership positions in major academic initiatives on ancient China.
Edward L. Shaughnessy serves as the Lorraine J. and Herrlee G. Creel Distinguished Service Professor in Early Chinese Studies and Director of Graduate Studies in the Department of East Asian Languages and Civilizations at the University of Chicago. A renowned scholar of ancient China, he specializes in archaeologically recovered texts from the Zhou dynasty period (c. 1045-249 BCE), particularly bronze inscriptions, bamboo-slip manuscripts, and the classical texts Zhou Yi (I Ching), Shang Shu, and Shi Jing. His research interests focus on the intersection of archaeological discoveries and literary traditions, with particular expertise in bronze inscriptions and the Zhou Yi. Shaughnessy has pioneered efforts to bridge Western and Chinese scholarly traditions, publishing extensively in both English and Chinese. He has written seven volumes of technical scholarship in Chinese and is currently leading an international team translating Tsinghua University's fourth-century BCE bamboo-slip manuscripts. His recent scholarly output shows strong trends in paleographic studies, with numerous publications analyzing newly excavated manuscripts. His work demonstrates a consistent focus on textual transmission, historical context, and the relationship between archaeological evidence and received literary traditions. Notable patterns include systematic analysis of bamboo-slip manuscripts, comparative studies of textual variants, and interdisciplinary approaches combining philology, archaeology, and historical analysis. Shaughnessy has received recognition through his appointment as a Distinguished Service Professor, one of the highest academic honors at the University of Chicago. His scholarly contributions have significantly advanced the field of early Chinese studies through both original research and editorial work. As an educator, Shaughnessy teaches seminars on oracle-bone inscriptions, bronze inscriptions, bamboo-strip inscriptions, and courses on the Yi jing, Shi jing, and Shang shu. He serves as Director of Graduate Studies for the department and has supervised numerous graduate students. His current and upcoming courses include 'The Ji Zhong Discovery,' 'The Development of Early China Studies in the West,' 'Western Zhou Bronze Inscriptions,' 'The Shang shu,' and 'The Shi jing.' Shaughnessy maintains an active research program with current projects including the translation of Tsinghua University's bamboo manuscripts and serving as co-editor of the journal Bamboo and Silk. His scholarly network extends internationally, as evidenced by his 2013 lecture series at the Collège de France titled 'Unearthing the Chinese Classics,' where he presented on the Zhou Yi, Shang Shu, Shi Jing, and Laozi.
Ksana Blank is a Senior Lecturer at Princeton University’s Department of Slavic Languages and Literatures. She coordinates the Russian Language Program and directs the Princeton-in-Petersburg Program, fostering academic exchange and interdisciplinary research. With a PhD in Russian Literature (Columbia University, 1997) and a BA in French Philology (St. Petersburg State University, 1979), her academic career spans over two decades at Princeton, preceded by teaching roles at Hunter College and Middlebury College Russian Summer School. Education: PhD, Russian Literature, Columbia University (1997) BA, French Philology, St. Petersburg State University (1979) Her research centers on Russian literature, emphasizing stylistic analysis and interdisciplinary connections with music, visual arts, folklore, and religious philosophy. Notable works include studies on Dostoevsky’s dialectics, Gogol’s The Nose , and the interplay between Russian modernism and Western art movements. She has authored multiple books and articles, many translated into Russian, and has published in academic journals across Russia, Europe, and China. Recent publications explore Dostoevsky’s paradoxes, Gogol’s linguistic innovation, and the intersection of Russian literature with music (Shostakovich), art (Malevich), and philosophy. Her 2023 book Парадоксы классики expands traditional interpretations of classic works through interdisciplinary lenses, while her 2021 The Nose guide deciphers Gogol’s wordplay and its narrative function. Earlier works address Tolstoy’s spiritual crisis and Bakhtinian dialogism in Russian literary theory. While no scientific awards are listed, her contributions to pedagogy include advanced Russian language courses and graduate-level Tolstoy studies. She currently works on Leo Tolstoy’s The Prisoner of the Caucasus and teaches courses on Russian literature, spirituality, and translation.
Pheng Cheah serves as Professor at the University of California, Berkeley, specializing in interdisciplinary research bridging philosophy, literature, and political theory with global implications. His academic credentials include: PhD from Cornell University LLB from University of Sydney His research spans continental philosophy from Kant to Derrida, postcolonial theory, world literature, and globalization studies, with concentrated focus on human rights frameworks, cosmopolitan/national tensions, feminist perspectives, and contemporary Chinese cinema. His methodology integrates literary analysis with political philosophy to examine power dynamics in transnational contexts, particularly across postcolonial Asia where he conducts fieldwork with filmmakers. Publication analysis reveals an evolving trajectory from foundational cosmopolitan/national theory toward biopolitical human rights frameworks and cinematic representations of globalization. His work consistently centers non-Western perspectives—especially Chinese, Southeast Asian, and global South contexts—challenging Eurocentric paradigms through comparative analysis of cultural production and political transformation. No scientific awards are documented in available sources. Professor Cheah mentors graduate students in critical theory and postcolonial studies, guiding research on literature's political dimensions. His scholarly activities are supported by standard academic funding mechanisms enabling extensive archival work and international collaborations, particularly with Asian film communities. He maintains active participation in global studies consortia and postcolonial research networks, frequently collaborating with filmmakers and scholars across the three Chinas through interview-based methodologies.
Odd Arne Westad is the Elihu Professor of History at Yale University, specializing in modern international and global history with a focus on East Asia since the 18th century. He previously held positions at Harvard University and the London School of Economics. His research bridges Cold War studies, empire/colonialism, and China's economic reforms. Education: BA in History, Philosophy, and Modern Languages (University of Oslo) Graduate Degree in US/International History (University of North Carolina at Chapel Hill) Research Interests: Global Cold War dynamics and post-colonial transformations China’s international history and imperial trajectories Economic reforms in late 20th century China and their global impact Key Publications: The Cold War: A World History (2017) Restless Empire: China and the World Since 1750 (2012) The Global Cold War (2007) Awards: Fellow of the British Academy Fellow of multiple national academies Professional Activities: Active in global history networks, advising doctoral students on Cold War and Asian history. Teaches courses on empire, decolonization, and modern East Asia.
Ji Li is the John S. and Marilyn Long Professor of U.S.-China Business and Law at the University of California, Irvine School of Law, where he joined in July 2019. Previously, he served as a Professor of Law and Zhuang Zhou Scholar at Rutgers University with associate faculty affiliations at the Division of Global Affairs. Ph.D. in Political Science, Northwestern University J.D., Yale Law School (Olin Fellow in Law, Economics, and Public Policy) Professor Li's research focuses on Chinese law and politics, international business transactions, comparative law, contracts, and empirical legal studies. His scholarship examines how Chinese multinational companies adapt to U.S. legal systems, state-owned enterprise compliance, and the intersection of U.S.-China geopolitical rivalry with international legal norms. His recent publications (2023-2024) explore topics like foreign investment screening regulations, digital age civil rights challenges, and evolving rule of law concepts in China. These works span disciplines including international law, comparative law, corporate law, and civil rights law, with a specific emphasis on cross-jurisdictional legal adaptation, regulatory compliance, and geopolitical implications. Scientific awards include: Zhuang Zhou Scholar at Rutgers University Olin Fellow in Law, Economics, and Public Policy at Yale Law School Professor Li's ongoing research projects investigate China's engagement with international legal orders and transnational actor responses to U.S.-China tensions. He has presented at prestigious venues including the Institute for Advanced Study in Princeton, UC San Diego School of Global Policy and Strategy, and international conferences in Amsterdam and New York.
Hsiu-Chuang Deppman is a Professor of Chinese and Cinema and Media at Oberlin College, affiliated with the College of Arts and Sciences. She holds positions in both the East Asian Studies and Cinema and Media departments. Currently on leave for the 2024-25 academic year, her research focuses on film adaptation, Chinese cinema history, and comparative literature. She has published extensively, including books like Close-ups and Long Shots in Modern Chinese Cinemas (2021) and Adapted for the Screen (2010). Deppman earned her PhD (1999) and MA (1993) in Chinese Literature from the University of Wisconsin-Madison, and a BA (1990) from National Cheng-Kung University in Taiwan. Her research interests span: Adaptation Studies History of Chinese Cinema Documentary and Media Studies Contemporary Chinese Fiction Comparative Literature Awarded the 2016-2017 Excellence in Teaching Award, she has also received grants and fellowships including the Fulbright Research Grant, Taiwan National Science Council Grant, and Freeman Foundation Grant for Asian Studies, among others. In addition to her research, Deppman teaches courses such as Contemporary East Asian Cinema and Intermediate Chinese I . Her work has been supported by the GLCA/Mellon New Directions Initiative and the Chiu Scholarly Exchange Program for Taiwan Studies. Her current project involves writing a book on Jia Zhangke’s cinema of reflection, reflecting her ongoing engagement with modern Chinese cinematic narratives.
David Mimno is an Associate Professor and Chair of the Department of Information Science at Cornell University. He holds a PhD from the University of Massachusetts Amherst and previously worked at the Perseus Project and Princeton University. His research focuses on computational social science, natural language processing, and historical text analysis. Mimno is known for developing the MALLET toolkit, a widely used Java-based platform for machine learning in text processing. He teaches courses such as INFO 4940: How LLMs Work and INFO 6150/CS 6788: Advanced Topic Modeling. His work has been supported by the Sloan Foundation, NEH, and NSF. Mimno advises PhD students in Information Science and Computer Science, emphasizing interdisciplinary research at the intersection of computing and humanities/social sciences. He also contributes to initiatives like AI for Humanists, making large language models accessible for text-as-data research. Bachelor’s degree: Not explicitly stated in text PhD: University of Massachusetts Amherst Research Interests: Mimno explores large language models, topic modeling, cross-lingual semantics, and ethical AI applications in humanities and legal domains. His recent work addresses data curation practices for language models, LLM memorization of poetry, and generative AI’s societal impacts. He co-authored reports on generative AI in academic research and education. Grants & Collaborations: His projects include the Text as Data (TADA) conference and collaborations on generative AI law workshops. Mimno’s MALLET toolkit supports document classification, clustering, and topic modeling, with applications in cultural analytics and computational historiography.
Stephen F. Teiser is the D.T. Suzuki Professor in Buddhist Studies and Professor of Religion at Princeton University. He holds the Old Dominion Research Professor title in the Humanities Council (2022-2023). His work focuses on Buddhist rituals, Chinese religious history, and the intersection of Indian and Chinese religious traditions. Teiser delivered lectures at Fudan University, shaping his research into broader scholarly discourse. His book Ritual and the Study of Buddhism (2022) explores Buddhist rituals in Chinese contexts, emphasizing cross-cultural and methodological insights. His research bridges medieval Chinese religious practices with modern academic frameworks, addressing topics like funerary rituals, lay communities, and textual interpretation. His academic contributions span Buddhist historiography, ritual studies, and East Asian religious history. Notable works include analyses of the Ghost Festival, Dunhuang liturgies, and comparative religious texts. Teiser’s interdisciplinary approach highlights the adaptation of Buddhism in Chinese culture and its global scholarly relevance. Awards: Old Dominion Research Professor (2022-2023) Teiser’s research also engages with collaborative international projects, such as co-editing volumes on divination and East Asian manuscripts. His work emphasizes the importance of language and cultural context in interpreting religious practices, making his scholarship foundational for understanding Buddhism’s evolution in China.
Michele Matteini serves as Associate Professor in the Department of Art History at New York University's College of Arts and Science, specializing in Late Imperial Chinese painting and material culture (ca. 1400-1800) with focus on Qing dynasty antiquarianism, collecting practices, and eighteenth-century transnational artistic exchanges. His academic credentials include: Ph.D. (2012) in History of Art from the Institute of Fine Arts M.A. (2004) in History of Art from New York University B.A. (2000) summa cum laude from the University of Venice, Ca’ Foscari Research interests encompass Late Imperial Chinese painting, antiquarianism, collecting culture, Qing history, urban culture, inter-Asian artistic exchanges, eighteenth-century globalism, craft traditions, embodied knowledge, and art historical methodology. His interdisciplinary approach bridges anthropology, religious studies, and art history to examine material culture across East Asia. Recent publications reveal consistent thematic focus on eighteenth-century material practices, analyzing antiquarian objects, historical figure cults, and cross-cultural artistic production. Works integrate art historical analysis with anthropological perspectives on topics like rock collecting, filial piety, and sacred materiality, demonstrating how objects functioned within social and global contexts. His scholarly recognition includes: The Andrew Mellon Foundation Fellowship for Assistant Professors, Institute for Advanced Study, Princeton (2013-2014) Ittleson Fellowship, Center for Advanced Study in the Visual Arts, National Gallery of Art (2007-2009) Panofsky Distinguished Fellowship, Institute of Fine Arts, New York University (2002-2007) Matteini's research has been supported by major fellowships from the Andrew W. Mellon Foundation and National Gallery of Art. While current advising activities and grant projects beyond these fellowships are not detailed in available sources, his extensive publication record indicates sustained scholarly productivity focused on East Asian material culture.
Amitav Acharya is UNESCO Chair in Transnational Challenges and Governance and Distinguished Professor at American University's School of International Service. He holds honorary positions at Rhodes University, University of Pretoria, and Nankai University, with previous appointments at Harvard, Oxford, and Tsinghua University. Research focuses on: Global international relations and world order transitions US-China relations and Asian regionalism Non-Western international relations theory United Nations and global governance Publications demonstrate extensive contributions to IR theory with works translated into multiple languages. Honors include: Three-time ISA Distinguished Scholar Award recipient American University Scholar-Teacher of the Year (2020) First non-Western President of International Studies Association (2014-2015)
