جستجوی استاد راهنمای دانشگاهی

Professor Max Deeg is a leading scholar in Buddhist Studies at Cardiff University , holding a personal chair since 2009. With a career spanning institutions in Germany, Austria, and the UK, his research focuses on transcultural Buddhist history from India to East Asia, Chinese Buddhist travelogues , and interreligious encounters in medieval China. He has held visiting positions at universities in Japan, Nepal, the US, and Germany, and currently directs the Centre for the History of Religion in Asia (CHRA) . PhD from University of Würzburg (1990) Dr. phil. habil. in Religious Studies (1998) Full Professor at University of Vienna (2002-2006) His research explores Buddhist narratives as tools for constructing religious identity, foundation myths in trans-Himalayan contexts, and terminology evolution in Chinese Buddhist translations. Recent publications analyze Indian Buddhist monasticism through Chinese sources and religious concepts like xin (trust) across Buddhist, Manichaean, and Christian traditions. Awarded the KHK Visiting Research Fellowship (2016) and a DAAD Scholarship (1986-87) , Prof Deeg contributes to editorial boards of major journals. He supervises PhD students and teaches Buddhist Studies , Life of the Buddha , and Chinese Buddhist Texts .

• Transcultural Buddhist History
• Spread of Buddhism in Asia
• Buddhist Narratives
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Bernard (Ben) Arps is Professor of Indonesian and Javanese Language and Culture at Leiden University's Institute for Area Studies within the Faculty of Humanities. His research focuses on the interface of humanities and humanistic social sciences, particularly examining how language, performance, texts, and media contribute to 'worldmaking' - the processes through which people and institutions shape realities for themselves and others. Geographically centered on Southeast Asia with a core focus on Indonesia and the Malay world, Arps specializes in Java and its diasporas. His scholarly interests include religious encounters (particularly between Islam and local vernacular traditions), philological theory as applied to performance and new media, narrativity in song and audio media, and the theoretical foundations of area studies. Arps has conducted extensive fieldwork in Indonesia since 1979, totaling over four years, primarily in Central and Eastern Java regions including Surakarta, Yogyakarta, Banyuwangi, and Cilacap. His current book projects explore the Quest narrative pattern across religious traditions (focusing on Dewa Ruci), the sociopolitical formation of languages through media and performance (using Osing in Banyuwangi as a case study), and the Asian Muslim epic of Amir Hamza. Arps teaches primarily in Leiden's BA programme in South and Southeast Asian Studies, BA in International Studies, and MA programme in Asian Studies. Former chair of the Department of Languages and Cultures of Southeast Asia and Oceania (1995, 1999/2000, 2003-2006, 2008) Previously taught at School of Oriental and African Studies, University of London (1988-1993) Held visiting positions at NIAS (2001/02), ANU (2005), University of Michigan (2006/07), NUS/ARI (2011/12), UNS (2017), and IIAS (2018/19) Arps has supervised doctoral, Master's, and Bachelor's dissertations across Indonesian, Malay, Singapore, Cambodian, and Thai studies, with particular expertise in Javanese, Sundanese, Betawi, Balinese, Sasak, Mentawai, and Minangkabau cultures and languages. His work spans religion, performance, media, literature, sociolinguistics, lexicography, and education.

• Southeast Asian Studies
• Indonesian Language and Culture
• Javanese Language and Culture
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Andrew Ollett is an Associate Professor and Director of Graduate Studies in the Department of South Asian Languages and Civilizations at the University of Chicago , where he has taught since 2019. His research focuses on the literary and intellectual traditions of South and Southeast Asia, particularly through works in Sanskrit, Prakrit, Apabhramsha, and Kannada from the first millennium CE. Co-founder and editor of NESAR (New Explorations in South Asia Research) Director of NEH-funded edition/translation of the Kavirājamārga (earliest Kannada literary manual) Expert in Prakrit and Kannada literary traditions His work explores the 'question of language'—examining how language choice shaped cultural production and change in premodern India. Current projects include a monograph on context-sensitivity in Indian language theories and a study of manuscript technology's impact on early South Asian knowledge communities. He has authored The Mirror of Ornaments (Naples: Unior Press, 2025) and Language of the Snakes (UC Press, 2017), and co-authored Lilavai (Harvard, 2021). Recent publications include interdisciplinary studies on: Sanskrit-Prakrit campū genre reevaluation Pragmatics in Mīmāṁsā interpretive concepts Manuscript literacy's influence on literary forms Historical linguistics of Middle Indic syllable reduction Philosophy of language in Śālikanātha and Kumārila Bhaṭṭa Awarded the NEH 'Scholarly Editions and Translations' grant , he teaches classical South Asian literature courses covering Sanskrit, Prakrit, and Tamil traditions. He maintains digital resources including a Prakrit Digital Texts Project and Mīmāṁsādigdarśinī digital text repository, and actively contributes to open-access scholarship.

• Poetics
• History of Literature
• Intellectual History
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Lucia Dolce serves as the Numata Professor of Japanese Buddhism within the Department of Religions and Philosophies at SOAS University of London, part of the School of History, Religions and Philosophies. Her academic base is room 342 in the Russell Square: College Buildings campus. Her educational background includes: Laurea MA (University of Venice) PhD (Leiden University) Professor Dolce's research centers on two interconnected projects: first, the discourse on the body in medieval Japanese Buddhist rituals and its connections to continental Tantric practices, emphasizing ritual fluidity and performative theory applications; second, contemporary Buddhism-Shinto syncretism with focus on revival of premodern practices in Kyoto shrines. She also examines Tokyo's urban pilgrimage routes like the Seven Gods of Fortune, analyzing institutional negotiations and religious marketing dynamics. Her journal articles (1992-2023) consistently explore ritual knowledge transfer in Japanese Buddhism, with recent works on scriptural repurposing and tantric exegesis highlighting material culture and practice-centered approaches. Earlier publications establish foundational studies on Nichiren Buddhism's esoteric dimensions, astrological cults, and celestial body worship, revealing enduring thematic threads across three decades of scholarship. Scientific awards: No awards listed in provided text Advising and grants: She currently supervises four PhD candidates: Rachel Williams (Japanese Secularity), Haruka Saito (Repentance Rituals), Sooyeun Yang (Korean Astrological Buddhism), and Yeonju Lee (Korean Nationalism). Previous supervisees include twelve PhD graduates such as Emanuela Sala (2022, Sannō Shintō), Ronit Wang (2022, Thai Hell Parks), and multiple 2011 completions. Dolce led the Newton Fellowship-associated project 'The Lucky Gods of Tokyo' (2014-2016), investigating spatial politics in Buddhist-Shinto pilgrimage networks.

• Japanese Buddhism
• Medieval Japanese Religious Culture
• Ritual Studies
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Aydogan Kars is a Senior Lecturer in the Department of History at Monash University, affiliated with the Centre for Consciousness and Contemplative Studies. His research focuses on medieval and modern Islamic mysticism, Sufi theology, and interreligious dialogue. Kars has led or co-led seven major research projects, including studies on Sufi genealogies, religious literacy, and the intersection of AI with human selfhood. He holds prestigious awards such as the Monash Faculty of Arts Dean’s Research Award (2021) and a Doctoral Fellowship from the Orient-Institut (2015). Kars actively contributes to academic governance as an editorial board member for the Journal for the Academic Study of Religion and peer reviews for journals like Religions and Journal of Islamic Ethics . His research interests span Islamic philosophy, mystical texts, and comparative theology, with notable work on apophatic theology in medieval Islam. Kars supervises PhD students and collaborates internationally on projects exploring Sufi traditions across Iran, the Ottoman Empire, and modern contexts.

• Islamic Studies
• Sufism
• Medieval Intellectual Thought
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Hiroto Yoshihara is a Professor at Waseda University's Faculty of Letters, Arts and Sciences, School of Culture, Media and Society, specializing in Japanese intellectual history, Buddhist studies, and Sino-Japanese comparative literature. With a Master of Arts from Waseda University, he has conducted extensive research on ancient and medieval Japanese literature, religious history, and cultural exchange between Japan and China. Yoshihara's research interests focus on Japanese intellectual history, ancient and medieval history, Japanese and Chinese literature, Buddhist studies, and Shinto studies. His work particularly examines the intersection of religious thought and literary expression in premodern Japan, with special attention to figures like Prince Shotoku and Sugawara no Michizane (deified as Tenjin). His comparative approach reveals the complex cultural flows between Japan and continental Asia. His scholarly output shows a consistent focus on religious narratives, particularly Buddhist traditions, and their literary expressions. A significant portion of his recent work analyzes the reception and adaptation of Chinese literary and religious traditions in Japan, especially during the Heian period. His research demonstrates how Japanese intellectuals engaged with continental models while developing distinctive local traditions. Yoshihara received the Kubota Utsuho Award in 1987 for his contributions to Japanese literary studies. His research has been supported by numerous grants from the Japan Society for the Promotion of Science, including projects on East Asian cultural exchange and religious thought during Japan's regency and Insei periods. He has directed significant research projects, including the Institute for Japanese Religions and Cultural History at Waseda University (2021-2025). His international collaborations, particularly with Chinese academic institutions, reflect his commitment to cross-cultural scholarship and the global dimensions of Japanese religious and literary history.

• Japanese literature
• Japanese history
• History of thought
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Stephen F. Teiser is the D.T. Suzuki Professor in Buddhist Studies and Professor of Religion at Princeton University. He holds the Old Dominion Research Professor title in the Humanities Council (2022-2023). His work focuses on Buddhist rituals, Chinese religious history, and the intersection of Indian and Chinese religious traditions. Teiser delivered lectures at Fudan University, shaping his research into broader scholarly discourse. His book Ritual and the Study of Buddhism (2022) explores Buddhist rituals in Chinese contexts, emphasizing cross-cultural and methodological insights. His research bridges medieval Chinese religious practices with modern academic frameworks, addressing topics like funerary rituals, lay communities, and textual interpretation. His academic contributions span Buddhist historiography, ritual studies, and East Asian religious history. Notable works include analyses of the Ghost Festival, Dunhuang liturgies, and comparative religious texts. Teiser’s interdisciplinary approach highlights the adaptation of Buddhism in Chinese culture and its global scholarly relevance. Awards: Old Dominion Research Professor (2022-2023) Teiser’s research also engages with collaborative international projects, such as co-editing volumes on divination and East Asian manuscripts. His work emphasizes the importance of language and cultural context in interpreting religious practices, making his scholarship foundational for understanding Buddhism’s evolution in China.

• Buddhist Studies
• Chinese Religion
• Medieval Chinese History
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Michele Matteini serves as Associate Professor in the Department of Art History at New York University's College of Arts and Science, specializing in Late Imperial Chinese painting and material culture (ca. 1400-1800) with focus on Qing dynasty antiquarianism, collecting practices, and eighteenth-century transnational artistic exchanges. His academic credentials include: Ph.D. (2012) in History of Art from the Institute of Fine Arts M.A. (2004) in History of Art from New York University B.A. (2000) summa cum laude from the University of Venice, Ca’ Foscari Research interests encompass Late Imperial Chinese painting, antiquarianism, collecting culture, Qing history, urban culture, inter-Asian artistic exchanges, eighteenth-century globalism, craft traditions, embodied knowledge, and art historical methodology. His interdisciplinary approach bridges anthropology, religious studies, and art history to examine material culture across East Asia. Recent publications reveal consistent thematic focus on eighteenth-century material practices, analyzing antiquarian objects, historical figure cults, and cross-cultural artistic production. Works integrate art historical analysis with anthropological perspectives on topics like rock collecting, filial piety, and sacred materiality, demonstrating how objects functioned within social and global contexts. His scholarly recognition includes: The Andrew Mellon Foundation Fellowship for Assistant Professors, Institute for Advanced Study, Princeton (2013-2014) Ittleson Fellowship, Center for Advanced Study in the Visual Arts, National Gallery of Art (2007-2009) Panofsky Distinguished Fellowship, Institute of Fine Arts, New York University (2002-2007) Matteini's research has been supported by major fellowships from the Andrew W. Mellon Foundation and National Gallery of Art. While current advising activities and grant projects beyond these fellowships are not detailed in available sources, his extensive publication record indicates sustained scholarly productivity focused on East Asian material culture.

• Late Imperial Chinese painting and material culture
• antiquarianism and collecting culture
• Qing history
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Professor Jinhua Chen (PhD, McMaster University, 1997) is a leading scholar in East Asian Buddhism at the University of British Columbia’s Department of Asian Studies, Faculty of Arts. Holding a Canada Research Chair (2001-2011) and inducted into the Royal Society of Canada (2020), his work spans trans-regional Buddhist narratives, monastic institutions, relic veneration, and technological innovations in medieval Asian religions. Key Affiliations: UBC Buddhist Forum (Director), Peter Wall Institute for Advanced Studies (Resident Scholar), and editorial roles in Brill Book Series on East Asian Religions and Studies in Chinese Religions . Research Themes: Combines textual analysis with interdisciplinary methods to explore Buddhist sacred sites, doctrinal transmissions, and church-state dynamics. His projects include From the Ground Up (SSHRC Partnership Grant 2016-2023), examining East Asian religions through multi-media sources, and studies on ruixiang (propitious signs) in medieval Chinese prognostication. Scientific Awards: Royal Society of Canada Fellow, Canada Research Chair, SSHRC Insight Grants, Humboldt Research Fellowship, and Max Planck Institute funding. Publications: Over 30 book chapters and journal articles (2000-2016), including monographs on Fazang, Shingon-Tendai conflicts, and Buddhist sacred geography. Teaching: Courses on Chinese thought, Chan/Zen Buddhism, and Buddhist text interpretation, emphasizing methodological rigor and cross-cultural analysis. Projects: Directed international collaborations on Buddhist manuscripts, palace chapels, and relic cultures, with grants totaling over $4 million CAD.

• East Asian Buddhism
• Buddhist Transmission Narratives
• Church-State Relationships
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Justin McDaniel is the Edmund J. and Louise W. Kahn Endowed Professor of the Humanities at the University of Pennsylvania's Department of Religious Studies. His research focuses on Lao, Thai, Pali, and Sanskrit literature, Buddhist rituals, manuscript studies, and Southeast Asian history. He has authored multiple award-winning books and published over 100 articles and reviews. Education includes a BA from Boston College (1993), MTS from Harvard Divinity School (1998), MA and PhD in Sanskrit and Indian Studies from Harvard University (2001, 2003). His research explores intersections between Buddhism, material culture, and social history. Recent work includes studies on Siamese manuscripts and Thai Buddhist art. He has held grants from NEH, Mellon, Rockefeller, and others. Awarded teaching excellence at multiple institutions, McDaniel’s innovative courses like Existential Despair and Living Deliberately have been featured in national media. He serves as co-editor for Buddhism Compass and Journal of Lao Studies . Publications include Cosmologies and Biologies (2024), Wayward Distractions (2023), and Architects of Buddhist Leisure (2015), supported by NEH and Kyoto University. Forthcoming projects address Thai manuscripts and Buddhist biographies.

• Buddhist Studies
• Southeast Asian Buddhism
• Lao Literature
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Paul Harrison is the George Edwin Burnell Professor of Religious Studies at Stanford University , with a courtesy appointment in East Asian Languages and Cultures. He serves as Co-Director of the Ho Center for Buddhist Studies , focusing on Buddhist literature, history, and manuscript analysis across Mahāyāna and Mainstream traditions. Specializes in Buddhist manuscripts in Sanskrit, Chinese, and Tibetan Current projects: Editions of the Vajracchedikā (Diamond Sutra) and Vimalakīrtinirdeśa Research emphasizes textual authority, transmission, and innovation in Mahayana Buddhism Contact: paulh1@stanford.edu | Office: Building 70, Room 72E

• Buddhist Literature
• Mahāyāna Buddhism
• Buddhist Manuscripts
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Melissa McCormick, Andrew W. Mellon Professor of Japanese Art and Culture at Harvard University, holds a Ph.D. in Japanese Art History from Princeton University (2000) and a B.A. in art history and Japanese from the University of Michigan (1990). She has taught at Columbia University as the Atsumi Assistant Professor of Japanese Art (2000-05) and at Harvard since 2005, where she was promoted to Professor with tenure in 2009. She has held visiting professorships at the University of Zurich and Universidade Estadual de Campinas, Brazil. Education : University of Michigan (B.A.), Princeton University (Ph.D.), Gakushūin University (1996-98) Affiliations : Harvard Art Museums, Metropolitan Museum of Art, NHK Documentaries, Getty Foundation Her research explores the interplay of text and image in Japanese art, focusing on emaki (narrative scrolls), The Tale of Genji , and Buddhist themes. Her 2018 monograph The Tale of Genji: A Visual Companion and 2009 book Tosa Mitsunobu and the Small Scroll in Medieval Japan established new frameworks for analyzing scroll format and narrative. Current projects examine Buddhist nun-artist Ōtagaki Rengetsu and bridal manuscript traditions. Selected articles highlight her work on Hakubyō (ink-line painting), medieval Genji genealogies, and the poetics of chigo (novice) tales. She has contributed to exhibitions at the Metropolitan Museum of Art and Dartmouth College’s Hood Museum. Scientific Awards : Mellon Fellowship in the Humanities (1990) At Harvard, McCormick teaches courses ranging from introductory surveys ( Arts of Japan ) to advanced seminars on gender, tea culture, and museum research. She co-curated the 2019 Tale of Genji exhibition at the Met, which received critical acclaim, and developed an edX course with over 20,000 enrollments. Her consultancy work extends to opera and dance companies, including Japan Society and Asia Society of Texas.

• Japanese Art History
• Visual Storytelling
• Text-Image Relationship
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Dr Christian Luczanits serves as the David L. Snellgrove Senior Lecturer in Tibetan and Buddhist Art at SOAS University of London, where he also acts as Department Recruitment, Admissions and Marketing Convenor. He previously held research positions at the University of Vienna, Austrian Academy of Sciences, and Lumbini International Research Institute, followed by visiting professorships at UC Berkeley , Free University Berlin, and Stanford University. Before academia, he was Senior Curator at the Rubin Museum of Art, New York. PhD in Tibetan and Buddhist Studies (University of Vienna) under the late Maurizio Taddei Specializes in early Buddhist art (1st-5th centuries) and early Tibetan Buddhist art (7th-15th centuries) Key research topics: Maitreya iconography , development of Mahāyāna and esoteric traditions, Tibetan artistic adaptation of Indian forms, and AHRC-funded monastery collections documentation in Mustang and Ladakh His recent publications analyze transcultural dynamics in Himalayan Buddhist heritage, including monastic collections, mandala symbolism, and artistic revival movements. He co-curated the Gandhara – The Buddhist Heritage of Pakistan exhibition at Bonn's Kunst- und Ausstellungshalle der Bundesrepublik Deutschland. PhD supervisees include: Udomluck Hoontrakul (Political Economy of Marginal Polities) Qianhui Lin (Bodhisattva Conceptualization in Gandhāra) Agneta Niklasson (Esoteric Buddhism in Swat-Gilgit-Kashmir sculpture) Dr Lesley S Pullen (Angkorian Divine Adornment) Kulamitra David Zukas (Rock-Cut Buddhist Monasteries)

• Early Buddhist Art
• Tibetan Buddhist Art
• Gandharan Art
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Mark Allon is an Associate Professor and Chair of Discipline in South Asian Buddhist Studies at the University of Sydney. He holds a PhD from the University of Cambridge and a BA (Honours) from the Australian National University. His research focuses on early Buddhist literature, Gandhari manuscripts, and the textual traditions of South and Southeast Asia. Allon leads major projects, including the study of the Senior Kharosthi manuscripts and the conservation of the Kuthodaw Pagoda inscriptions in Myanmar. Education: PhD (Buddhist Studies, Cambridge), BA (Asian Studies, ANU; Hons 1), Dip. Arts (City Art Institute) Key Roles: President of the Australasian Association of Buddhist Studies, Board Member of the International Association of Buddhist Studies, and member of the Sydney Southeast Asia Centre His research interests include the composition and transmission of early Buddhist texts, Gandhari and Pali languages, and the cultural heritage of Gandhara. Current projects involve digital humanities initiatives for Buddhist manuscripts and the study of marble stelae inscriptions in Mandalay. Allon has received grants such as the Robert H. No Ho Family Foundation Grant (2019) and the Australian Nuclear Science and Technology Organisation award (2019). He advises on the Dhammakaya Tipitaka Project and collaborates with institutions globally on manuscript preservation.

• Buddhist Studies
• Indology
• Manuscript Studies
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Dominic Goodall is a Director of Studies at the French School of Asian Studies (École française d'Extrême-Orient), specializing in Sanskrit Philology, History of Śaivism, and Epigraphy. Based at the Pondicherry Research Center in India, he has been a member of the EFEO since 2000 and previously served as Director of the Pondicherry Center from 2002 to 2011. His academic journey began with studies in Greek and Latin at Pembroke College, Oxford, followed by Sanskrit (BA with Pali, 1990), and medieval Tamil at the University of Hamburg (1990-1991). He completed his doctorate at Wolfson College, Oxford under Professor Alexis Sanderson on the theological school of Śaivasiddhānta in 10th-century Kashmir. Goodall's research focuses on the critical edition and translation of previously unpublished Śaiva scriptures and theological commentaries, particularly from South India. His scholarly work bridges Sanskrit philology with epigraphic studies of Southeast Asia, especially Cambodia. He has made significant contributions to understanding the transmission of Śaiva Siddhānta traditions across South and Southeast Asia through textual analysis of both manuscripts and inscriptions. His publication record demonstrates a consistent focus on early Śaiva Tantric literature, particularly the Niśvāsatattvasaṃhitā as the earliest surviving Śaiva Tantra. Goodall has pioneered the study of Cambodian inscriptions in Sanskrit, revealing important connections between Indian religious traditions and Khmer civilization. His work shows a methodological commitment to rigorous textual criticism combined with historical and religious analysis. Foreign Corresponding Member of the Academy of Inscriptions and Belles-Lettres (2016) Co-editor of Tāntrikābhidhānakośa (Viennese dictionary of Hindu tantric terminology) Contributor to Encyclopaedia of Manuscript Cultures in Asia and Africa Goodall has supervised numerous research projects on South Asian manuscript cultures and epigraphy. His leadership in the Pondicherry manuscript project has been instrumental in preserving and making accessible important Sanskrit textual traditions. He has organized multiple international workshops on early Tantric traditions and regularly collaborates with scholars across Europe and Asia. Based at the Pondicherry Research Center, Goodall continues to direct the EFEO's efforts in documenting and analyzing South Asian religious traditions, with particular emphasis on Śaiva Siddhānta traditions as reflected in both manuscript and inscriptional evidence from India and Southeast Asia.

• Sanskrit Philology
• History of Śaivism
• Epigraphy
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