جست‌وجوی استاد و پژوهشگر

James C. Hoeمشاهده پروفایل

استاد

• Computer Architecture
• Reconfigurable Computing
• High-Level Hardware Design and Synthesis
• +۴ مورد دیگر

James C. Hoe is Professor of Electrical and Computer Engineering at Carnegie Mellon University (College of Engineering). He is on sabbatical at MangoBoost and directs research in computer architecture, reconfigurable computing, and high-level hardware design. Education Ph.D., Electrical Engineering and Computer Science, MIT (2000) M.S., Electrical Engineering and Computer Science, MIT (1994) B.S., Electrical Engineering and Computer Science, UC Berkeley (1992) Research Interests Professor Hoe’s work spans computer architecture , reconfigurable computing , FPGA architectures , and high-level hardware synthesis . His group created the CoRAM abstraction for virtualized FPGA computing and leads efforts in power-efficient accelerators, in-network computing, and security-oriented FPGA systems. Scientific Awards IEEE Fellow (2013) Intel Outstanding Researcher Award (2021) Research Funding & Projects Intel / VMware Crossroads 3D-FPGA Academic Research Center – co-leading exploration of FPGA roles in future datacenters. DARPA BRASS program ($2.7 M, 4 years) – ensuring long-lived software systems remain robust to resource changes. Pigasus open-source IDS – world’s fastest FPGA-accelerated intrusion-detection system (100 Gb/s on one server). Labs & Teams He heads activities within the Computer Architecture Lab at Carnegie Mellon (CALCM) , supervising graduate researchers on CoRAM++, SPIRAL autotuning, and FPGA overlays for stream processing.

Gary Scavoneمشاهده پروفایل

استاد

• Music Technology
• Musical Acoustics
• Acoustical Signal Processing
• +۳ مورد دیگر

Dr. Gary Scavone is a Professor and Department Chair in the Music department at McGill University's Schulich School of Music. He holds a PhD in Computer-Based Music Theory & Acoustics and MS in Electrical Engineering from Stanford University, alongside degrees from Syracuse University in Music and Electrical Engineering. His research focuses on music technology, including acoustic modeling, sound synthesis, and instrument design. He directs the Computational Acoustic Modeling Laboratory (CAML), which explores advanced techniques for simulating musical instruments and developing software tools. As a saxophonist, he specializes in contemporary concert music performance. Research interests include physically-based sound synthesis, wind instrument acoustics, and digital waveguide modeling. He has contributed to studies on brass and woodwind impedance measurements, violin soundpost dynamics, and free-reed instrument modeling. His work bridges engineering and artistry, with applications in music pedagogy, instrument design optimization, and virtual acoustic replication. Key contributions include open-source projects for wind instrument modeling and the development of tools for automated timbre assessment. His research often combines experimental methods with computational simulations, addressing challenges in both theoretical and applied music acoustics. Current projects focus on deep learning for friction modeling, impedance measurement systems, and cross-cultural instrument analysis.

Sławomir Kaczorowskiمشاهده پروفایل

استاد

• Contemporary Composition
• Instrumental Music
• Choral Music
• +۲ مورد دیگر

Professor Sławomir Kaczorowski, Ph.D., has been a faculty member at the Grażyna and Kiejstut Bacewicz Academy of Music in Łódź since 1981, where he teaches composition and served as Head of the Department of Composition from 2011 to 2021. He previously held significant leadership roles including Vice-Rector for Artistic and Teaching Affairs (1999-2005) and Vice-Dean of the Faculty of Composition, Music Theory, Music Education and Rhythmics (1996-1999). His educational background includes diplomas in music theory (1981) and composition under Professor Bronisław Kazimierz Przybylski (1981) from the State Higher School of Music in Łódź. Awarded the title of professor by the President of Poland in 2002, he remains an active academic leader currently serving as chairman of the Art Section of the Polish Accreditation Commission. Kaczorowski specializes in contemporary composition with emphasis on instrumental works, chamber music, and choral compositions. His research interests manifest in diverse output featuring piano, accordion, and mixed ensembles, with notable focus on tango-inspired forms and liturgical reinterpretations. He pioneered the MUSICA MODERNA sessions promoting new music through biannual concerts and lectures. Analysis of his 15 most recent compositions reveals consistent exploration of Polish contemporary classical traditions with strong emphasis on instrumental timbre, cross-genre fusion (particularly tango elements), and innovative approaches to sacred music forms. His works demonstrate technical mastery across diverse ensembles from solo piano to full orchestral settings. Silver Medal for Merit to Culture – Gloria Artis (2021) Numerous national composition competition awards Jury membership at international competitions including the T. Baird Young Composers' Competition (Warsaw 2018) and National Association of Composers USA competitions (2017-2018) Professor Kaczorowski has mentored award-winning composers including Grzegorz Duchnowski and Tomasz Szczepanik. His institutional leadership includes directing the Grażyna Bacewicz International Composition Competition (2012, 2015, 2019) and serving as president of the Łódź Branch of the Polish Composers' Union until 2022. He maintains active artistic engagement through premieres across Europe, China, and the United States. His creative work is organized through departmental initiatives including the Department of Composition's performance series and collaboration with the Artur Rubinstein Łódź Philharmonic. Current activities focus on expanding Polish contemporary music's international presence through competitions and cross-border artistic exchanges.

Aaron Cassidyمشاهده پروفایل

استاد

• Contemporary Music Composition
• Musical Notation Innovation
• Non-Geometrical Rhythm Theory
• +۳ مورد دیگر

Aaron Cassidy is an American composer and conductor based in Berlin and Hannover. He serves as Professor of Composition and Director of Incontri – Institut für neue Musik at the Hochschule für Musik, Theater und Medien Hannover. His work emphasizes innovative graphical notations prioritizing physical sound production and non-geometrical rhythm theory. Cassidy’s compositions have been performed globally across 29 countries, with 12 commercial recordings on major labels like Kairos and NEOS. As a conductor, he specializes in contemporary and historical repertoire, leading over 100 world premieres with ensembles such as Ensemble Musikfabrik and ELISION. Notable engagements include the Munich Biennale and Melbourne Recital Centre. His recent research includes a 2025 reflection on non-geometrical rhythm and collaborative Erasmus+ residencies in Klagenfurt. Current projects include works for bassoon, violin-piano duet, and ANAM residency with ELISION in Melbourne (2025). Cassidy’s academic focus bridges compositional theory and performance practice. His research explores notation’s role in shaping musical interpretation, with particular attention to rhythm’s non-metric frameworks. Recent works like Reassessing Non-Geometrical Rhythm (2025) synthesize a decade of theoretical development. His teaching integrates experimental techniques and historical context, fostering innovation in Hannover’s new music institute.

Jobey Wilsonمشاهده پروفایل

استادیار

• Music Education
• Brass Instruments
• Marching Band Direction
• +۳ مورد دیگر

Jobey Wilson is an Assistant Professor of Music at Pittsburg State University, directing the Pride of the Plains Marching Band, Symphonic Band, and Pep Bands. He teaches applied Tuba, Euphonium, Trombone, and courses in Brass Techniques and Chamber Music. Wilson is a Principal Tuba in multiple orchestras and a solo artist for PARMA Recordings. He founded Camp Jobey Summer Brass Institutes in 2012 and previously taught at Bentley University, Boston College, and others. Education: D.M.A. (Boston University), M.M. (New England Conservatory), B.M. (University of Oklahoma) Research interests focus on brass pedagogy and ensemble performance. His students attend top institutions like Juilliard and New England Conservatory. Wilson has performed with the Boston Pops, Boston Ballet, and other prestigious groups. Notable achievements include silver medals with the Triton Brass Quintet and leadership in music education initiatives. He also serves as a clinician for Eastman Music Company and maintains active freelance performance roles. Camp Jobey Summer Brass Institutes provide specialized training, often featuring guest artists. His career bridges academic teaching, professional performance, and youth music education.

Michael Rushmanمشاهده پروفایل

مدرس

• Music
• Trombone Performance
• Orchestral Performance
• +۲ مورد دیگر

Michael Rushman is a professional trombonist and music educator currently serving as trombone instructor at Biola University's Conservatory of Music, Chapman University, and Irvine Valley College across Southern California. His educational background includes: Master of Music in Trombone Performance from University of Southern California Thornton School of Music Bachelor of Music in Trombone Performance and Bachelor of Arts in Philosophy from Chapman University (summa cum laude) Additional studies with Haim Avitsur at Hartt School of Music As a performer, Rushman maintains an active freelance career with major ensembles including Los Angeles Chamber Orchestra, Pacific Symphony, Redlands Symphony, Riverside Philharmonic, and Monterey Symphony. His international experience includes performances with the American Institute of Musical Studies orchestra in Austria (2017), while his local work features regular engagements with Disneyland Resort ensembles including the renowned Disneyland Band. His professional focus integrates trombone performance mastery with orchestral training and music education, emphasizing practical brass pedagogy and ensemble collaboration within contemporary performance contexts.

Christopher D. Azzaraمشاهده پروفایل

استاد

• Music Education
• Improvisation in Music
• Jazz Studies
• +۳ مورد دیگر

Christopher D. Azzara is the Eisenhart Professor of Music Teaching & Learning at the Eastman School of Music, University of Rochester. He holds affiliate roles in Jazz Studies & Contemporary Media and Woodwinds, Brass & Percussion. His research focuses on creativity, improvisation, and music pedagogy. Azzara earned a B.M. from George Mason University (1981), M.M. (1988), and Ph.D. (1992) from Eastman. Previously, he taught at The Hartt School (1991–2002) before joining Eastman's faculty in 2002, later serving as Chair of Music Teaching & Learning (2010–2018). He has received prestigious awards, including the Edward Peck Curtis Award (2022) and the Eisenhart Professorship (2023). His academic work emphasizes the integration of listening, creating, improvising, and composing in music education. Key publications include Developing Musicianship through Improvisation and Jump Right In: The Instrumental Series . Azzara’s arrangements are published by GIA and Oxford University Press. He performs with the Chris Azzara Trio and collaborates with Eastman faculty and the Rochester Philharmonic Orchestra. Internationally recognized, Azzara has conducted workshops in over 20 countries, including TEDxRochester and Carnegie Hall. His engagements in 2024–2026 include teaching clinics in Germany, the U.S., and Australia, emphasizing creativity-driven music education. His research appears in journals such as the Journal of Research in Music Education and Oxford Handbooks Online . Azzara advocates for innovative teaching methods, blending academic rigor with practical performance experiences.

Richard Killmerمشاهده پروفایل

استاد

• Oboe Performance
• Music Education
• Orchestral Studies
• +۳ مورد دیگر

Richard Killmer is a Professor of Oboe and Wegman Family Professor of Oboe at the Eastman School of Music, University of Rochester. He has held principal oboe positions with the St. Paul Chamber Orchestra, Oklahoma City Symphony, Aspen Festival Orchestra, and Lake Placid Sinfonietta. His military service included roles with the NORAD Band and Commander’s Dance Band. Educated at University of Northern Colorado (B.A. 1960) and Yale School of Music (M.M., M.M.A., D.M.A.), he also taught at Yale as Visiting Professor of Oboe. Teaching accolades include Eastman’s Eisenhart Award (1984-85) and Yale’s Gustave Stoeckel Award (2006). His career spans orchestral performance, pedagogy, and competition adjudication including CIBC, Geneva, and Prague Spring Competitions. Specializes in classical oboe performance and wind ensemble training with expertise in baroque and contemporary repertoire. Performance history includes summer festivals at Mainly Mozart, Banff Centre, and Sarasota. Maintains active involvement in instrumental education through Eastman’s faculty roles since 1982.

Harry Bulowمشاهده پروفایل

استاد

• Music Theory
• Composition
• Electronic Music
• +۳ مورد دیگر

Harry Bulow is a Professor of Music at Purdue University's School of Design, Art, and Performance, where he served as Head from 2009 to 2019. Previously, he chaired music departments at the University of Hawaii, University of North Carolina at Charlotte, and Lamar University, and directed bands at Santa Barbara City College. His career spans composition, performance, administration, and music technology leadership. Education: Bachelor's in Music Education, San Diego State University M.A. and Ph.D. in Music Theory and Composition, UCLA (1978, 1983) Bulow's creative scholarship centers on Music Theory, Composition, and Electronic Music , with significant contributions to Jazz, Film, and Sacred Music . His eclectic style synthesizes influences from Copland, Mancini, and Lutosławski, emphasizing graphic notation and extended techniques. Recent work explores cross-cultural fusion (e.g., Japanese-Western instrumentation) and wind ensemble innovation, reflecting his leadership in modernizing band pedagogy through publications like Composing Outside the Box . His 15 most recent publications reveal a sustained focus on wind ensemble and chamber music , with increasing integration of commercial media (video games) and cross-cultural elements. The 2016-2019 output shows particular emphasis on brass quintets and piano works, demonstrating technical innovation within traditional forms. Awards: 38 Consecutive ASCAP Awards (1980-2018) Oscar Espla International Composers Prize (1986) 1st Prize, International Composers Competition, Trieste (1977) Dallas Wind Symphony Fanfare Award (2006) National Endowment for the Arts Composer Fellowship (1986) Bulow has secured substantial research funding including Purdue's ASPIRE/CREATE Grants (2017-2019) and North Carolina Arts Council Fellowships. His commissioned works span academic (Eastman Wind Ensemble), commercial (EA Sports), and international contexts (Moscow National Symphonic Band), with recent performances at Society of Composers conferences and College Music Society events. He maintains active performance collaborations with ensembles like the Indianapolis Wind Symphony and pianist Martin Jones, while his compositions continue to shape contemporary wind band repertoire through innovative approaches to notation and form.

• Brass Pedagogy
• Charter School Music Programs
• Public School Music Curricula
• +۴ مورد دیگر

David Hedgecoth is a Professor of Music Education and Associate Director/Chair of Undergraduate Studies at The Ohio State University's School of Music. He holds a PhD from OSU and teaches courses in brass pedagogy, instrumental methods, and qualitative research. His administrative roles include curriculum committee work and advising for Phi Mu Alpha and Collegiate NAfME. He directs the Brazilian Experience education abroad program and mentors in the Sophomore Transformational Experience Program (STEP). Education: BME and MA from Florida State University (Tallahassee), PhD in Music Education from The Ohio State University. Research focuses on charter school music programs, educational policy, teacher education, and international music education. Key interests include curriculum design in alternative schools, social impact of music education, and LGBT inclusivity. Over 20 peer-reviewed and editor-reviewed publications address topics like self-guided rehearsals, post-recession curriculum recovery, and advocacy in music education journals. Awards include National Board Certification, Fulbright Scholarship, and Teacher of the Year. Serves on boards for Chamber Music Columbus, ProMusica Chamber Orchestra, and OSU's Center for Latin American Studies advisory board. Coordinates the IMMERSE sensory concert series with WOSU Public Radio. Advising includes directing education abroad programs and mentoring graduate students. Grants and partnerships involve collaborative projects with schools, orchestras, and international institutions. Maintains active roles in both classroom innovation and large-scale educational policy analysis. Labs/Teams: Brazilian Experience Abroad Program leadership, IMMERSE sensory concert coordination, and collaborative work with WOSU Public Radio.

Matthew Georgeمشاهده پروفایل

استاد

• Conducting
• Wind Literature
• Orchestral Performance
• +۳ مورد دیگر

Matthew J. George is the John Ireland Distinguished Professor of Music and Director of Bands and Orchestras at the University of St. Thomas in St. Paul, Minnesota. He also held the Chair of the Department of Music for twenty years and serves as Chair and conductor for the Music Education Center at Xi’an Jiaotong University in China. His roles include Artistic Director and Conductor of Grand Symphonic Winds and primary conductor of the Lake Wobegon Brass Band. Dr. George earned a D.M.A. in conducting from the University of North Texas, an M.M. in music education from Southern Methodist University, and a B.M. in music education and trumpet performance from Ithaca College. He has conducted professional and educational ensembles globally, including the Royal Liverpool Philharmonic, São Paulo State Symphonic Band, and Band of the People’s Liberation Army (China). He founded the Banda Sinfônica in Mexico City and serves as Artistic Director for international festivals in venues like the Sydney Opera House. Active in academic leadership, he chairs the New Music Committee for the College Band Directors National Association (CBDNA) and sits on the executive board of the World Association of Symphonic Bands and Ensembles. His research focuses on conducting pedagogy, wind literature performance, and commissioning new works, with over 100 commissioned pieces by composers like Nigel Clarke and Frank Ticheli. He leads the UST Symphonic Wind Ensemble, which has released seven CDs on innova/Naxos. Recent courses include Advanced Instrumental Conducting (Summer 2025) and directs the University Orchestra and Symphonic Wind Ensemble (Fall 2025). He has been honored with the University of St. Thomas Professor of the Year Award.

• Musical Acoustics
• Medical Acoustics
• Music Therapy
• +۳ مورد دیگر

Matthias Bertsch is a faculty member with expertise spanning musical acoustics, medical acoustics, and ethnomusicology. His work bridges musicology, biomedical engineering, and clinical applications. Academic leadership in structured doctoral programs Research on brass instrument mechanics and NICU sound environments Interdisciplinary focus on music-physiology and psychoacoustics Research Interests: Specializing in the acoustic properties of musical instruments, therapeutic sound applications for premature infants, and physiological analysis of brass players. His work combines empirical measurement with clinical and cultural implications. Article Trends: Publications emphasize brass instrument biomechanics , incubator sound optimization , and music's physiological effects , with recurring themes in virtual acoustics and interdisciplinary methodologies.

Niklas Sivelövمشاهده پروفایل

استاد

• Classical Piano Performance
• Chamber Music
• Improvisation
• +۳ مورد دیگر

Niklas Sivelöv is a Professor and Subject Group Leader in Piano at The Royal Danish Academy of Music (DKDM), a position he has held since 2008. He has significantly shaped DKDM’s educational programs, including pioneering the Master’s degree in piano and upcoming programs in chamber music. A renowned pianist and composer, his career blends performance, pedagogy, and innovation. He is celebrated for bridging classical traditions with modern improvisation, exemplified by collaborations with jazz pianist Carsten Dahl. Education: Trained at the Royal Academy of Music in Stockholm, with further studies in Helsinki, Bucharest, and London. His teaching philosophy emphasizes personal student development, focusing on tone, expression, and technical mastery for lifelong musical careers. He has led masterclasses globally, including at the Universität für Musik Wien, Yale School of Music, and Shanghai Conservatory. Research interests span classical piano repertoire (Bach to Nørgård), improvisation, and composition. His compositional works include six symphonies, five piano concertos, and chamber pieces. Key awards include the Knight of the Dannebrog (2017) and a People’s Choice Award at the Independent Music Awards (2009). He has recorded over 50 CDs, notable for 'Improvisational One' and Berwald’s symphonies on Naxos. Leadership roles include Artistic Director of Engelsbergs Festival (2007–2009) and jury memberships for international competitions. Upcoming projects include recordings of Skrjabin’s complete sonatas and a collaboration with Carsten Dahl. His work integrates pedagogy, performance, and composition, fostering both traditional and experimental musical practices.

Edward S. Bachمشاهده پروفایل

استاد

• Brass Music Performance
• Music Education
• Brass Quintet Arrangements
• +۳ مورد دیگر

Dr. Edward S. Bach is a Professor of Trumpet and Music Performance at Brandon University, Canada. He holds a B.Mus from Brandon University and both M.Mus and DMA degrees from the University of British Columbia. His primary roles include conducting the Brandon University Brass Ensemble and Trumpet Ensemble, as well as teaching trumpet performance and pedagogy. Conducts university wind ensembles and guest-conducts high school bands Oversees the trumpet studio's performance and academic programs Runs the Master of Music in Performance and Literature for Trumpet program Research focuses on expanding brass quintet and large ensemble literature through transcriptions of classical works. Notable projects include arrangements of Schumann, Mendelssohn, and Tchaikovsky for brass ensembles. His performance career spans over 30 countries with groups like Market Street Brass and A Touch of Brass, featuring both classical and jazz repertoires. Has adjudicated major competitions including The Canadian National Music Festival and The National Trumpet Competition. Published extensively with C. Alan Publications, producing influential brass ensemble works. Active in masterclass instruction globally, including at the Moscow Conservatory and Liszt Institute in Budapest.

• Trumpet Performance
• Classical Music
• Baroque Music
• +۵ مورد دیگر

Professor Wolfgang Bauer is a renowned trumpet virtuoso and Professor of Trumpet at the State University of Music and Performing Arts Stuttgart (HMDK Stuttgart). He has held this position since 2000 after previously teaching at the Frankfurt University of Music and Performing Arts and leading the trumpet class at the Basel Music Academy. Bauer is considered one of the leading trumpeters of his generation following his consecutive wins at the German Music Competition and the ARD International Music Competition in Munich in 1993. His research and performance interests span multiple areas of trumpet artistry, with particular emphasis on Baroque Music , Classical Repertoire , and Historical Instruments . Bauer has developed a significant focus on the baroque natural trumpet, releasing specialized recordings on historical instruments. His performance career encompasses Solo Performance , Orchestral Collaboration with major ensembles worldwide, and Chamber Music through his ensembles CITY BRASS Stuttgart and the Wolfgang Bauer Consort. Bauer's recorded output shows a clear trajectory from classical trumpet repertoire toward historically informed performance practice, particularly evident in his 2009 recordings on historical instruments. His work encompasses both scholarly exploration of historical performance techniques and accessible educational projects like children's recordings that reached the hr2 audiobook bestseller list. ECHO Klassik as Instrumentalist of the Year (2009) Best Recording of the Year at Soundstage.com (2008) Winner of the ARD International Music Competition Munich Winner of the German Music Competition in Bonn Bruno Frey Prize from the State Academy of Baden-Württemberg Teaching Award of the State of Baden-Württemberg (2017) As an educator, Bauer has significantly impacted trumpet pedagogy, receiving the prestigious Baden-Württemberg teaching prize worth €50,000 in 2017. He regularly conducts master classes worldwide and serves as a lecturer for the German National Youth Orchestra. His research activities are closely tied to his performance practice, particularly his exploration of historical instruments and baroque trumpet techniques. Bauer leads the Wolfgang Bauer Consort, a baroque ensemble specializing in period performance, and founded CITY BRASS Stuttgart, which received the Bruno Frey Foundation sponsorship prize in 2006.