Bass Performance Professors and Supervisors | ApplySharif

جست‌وجوی استاد و پژوهشگر

استاد راهنما، استاد دانشگاه یا پژوهشگر مناسب برای مسیر پژوهشی‌تان را پیدا کنید و با او ارتباط بگیرید.

نمایش ۱۶-۳۰ از ۱٬۰۲۷ استاد راهنما

اطلاعات این پروفایل‌ها از صفحات عمومی دانشگاه‌ها جمع‌آوری شده و ممکن است به‌روز نباشد.

Valeria Bruschiمشاهده پروفایل

پژوهشگر

Marche Polytechnic UniversityItaly

Valeria Bruschi is a Researcher at the Department of Information Engineering (DII) within the Faculty of Engineering at Università Politecnica delle Marche (UNIVPM) in Ancona, Italy. Her academic profile was last updated on April 13, 2024, and she maintains her office at the Engineering Faculty on via Brecce Bianche, with contact information including phone +39 071-220-4486 and email v.bruschi@staff.univpm.it. Dr. Bruschi's research spans multiple domains within audio and signal processing, with particular expertise in spatial audio systems, automotive human-computer interaction, and biomedical signal applications. Her work bridges theoretical signal processing techniques with practical implementations across diverse fields including automotive safety systems, hearing aid technology, sleep medicine, and agricultural monitoring. She has made significant contributions to head-related transfer function (HRTF) processing, real-time audio enhancement algorithms, and innovative monitoring systems that utilize acoustic signals for various applications. Analysis of Dr. Bruschi's recent publications reveals a strong trajectory in developing practical audio processing solutions with real-world applications. Her work shows increasing integration of machine learning techniques with traditional signal processing approaches, particularly in areas like driver monitoring systems, snoring detection and cancellation, and spatial audio rendering. A notable trend is her focus on creating lightweight, real-time implementations suitable for embedded systems and practical deployment scenarios, while maintaining high performance standards. Her research consistently demonstrates interdisciplinary collaboration, connecting audio engineering with fields as diverse as automotive safety, sleep medicine, and agricultural technology. Dr. Bruschi actively contributes to advancing audio engineering through her research on equalization techniques, noise reduction systems, and immersive audio technologies. Her work on pulse compression techniques for hearing aid distortion measurement represents an important contribution to audiological assessment methodologies. Her publication record demonstrates consistent scholarly output with increasing impact across multiple application domains, reflecting her ability to translate theoretical signal processing concepts into practical engineering solutions.

پروفایل رسمی دانشگاه

Lincoln Brownمشاهده پروفایل

دانشیار

Southwestern Oklahoma State UniversityUnited States

Dr. Lincoln Brown is an Associate Professor at Southwestern Oklahoma State University (SWOSU), where he serves as the Graduate Director for Business Programs. His academic leadership extends to faculty sponsorship of the Love's Cup Competition and SWOSU Bass Fishing Club. With a diverse professional background, he has founded seven ventures, worked in aerospace engineering, and pursued vocal performance. His academic credentials include a Ph.D. in Entrepreneurship from Oklahoma State University and a B.S. in Business Administration from Southern Nazarene University. These foundations support his interdisciplinary expertise spanning business innovation and organizational dynamics. Dr. Brown's research explores entrepreneurial decision-making processes through cognitive, emotional, and stakeholder-focused lenses. Core investigations include: Stakeholder emergence patterns in new ventures Cognitive mechanisms underlying entrepreneurial choices Impact of affective states on strategic judgment quality Behavioral innovation frameworks He maintains active engagement with the Academy of Management and contributes to community development as a United Way board member.

پروفایل رسمی دانشگاه

John Hailsمشاهده پروفایل

مدرس ارشد

Edinburgh Napier UniversityUnited Kingdom

Dr. John Hails is a Senior Lecturer and Reader in Music at Edinburgh Napier University , where he teaches aesthetics, music psychology, composition, and ethnomusicology. He holds a PhD in Music from Durham University (2008) and has trained under notable composers like Brian Ferneyhough and Richard Barrett. His research focuses on experimental composition, marginal musical practices, and interdisciplinary aesthetics. Educations: Bachelor’s and Master’s training at Durham University and University of Huddersfield PhD by Portfolio of Compositions (Durham University, 2008) Research Interests: John’s work explores unorthodox intonations, fixed media installations, and the intersection of composition with philosophy and ethnomusicology. He actively presents at international conferences on topics like post-structuralist critiques in music education and communal performance practices. Notable Works: His compositions have been performed by ensembles like the London Sinfonietta and broadcast on BBC Radio 3. Key pieces include enlightenment (microtonal trumpet and media) and Nine for ones in nine , reflecting his experimental approach. Awards & Grants: While no explicit awards are listed, his research is funded by Edinburgh Napier University. He is a core member of the Applied Music Research Centre . Supervision & Grants: He has supervised over 15 postgraduate projects, including PhDs on topics like Musical Cultures of Melanesia and Dialogical Music Systems . His supervisory roles span composition, ethnomusicology, and interdisciplinary studies. Labs/Teams: Active in the Applied Music Research Centre , focusing on creative practice and experimental music dissemination.

پروفایل رسمی دانشگاه

Huda Khanمشاهده پروفایل

مدرس ارشد

University of AberdeenUnited Kingdom

Huda Khan is a Senior Lecturer in Marketing at the Business School of the University of Aberdeen, where she also serves as Director of the MSc Marketing Management Program and Associate Director of the Africa-Asia Centre for Sustainability Research. She holds a PhD in Marketing from the University of South Australia and has previously worked as a marketing academic there, engaging in high-value research projects with global brands through the Ehrenberg-Bass Institute. University: University of Aberdeen School: Business School Academic Rank: Senior Lecturer Email: huda.khan@abdn.ac.uk Office: 719, MacRobert Building, UK Education: PhD in Marketing, University of South Australia, 2016 Graduate Certificate in Digital Learning, University of South Australia, 2020 Huda Khan’s research centers on international marketing, sustainability, digital transformation, and SME internationalization. Her work explores strategic agility, responsible innovation, and the impact of digitalization on business models and consumer behavior. She is particularly interested in emerging markets and the challenges faced by firms in volatile environments. Her recent publications (2023–2025) span top journals such as Journal of Business Research , Industrial Marketing Management , International Business Review , and European Journal of Marketing . The articles reflect a strong interdisciplinary focus on sustainability, digitalization, and international business, with recurring themes of strategic agility, value co-creation, and responsible innovation. She has also contributed to book chapters and edited special issues on sustainability and marketing disruption. Scientific Awards and Recognitions: Fellow of the Royal Society of Arts Endorser of Responsible Research in Business & Management (RRBM) Certified Practising Marketer (CPM), Australian Marketing Institute Affiliate Professional, Chartered Institute of Marketing (CIM) Member, BAM Peer Review College (2023–2026) Huda Khan has secured research funding from the Society for Advancement of Management Studies and the Royal Society of Edinburgh for projects on supply-chain resilience and women-led startups in Pakistan. She is actively supervising PhD students in Business Management, with a focus on international marketing, digital marketing, and sustainability. She serves on the editorial boards of several journals, including Industrial Marketing Management and Journal of Business Research , and is an Associate Editor for Rutgers Business Review . She is also an External Examiner at the University of Sussex and the University of Kent. Huda is actively involved in research centers and networks, particularly the Africa-Asia Centre for Sustainability Research, where she contributes to cross-regional sustainability initiatives. She has also led special issues on climate change, de-globalization, and sustainable partnerships, reflecting her leadership in shaping scholarly discourse on global business challenges.

پروفایل رسمی دانشگاه

En Liمشاهده پروفایل

دانشیار

University of Texas at DallasUnited States

En Li is an Associate Professor of Modern East Asian History at UT Dallas' Harry W. Bass Jr. School of Arts, Humanities, and Technology. Her research examines late imperial and modern China through social/cultural lenses, with foci on material culture, games, and Chinese diasporas. She earned her PhD from Washington University in St. Louis. Research interests include: Transnational cultural exchange through performing arts like Hula Pedagogical applications of historical board games Diaspora studies and material culture analysis Honors include the Sherman Emerging Scholar award and Provost Teaching Fellowship. Her work combines archival research with contemporary cultural analysis to explore meritocracy and social change.

پروفایل رسمی دانشگاه

Nicole Hartnettمشاهده پروفایل

پژوهشگر ارشد

University of South AustraliaAustralia

Dr. Nicole Hartnett is a Senior Marketing Scientist at the Ehrenberg-Bass Institute for Marketing Science, University of South Australia, where she conducts high-impact research on advertising effectiveness, brand performance, and consumer behavior. She serves as Associate Editor of the Journal of Advertising Research , contributing to the advancement of marketing science globally. Research Focus: Nicole's work centers on how advertising content influences sales, with particular emphasis on creative drivers, distinctive brand assets, and media planning. Her research integrates data analytics with behavioral insights to improve advertising measurement and strategic decision-making for consumer packaged goods companies. Her recent publications reveal a consistent focus on advertising effectiveness, brand health, and consumer response across digital and traditional media. She frequently investigates how brands perform when advertising is reduced or paused, the role of attention in video ads, and the validity of persuasion frameworks—demonstrating a strong commitment to evidence-based marketing. Scientific Recognition: Associate Editor, Journal of Advertising Research Prolific contributor to top-tier marketing journals including International Journal of Market Research , European Journal of Marketing , and Australasian Marketing Journal Advising & Grants: While no formal students are listed, Nicole collaborates extensively with global sponsors of the Ehrenberg-Bass Institute, managing brand health trackers and delivering strategic insights. Her work is applied in real-world contexts with major CPG firms, suggesting active engagement in funded research projects and industry partnerships. Labs & Teams: She is a core member of the Ehrenberg-Bass Institute, the world’s largest center for marketing science research, working within a team of over 60 marketing scientists focused on evidence-based brand growth.

پروفایل رسمی دانشگاه

Marc Sommerمشاهده پروفایل

استاد

Duke UniversityUnited States

Marc Sommer is a Professor of Biomedical Engineering and Psychology & Neuroscience at Duke University. He directs the Duke Institute for Brain Sciences and contributes to the Duke Initiative for Science & Society. His research focuses on neural circuits for cognition , particularly how the brain maintains visual perception and behavior through interactions between frontal cortex and subcortical regions. Key Techniques : Single neuron electrophysiology, optogenetics, psychophysics, computational modeling Translational Goals : Improving transcranial magnetic stimulation (TMS) and viral vector therapies for psychiatric and motor disorders Scientific Awards : Capers and Marion McDonald Award for Excellence in Teaching and Research (2021) Capers and Marion McDonald Award for Excellence in Mentoring and Advising (2017) Bass Fellow, Duke University (2017) Research Fellowship in Neuroscience, Alfred P. Sloan Foundation (2005) Marc Sommer's recent publications span visual stability across saccades , optogenetics in primates , TMS mechanisms , and viral vector applications . His work bridges cognitive neuroscience and biomedical innovation , with significant contributions to corollary discharge theory and neural circuit mapping . Lab Collaborations : Interdisciplinary partnerships across Duke University and external institutions, integrating engineering , neurobiology , and computer science to decode primate brain circuitry.

پروفایل رسمی دانشگاه

Miguel Chuaquiمشاهده پروفایل

استاد

University of UtahUnited States

Miguel Chuaqui is a Chilean-American composer and Professor at the University of Utah School of Music, where he serves as Chair of the Composition Area since 2009. Born in 1964 in Berkeley, California, and raised in Santiago, Chile, he holds a PhD in Composition from the University of California at Berkeley, with academic roots in both Mathematics and Music. Education: BA in Mathematics and Music (University of California-Berkeley, 1987), MA in Music (University of California-Berkeley, 1989), PhD in Music (University of California-Berkeley, 1994) Chuaqui's creative practice spans orchestral, chamber, vocal, and electroacoustic works, with performances across the U.S. and internationally by ensembles such as Speculum Musicae, Earplay, and the Society for Electro-Acoustic Music in the United States (SEAMUS). His research emphasizes collaborations in diverse areas, including interactive dance systems with Modern Dance and therapeutic musical applications with the School of Medicine. His compositions reflect an intersection of technology and traditional instruments, often incorporating live electronics and interactive elements. Recent compositions like La Búsqueda (2024), Inseparable (2024), and Encuentro Fugaz (2024) highlight his focus on chamber works and electroacoustic innovation. He has also demonstrated a sustained commitment to solo and ensemble works, integrating Latin American cultural motifs with contemporary techniques. Scientific and Musical Awards Award in Music from the American Academy of Arts and Letters Aaron Copland Recording Grant Eisner Prize Nicola de Lorenzo Award Society for Universal Sacred Music award Induction into the National Association of Composers of Chile President’s Award from SEAMUS (2008) 2024-2025 Big 12 Faculty Fellowship As an educator, Chuaqui has taught courses including Advanced Electronic Music Composition, Senior Composition, and PhD-level Composition at the University of Utah since 2024. He hosted the 2008 SEAMUS National Conference and serves as a NASM Visiting Evaluator, maintaining leadership roles in music education and composition pedagogy.

پروفایل رسمی دانشگاه

Neil Leonardمشاهده پروفایل

استاد

Berklee College of MusicUnited States

Neil Leonard is a Professor at Berklee College of Music and the founding Artistic Director of the Berklee Interdisciplinary Arts Institute. He is affiliated with the Department of Electronic Production and Design (EPD) within the College of Arts and Sciences. His artistic and academic work bridges music, technology, and interdisciplinary collaboration. Ph.D. or equivalent terminal degree in composition or sound art (inferred from academic rank and output) Extensive international residency and fellowship experience Leonard's research and artistic practice centers on sound art, electroacoustic composition, and multimedia performance . He explores immersive multichannel audio, live electronics, and collaborations with visual artists, dancers, and filmmakers. His work investigates the resonance of cultural memory, urban soundscapes, and historical acoustics. He integrates technology and philosophy, often drawing from astronomy, Plato, and intercultural exchange. His recent works, including Matanzas Sound Map (Tate Modern, 2025), Sonance for the Precession , and For Kounellis , reflect a trend toward site-specific, durational sound installations that merge scientific concepts with poetic expression. These pieces utilize field recordings, algorithmic processing, and spatial audio to create immersive environments. His scientific and artistic honors include: Fulbright Specialist Award (2016) Distinguished Faculty Award, Berklee (2011) International CubaDisco Award (2015) Rauschenberg Residency (2016) Sacatar Institute Fellow (2023) MIT Art, Culture, and Technology affiliate U.S. State Department Fulbright Specialist Roster (2013–present) Leonard is deeply committed to mentoring students, particularly in refining portfolios and developing lifelong learning strategies. He emphasizes time management as a compositional skill and encourages adaptability in the evolving music industry. He has led major collaborative projects such as The Berklee Sessions with Robin Rimbaud (Scanner) and has performed with renowned artists including Vijay Iyer, Rudresh Mahanthappa, and Los Muñequitos de Matanzas. He co-founded and leads the Berklee Interdisciplinary Arts Institute , fostering cross-departmental collaborations and innovative performance practices. His work continues to be exhibited globally, from Documenta and Venice Biennale to Mass MoCA and the Peabody Essex Museum.

پروفایل رسمی دانشگاه

William Luceyمشاهده پروفایل

دانشیار

Berklee College of MusicUnited States

William Lucey is an Associate Professor in the Music Production and Engineering (MP&E) and Songwriting departments at Berklee College of Music, a leading institution in contemporary music education. His academic role is deeply informed by his extensive professional career as a performer, songwriter, and producer. His research and creative interests center on music production, songwriting craft, audio engineering, and the integration of analog and digital technologies in music. He emphasizes practical, real-world applications in his teaching, drawing from decades of experience in the music industry. The body of his recent work—including songs like Home , Haunt Me Again , and All I Want for Christmas is a Christmas No. 1 —demonstrates a broad range across genres such as Americana, pop, rock, electronic, and folk. His production style is hands-on, spanning songwriting, arrangement, performance, engineering, and mixing. He frequently collaborates with emerging and established artists, often playing multiple instruments and overseeing full production. Meteor Award Ireland for Best Hope for the Future Boston Music Awards for Best New Act and Best Vocalist World Peace Award for Best International Act As an educator and mentor, Lucey has taught songwriting and production at Berklee for over 25 years, guiding countless students in developing their artistic voices. He also engages in professional projects that serve as living case studies for his pedagogy. His studio practice blends analog warmth with digital precision, reflecting his philosophy of marrying the best of both worlds. While no formal lab or research team is mentioned, his production house functions as a creative hub for collaboration with session musicians and artists worldwide.

پروفایل رسمی دانشگاه

Erin L. Kelleyمشاهده پروفایل

مدرس

University of Texas at DallasUnited States

Dr. Erin L. Kelley is a Lecturer I at The University of Texas at Dallas in the Harry W. Bass Jr. School of Arts, Humanities, and Technology, and a Professor of Composition and Literature at Dallas College. She teaches courses including "Legal Research and Writing," "Gender & Justice in American Literature," and "Race and Identity in World Literature." With terminal degrees in both literature (PhD) and law (JD), Dr. Kelley bridges the humanities and legal studies in her academic and public work. Education: Ph.D. in Humanities–Literature, The University of Texas at Dallas M.A. in Humanities–Literature, The University of Texas at Dallas J.D. in Law, Texas Tech University School of Law B.A. in English, Texas Tech University Her research explores the intersections of law, literature, and gender, focusing on how narratives perpetuate victim-blaming in cases of sexual assault, domestic violence, and stalking. She analyzes legal and literary texts to reveal systemic biases against women and marginalized groups. Her 2024 book, Law, Literature, and Violence Against Women: Ending the Victim Blame Game (Routledge), is a central contribution to this field. Dr. Kelley's recent publications and presentations examine themes such as DARVO (Deny, Attack, Reverse Victim and Offender), the 'freeze response' in acquaintance rape cases, and slut-shaming in literature and law. Her work draws from interdisciplinary perspectives in criminology, psychology, rhetoric, and feminist theory. Scientific and Teaching Awards: Outstanding Woman of Today, Builder of Tomorrow Award – Altrusa International (2024) Inspirational Leader Award – LinkedIn (2022) Faculty Fellow Award – Dallas College. Global Citizenship Alliance Seminar, Salzburg, Austria (2022) Developing Learning Power Teaching Award – Dallas College (2017) She is an active public speaker, having delivered a TEDx Talk titled "How Law Stigmatizes Rape Victims" and numerous presentations at academic conferences and community events. She has also published poetry and creative works, and is involved in interdisciplinary teaching and advocacy for victims of gender-based violence. Dr. Kelley advises on professional development for therapists and participates in campus and community initiatives on sexual assault awareness. Research and Advocacy Teams: CAASA (Campus Alliance Against Sexual Assault) – Presenter and collaborator Global Citizenship Alliance – Faculty Fellow Association for the Study of Law, Culture, and the Humanities – Regular presenter

پروفایل رسمی دانشگاه

Roseen Gilesمشاهده پروفایل

استادیار

Duke UniversityUnited States

Roseen Giles is an Assistant Professor of Music at Duke University, affiliated with Trinity College of Arts & Sciences. She also serves as Curator of the Duke University Musical Instrument Collections (DUMIC). Her expertise lies in early modern Italian musical culture, particularly the intersections between poetry and music in the 17th century. Giles holds a Ph.D. and B.Mus. from the University of Toronto. Her research explores the aesthetic, professional, and personal relationships between poets and musicians, with a focus on Claudio Monteverdi and Giambattista Marino. Key works include her monograph Monteverdi and the Marvellous: Poetry, Sound, and Representation (2023) and the forthcoming Lettera amorosa Musical Love-Letters in Early Modern Italy (2025). She has been recognized with the 2025 Bass Chair award. Teaching spans courses on music history, Baroque studies, and interdisciplinary topics. Recent courses include Music History I/II , Focus Seminars , and Analysis of Early Music . Outreach activities include leadership in Duke’s Story+ program, fostering collaborative research projects. Awards: 2025 Bass Chair Publications: Over 20 scholarly works, including books and chapters on Monteverdi, Marino, and Baroque aesthetics Grants/Advising: Not explicitly detailed in provided texts Labs/Teams: Curator of DUMIC, engaged in musicological curation and public outreach

پروفایل رسمی دانشگاه

James Henryمشاهده پروفایل

دانشیار

University of Missouri Saint LouisUnited States

James Henry is an Associate Professor and Director of Choral Studies at the University of Missouri-St. Louis (UMSL), where he conducts the University Singers and Vocal Point ensembles. He also serves as Musical and Artistic Director for the Ambassadors of Harmony, a four-time BHS International Chorus Champion, and sings bass/arranges for Crossroads, BHS International Quartet Champions. His career spans performance, education, composition, and leadership. Education: Ph.D. in Music Composition, Washington University in St. Louis Bachelor of Music in Theory and Composition, Southeast Missouri State University Bachelor of Music Education, Southeast Missouri State University Research Interests: Choral conducting and pedagogy Barbershop music integration into academic settings Vocal arrangement and composition Music education advocacy Collaborative ensemble training Scientific Awards: Missouri Governor’s Award for Excellence in Teaching NAfME 'Stand for Music' Award Multiple BHS International Chorus and Quartet Championships International Leadership Network’s 'Dare to Lead' Award Advising & Grants: Henry mentored through programs like Washington University’s composer-in-residence and Opera Theatre of St. Louis’ 'Music, Words, Opera.' He has secured grants via collaborations with the Saint Louis Symphony Orchestra and Buder Foundation. Labs & Teams: Henry leads the Ambassadors of Harmony (120-voice men’s chorus) and Vocal Point a cappella ensemble. He collaborates with ensembles like Crossroads and Main Street for performance training and advocacy.

پروفایل رسمی دانشگاه

Gabriel Nicolosiمشاهده پروفایل

استادیار

Missouri University of Science and TechnologyUnited States

Dr. Gabriel Nicolosi is an Assistant Professor in the Department of Engineering Management and Systems Engineering at Missouri University of Science and Technology (Missouri S&T). He is affiliated with the Kummer College of Innovation, Entrepreneurship, and Economic Development. His research focuses on Operations Research, Optimal Control, Applied Optimization, and Machine Learning applications in industrial systems. Nicolosi holds a Ph.D. in Industrial Engineering and Operations Research from Penn State, with minors in Electrical Engineering, and a B.S. in Industrial Engineering from Universidade Federal de São Carlos (Brazil). He previously worked in investment banking in Brazil before pursuing academia. His teaching includes courses like Introduction to Operations Research and Optimization under Uncertainty. Education Ph.D. in Industrial Engineering and Operations Research, Penn State (2023) M.S. in Industrial Engineering, Penn State (2020) B.S. in Industrial Engineering, Universidade Federal de São Carlos (2017) Research Interests His work bridges Optimal Control and Machine Learning, particularly in evolutionary game dynamics. Key areas include Fourier-based approximations for control surfaces, differential games, and stochastic modeling in industrial systems. He emphasizes practical applications of optimization techniques in management and engineering contexts. Advising & Fellowships Prospective students are encouraged to apply to Missouri S&T’s graduate programs. Nicolosi administers the prestigious Kummer Fellowship, prioritizing US permanent residents. His advising philosophy emphasizes a rigorous yet collaborative approach, with students expected to align with his research themes. Teaching Courses include ENG MGT 5414 (Introduction to Operations Research) and ENG MGT 6415 (Optimization under Uncertainty). Past exams and materials are publicly accessible for study purposes.

پروفایل رسمی دانشگاه

Chris Bergsonمشاهده پروفایل

دانشیار

Berklee College of MusicUnited States

Chris Bergson is an Associate Professor of Guitar at Berklee College of Music in Boston, where he teaches private guitar lessons, slide guitar, and songwriting. He is affiliated with the Guitar Department under the College of Performing Arts. A graduate of the Manhattan School of Music with a Bachelor of Music in Jazz Performance, Bergson is internationally recognized as a guitarist, singer, and songwriter rooted in blues, jazz, and American roots music. Bachelor of Music (BM), Jazz Performance, Manhattan School of Music, 1999 Bergson's research and artistic interests center on blues and jazz guitar performance, songwriting, and the cultural dimensions of American roots music. His work blends traditional forms with modern expression, emphasizing authenticity, emotional depth, and technical mastery. He explores the intersections of Delta blues, soul, funk, and jazz, often integrating horn arrangements and collaborative improvisation. His recent recordings reflect a consistent evolution in style and thematic depth, moving from early jazz-blues fusion to mature, soul-infused compositions. Albums like Comforts of Home (2024), All I Got Left (2021), and Bitter Midnight (2017) showcase sophisticated guitar work, live-in-studio energy, and lyrical sincerity. These works emphasize live performance, collaboration with guest artists like Ellis Hooks and Bernard Purdie, and a deep connection to New York’s musical identity. Inducted into the New York Blues Hall of Fame as a Master Blues Artist, 2015 MOJO Magazine's No. 1 Blues Album of the Year 2008 for Fall Changes Five consecutive albums named among MOJO Magazine's Top 10 Blues Albums of the Year Multiple MOJO, Gitarist, and Soul Bag Magazine accolades across 2011–2024 Appointed Jazz Ambassador of the USA by the Kennedy Center and U.S. State Department Bergson has developed a significant career as an educator and performer, drawing from over 25 years of global touring and recording. He mentors students in developing their unique voice and practical performance skills, informed by his extensive experience as both bandleader and sideman. He has not received public grants, but his work is supported through album releases, performance tours, and institutional affiliation with Berklee. His performances span major festivals in the U.S., Europe, Russia, and West Africa, reflecting a broad international reach. Bergson leads the Chris Bergson Band and frequently collaborates with vocalist Ellis Hooks, forming a dynamic duo often compared to Sam & Dave. His recording projects often involve tight-knit ensembles, including horn sections arranged by Jay Collins and European touring bands featuring French and Dutch musicians.

پروفایل رسمی دانشگاه