جستجوی استاد راهنمای دانشگاهی

Winnie Wongمشاهده پروفایل

استاد

• Art History
• Fakes and Forgeries
• Art and Law
• +۴ مورد دیگر

Winnie Wong is a Professor of Rhetoric at the University of California, Berkeley. Her research focuses on art history, particularly exploring themes of fakes, forgeries, and authorship through interdisciplinary approaches. She examines the global artistic networks of Hong Kong, Guangzhou, and Shenzhen, challenging Western narratives of Chinese artistic practices. Wong holds a PhD from MIT's History, Theory + Criticism program and was a Harvard Society of Fellows Junior Fellow. Her major works include Van Gogh on Demand: China and the Readymade (2014, Joseph Levenson Prize winner), Learning from Shenzhen (2017), and a forthcoming book on Canton trade portraitists. She teaches courses like Theory of the Copy and Rhetoric of the Image , mentoring undergraduates through the Undergraduate Research Apprentices program and advising PhD students in art history and visual studies. Wong's research has been supported by grants from Mellon Foundation, ACLS, SSRC, and others. Her work has been translated into multiple languages and appears in journals like Current Anthropology and Law & Literature . She frequently discusses her work on podcasts and collaborates with museums including M+ and the Asian Art Museum.

• Modern Chinese literature
• Cinema and film history
• Cultural history
• +۵ مورد دیگر

Christopher Rea is a Professor of Modern Chinese Literature in the Department of Asian Studies at the University of British Columbia's Faculty of Arts. He serves as a faculty member and former Associate Head of the Department of Asian Studies, former Director of the Centre for Chinese Research, an associate of the Hong Kong Studies Initiative, and a Faculty Fellow of St. John's College. His academic journey includes a Ph.D. from Columbia University (2008) and a B.A. from Dartmouth College (1999). Rea's research focuses on the modern Chinese-speaking world, with particular expertise in Chinese literature, cinema, print culture, translation, and the cultural history of humor and deception. His scholarly approach bridges literary analysis, cultural history, and film studies, creating a distinctive interdisciplinary perspective on modern Chinese cultural production. He is particularly known for his work on Republican-era China (1912-1949), exploring how cultural forms evolved during this transformative period. His major publications reveal a trajectory from studies of humor and laughter in modern China ( The Age of Irreverence , 2015) to literary hoaxes and deception ( The Book of Swindles , 2017), Chinese cinema ( Chinese Film Classics , 2021), and research methodology ( Where Research Begins , 2022). His current projects include China on the Make: Stories of Chinese Deception and The Unfinished Comedy , a sequel to The Age of Irreverence . National Endowment for the Arts Translation Fellowship (2024) UBC Dean of Arts Mentorship Award (2024) UBC Killam Research Prize (2022) Joseph Levenson Book Prize (2017) Rea actively supervises graduate students and has developed significant digital resources, including the Chinese Film Classics project (chinesefilmclassics.org) featuring 40+ subtitled Chinese films and 22 video lectures, and a YouTube channel with over 250 videos on Chinese cinema and culture. His teaching extends to free online courses on The Modern Chinese Novel and early Chinese cinema, demonstrating his commitment to making scholarly resources accessible beyond traditional academic boundaries.

Abdullah Balمشاهده پروفایل

پژوهشگر

• Data Science
• Machine Learning
• Deep Learning
• +۵ مورد دیگر

Dr. Abdullah Bal is a researcher at Georgia State University's College of Arts & Sciences, Department of Computer Science, with over 25 years of academic experience. He holds a Ph.D. in Electrical Engineering from Yildiz Technical University (2002) and has taught graduate and undergraduate courses in algorithms, machine learning, and optical pattern recognition. B.Sc., Electronics and Communication Engineering, Istanbul Technical University (1993) M.Sc., Electrical Engineering, Yildiz Technical University (1997) Ph.D., Electrical Engineering, Yildiz Technical University (2002) His research focuses on data science, machine learning, and hyperspectral imaging applications in fields ranging from forensic analysis to historical structure preservation. He has led projects funded by the U.S. Army Research Office and the Scientific and Technological Research Council of Turkey, including real-time target detection systems and digital imaging for historical structures. Recent publications demonstrate his expertise in kernel-based transforms, ensemble learning, and hyperspectral data analysis. His work spans food safety inspection, infrared target tracking, and biometric verification systems. Faculty Outstanding Research Publication Award (2006) Turkish Air Force Academy Science Competition Winner (2009) Best Paper Award at ICFCT (2016) Previously, he chaired YTU's Informatics Department (2009-2016) and participated in academic governance through the Electrical and Electronics College Executive Committee (2012-2015). You can contact him at abal@gsu.edu in room 739, 25 Park Place.

Margaret Gravesمشاهده پروفایل

دانشیار

• Islamic Art and Architecture
• Medieval Art
• Material Culture
• +۳ مورد دیگر

Margaret Graves is the Adrienne Minassian Associate Professor of Islamic Art and Architecture at Brown University’s History of Art and Architecture department, serving as Director of Graduate Study. She holds a PhD, MSc, and MA from the University of Edinburgh. Her research focuses on Islamic art and material culture, particularly medieval and modern acts of making, forgery, and colonial-era craft reform. Notable works include Arts of Allusion (2018), winner of major prizes, and her forthcoming Invisible Hands on 19th/20th-century ceramics forgery. Research interests span medieval Islamic intellectual history, colonial antiquities markets, and collaborations with conservators. Teaching includes courses on cultural heritage, museum studies, and Islamic art historiography. Awards include the 2019 International Center of Medieval Studies Book Prize and the 2021 Karen Gould Prize. Current projects explore postcolonial craft legacies, international banking ties to antiquities markets, and occult sciences in medieval craftsmanship.

Bruce Ruskمشاهده پروفایل

دانشیار

• Chinese Cultural History
• Material Culture
• Textual Studies
• +۵ مورد دیگر

Bruce Rusk is an Associate Professor in the Department of Asian Studies at the University of British Columbia (Faculty of Arts) and serves as the Graduate Advisor. He previously taught at Cornell University for six years before joining UBC in 2012. During the 2012–13 academic year, he was on leave at the Institute for Advanced Study in Princeton and the National Humanities Center in North Carolina. Additionally, he is the webmaster and past president of the Society for Ming Studies, a scholarly organization focused on Ming history and culture. Bruce holds a Ph.D. from the University of California, Los Angeles (UCLA), where his dissertation, The Rogue Classicist: Feng Fang (1493–1566) and his Forgeries , examined sixteenth-century classical text forgeries. Following his Ph.D., he was a postdoctoral fellow at Stanford University from 2004 to 2006. He also earned his B.A. (History Honours) from UBC, which inspired his return to Vancouver to join the scholarly community here. His research focuses on the cultural history of pre-modern and early modern China, particularly the Ming and Qing dynasties. Key interests include authenticity and forgery in textual and material culture, transmission of knowledge, history of philology, writing systems in East Asia, and digital humanities. He collaborates globally on the SSHRC-funded FROGBEAR project, developing an open access repository for East Asian religious studies. Current work explores authentication practices surrounding artifacts like Xuande incense burners and silver ingots, reflecting his broader study of how authenticity and deception were negotiated in late imperial China. Recent publications address intersections between forgery, material culture, and digital methodologies, including co-editing Literary Information in China: A History (2021) and analyzing Ming-Qing literary practices. His work highlights the cultural significance of textual preservation and the sociocultural dynamics of early modern Chinese scholarship. As a leader in academic organizations, Bruce has contributed to the Society for Ming Studies, advancing research in Ming culture through his roles as webmaster and past president. His advising and grants include mentoring UBC graduate students and contributing to the FROGBEAR initiative. His career bridges historical research with digital innovation, emphasizing interdisciplinary approaches to Asian studies.

Anand Bhattadمشاهده پروفایل

استادیار

• Computer Vision
• Computer Graphics
• Generative Modeling
• +۲ مورد دیگر

Anand Bhattad is an Assistant Professor in the Department of Computer Science at Johns Hopkins University, starting Fall 2025. Previously, he held positions as a Research Assistant Professor at the Toyota Technological Institute at Chicago (TTIC) and a visiting scholar at UC Berkeley. His research focuses on the intersection of computer vision, generative modeling, and physical reasoning, aiming to develop perception-driven and physics-aware visual models. His academic journey includes a PhD in Computer Science from the University of Illinois Urbana-Champaign under David Forsyth, with mentorship from Derek Hoiem, Svetlana Lazebnik, Greg Shakhnarovich, and Shenlong Wang. Prior to his PhD, he earned dual master’s degrees in Computer Science and Civil and Environmental Engineering at UIUC and a bachelor’s in Civil Engineering from NITK Surathkal, India. Research interests center on how generative models encode physical and perceptual knowledge, with key contributions in intrinsic image emergence, projective geometry limitations, and physics-aware relighting techniques. His work bridges classical computer vision concepts with modern deep learning, producing state-of-the-art methods for 3D scene synthesis and image editing. Articles span topics like 3P Vision , diffusion models, and 360° video datasets, reflecting interdisciplinary approaches in computer graphics and computational photography. Scientific awards include Outstanding Reviewer at ICCV 2023, CVPR 2022 Best Paper Finalist, and multiple conference service roles as workshop organizer and area chair. He designed the TTIC course Past Meets Present: A Tale of Two Visions , teaching connections between historical and modern computer vision research.

• Medieval Art
• Gender and Hagiography
• Feminist Theory
• +۳ مورد دیگر

Martha Easton is an Associate Professor of Art History and Program Director of Museum Studies at Saint Joseph's University. She specializes in medieval art and architecture, with a focus on illuminated manuscripts, gender and hagiography, feminist theory, and medieval collecting practices. Easton is a founding member of the Material Collective, a collaborative dedicated to innovative approaches to visual culture, and has lectured extensively at institutions like the Met Cloisters. Education : PhD in Fine Arts (Institute of Fine Arts, New York University) with major fields in Early Christian and Medieval Art; minor in Japanese Art Certificate of Curatorial Studies (Institute of Fine Arts/The Metropolitan Museum of Art) MA in Fine Arts (Institute of Fine Arts, New York University) BA in History (Carleton College) Her research explores intersections of gender, medievalism, and the afterlife of medieval art in modern collections. She is currently writing a book on John Hays Hammond Jr., a scientist-collector who built Hammond Castle, and has published widely on feminist art history, medieval eroticism, and the Material Collective’s collaborative scholarship. Scientific Awards : Michael J. Morris Grant for Scholarly Research (2020-21) Teaching Innovation Grant (2020) Senior Research Fellowship, Center for the History of Collecting (The Frick Collection, 2015) Samuel H. Kress Foundation Travel Grant (1998) Andrew W. Mellon Foundation Fellowship (1996-97) Easton has taught at institutions including Seton Hall University, Bryn Mawr College, and New York University, and her work bridges medieval scholarship with modern curatorial practices and feminist reinterpretation of historical narratives.

Eric Rentschlerمشاهده پروفایل

استاد

• Film Studies
• German Cinema
• European Intellectual History
• +۵ مورد دیگر

Eric Rentschler is the Arthur Kingsley Porter Professor of Germanic Languages and Literatures at Harvard University, affiliated with the Film and Visual Studies Program. He holds a PhD from the University of Washington with academic training in German literature, history, and European intellectual history across Stuttgart, Bonn, and Prague. A leading scholar in German cinema and cultural studies, his work spans from Weimar-era films to contemporary German cinema, focusing on historical memory, political representation, and transnational cultural exchanges. Director of Harvard’s annual Berlin Film Program (coordinated with Deutsche Film- und Fernsehakademie Berlin) Editor of New German Critique and co-director of the German Film Institute Recipient of major grants including Guggenheim, Humboldt, ACLS, DAAD, and Fulbright fellowships His research integrates film theory with historical analysis, examining cinematic representations of Nazism’s legacy, post-wall German society, and transnational art movements. Notable publications include The Ministry of Illusion: Nazi Cinema and Its Afterlife (Harvard UP, 1996) and The Use and Abuse of Cinema: German Legacies from the Weimar Era to the Present (Columbia UP, 2015). Current projects explore German cinema during Helmut Kohl’s chancellorship. Award-winning educator, Rentschler has received Harvard’s Levenson Teaching Prize (2001) and Cabot Fellowship (2003). He organizes the monthly Film and Visual Studies Colloquium, fostering interdisciplinary dialogue between scholars and filmmakers.

Finbarr Barry Floodمشاهده پروفایل

استاد

• Art and architecture of the Islamic world
• Cross-cultural dimensions of Islamic material culture
• Theories and practices of image-making
• +۳ مورد دیگر

Finbarr Barry Flood is the William R. Kenan, Jr., Professor of the Humanities and Founder-Director of the Silsila: Center for Material Histories at NYU's Institute of Fine Arts. He holds a Ph.D. in Islamic Art History from the University of Edinburgh (1993) and a B.A. in Archaeology from Trinity College Dublin (1988). His research focuses on Islamic art and architecture, cross-cultural material culture, and art historical methodologies. Notably, he has held prestigious fellowships such as the Slade Professorship at Oxford and ACLS Collaborative Research Fellowship. His work bridges global art histories, examining topics like medieval Hindu-Muslim encounters, iconoclasm, and the materiality of religious artifacts. Flood’s scholarly contributions include seminal books like Objects of Translation and The Great Mosque of Damascus . His awards reflect both academic excellence and teaching prowess, including NYU's Golden Dozen Award. As director of Silsila, he leads interdisciplinary research into material histories, fostering collaborations across disciplines and regions. His publications span 40+ years, addressing themes from medieval art technologies to modern reinterpretations of Islamic aesthetics.

J P Parkمشاهده پروفایل

استاد

• Early Modern Chinese Visual Culture
• Korean Art History
• Post-Globalization in Contemporary Art
• +۳ مورد دیگر

Professor J P Park holds the June and Simon Li Professorship in the History of Art at the University of Oxford and is a Fellow of Lincoln College. His research focuses on early modern Chinese and Korean art, with broader interests spanning print culture, cartography, literary criticism, and post-globalism in contemporary East Asian art. He has authored three influential books, including A New Middle Kingdom: Painting and Cultural Politics in Late Chosŏn Korea (1700-1850) (2018) and Art by the Book: Painting Manuals and the Leisure Life in Late Ming China (2012). His current project, Reinventing Art History: Forgery and Counterforgery in Early Modern Chinese Art , critiques traditional narratives of cultural renaissance in late Chosŏn Korea. His work has been published in major journals such as Art Bulletin , Artibus Asiae , and Third Text . Professor Park actively supervises DPhil and Master’s students in art history and related fields. His affiliations include Lincoln College, where he contributes to academic governance and research initiatives.

Irene Peirano Garrisonمشاهده پروفایل

استاد

• Roman Poetry
• Ancient Rhetoric
• Classical Literary Criticism
• +۴ مورد دیگر

Irene Peirano Garrison is the Pope Professor of Latin Language and Literature at Harvard University's Department of Classics, serving as Director of Graduate Studies. She holds a B.A. from Oriel College, Oxford (2002) and a Ph.D. from Harvard (2007). Previously, she taught at Yale University (2007–2020). Her research explores Roman poetry's intersection with rhetoric, literary criticism, and pedagogy, with a focus on authorship, authenticity, and ancient reception studies. Her major works include The Rhetoric of the Roman Fake (2012) and Persuasion, Rhetoric and Roman Poetry (2019), analyzing imperial Latin literature's rhetorical dimensions. Current projects address classical pedagogy's historical entanglements with identity politics and a forthcoming monograph on The Latin Playbook (Cambridge UP). Prof. Garrison co-edits Transactions of the American Philological Association (TAPA) and serves as Latin Literature editor for the Oxford Classical Dictionary . Teaching spans Latin poetry, ancient rhetoric, and classical scholarship's history. She actively advocates equity, gender, and inclusion in academia.

Dina Danishمشاهده پروفایل

مدرس

• Conceptual Art
• Language and Art
• Performance Art
• +۷ مورد دیگر

Dina Danish (b. 1981, Paris) is an Egyptian-Danish artist and educator working at the intersection of language, historical reinterpretation, and conceptual practice. She holds a Lecturer position at the Fine Arts department of KABK in The Hague and serves as a teaching mentor at the Rietveld Academy, Amsterdam . Guest teaching roles include the Sandberg Institute and American University in Cairo . Education : BA from American University in Cairo; MFA from California College of the Arts (San Francisco) Residencies : Rijksakademie Amsterdam, Spinola Banna Italy, PiST/// Istanbul, A.i.R. Dubai, Affiliated Fellow at American Academy in Rome Her research explores humor, mistranslation, and overlooked historical moments , often through video art, performance, and text-based installations . Key themes include linguistic structures, cultural memory, and Dadaist methodologies . Recent projects examine ancient motifs in contemporary art (e.g., Jean-Baptiste Maitre) and political commentary through playful abstraction . Notable exhibitions at SFMOMA, Stedelijk Museum Schiedam, and Kunsthall Oslo highlight her focus on translation errors, sound poetry, and archival interventions . Volkskrant Award finalist Abraaj Art Prize nominee Illy Present Future Prize recipient Celeste Award nominee Barclay Simpson Award nominee Dina collaborates with institutions like Hotel Maria Kapel and De Nederlandsche Bank , and co-curated a Rijksakademie anniversary exhibition. Her work is represented by galleries in Amsterdam, Milan, and Zurich.

Johannes Graveمشاهده پروفایل

استاد

• Art history around 1800
• European Romanticism
• Picture theory
• +۵ مورد دیگر

Johannes Grave is Professor of Early Modern Art History at Friedrich Schiller University Jena (since 2019), having previously held professorships at Bielefeld University (2012-2019) and deputy directorship at the Centre allemand d'histoire de l'art in Paris (2009-2012). He earned his PhD from the University of Jena with a dissertation on Goethe's print collection. His research explores art theory, European Romanticism, and historical image studies, with emphasis on: Temporality in visual perception Comparative practices in art analysis German/French/Italian painting traditions The intersection of aesthetics and social imagination His publications demonstrate consistent focus on Romantic landscapes (especially Caspar David Friedrich), Renaissance aesthetics, and redefinitions of the sublime. Recent works critically engage with art historiography, copyright debates, and exhibition politics. Notable scientific recognition includes: Gottfried Wilhelm Leibniz Prize (2020) Hans Janssen Prize for European Art History (2012) Fellowships at DFG research groups in Berlin, Bielefeld, and Greifswald He leads doctoral projects on Romantic art, image comparison, and museology, supervising 18+ PhD candidates. As speaker for the cluster initiative Imaginamics and CRC 1288 'Practices of Comparing', he coordinates interdisciplinary teams exploring social imagination dynamics.

• Egyptology
• Desert Road Archaeology
• Predynastic and Early Dynastic Egypt
• +۷ مورد دیگر

Dr. phil. habil. Frank Förster is a researcher and curator at the Institute of Archaeology and Cultural Anthropology at the University of Bonn, specializing in Egyptology. He serves as Curator of the Egyptian Museum of the University of Bonn and holds the title of Temporary Academic Councillor. His academic journey includes a PhD and habilitation from the University of Cologne, with a focus on early Egyptian history, desert archaeology, and iconography. His research interests include Desert Road Archaeology , Predynastic and Early Dynastic Egypt , Rock Art , Sports in Ancient Egypt , and Pharaonic trade routes . He has led and contributed to major interdisciplinary projects, particularly under the DFG and the Collaborative Research Center 389 ACACIA. His scholarly work emphasizes the intersection of movement, landscape, and cultural expression in ancient Egypt. Frank Förster's recent publications reveal a strong focus on museum curation, artifact analysis, and the symbolic representation of violence and power in early Egyptian iconography. His work spans academic monographs, exhibition catalogs, and interdisciplinary studies. He has co-edited volumes on rock art and desert archaeology, and his articles frequently appear in leading Egyptological journals. He is actively involved in digital education, public outreach, and exhibition development. Notably, he contributed to the relocation and reopening of the Egyptian Museum at the University of Bonn in 2024. His academic service includes obituaries, editorial work, and collaborative research with international institutions. Member, Heinrich-Barth-Institut für Archäologie und Umweltgeschichte Afrikas e.V. Member, Uschebti e.V. – Verein der Freunde und Förderer des Seminars für Ägyptologie der Universität zu Köln He has advised on numerous exhibition projects and virtual reality tours, integrating academic research with public engagement. His work exemplifies a commitment to both scholarly rigor and accessibility in Egyptology.

Andrew McClellanمشاهده پروفایل

استاد

• History of Museums
• Exhibitions and Collecting
• History of Art History
• +۱ مورد دیگر

Andrew McClellan is a Professor in the Department of History of Art and Architecture at Tufts University's School of Arts and Sciences. His work focuses on the history of museums, exhibitions, and art collecting, with a particular emphasis on Early Modern European art and theory. He has authored five influential books and received fellowships including the Carl & Lily Pforzheimer Fellowship (2022–2023) and the Getty Postdoctoral Fellowship. Education: PhD (Courtauld Institute of Art, University of London), MA (University of East Anglia), BA (University College London) His research explores institutional frameworks, art display, and reception, with current work on Boston's Isabella Stewart Gardner Museum and Museum of Fine Arts. His publications span topics such as museum expansion, curatorial ethics, and art fraud, reflecting a career-long engagement with the interplay between art and its publics. Scientific Awards: Best Book Award for The Art of Curating (2019), Carl & Lily Pforzheimer Fellowship (2022–2023) McClellan has taught courses on art museums, curating, and the Age of Rembrandt and Bernini, while holding administrative roles including Dean of Academic Affairs at Tufts (2006–2012) and serving on editorial boards for journals like Journal of Curatorial Studies and Curator: The Museum Journal .