جستجوی استاد راهنمای دانشگاهی

Prof. Dr. Mona Hess is a Full Professor and Chairholder of the Chair of Digital Heritage Technologies at Otto-Friedrich-Universität Bamberg , Germany. She directs the M.Sc. Digital Technologies in Heritage Conservation program and serves as Vice-Speaker at the Centre for Heritage Conservation Studies and Technologies (KDWT) . Her work bridges digital documentation, 3D imaging, and heritage conservation, with a focus on cultural landscapes, historic timber, and artifact preservation. Education : Dipl.-Ing. in Architecture (TUM), M.A. in Heritage Conservation (University of Bamberg), Ph.D. in 3D Imaging Metrology for Cultural Heritage (University College London, 2015) Her research spans 3D laser scanning, photogrammetry, SLAM-based recording , and digital twin environments , particularly for structural monitoring, museum artifacts, and historic gardens. She leads projects like VirScan3D (virtual laser scanner simulator) and 3DPetrie (UCL Petrie Museum 3D models) and collaborates on international initiatives such as the British Museum War Canoe digital repatriation. Recent publications emphasize automated defect analysis in timber, multi-modal imaging for ceiling art, and linked open data in heritage. She has contributed to CIPA ICOMOS as an expert member and will chair their Education and Dissemination Commission (2024). Scientific Awards : Fellow of the UK Higher Education Academy (2016), Associate Fellow of the Higher Education Academy (2014) She teaches courses in Digital Object Recording , 3D Spatial Data Modeling , and Science Communication , and organizes international summer schools on heritage monitoring. Her lab, the Chair of Digital Heritage Technologies , collaborates with institutions in Italy, Spain, and the UK, focusing on interdisciplinary innovation in heritage conservation.

• 3D Imaging Metrology
• Heritage Conservation
• Digital Documentation
• +۴ مورد دیگر

Prof. Dr.-Ing. Ahmad Osman is a Professor at the Saarland University of Applied Sciences (htw saar), specializing in Test Technologies and Test Methods within the Faculty of Engineering. He also holds an Adjunct Professor position at Laval University in Quebec, Canada, in the Department of Electrical Engineering and Computer Science. His research focuses on Artificial Intelligence applications in Signal and Image Processing for Non-destructive Testing (NDT) , with extensive work on Deep Learning , 3D Ultrasound Tomography , and Sensor Data Fusion in industrial contexts. Engineering Artificial Intelligence Signal Processing Image Processing Non-destructive Testing Quality Control Augmented Reality Osman leads the AutomaTiQ research group and serves as Head of the Algorithms/Signal and Data Processing Department at Fraunhofer IZFP . His recent publications (2017–2022) emphasize Deep Learning for defect detection in CFRP , Terahertz Imaging for artwork diagnostics, and Acoustic Sensors for agricultural quality control. He has organized international conferences on Structural Health Monitoring and contributed to Springer books on NDT technologies. His projects include ComforTex-AI (2024) and development of 3D positioners for ultrasound measurements. Collaborations span institutions in Germany, Canada, Italy, and Brazil, with advisory roles in the German Society for NDT and technical committees for conferences in Montreal and Egypt.

• Machine Learning
• Deep Learning
• Signal Processing
• +۹ مورد دیگر

Univ.-Prof. Dr. Marc Siegel has been Professor of Film Studies at Johannes Gutenberg University Mainz since October 2020. He is based at the Institute for Film, Theatre, Media and Cultural Studies and also serves as artistic director of ZOOM – Labor Ludwig Schönherr . In parallel, he works as a freelance curator for international film festivals, museums and galleries, and is a founding member of the Berlin-based artist collective CHEAP . Education & Qualification: Although the provided text does not enumerate earlier degrees, Siegel’s title “Dr.” and his appointment as “Universitäts-Professor” indicate the completion of doctoral and post-doctoral qualifications. Research Interests: Siegel’s scholarship is situated at the intersection of queer studies , experimental film , and moving-image art/performance . He interrogates how cinema and related media articulate questions of sexuality, gender, race and anti-Semitism, often employing archival, curatorial and critical methods to foreground marginalized histories and aesthetics. His forthcoming monograph A Gossip of Images (Duke University Press) crystallizes these concerns. Publications & Trends: Across more than two decades Siegel has produced a consistent body of work that re-reads canonical avant-gardists (Warhol, Jack Smith, Werner Schroeter) and contemporary queer media alike. Recent essays expand into digital dissemination, camp temporalities, and the politics of ageing bodies, evidencing a trajectory from close textual analysis toward broader cultural critique. Scientific Awards & Distinctions: Member, Academy of the Arts of the World , Cologne Advisory Board, Forum Expanded , Berlinale Principal Investigator, AHRC-UK funded project “Serge Daney and Queer Cinephilia” (2018-2021) Research Grants & Collaborative Projects: DFG Graduate School “Configurations of Film” (GRK 2279), Goethe University Frankfurt am Main – associate researcher Swiss National Science Foundation project “Moving in Every Direction” , Lucerne University of Applied Sciences and Arts – associate researcher Laboratories & Teams: As artistic director of ZOOM – Labor Ludwig Schönherr Siegel mentors experimental media practices; he also co-founded the artist collective CHEAP , which produces queer interventions in urban and digital space.

• Queer Studies
• Experimental Film
• Moving Image Art
• +۳ مورد دیگر

Elisa Roßberger is an Assistant Professor with tenure track for Explorative Visual Archaeology of the Ancient Near East at the Free University of Berlin since October 2022. Previously, she held a similar position for Digital Humanities for Near Eastern Archaeology and Assyriology at Julius-Maximilians-Universität Würzburg (2021-2022). Her academic journey includes post-doctoral positions at LMU München's Graduate School Distant Worlds and Centre for Advanced Studies. Dr. Roßberger's educational background includes: PhD in Near Eastern Archaeology from Eberhard-Karls-Universität Tübingen (2010, summa cum laude), published as "Schmuck für Lebende und Tote" (2015) Graduate studies as a scholarship recipient of the DFG Graduate College "Forms of Prestige in Ancient Cultures" at LMU München (2006-2009) Studies in Near Eastern Archaeology, Political Science (International Relations), and Assyriology in Munich, Beirut, and Tübingen (2000-2006) Her research focuses on the archaeology of Iraq, Syria, and the Levant during the 3rd and 2nd millennia BCE, with particular emphasis on visual culture, multimodality, and digital approaches to ancient studies. She has conducted extensive fieldwork since 2000 at archaeological sites including Ba'ja (Jordan), Gerçin Höyük (Turkey), Tell Burak (Lebanon), Emar and Qatna (Syria), Tilla Bulak (Uzbekistan), and Ur (Iraq). Dr. Roßberger's scholarly output demonstrates consistent engagement with visual representation in ancient societies, particularly examining cylinder seals, terracotta figurines, and Babylonian imagery. Her work bridges traditional archaeological analysis with innovative digital methodologies, creating new approaches to understanding ancient material culture through multimodal analysis. Her major research projects include: Co-leading the interdisciplinary long-term project "KIŠIB. Digital Corpus of Ancient West Asian Seals and Sealings" since 2025 Leading the BMBF eHeritage project "Annotated Corpus of Ancient West Asian Imagery: Cylinder Seals" (ACAWAI-CS, 2020-2023) Leading the BMBF eHeritage project "Concept for Digitization of Ancient Near Eastern Cylinder and Stamp Seals" (DigANES, 2017-2018) Dr. Roßberger is actively involved in academic communities: Member of the DFG Network "Archaeological Image Research: Limitations and Transgressions of Images" since 2025 Co-Chair of the NFDI4Objects Community Clusters "Objects as Information Carriers" since 2024 Editorial board member for "Visual Culture of Ancient Western and Central Asia" (Palgrave Macmillan) Co-organizer of multiple international conferences on ancient Near Eastern temple inventories and digital perspectives on seals and sealings

• Near Eastern Archaeology
• Visual Archaeology
• Digital Humanities
• +۵ مورد دیگر

Holger Kockelmann is a Professor at the University of Leipzig, serving as Director of the Egyptological Institute and Egyptian Museum - Georg Steindorff. He also holds the position of Dean of Studies within the Faculty of History, Arts and Regional Studies. His academic career spans multiple institutions including the University of Bonn, Trier, Tübingen, Würzburg, and Ain Shams University. Education: Magister Artium in Egyptology (1994-2000) from the University of Trier, Master of Studies in Oriental Studies at Oxford (2000-2001), Habilitation at Tübingen (2014) Research Interests focus on hieroglyphic temple inscriptions, hieratic and demotic texts, cultural history of Greco-Roman Egypt, comparative Egyptian religious phenomena, and Egyptian onomastics. He leads the Edition of the Temple Inscriptions of Philae project funded by Gerda Henkel Stiftung since 2021. Article Trends show specialization in Philae temple epigraphy, religious text analysis, and visual-textual discrepancies in temple art. His work spans 2016-2021 with co-authorship on collaborative projects. Notable Memberships: International Association of Egyptologists (since 2010), Egypt Exploration Society (since 2006), ICOM (since 2023) Collaborative Efforts include partnerships with institutions like Fondazione Museo delle Antichità Egizie di Torino, Austrian Academy of Sciences, and projects involving digital humanities (e.g., Digital Rosetta Stone). His work integrates archaeological, philological, and computational approaches to ancient Egyptian studies.

• Egyptology
• Hieroglyphic and Demotic Epigraphy
• Ancient Egyptian Religion
• +۵ مورد دیگر

Dr. Oliver Hampe serves as Scientific Director of the Vertebrate Paleontology and Geology Collections at the Museum für Naturkunde (Museum of Natural History), Leibniz Institute for Evolution and Biodiversity Research in Berlin, Germany. He also holds the position of Head of the Paleontological Preparation Laboratory. His expertise spans extinct aquatic vertebrates, paleopathology, and geoarchaeology, with significant contributions to cetacean evolution research. Hampe completed his studies in Chemistry and Geology-Paleontology from 1981-1987 at universities in Düsseldorf and Mainz, earning his Diploma in 1987. He received his PhD from Johannes Gutenberg University Mainz in 1991 and completed his habilitation for Palaeobiology and Zoology at Humboldt University Berlin in 2003, qualifying him as a Privatdozent. His research focuses on cetacean evolution, particularly Miocene whale fossils from German sites like Groß Pampau, with significant work on periotic bone anatomy. Hampe integrates traditional morphological analysis with advanced imaging techniques including CT scanning to study fossil specimens non-destructively. His paleopathological research examines diseases in fossils, such as osteomyelitis in Tyrannosaurus rex and bone tumors in whale specimens. He also maintains scholarly interest in the history of paleontology, particularly Werner Janensch's work and German expeditions to Tendaguru, Tanzania. Analysis of Hampe's recent publications reveals consistent focus on cetacean evolution, especially baleen whales from the Miocene epoch. His methodological approach frequently combines detailed morphological analysis with geological context to understand evolutionary patterns. He has made significant taxonomic contributions through studies of whale ear bone anatomy and has extended his research to pathological conditions in diverse fossil vertebrates. His interdisciplinary work bridges paleontology with medical imaging techniques and historical studies. As Head of the Paleontological Preparation Laboratory, Hampe oversees the curation and preparation of vertebrate fossil collections. His current research projects include cetacean studies from Groß Pampau, pathology research on dinosaurs and mammals, and investigations into aquatic adaptation in Cetartiodactyla supervised with PhD student Apolline Alfsen. His collaborative approach is evident in numerous publications with international researchers across Europe.

• Paleontology
• Vertebrate Paleontology
• Cetacean Evolution
• +۳ مورد دیگر

Friederike Neumann is a Researcher at the Institute for Protestant Theology and Religious Education within Faculty IV - Humanities and Social Sciences at the University of Oldenburg. She has held a permanent position since 2022 and has been affiliated with the university since 2014. Academic Education : Diploma in Protestant Theology (University of Göttingen, 2009), Doctorate (Dr. theol., 2016), Habilitation (2025, Old Testament). Her research focuses on the theological and literary history of the Old Testament , with particular emphasis on the Pentateuch , Psalms , and Jeremiah . She specializes in redaction criticism, intertextuality, and the formation of biblical Israel's conceptual identity. Her publications and lectures (e.g., at SBL and IOSOT conferences) explore themes such as the final redaction of the Psalter , Jacob-Laban narratives , and violence in Exodus . Key trends include analyses of liturgical theology, post-exilic influences, and geopolitical contexts in the Ancient Near East. Scientific Awards : DAAD scholarship (2006–2007) DFG fellowship 'Images of Gods – Images of God – Worldviews' (2009–2014) She supervises bachelor's and master's theses in Old Testament studies and contributes to archaeological projects (e.g., Tel Azekah excavation, 2018). Her teaching covers exegetical methods , Pentateuch , Psalms , and identity in the Old Testament .

• Theological and literary history of the Old Testament
• Pentateuch
• Psalms
• +۳ مورد دیگر

Prof. Dr. Matthias Bruhn is a Professor of Art History and Media Theory at the Karlsruhe University of Arts and Design (HfG Karlsruhe), where he leads the DFG priority program project "Designing Habits" (2023–2025) and its predecessor "Adaptive Images" . He is also a co-editor of the series Image Worlds of Knowledge: Art Historical Yearbook for Image Criticism and a member of the DFG Cluster of Excellence "Matters of Activity" . His academic journey began with studies in art history and philosophy in Hamburg, culminating in a 1997 doctorate on Nicolas Poussin's correspondence. Co-founded ArtHist network (2001) Directed Berlin's "The Technical Image" research unit (2005) His research spans art history, media theory, and digital humanities, focusing on the intersection of technology, visual culture, and critical theory. His recent work in The Digital Image DFG program explores adaptive images as social interfaces and their role in shaping digital interaction patterns. He also co-founded the KIM research group on AI and media philosophy (2018), addressing societal impacts of artificial intelligence. His publications include monographs like The Image: Theory - History - Practice (2008) and edited volumes such as Images of Precision: Practices of Refinement in Technology, Art, and Science (2018). He has participated in international conferences like After Memory – Recalling and Foretelling (2024) and Image Servitude: New Dependencies in the Digital Age (2019). Current affiliations include membership in the advisory board of the Stiftung Forum Recht and leadership roles in DFG-funded projects. His teaching emphasizes the relationship between traditional arts, media technology, and electronic production processes, aligning with HfG Karlsruhe's mission as a reform university.

• Art History
• Media Theory
• Digital Humanities
• +۶ مورد دیگر

Matthias Haake is a Research Fellow at the Department of Ancient History, Institute for Historical Sciences, University of Bonn. He specializes in the political cultural history of Hellenistic and Roman monarchy, social history of ancient philosophy, and Greek epigraphy. His work bridges cultural analysis with textual and inscriptional evidence. University of Bonn (since 2021, Heisenberg Fellowship) Eberhard Karls University Tübingen (2021–2024, Acting Professorship) His research examines: Hellenistic royal ideology , philosophical practices in Roman provinces , epigraphic documentation of societal structures , and supralocal sanctuaries as political arenas . He integrates literary and inscriptional sources to analyze how philosophy shaped elite identity and governance. Recent publications focus on: emperor image construction , Hellenistic biographies , and epigraphic traces of philosophical networks . Methodologically, he emphasizes interdisciplinary analysis of ancient texts and material culture. Heisenberg Fellowship (DFG, 2021–present) Editorship of Studies in Ancient Monarchies (since 2021) Contributions to Encyclopedia of Ancient History (2013) He contributes to editorial boards of journals including sehepunkte , Hormos , and Rivista Storica dell'Antichità , advancing discourse on ancient historiography and epigraphy.

• Political Cultural History of Ancient Monarchy
• Cultural and Social History of Ancient Philosophy
• Hellenistic Polis
• +۳ مورد دیگر

Mrs. Susana Rocha Teixeira is a Postdoctoral Research Associate at the Department of British and American Studies within the Faculty of Linguistics and Literature at the University of Bielefeld, where she contributes to the Collaborative Research Center (SFB) 1288 Practices of Comparing. She also serves as an Academic Trustee at the Friedrich Naumann Foundation and as Editor for the fiar: forum for inter-american research since 2018. Ph.D. from Heidelberg University (summa cum laude), supervised by Günter Leypoldt Research Focus : American Studies, Corporeality, Masculinities, Inter-American Studies, Social Movements, and Political Comparisons Her research examines body history and corporeal transformations in American media and literature, analyzing masculinity narratives in The Hunger Games, makeover culture in TV series like Nip/Tuck, and comparative practices during the Harlem Renaissance and Brazilian Movimento Negro. Her work intersects with gender studies , visual culture , and political discourse . Recent publications explore US political comparisons , inter-American cultural networks , and body modification myths in 20th-century fiction. She has participated in funded projects totaling over 4.25 million euros, including a 2.25 million euros grant from BMBF as project leader at the University of Mannheim. Scientific accolades include the Maria Gräfin von Linden-Preis nomination, DAAD research funding, and the Apollinaire Award from the Robert Bosch Foundation. Her academic activities span institutions like Harvard, Yale, Johns Hopkins University, and the Schomburg Center for Research in Black Culture.

• American Studies
• US-American Literature and Culture
• Makeover Culture
• +۱۲ مورد دیگر

Simon Rothöhler is a Professor of Visual Culture and Media Infrastructure at the Ruhr University Bochum , affiliated with the Institute for Media Studies . His research examines the intersection of digital media, archival systems, and infrastructural aesthetics. Chair: Visual Culture and Media Infrastructure Contact: simon.rothoehler@rub.de Research Focus Rothöhler investigates: Virtual image archives and their historical contexts Techno-aesthetics of digital systems Forensic visualization practices Media infrastructure studies Operational images in computational environments Epistemological dimensions of digital imagery Publications & Projects Active in publishing and organizing workshops, Rothöhler collaborates on projects like the Virtual Image Archives book and SFB-Workshops on imagelessness and virtual collections. His work bridges media theory with practical digital archiving challenges. Teaching He contributes to academic programs through lectures and supervision in media studies and digital humanities, focusing on contemporary media aesthetics and infrastructure.

• Visual Culture
• Media Studies
• Digital Humanities
• +۴ مورد دیگر

Dr. Patrick Reinard is an Assistant Professor in the Department III - Papyrology at the University of Trier. His research focuses on Papyrology, Epigraphy, and socio-economic history of Greco-Roman Egypt, with specific expertise in Jewish communities, economic strategies, and material culture analysis. Co-editor of Oeconomica and Muziris series Principal investigator in Roman economic behavior and documentary evidence Specializes in papyrus letters as economic data sources His recent publications analyze market dynamics, trust mechanisms, and sustainability in Roman trade. Collaborative work includes hyperspectral papyri imaging projects and digital pandemic-era pedagogy initiatives. He contributes extensively to academic conferences and editorial boards, with particular interest in Greco-Roman epistemology and its contemporary reception.

• Papyrology
• Epigraphy
• Greco-Roman Egypt
• +۳ مورد دیگر

Rizvana Bradley is Associate Professor of Film and Media and Affiliated Faculty in the History of Art and the Center for Race and Gender at the University of California, Berkeley. She served as the 2023-24 Terra Foundation Visiting Professor for American Art at the John F. Kennedy Institute for North American Studies at Freie Universität Berlin, where she taught courses on Horror and the Cinematic Unconscious, Political Depression and the Aesthetics of Sovereignty, and Art, Race, and Media Poetics. Bradley's research spans Aesthetic Theory , Black Critical Theory , Contemporary Art , Continental Philosophy , Film Theory , and Race and the Philosophy of Media . Her work examines how Black art deconstructs aesthetic forms foundational to modernity, with particular attention to questions of race, gender, and representation. She approaches these themes through explorations of affect theory, its interlocutors, and its critics, with emphasis on what Sianne Ngai terms 'minor feelings' and 'negative affects' in their racial and gendered dimensionality. Her critically acclaimed book Anteaesthetics: Black Aesthesis and the Critique of Form (Stanford University Press, 2023) was named a Best Book of the Year by Frieze Magazine and shortlisted for the Modern Language Association Prize for a First Book. The book moves across multiple histories and artistic mediums—from nineteenth-century painting and early cinema to contemporary text-based works, video installations, and digital art—to inaugurate ante-formalism, a new method for interpretation that demonstrates black art's recursive deconstruction of aesthetic forms foundational to modernity. Advisory Board member of October Advisory Board member of Camera Obscura Bradley's scholarly articles appear in Diacritics , Film Quarterly , Black Camera , Discourse , and TDR: The Drama Review . Her art criticism has been published in The Yale Review , Artforum , e-flux , Art in America , and Parkett , as well as in exhibition catalogs for major institutions including the Serpentine Galleries, the New Museum, and the Berlin Biennale for Contemporary Art. Bradley has curated numerous academic arts symposia at institutions including the British Film Institute, Serpentine Galleries, and Stedelijk Museum of Art. Her work has been supported by the Andrew W. Mellon Foundation, the Terra Foundation for American Art, Creative Capital, and the Andy Warhol Foundation. She holds a PhD from Duke University and was a Helena Rubinstein Critical Studies Fellow at the Whitney Museum of American Art in New York.

• Aesthetic Theory
• Art History
• Black Critical Theory
• +۷ مورد دیگر

Dr. Sebastian Bosch serves as Manager of the Mobile Lab at the University of Hamburg's Centre for the Study of Manuscript Cultures (CSMC). He leads material analysis initiatives for cultural heritage artifacts through advanced scientific instrumentation. His roles include managing XRF and FTIR spectrometers in the Mobile Lab, and contributing to the Cluster of Excellence 'Understanding Written Artefacts' (2019–2025). Key projects include the Palm-Leaf Manuscript Profiling Initiative and material analysis of medieval manuscripts. Bosch holds a PhD in material science and has extensive experience in non-destructive testing techniques. His work bridges archaeometry, digital humanities, and conservation science. Research interests focus on multispectral imaging, pigment characterization, and technological applications for cultural heritage preservation. He collaborates internationally on projects like the Atri Fragment Revisited and Squarcialupi Codex analysis. Technical expertise includes XRF spectroscopy, infrared microscopy, and software development for pattern analysis in manuscripts. Has presented over 27 academic activities, including lectures on Mobile Lab methodologies and material analysis workshops. Manages laboratory equipment worth millions euros, supporting interdisciplinary research. Supervises technical operations for dozens of manuscripts annually through the Mobile Lab's fieldwork capabilities. Awards: No formal academic awards listed, though work has been recognized through high-impact publications in journals like Manuscript Studies and i-com .

• Material Analysis
• Cultural Heritage Studies
• Multispectral Imaging
• +۳ مورد دیگر

Cécile Michel is a renowned Assyriologist holding dual roles as a Senior Researcher at CNRS (France) and Professor at Universität Hamburg (Germany). She specializes in the history of Upper Mesopotamia and Anatolia during the second millennium BCE, focusing on private archives, literacy, material culture, and ethical research practices. Her work integrates interdisciplinary approaches, particularly in analyzing cuneiform tablets and ancient textiles. Michel leads the 'Ethics' working group within the Cluster of Excellence ‘Understanding Written Artefacts’ (UWA) at Hamburg and coordinates international projects like the RFA09 (CT scanning sealed tablets) and RFE04 (Assyrian manuscript culture). Education details are not explicitly provided, but her career highlights include: Doctor honoris causa from Copenhagen University (2017) and Hamburg University (2023) President of the International Association for Assyriology (2014–2018) Scientific delegate at CNRS's Scientific Integrity Mission Recipient of the Knight of the Legion of Honor (2019) Her research interests span: Materiality of cuneiform tablets and digital preservation Gender roles in ancient societies Archival literacy and education Textile archaeology and trade networks Her documentaries, such as Thus speaks Taram-Kubi (2016) and Cuneiform script: writing and calculating (2017), have garnered international acclaim. She actively promotes ethical practices in archaeology and cultural heritage preservation, including work on safeguarding manuscripts from Timbuktu and Nepal. Key grants and projects include leadership roles in the SFB 950 ‘Manuscript Cultures’ (2011–2020) and Cluster of Excellence UWA (2019–2025). Her research teams collaborate globally, integrating archaeology, digital humanities, and experimental archaeology to decode ancient texts and artifacts.

• Assyriology
• Ancient Mesopotamian History
• Literacy and Education in Antiquity
• +۵ مورد دیگر