Rebecca Williams is an Associate Professor in Media Audiences and Participatory Cultures at the Faculty of Business and Creative Industries , University of South Wales. She co-leads the Creative Industries Research & Innovation Group and chairs the Faculty Ethics Committee. PhD in Media & Cultural Studies (2008), Cardiff University Postgraduate Certificate in Learning and Teaching (2011), University of Glamorgan MA in Critical and Cultural Theory (2004), Cardiff University BA (First Class) in Journalism, Film, and Broadcasting (2003), Cardiff University Her research focuses on media audiences , fan engagement , transmedia storytelling , and the experience economy , particularly in media tourism and themed entertainment . Current projects explore Disney's evolving role in global culture and the commodification of fan practices. Rebecca's publications span fandom theory , transmedia analysis , and immersive media , including monographs on theme park fandom and post-object fan identity. She actively supervises PhD students in areas like celebrity studies , media tourism , and digital fan communities . She welcomes PhD applications in media audiences, fan studies, and immersive experiences, with a commitment to mentoring emerging scholars in these fields.
Dr. Jason Ney is an Associate Professor of English and the Director of the Writing Center at Colorado Christian University, where he has been a faculty member since 2013. He is affiliated with the College of Undergraduate Studies and the School of Humanities and Social Sciences, teaching courses in American Literature, Creative Writing, and Literary Criticism and Theory. Ph.D., English - Literary Studies, University of Denver M.A., English and Comparative Literature, University of Cincinnati B.A., English, Cedarville University Dr. Ney's research spans creative nonfiction and film criticism, with a strong focus on ethical issues in narrative truth and memory. He is a noted scholar of film noir and cinematic adaptations of American literature, particularly works like The Great Gatsby and The Scarlet Letter . His academic interests include semiotics, literary theory, and the intersection of faith and storytelling. His recent publications reflect a deep engagement with noir cinema, mid-century Hollywood, and the psychological dimensions of identity in film. He has contributed audio commentaries and critical essays to numerous Blu-ray and DVD releases, and his creative nonfiction has appeared in respected anthologies and journals. His work often explores moral ambiguity, personal transformation, and cultural memory. Dr. Ney is actively involved in academic and public scholarship, presenting at conferences and co-running CCU’s annual film series. He mentors students in creative writing, many of whom have achieved publication. While no formal scientific awards are listed, his sustained contributions to film and literary criticism demonstrate significant scholarly impact. He also contributes to the Augustine Honors Program and has delivered presentations on writing center pedagogy and graduate education. His leadership in the Writing Center reflects a commitment to student development across disciplines.
Dr. Gan Sheuo Hui serves as Lecturer in Animation at LASALLE College of the Arts, Singapore, with extensive international engagement through visiting positions at National University of Singapore (NUS), Kyoto Seika University, and the Sainsbury Institute for the Study of Japanese Arts and Cultures. Her academic profile bridges Japanese animation scholarship with Southeast Asian cultural contexts through fieldwork-driven research. Her educational qualifications include: PhD in Human and Environmental Studies from Kyoto University, Japan Master of Communication (Screen Studies) from University of Science Malaysia Bachelor of Communication (Film Studies) from University of Science Malaysia Dr. Gan's research examines Japanese anime, manga, and popular culture through lenses of authorship, censorship, and cultural hybridity, with particular focus on transnational adaptations in Southeast Asia. She integrates theoretical frameworks with empirical fieldwork involving creators, curators, and fans across Asia and the West, emphasizing practical production aspects alongside critical analysis. Her interdisciplinary approach connects film studies, media theory, and cultural anthropology. Her scholarly trajectory reveals consistent exploration of animation aesthetics (especially limited/selective animation), historical evolution of Japanese animation, and hybrid cultural forms in Southeast Asia. Key thematic threads include re-evaluating animation techniques beyond Western paradigms, analyzing global anime circulation, and documenting local adaptations of manga in Malaysia. This body of work demonstrates strong methodological integration of archival research, industry analysis, and ethnographic observation. Scientific recognition includes: Two-year Japan Society for the Promotion of Science (JSPS) Grant for postdoctoral research on Japanese anime history Sainsbury Institute for the Study of Japanese Arts and Cultures Fellowship Dr. Gan has secured competitive research funding including the JSPS grant, and maintains active international collaboration through invited lectures at institutions like Sorbonne, Tokyo University, and Keio University across 20+ countries. Her teaching innovations include NUS modules incorporating Japan-based field studies, reflecting her commitment to experiential learning in Japanese visual culture. While specific student advising isn't detailed, her pedagogy emphasizes creator-fan industry ecosystems. Her research network spans the Archive Center for Anime Studies (Niigata University), Kyoto Seika University's Manga Department, and global symposia, facilitating cross-institutional knowledge exchange on animation history and contemporary media practices.
Steven T. Brown is a Professor of Comparative Literature at the University of Oregon, affiliated with the Schnitzer School of Global Studies and Languages within the College of Arts and Sciences. His scholarship examines Japanese visual culture through transnational frameworks, with expertise in horror cinema, posthumanism, and critical theory. His academic credentials include: B.A. in East Asian Studies and Classics, University of Illinois (1987, Summa Cum Laude) M.A. in East Asian Studies, Stanford University (1988) Ph.D. in Comparative Literature, Stanford University (1994) Brown's research investigates sensory dimensions of Japanese cinema—particularly sound design in J-horror and slow-burn aesthetics—while exploring anime's engagement with posthuman identity. His work bridges Surrealist film theory, transnational cultural flows, and Japanese popular media, revealing how visual narratives interrogate human-machine boundaries in digital societies. Key contributions include analyzing Kurosawa Kiyoshi's sonic landscapes and Ghost in the Shell's technological uncanny. His publication trajectory from Noh theater studies (1990s) to contemporary anime/horror analysis (2000s-2010s) demonstrates evolving focus on sensory experience in visual media. Articles consistently address transnational cultural exchange, with recurring themes of gender representation, technological embodiment, and Japanese-Western artistic dialogues across 27 years of scholarship. Scientific awards: No awards listed in source material While the text doesn't specify current advisees or grants, Brown's extensive publication record—including three monographs with Palgrave Macmillan and Stanford University Press—suggests significant research impact. His editorial work on special journal issues indicates scholarly leadership in Japanese performance studies and anime criticism. No dedicated research labs or collaborative teams are mentioned, though his transnational approach implies cross-institutional academic networks.
Piotr Winkielman is a Professor of Psychology at the University of California, San Diego (since 2007), with affiliations at Warwick Business School (UK) and the Warsaw School of Social Sciences and Humanities (Poland). His research focuses on the interplay of emotion, cognition, embodiment, and consciousness in social cognition, employing methods from social/cognitive psychology and neuroscience. Key interests include unconscious emotion processing, facial mimicry, decision-making under emotional influence, and the neural basis of social perception. Education: PhD in Social Psychology (1997), University of Michigan MSc in Psychology (1991), University of Bielefeld, Germany BSc in Psychology (1988), University of Warsaw, Poland Research Interests: Winkielman explores how fleeting affective reactions influence behavior without conscious awareness, studying facial feedback mechanisms, emotional contagion, and the role of physiological signals in decision-making. His work bridges theories like Affect-As-Information and Facial Feedback, while challenging assumptions about the necessity of conscious processes in emotion. Grants & Funding: Supported by NSF Grant BCS-0350687 for studies on unconscious emotion and physiological feedback. Collaborations include projects on mimicry, stress effects, and cross-modal perception. Labs & Teams: Leads research at UCSD on embodied cognition and social neuroscience, with studies involving EEG, EMG, and behavioral experiments. International collaborations span UK, Poland, and Germany.
Paul D. Miller, known professionally as DJ Spooky, That Subliminal Kid, is a Professor of Music and Mediated Art at The European Graduate School (EGS). Based in New York City, he is an experimental electronic and hip-hop musician, conceptual artist, and writer whose work spans music production, film, multimedia installations, and critical theory. He has released over a dozen albums pioneering 'illbient' and trip hop genres, authored influential books including Rhythm Science and Sound Unbound , and exhibited internationally at venues like the Venice Biennale and Andy Warhol Museum. Education: Bowdoin College: Studied philosophy and French literature; thesis on Richard Wagner's Gesamtkunstwerk as precursor to new media. Research Interests: Miller's work centers on remix culture as a postmodern methodology, exploring intersections of sound, image, and technology. His theoretical framework positions the DJ as a 'post-subjective auteur' who creates meaning through layered connections across time, culture, and media. Key projects include Rebirth of a Nation (reworking D.W. Griffith's film to address racial history) and Terra Nova (Antarctica sound recordings addressing climate change), demonstrating his focus on historical reinterpretation and environmental crisis through digital media. Publications: His 14 scholarly articles (2001-2009) analyze remix as cultural practice across domains from album art history ( The Inner Sleeve ) to Baudrillard's philosophy ( Baudrillard: A Remembrance ). The corpus reveals consistent investigation into how sampling, digital layering, and media archaeology reshape narrative, memory, and cultural identity in the information age. Awards: No scientific awards or fellowships were documented in the source text. Advising and Grants: The source text provides no information regarding students supervised, academic advising, or research grants administered by Miller. Labs and Teams: Miller operates through project-based collaborations rather than fixed labs, forming temporary collectives with institutions like the American Museum of Natural History (for Terra Nova ) and artists including Yoko Ono, Ryuichi Sakamoto, and choreographer Francesca Harper. His 'Unfinished Stories' project with Pulitzer-winning critic Margo Jefferson exemplifies his interdisciplinary approach bridging dance, music, and social commentary.
Dr. Jonathan Skinner is a Reader (equivalent to Associate Professor) in English and Comparative Literary Studies at the University of Warwick's Faculty of Arts, where he researches and teaches ecocriticism, contemporary poetry, and creative writing. He founded and edits the journal ecopoetics , exploring intersections between writing and ecology. His research examines: Ecopoetic theory and environmental literature Intersections of sound studies and ethnopoetics North American avant-garde poetry (Olson, Kyger, Eigner) Translation and transnational poetics Third Landscape theory and urban wildness He leads a research network facilitating cross-cultural poetry exchanges along avian migration routes. Skinner's publications predominantly explore ecocritical frameworks through poetry analysis, with recent work examining climate change poetics, multispecies communication, and Anthropocene aesthetics. His scholarship connects literary studies with environmental science, acoustics, and landscape theory. He currently supervises five PhD students researching multispecies poetics and environmental literature through AHRC-funded projects, and has successfully supervised two doctoral candidates studying deindustrialization and extractive urbanism. Previously supervised MA theses span modernist poetry, ecocriticism, and creative writing.
Eduardo Mercado III is a Professor in the Department of Psychology at the University at Buffalo, College of Arts and Sciences. His research focuses on bioacoustics, cognitive psychology, and marine ecology, particularly the vocal behavior of humpback whales and its implications for understanding human impact on marine ecosystems. He is also known for his work in perceptual learning, autism spectrum disorder, and comparative cognition. Scientific Awards Guggenheim Fellowship Harvard Radcliffe Institute Fellowship Research Trends His recent publications emphasize bioacoustic analysis of humpback whale songs, including their spectral entropy, cyclical variations, and adaptive adjustments to anthropogenic noise. Additional work explores perceptual learning mechanisms in autism, neural network modeling for acoustic classification, and cognitive processes in canines and rodents. Projects Mercado’s “Singers as Sentinels” project combines acoustic analysis of humpback whale songs with public awareness initiatives about ocean noise pollution. The project will produce a book, Why Whales Sing and Dolphins Don’t , and a web-based interface for public engagement.
Shane Denson serves as Professor of Film and Media Studies in the Department of Art & Art History at Stanford University's School of Humanities and Sciences. He also holds courtesy appointments in the Departments of German Studies and Communication. His academic profile spans multiple disciplines with a particular focus on the evolving relationship between media technologies and cultural forms across historical periods. Denson's research interests encompass a wide spectrum of media studies topics, with particular emphasis on phenomenological and media-philosophical approaches to film, digital media, comics, games, and serialized popular forms. His scholarly work investigates how media technologies shape human perception, embodiment, and cultural production, especially in the transition from cinematic to post-cinematic media environments. He has developed significant theoretical frameworks around concepts like discorrelation, post-cinema, and digital seriality that have influenced contemporary media studies discourse. An analysis of Denson's recent publications reveals consistent engagement with the philosophical implications of emerging media technologies, particularly artificial intelligence and digital platforms. His work demonstrates a distinctive trajectory from early research on Frankenstein adaptations and serial narratives toward contemporary examinations of AI aesthetics, desktop cinema, and the phenomenology of digital interfaces. Denson's scholarship bridges traditional academic writing with innovative digital and videographic forms, reflecting his commitment to multimodal scholarly expression. Denson has established himself as a leading voice in the study of digital seriality, with numerous publications exploring how serial forms evolve across media platforms. His research demonstrates how contemporary digital media environments transform traditional narrative structures while creating new forms of community and meaning-making through serialized content. This work intersects with his broader interests in media philosophy and the embodied experience of digital interfaces. Professor Denson maintains an active scholarly practice through his personal website (shanedenson.com) and ORCID profile, where he shares his publications, videographic essays, and experimental digital projects. His work with ROMhacking.net demonstrates his commitment to digital humanities methodologies that combine code analysis with cultural critique, particularly in examining how fan communities engage with and transform established media properties through modification and reinterpretation.
Dr. Oscar Meruvia-Pastor is a faculty member in the Department of Computer Science at Memorial University of Newfoundland, within the Faculty of Science. He holds a B.Sc. from ITESM-Monterrey, Mexico, an M.Sc. from the University of Alberta, and a Ph.D. from Otto-von-Guericke Universität Magdeburg, Germany. His research focuses on interactive 3D graphics, non-photorealistic rendering, and biomedical visualization, with applications in telepresence systems, augmented reality (AR), and virtual reality (VR). He has developed tools like OMARC for respiratory condition training and GeNET for gene co-expression network analysis. Dr. Meruvia-Pastor has supervised numerous graduate students and contributed to over 50 publications. His work includes evaluating stereo correspondence methods in AR, robot arm manipulation via depth sensors, and smartphone integration in immersive VR. He has been recognized with awards such as the Best HCI Poster at Graphics Interface 2014 and a semi-finalist poster at SIGGRAPH 2015. He teaches courses in computer science, including computer graphics, multimedia development, and introductory science modules. His research lab focuses on 3D telepresence, medical visualization, and human-centered VR/AR solutions. His academic contributions span software tools for medical imaging analysis, interactive visualization systems, and educational technologies. He actively collaborates with health professionals to advance telemedicine and remote procedural training through AR platforms. His work bridges computer graphics with real-world applications in healthcare, education, and environmental advocacy.
Dr. Ian Bruce is a Professor in the Department of Electrical and Computer Engineering at McMaster University, Hamilton, ON, Canada. He has been with the department since 2002, conducting interdisciplinary research that bridges electrical engineering with auditory neuroscience. His work has significant implications for hearing technologies and auditory rehabilitation. Education: B.E. (electrical and electronic) from The University of Melbourne (1991) Ph.D. from the Department of Otolaryngology, The University of Melbourne Dr. Bruce's research program focuses on auditory modeling, hearing aids, cochlear implants, tinnitus, neural coding of speech, and digital speech processing. His work centers on understanding the physiological mechanisms of auditory processing and applying this knowledge to develop improved hearing technologies. He has pioneered computational models of the auditory periphery that accurately predict speech intelligibility for hearing-impaired listeners, directly informing hearing aid and cochlear implant design. Analysis of Dr. Bruce's recent publications (2019-2025) reveals a consistent focus on cochlear implants and auditory nerve modeling, with increasing integration of machine learning techniques. His work demonstrates a sophisticated balance between physiological accuracy and computational efficiency, with recent papers exploring WaveNet-based approximations of cochlear models and DNN-based auditory processing. A significant portion of his research examines the relationship between neural responses and perceptual outcomes in hearing-impaired individuals, particularly regarding temporal processing and speech understanding. Scientific Awards and Recognitions: Fellow of the Acoustical Society of America Member of the Association for Research in Otolaryngology Registered Professional Engineer in Ontario Associate Editor of the Journal of the Acoustical Society of America Dr. Bruce has mentored numerous graduate students through various capstone design projects across multiple engineering disciplines including biomedical, electrical, mechanical, and software engineering. His teaching portfolio includes specialized courses in biomedical signals and systems, cellular bioelectricity, models of the neuron, and advanced signal processing. He has consistently supervised M.Eng. projects and independent studies, demonstrating commitment to training the next generation of engineers in auditory technology development. Dr. Bruce's research is conducted within McMaster University's interdisciplinary biomedical engineering framework, collaborating with clinicians and researchers in otolaryngology and audiology. His laboratory work focuses on developing and validating computational models that simulate auditory nerve responses to both natural and prosthetic stimulation, with direct applications to improving cochlear implant performance and hearing aid algorithms for real-world listening environments.
PD Dr. Jens Wolff is a German theologian and researcher at the Faculty of Theology, University of Rostock . His work bridges image theory , cultural hermeneutics , and negative theology , with a focus on Lutheran theology and its intersections with literature and art . Education : Studied at Eberhard-Karls-Universität Tübingen, Martin-Luther-Universität Halle/Wittenberg, Ludwig-Maximilians-Universität München. Academic Timeline : 1995–1998 Heidelberg Academy researcher, 1998–2002 assistant at Münster's Faculty, 2003 PhD, 2005 ordained pastor, 2009–2012 DFG project on Sigmund von Birken, 2012–2015 DFG project on Image Theory, 2015 habilitation. Wolff's research explores image and media theory through theological lenses, interrogating figurative knowledge , religious rhetoric , and intercultural hermeneutics . His work connects Baroque literature (e.g., Klopstock, Hamann) with contemporary philological and deconstructive methods , examining tensions between sacralization and secularization . His recent publications analyze the word of God as performative polysemy in Lutheran thought, death and utopia in Stefan Andres' work, and iconic anthropology in Reformation contexts. He co-edited the two-volume Bild und Tod (2016), a foundational text on image-death relations. Awards: Martin-Luther-Preis für den akademischen Nachwuchs (2005) for his dissertation on Metapher und Kreuz . Wolff's advising and collaborative work focus on interdisciplinary image studies , including DFG-funded projects and symposia like the Image and Sound conference (2014). He maintains links to institutions in Bratislava , Frankfurt , and Brazil .
Professor Steve Simpson is a leading marine biologist and fish ecologist at the University of Exeter's Biosciences department. He serves as Professor of Marine Biology & Global Change and leads a dynamic research group focused on understanding marine ecosystems, particularly in the context of climate change and human impacts. His work has been prominently featured in Blue Planet II and he actively engages with industry, policy makers, and the public through media appearances and outreach activities. Education PhD, University of York, UK (2000-2004) MRes Marine & Coastal Ecology & Environmental Management, University of York, UK (1998-1999) BSc Marine Biology (Hons), University of Liverpool, UK (1995-1998) Professor Simpson's research centers on the behavior of coral reef fishes, bioacoustics, and the effects of climate change on marine ecosystems. His approach uniquely combines fieldwork in remote environments with laboratory experiments, data-mining, and computer modeling. He has pioneered new methods for listening to ocean soundscapes and understanding fish communication, revealing how anthropogenic noise disrupts natural behaviors and ecological processes. His work on climate change impacts examines shifting fish distributions and their implications for fisheries management and conservation. Analysis of Simpson's recent publications reveals two dominant research themes: the impacts of anthropogenic noise on marine life and climate change effects on fisheries. His work demonstrates how underwater noise from boats and industrial activities impairs fish hearing, disrupts predator-prey relationships, and affects reproductive success. Simultaneously, his climate change research tracks how warming seas are altering fish distributions, creating 'mackerel wars' and requiring fisheries adaptation. These research strands converge in his innovative work on developing solutions like bubble curtains to mitigate noise impacts. Scientific Awards FSBI Medal (2016) NERC Knowledge Exchange Fellowship (2011-2014) NERC Postdoctoral Research Fellowship (2004-2007) Royal Society International Fellow (2007-2008) EPHE Postdoctoral Fellow (2007-2008) Professor Simpson leads a thriving research group of approximately 10 postdocs, PhD, and Masters students. His grant portfolio includes major NERC funding for projects on marine noise impacts and climate change effects on fisheries. He has developed strong industry partnerships through a Knowledge Exchange Fellowship, working with Cefas, the Met Office, Sustainable Marine Energy Ltd, and HR Wallingford Ltd. His research has directly informed policy through contributions to Marine Climate Change Impacts Partnership reports and presentations to European Parliament. Simpson has also created innovative knowledge exchange initiatives including the 'Vision of Sustainable Fisheries in 2050' thinktank. Simpson has developed specialized research infrastructure including a mobile lab with Ecocean in Montpellier for assessing marine noise impacts, and has conducted large-scale acoustic experiments in dry docks. His work on underwater acoustics was prominently featured in Blue Planet II, and he maintains active engagement with media through TEDx talks, BBC appearances, and public lectures to schools and community groups. He serves on the International Quiet Ocean Experiment Science Committee, helping shape global research on ocean noise.
Susanne Schötz is an Associate Professor of Phonetics at Lund University's Centre for Languages and Literature and a Researcher at the Lund University Humanities Lab. She is also the project manager for Cat-human communication research and a member of the LU Profile Area: Natural and Artificial Cognition. Her research focuses on phonetic variation in three main areas: dialectal variation in Swedish and other languages, paralinguistic variation related to age, emotion, attitude and health condition, and phonetic variation in human-animal communication, particularly cat-human communication. She has led several research projects including Melody in human–cat communication (Meowsic), Cat–Human Communication, and studies on Estonian Swedish and Swedish vowel articulation using articulography. Dr. Schötz teaches courses at the speech and language pathology and audiology programs at Lund University. Her work with cats has gained significant attention, including winning the Ig Nobel Prize in Biology in 2021 for research on cat-human communication. Her research output demonstrates strong trends in animal communication, particularly focusing on the acoustic properties of cat vocalizations and how humans perceive and interpret these sounds. She combines traditional phonetic analysis with innovative approaches to study cross-species communication, making significant contributions to both linguistics and animal behavior studies. Scientific Awards: The Ig Nobel Prize in Biology (2021) Årets Mäster (Master of the Year) (2020) Vetenskapssocieteten Lunds universitet (2016) Vetenskapssocieteten i Lund: Stipendium för betydande insats inom humanistisk forskning (2007) Dr. Schötz has supervised research projects and students in phonetics and human-animal communication. Her work has been supported by various research funds including MAW, SKK och Agrias forskningsfond, and the Pufendorf IAS. She is in charge of the articulographs in the Humanities Lab, which are essential for her research on speech production and articulation. She is actively involved in the Lund University Humanities Lab, contributing to its mission of interdisciplinary research in the humanities through her expertise in phonetics and communication studies.
Dr. Nilo Merino Recalde is a Postdoctoral Researcher at the Edward Grey Institute, University of Oxford. His research focuses on animal culture, acoustic monitoring of biodiversity, and applied machine learning. He employs interdisciplinary approaches spanning visual arts, anthropology, and biology to study animal behavior and ecology. His current work emphasizes large-scale acoustic data collection and analysis, with a particular interest in bird song and cultural evolution. Research interests include: Animal culture and its transmission mechanisms Acoustic ecology and biodiversity assessment using sound Machine learning applications in ecological research Data visualization and open science practices His publications highlight advancements in phylogenomic analysis, acoustic datasets for wild bird populations, and software tools like pykanto for bioacoustic research. He actively develops open-source tools to democratize data analysis in ecology. No scientific awards or grants are listed. He currently advises no students but collaborates widely in multidisciplinary teams. His primary affiliation is the Edward Grey Institute's Sheldon Group, where he integrates fieldwork and computational methods to understand animal behavior at ecological and evolutionary scales.
