جست‌وجوی استاد و پژوهشگر

Andy McLennanمشاهده پروفایل

استاد

• Mathematical Economics
• Game Theory
• Algebraic Geometry
• +۳ مورد دیگر

Andy McLennan is a Professor in the School of Economics at the University of Queensland since 2007, following roles at the University of Minnesota (1987–2005) and the University of Sydney. His research focuses on mathematical economics and game theory, with contributions to computational game theory, fixed point theory, and algebraic geometry. Notable collaborations include work with Richard McKelvey on the Gambit software package for game analysis. Education: B.A. in Mathematics from the University of Chicago (undergraduate), PhD in Economics from Princeton University (1982). Prior faculty positions included the University of Toronto and Cornell University. Research Interests: Explores intersections between pure mathematics and economics, including applications of topology (Vietoris-Begle theorem), differential geometry (Morse-Sard theorem), and computational complexity in markets. Recent work includes the 'Index +1 Principle' for equilibrium stability and fixed point index theory. Software & Tools: Co-developed Gambit , a widely used open-source toolkit for analyzing finite games. Authored technical software for solving systems of equations and 3D visualization tools for academic use. Books: Authored Advanced Fixed Point Theory for Economics (Springer, 2018), The Algebra of Coherent Algebraic Sheaves , and The Nature and Origins of Modern Mathematics . Personal: Lives in Brisbane with his partner Shino Takayama (also an economist) and their son Sean. Enjoys Japanese language, classical music, and strategic games like Go and chess.

Jon McCormackمشاهده پروفایل

استاد

• Computational Creativity
• Human-machine interfaces
• Artificial Intelligence/Cybernetics
• +۹ مورد دیگر

Jon McCormack is a Professor jointly appointed in Monash University's Faculty of Art, Design & Architecture (MADA) and Faculty of Information Technology. He founded and directs SensiLab, a research facility focusing on computational creativity, human-machine interfaces, and generative systems. His work spans electronic media art, evolutionary music, and artificial life. McCormack holds a PhD in Computer Science from Monash University, along with degrees in Computer Science, Applied Mathematics, and Film/Television. Research interests include computational creativity, tangible interfaces, and cybernetic systems. Notable projects include 'Explainable Artificial Creativity' (ARC-funded) and 'Building 4.0 CRC,' addressing architectural innovation through AI. He has been recognized with awards for collaborative projects like the Blundstone Intelligent Footwear for Healthcare. McCormack's recent articles explore AI-driven art, generative systems, and interdisciplinary design. His work bridges artistic practice with technical innovation, emphasizing ethical and creative dimensions of human-AI collaboration. SensiLab serves as a hub for practice-based research in digital media and interactive systems. Education: PhD in Computer Science, Monash University (2004) Bachelor of Science (Honours), Computer Science/Applied Mathematics, Monash University (1987) Graduate Diploma in Film/TV, Swinburne University (1986) Bachelor of Science, Computer Science/Applied Mathematics, Monash University (1985) Key Projects: Lead investigator on 'Explainable Artificial Creativity' (2022–2026) Co-investigator in 'Building 4.0 CRC' (2020–2027), exploring AI-driven architectural design Awards: 2022 Designers Australia Award for Blundstone Footwear 2020 'On the Machine Condition' Prize McCormack's lab, SensiLab, fosters collaborations across disciplines, producing exhibitions, software, and theoretical frameworks for computational creativity. He actively supervises PhD students in practice-based research, emphasizing the intersection of art and technology.

• Human-Computer Interaction
• Digital Health
• Mixed Reality
• +۴ مورد دیگر

Ryan Kelly is an Associate Professor in the School of Computing Technologies at RMIT University, specializing in Human-Computer Interaction (HCI), digital health, and mixed reality. His research focuses on technology-enabled social connection and wellbeing, including designing communication tools for close relationships, digital health initiatives like the Music-Attuned Care via eHealth (MATCH) project, and VR applications for mental health. He collaborates with industry partners such as Google, Netflix, and the Worldwide Fund for Nature, and has developed technologies for older adults, including simplified video calling systems for aged care during the pandemic. His work has been featured globally in media, including Al-Jazeera's documentary All Hail the Algorithm . He actively contributes to the HCI community as a reviewer and committee member for conferences like ACM CHI and CSCW, holding roles such as Editor for CSCW 2025 and Awards Co-Chair for CSCW 2023. Ryan supervises PhD candidates exploring human-centered AI for social connection and online safety for older adults. His research aligns with UN Sustainable Development Goals 3 (Good Health), 9 (Industry Innovation), and 11 (Sustainable Cities). Key projects include the VR mindfulness application used by over 200,000 Australians and the Painpad device for pain logging in UK hospitals. He advocates for participatory design frameworks, emphasizing ethical AI and technology’s role in fostering meaningful human experiences.

• Sound and Music Computing
• Human-Computer Interaction
• Human-Centered Computing
• +۶ مورد دیگر

Dr. Sam Ferguson is a Senior Lecturer at the School of Computer Science, University of Technology Sydney (UTS), with a multidisciplinary background in music performance, cognitive science, and psycho-acoustics. His research explores the intersection of sound, music, and human experience through creative coding, machine learning, and interactive systems. Key Research Areas: Sound and Music Computing, Human-Computer Interaction, Creative Coding, Cognitive Science, Installation Art, and Acoustics. Current Projects: ARC Linkage project on creative coding and multiplicitous media; industry collaborations on IoT-based audiovisual systems. Recent Publications: Focus on spatial audio complexity, gestural interaction with networked sound, music emotion recognition frameworks, and robotic performance through genre-based cultural platforms. Leadership Roles: Director of Teaching & Learning Engagement; former Deputy Head of School (Teaching and Learning); active in ACM Creativity and Cognition Steering Committee. Teaching: Courses like Digital Media Studio , Prototyping Physical Interaction , and Data Processing using R within UTS's interdisciplinary Software Development Studio.

Ben Swiftمشاهده پروفایل

مدرس ارشد

• Artificial Intelligence
• Machine Learning
• Computational Art & Music
• +۴ مورد دیگر

Dr. Ben Swift is a Senior Lecturer at the School of Cybernetics, ANU, specializing in AI, computational art, and cybernetics. He leads the Cybernetic Studio, an interdisciplinary collective exploring cybernetic systems through hardware/software/people collaborations. As a livecoding artist, he performs globally and co-founded the ANU Laptop Ensemble. His research spans generative AI, open-source tools like Extempore, and UX design. Education: PhD in Computer Science (ANU) Projects: Australia's Digital Economy (2022), The Augmented Web (2019) Research focuses on AI creativity, biofeedback interfaces, and computational music. His work bridges technical innovation with artistic expression, evident in projects like TSPNet and adversarial camera systems. Key contributions include Extempore’s development and studies in live coding disruption. Awards unspecified but recognized internationally for interdisciplinary impact.

Alexander Hunterمشاهده پروفایل

مدرس

• Open/Non-linear Music
• Open Music Notation
• Spectralism
• +۷ مورد دیگر

Dr. Alexander Hunter is a Lecturer and Composition Convenor at the School of Music, Australian National University (ANU). He holds a PhD in composition from Edinburgh Napier University (2014) and has taught composition, theory, and music history since relocating to Canberra in 2014. Hunter founded ANU's Experimental Music Studio, focusing on open-form compositions that engage performers in fluid interpretive roles. His research spans open musical forms, spectralism, acoustic ecology, and intersectional feminism, with a commitment to disability and autistic advocacy in the arts. Education includes studies at Northern Illinois University (BA 2006) and HNC from Colaisde Bheinn na Faoghla (2007). His work integrates multimedia collaborations with artists like Mike Parr and Martyn Jolly, exploring themes of dis/ability, environmental health, and Métis cultural heritage. Key projects include Helping the River Sing (2018–2021), linking river health with artistic expression, and AI-driven music composition research with Charles Martin. Hunter’s performance-led projects often involve magic lantern technology, reimagining 19th-century projection as a medium for contemporary ecological and historical narratives. Research interests also encompass New York School music, reductionist improvisation, and anarchist philosophies in composition. His collaborations with ensembles like Ensemble Dal Niente and the Edinburgh Quartet highlight his commitment to experimental performance practices. Recent publications (2023–2025) explore AI applications in music creation and interdisciplinary performance frameworks.

Patrik Wikstromمشاهده پروفایل

استاد

• Computational Communication
• Music Industries
• Algorithmic Culture
• +۳ مورد دیگر

Professor Patrik Wikstrom is a computational communication scholar at Queensland University of Technology (QUT), leading the School of Communication. He serves as Chief Investigator in QUT's Digital Media Research Centre (DMRC) and Associate Investigator in the Australian Research Council's ADM+S Centre. His expertise spans digital media's impact on music and meme cultures, algorithmic systems, and cultural economics. Education: PhD in Media and Communication Studies (Karlstad University), MScEng (Chalmers University). Former roles include Director of DMRC, Associate Dean (Research) at QUT's Creative Industries Faculty, and academic leadership at Northeastern University, Jönköping International Business School, and Karlstad University. Research focuses on digital technologies' societal impacts, including recommender systems, platform governance, and music industry dynamics. Key publications include TikTok: Creativity and Culture in Short Video and The Music Industry: Music in the Cloud . Active in grants like the Australian Cultural and Creative Activity Analysis project (LP160101724). Supervised over 10 doctoral and master's students on topics ranging from platform governance to decolonizing copyright. Current projects explore algorithmic culture, AI ethics, and fair payment models for artists. Labs/Teams: DMRC and ADM+S collaborate on automated decision-making's societal implications. Advocates for responsible AI and interdisciplinary computational methods in social sciences.

• Sound Design
• Audiovisual Art
• Multisensory Experience
• +۷ مورد دیگر

Associate Professor Darrin Verhagen is an award-winning sound designer and composer at RMIT University's School of Design, where he teaches in the Sound Design specialization within the Digital Media Program and directs the Audiokinetic Experiments (AkE) Lab. His academic work bridges creative practice with scientific inquiry into multisensory perception. Verhagen's research centers on the neurobiology of aesthetic experience, particularly exploring how sound interacts with vision, movement, and vibration. His work in the AkE Lab utilizes motion simulators, 4D cinema seating, and light to create installations that investigate the relationship between hearing, vision, movement and vibration. His academic background includes postgraduate research on musical extremes - lowercase sound for his Masters and Noise for his Doctorate. His creative output spans sound design for contemporary dance, theatre, installation, film, television and computer games. Verhagen has released over 20 albums internationally and performs audiovisual live shows globally. He was founder and curator of Dorobo records, which showcased Australian sound art for 15 years. Industry collaborations include work with Melbourne Theatre Company, Malthouse, Chunky Move, Australian Dance Theatre, and others. Notable awards include multiple Green Room Awards for Sound Design, Australian Academy of Cinema & Television Arts award finalist status, APRA Art Music awards finalist for experimental music, RMIT Research Award for technical innovation, and RMIT Teaching Award for excellence in teaching practice. Verhagen's supervision projects reveal a trajectory toward increasingly sophisticated explorations of sound in relation to space, perception, and human experience, with recent work focusing on transdisciplinary design, spatial sound applications, distributed audio systems, and vocal ecology. His work consistently bridges artistic practice with technological innovation and scientific inquiry into perceptual phenomena.

Leong Shu Minمشاهده پروفایل

مدرس

• Face Recognition
• Emotion Recognition
• Face Analysis
• +۳ مورد دیگر

Leong Shu Min is a Lecturer in the School of Information Technology at Monash University Malaysia. She holds a Ph.D. in IT from Monash University Malaysia (2023), focusing on privacy-preserving and emotional understanding of human faces using machine learning. She earned her Master of Engineering Science (2020) and B.Eng. (Hons) in Electronics with Computer specialization (2018) from Multimedia University. Her research emphasizes face analysis, emotion recognition, and security-related image processing. Education Ph.D., IT, Monash University Malaysia (2019–2023) M.Eng.Sc., Multimedia University (2018–2020) B.Eng., Multimedia University (2014–2018) Research Interests Her work centers on facial recognition systems, emotion analysis, and privacy-preserving techniques. She explores Local Binary Pattern algorithms and micro-expression recognition, aiming to enhance security and ethical AI applications. Recent projects include detecting synthetic music and uncovering biases in video-based emotion recognition systems. Projects Chief Investigator in the Æinstein: Adversarial AI amongst Materials Discovery Domains project (2024–2026), focusing on AI-driven material discovery and ethical AI challenges. Advising She has been accepting PhD students since 2020, mentoring research in facial analysis and machine learning applications.

Miao Xuمشاهده پروفایل

پژوهشگر ارشد

• Data Science
• Machine Learning
• Time Series Analysis
• +۴ مورد دیگر

Dr Miao Xu is a Research Fellow at the University of Queensland (UQ), affiliated with the School of Electrical Engineering and Computer Science within the Faculty of Engineering, Architecture and Information Technology. She holds an Australian Research Council DECRA Fellowship (ARC DECRA), recognizing her early-career research excellence. Her research focuses on machine learning, data science, and time series analysis, with applications in healthcare, materials science, and algorithmic fairness. Dr Xu's work addresses challenges in noisy label handling, unlearning mechanisms, and adaptive modeling for irregular data. Education: She earned a Doctor of Philosophy (PhD) from Nanjing University. She is actively involved in supervising research and contributes to the Centre for Enterprise AI at UQ. Research Interests: Dr Xu’s expertise spans machine learning , time series analysis , deep learning , and unsupervised learning . Her recent work emphasizes robust learning with noisy or incomplete labels, model unlearning, and applications in alloy design and medical informatics. She explores methods like instance-attention GNNs for irregular time series and confidence-guided techniques for adversarial attack detection. Publications: Her recent work includes advancements in GNN-based time series modeling, bias mitigation in text classification, and active learning for alloy design. Key themes include improving generalization, reducing algorithmic bias, and enhancing model transparency. Awards: Her ARC DECRA fellowship (202X–202X) supports her research on data-driven methodologies. Supervision & Grants: Available for PhD supervision in machine learning and data science. Her grants include funding for projects in unlearning mechanisms and spatiotemporal modeling. Labs/Teams: Affiliated with the Centre for Enterprise AI at UQ, collaborating on enterprise-scale AI applications and interdisciplinary research.

James Bradburyمشاهده پروفایل

مدرس

• Machine Learning
• Sound Art
• Computer Music
• +۳ مورد دیگر

James Bradbury is a Music Lecturer at the Conservatorium of Music, University of Western Australia. He holds a PhD in Music Technology (2021) from the same institution. His research focuses on integrating machine learning into music creation and performance, with expertise in sound art, experimental art, and software development for creative applications. Previously, he served as a Post-Doctoral Research Fellow in Creative Coding at the University of Huddersfield (2021–2022). Education: Doctor of Philosophy in Music Technology, University of Western Australia (2021) Research Interests : Bradbury explores machine learning's role in shaping contemporary music through real-time interactive systems, sound art installations, and experimental music performance. His work emphasizes computational tools for creative processes, including the Fluid Corpus Manipulation (FluCoMa) platform, which enables novel compositional workflows. He investigates how algorithmic approaches can expand artistic expression while maintaining human creativity at the core. Research Trends : Recent works highlight interdisciplinary collaborations between music and computer science, particularly in developing open-source tools like FluCoMa. His performances and publications demonstrate a focus on non-narrative musical forms and real-time algorithmic generation. The 2025 Audible Edge performance exemplifies this through live machine learning-driven sample selection. Awards and Grants : No specific awards or grants mentioned in the provided texts. His contributions are primarily reflected in creative outputs and academic publications. Labs and Teams : Active within the Conservatorium of Music, Bradbury collaborates with institutions like the University of Huddersfield and participates in festivals such as Audible Edge. His work is closely tied to the FluCoMa research collective, emphasizing open-source software development for artistic innovation.

Eduardo Benitez Sandovalمشاهده پروفایل

پژوهشگر

• Social Robotics
• Human-Robot Interaction (HRI)
• Robot Ethics
• +۷ مورد دیگر

Dr. Eduardo Benitez Sandoval is a social robotics researcher at UNSW Sydney, affiliated with the School of Arts, Design & Architecture. His work focuses on reciprocity in Human-Robot Interaction (HRI), robots in education and healthcare, and ethical implications of social robotics. He holds a PhD in Human Interface Technology from the University of Canterbury (2016) and a Master's in Industrial Design from UNAM (2012). He has received notable awards including the 1st Place Video HRI Award (2016) and recognition as one of Mexico's 30 Promising Young Mexicans (2015). His research explores decision-making in HRI, robot design principles, and the societal impact of AI. He emphasizes 'robot ergonomics' and 'human-centric design' in creating socially meaningful machines. Current supervision includes two master’s students at UNSW's School of Computer Science and availability to mentor PhD candidates in HRI, social robotics, and interaction design. Teaching includes 'Research Foundations' and 'Human Centred Design' courses. Key research themes include addiction to robots, conflict mediation via robots, and cultural preservation through robotic agents (e.g., Robot Maori Haka project). He advocates for robots 'in the wild' testing, combining quantitative and qualitative HRI evaluation. Collaboration opportunities exist in multidisciplinary projects blending robotics, psychology, and design. His work has led to over 50 publications including designs/architecture works like the 3D-printed social robot prototype (2020). Awards reflect both academic excellence (e.g., Alfonso Caso Medal) and innovation (e.g., Startup Weekend recognition). He actively engages in public discourse via media appearances and maintains professional profiles on LinkedIn, ResearchGate, and Google Scholar.

Matthew Butlerمشاهده پروفایل

دانشیار

• Inclusive Technologies
• Accessible Graphics
• Assistive Technologies
• +۴ مورد دیگر

Matthew Butler is an Associate Professor in the Department of Human-Centred Computing at Monash University's Faculty of Information Technology. His research focuses on Inclusive Technologies , particularly improving access to visual information for people who are blind or have low vision (BLV) through innovations like 3D printing, conversational agents, and multisensory interfaces. He has over 20 years of academic experience and held leadership roles including Deputy Dean (Education) and Associate Dean (Learning and Teaching). Education: PhD in Computing Education (Monash University, 2010) Graduate Certificate of Higher Education (Monash University, 2006) Bachelor of Engineering (Electronic and Computer Engineering, Monash University, 1996) Research Interests: Matthew’s work emphasizes participatory design with the BLV community, addressing challenges in data exploration, orientation/mobility, arts/culture access, and education . Key projects include accessible data visualization systems, inclusive museum experiences, and tactile navigation tools. His contributions align with UN Sustainable Development Goals related to education and disability inclusion. Grants & Projects: Accessible Data Exploration and Analysis for Blind People (Australian Research Council, 2023–2027) Inclusive Gallery Experiences: Bendigo Art Gallery Project (Helen Macpherson Smith Trust, 2019–2022) Co-leads the Monash Assistive Technology and Society Centre’s Education Pillar Awards: Senior Fellow of the Higher Education Academy Labs/Teams: Active contributor to Monash’s Assistive Technology and Society research initiatives, focusing on multisensory design for disability inclusion.

Peter Worthyمشاهده پروفایل

مدرس

• Human-Centered Design
• Accessibility and Usability
• Healthcare Technology
• +۵ مورد دیگر

Dr. Peter Worthy is a Lecturer in Human-Centred Computing at the University of Queensland's School of Electrical Engineering and Computer Science. His research focuses on designing technology that addresses accessibility, usability, and acceptability for vulnerable populations, particularly those living with dementia and post-stroke aphasia. He emphasizes co-design and participatory methodologies to ensure technologies align with users' intrinsic needs. Worthy holds a PhD from the University of Queensland (2020) and has conducted interdisciplinary work with speech pathologists, occupational therapists, and psychologists. His recent projects include the Florence Project, exploring advocacy technologies for dementia patients, and collaborations on telehealth interventions for anxiety management. His work integrates design theory with healthcare challenges, advocating for AI systems that prioritize human values. He is affiliated with the Queensland Aphasia Research Centre and the UQ Centre for Clinical Research, contributing to initiatives like Tech-CBT and the PDCogniCare project. Education: PhD (UQ), Master's (UQ), Bachelor of Applied Science (QUT), Law Degrees (QUT) Key Projects: Florence Project, Tech-CBT, PDCogniCare Labs/Teams: Queensland Aphasia Research Centre, UQ Centre for Clinical Research

Richard Saveryمشاهده پروفایل

پژوهشگر ارشد

• Artificial Intelligence
• Robotics
• Human-Robot Interaction
• +۳ مورد دیگر

Richard Savery is an Honorary Research Fellow at Macquarie University's Faculty of Arts, affiliated with the Performance and Expertise Research Centre and the Centre for Applied Artificial Intelligence. His work bridges artificial intelligence, robotics, and music, focusing on creative interactions and trust-building through robotic musicianship. He holds a PhD in Music Technology from Georgia Institute of Technology (2021) and a Master's from UC Irvine. Key roles include developing the NSF-funded Keirzo rapping/drumming robot and publishing the edited book Sound and Robotics (2023). Research interests include emotional musical prosody, human-robot collaboration, and robotic performance. Notable projects include Shimon the singing robot and IVF sonification. Awards include a GANG Award (2015) for game audio. Active in interdisciplinary collaborations, he has composed music for films, ads, and video games, including Gunman Taco Truck and Gathering Sky . His work spans academic grants ($800k NSF-NRI grant), industry partnerships, and public installations like the Un[contained] Arts Festival's beehive exhibit. Over 50 publications highlight his contributions to robotics, music tech, and AI ethics.