Sabrina Chou

Sabrina Chou is an artist, researcher, and writer currently serving as a Lecturer in Critical Studies Fine Art at Central Saint Martins, University of the Arts London (2022–present). Her practice intertwines art, theory, and social critique, exploring themes of bodily collectivity, technological mediation, and infrastructural systems.

• Education: PhD (Practice-led Art, 2022, University of Oxford), MFA (Piet Zwart Institute), BA (Harvard University)
• Residencies: Centre International d’art et du paysage Île de Vassiviere, Kunsthuis Syb
• Exhibitions: Het Nieuwe Institute (NL), Museum of Contemporary Art (US), Jakobstads Museum (FI), and numerous international galleries
• Publications: Contributions to Datapolis, Thresholds, and Ringgummimatte

Her artistic research examines how technological apparatuses shape social bodies and how artworks act as discursive objects. Works like Gross Motor Skills AB (2023) critique AI-driven logistics systems, while Body Shop (2016) interrogates biopolitical regulation through textile and sculpture. Recent articles such as Divining the Sewer (2024) expand this inquiry into environmental infrastructure and data governance.

Scientific awards include Clarendon Fund and St Johns College scholarships for her doctoral research, as well as Fellow (FHEA) from Advance HE and SEDA Recognized Supervisor certification. Her teaching extends across institutions in the UK, Netherlands, and US, with a focus on critical art pedagogy.