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Roger Owen is a Lecturer in Theatre and Theatre Practice at Aberystwyth University, affiliated with the Department of Theatre, Film and Television Studies. He has been employed in this academic role since 1994, combining scholarly work with active practice in performance, directing, and facilitation. His work contributes to broader cultural and sustainable development goals through engagement with rural communities and Welsh-language theatre.
His research interests are deeply rooted in the history and practice of Welsh-language theatre and drama since 1945, with a focus on the interplay between theatre, culture, and national identity. He also investigates the relationship between performance and rural communities, exploring how theatre functions in non-urban contexts. This is reflected in his collaborations with artists like Eddie Ladd and companies such as Troed-y-Rhiw, as well as his board membership with the Centre for Performance Research Limited.
The trend in his recent publications reveals a strong interdisciplinary focus, bridging theatre, film, cultural identity, and consumer behavior. His work spans creative practice (e.g., filmmaking, performance), academic analysis (e.g., Shakespeare adaptations, historiography), and applied research (e.g., event management, ticketing). There is a consistent emphasis on Welsh cultural expression, adaptation across media, and the role of performance in shaping social and national narratives.
Roger Owen has supervised academic work, as indicated by the record of four supervised projects, and has been involved in multiple research collaborations, particularly with Jonathan Fry in event management studies. His activities include participation in major conferences such as the FIRT-IFTR World Congress and the SHAKESPEARE 450 International Conference, demonstrating sustained scholarly engagement.
He is actively involved in research networks and has contributed to a variety of outputs including journal articles, book chapters, performances, and digital productions. His work with rural theatre, Welsh-language media, and performance-based research underscores a commitment to both academic rigor and cultural activism.
