Miguel Lorente Boyer

Miguel Lorente Boyer is a Spanish artist-researcher affiliated with Miguel Hernández University, where he earned his PhD in Art in 2015. His multidisciplinary practice spans two and three dimensions, incorporating written texts, video, performance, and mail art while critically engaging with scientific knowledge and deconstructing Romantic conceptions of artistic authorship through collaboration and pseudonyms like Pedro Belmonte. He is currently developing a graphic novel analyzing time through philosophical, technological, and scientific lenses.

His academic credentials include:

• Graduated in Fine Arts from Complutense University of Madrid (1988)
• PhD from Department of Art, Miguel Hernández University (2015), thesis: "Techniques and resources in the painting of Joaquín Sorolla" (cum laude)

Lorente Boyer's research centers on European and Spanish art (1400-1925), American conceptual art (1965-1980), and image-knowledge relationships, with specific focus on Romanticism-to-Dada transmission of artistic innovation and comic studies. His work interrogates how scientific paradigms intersect with visual culture while challenging traditional notions of artistic individuality through collaborative frameworks.

His scholarly output reveals consistent engagement with Spanish art historical analysis, particularly Velázquez's legacy and 19th-century sculpture. The 2015 Helena Sorolla publication demonstrates expertise in sculptural discourse, while the 2007 Las Meninas study exemplifies his methodological approach to reinterpreting canonical works through contemporary theoretical lenses, reflecting his broader commitment to bridging historical and modern artistic practices.

His recognitions include:

• Banesto Scholarship for Young Creators (1994)
• Scholarship in Germinations, Ludwig Forum Museum, Aachen (1992)

Professional activities center on independent artistic creation and research projects developed through open collaboration frameworks rather than formal academic advising structures. His graphic novel initiative exemplifies this model, actively soliciting collaborators for interdisciplinary exploration of temporal concepts.

While no permanent research laboratory is documented, his extensive exhibition history demonstrates sustained engagement with dynamic curatorial teams across Spain and Germany. Current projects maintain this collaborative ethos, with the graphic novel explicitly designed as an open platform for interdisciplinary contributors.