معرفی
Michael Uwins is a Lecturer in Audio Technology & Production at the School of Performing Arts, Faculty of Arts, Business and Social Sciences, University of Wolverhampton. He brings over two decades of professional experience in audio engineering and music production, including a role as UK product specialist for Steinberg & Native Instruments. He has been involved in higher education for over fifteen years, teaching studio recording, live sound, and post-production.
Educational Background:
- PhD Candidate (Part Time), De Montfort University (expected 2022)
- MSc in Creative Technologies (Distinction), De Montfort University (2013)
- PGCE in Post Compulsory Education, Nottingham Trent University (2008)
- Diploma in Sound Engineering, Confetti ICT, Nottingham (1997)
- BSc (Hons) in Environmental Sciences, University of East Anglia (1993)
His research interests focus on the resurgence of vinyl and other obsolete audio formats, immersive audio production using ambisonic techniques, and the psychoacoustic aspects of listener experience. He explores how analog formats influence perception and emotional engagement in music.
The recent publications reflect a strong emphasis on audio perception, analog-digital hybrid workflows, and educational outreach in electroacoustic music. His work bridges technical audio engineering with cultural and educational dimensions of sound technology.
Scientific Awards and Memberships:
- Fellow of the Higher Education Academy
- Member of the Audio Engineering Society
Michael advises on curriculum development in audio technology and contributes to pedagogical initiatives in electroacoustic music. While no formal grants are listed, his research and publications indicate active engagement in both technical and humanistic aspects of audio. He is involved in projects related to widening participation in music technology and exploring the cultural significance of analog revival.
He is associated with the Performance Hub at Walsall Campus, where he likely conducts teaching and research in audio production. His work integrates creative technologies, studio engineering, and academic inquiry into sound as both art and science.
