Marco da Costa

Marco da Costa is a faculty member in the Department of Political Science at Saint Louis University-Madrid, where he contributes to the academic mission through teaching and research in political history and ideology. He holds a Ph.D. from the Universidad de Barcelona and is accredited as a full academic by ANECA, reflecting his standing in the Spanish higher education system.

His educational background includes a Ph.D. and B.A. from the Universidad de Barcelona and an M.A. from Universidad de Alcalá de Henares. He has been recognized with the Extraordinary Prize for his doctoral thesis on National Socialist ideology and Spanish intellectual circles during the Third Reich.

Dr. da Costa's research centers on political propaganda, European totalitarianism, and the ideological intersections between National Socialism and Spanish intellectuals during the 1930s–1940s. He also explores gender studies, 20th–21st century Spanish literature, and film criticism, particularly focusing on how cinema served as a tool of ideological dissemination in Nazi Germany and Francoist Spain. His work is deeply interdisciplinary, bridging history, political science, and cultural studies.

His recent publications and edited volumes show a consistent trend in analyzing cinematic propaganda, fascist intellectual networks, and the gendered dimensions of authoritarian discourse. He frequently publishes on Nazi cinema and its reception in Spain, as well as on literary and journalistic responses to totalitarianism. His scholarship often highlights forgotten or marginalized voices, especially in the context of Francoist Spain and wartime Europe.

• Extraordinary Prize for Doctoral Degree, Universidad de Barcelona
• Member, CDBU (Claustro de Doctores de la Universidad de Barcelona)
• Evaluator for Cuadernos de Historia Contemporánea, Artificios, and L'Atalante

Dr. da Costa has not only published extensively but also mentors emerging scholars through his editorial and evaluative roles. While specific grant information is not listed, his sustained academic output and international conference participation suggest active research support. He has presented at institutions across Europe, including in Italy, Portugal, Spain, Turkey, and Poland, demonstrating a strong international scholarly network.

He is involved in academic collectives and book editing projects, particularly through Notorious Ediciones, where he contributes to volumes on classic Hollywood and European cinema. His work often intersects with film festivals and public intellectual discourse, as seen in his media appearances in El País. Though no formal lab or research center is mentioned, his intellectual leadership is evident in symposia and collaborative publications focused on ideology, propaganda, and cultural memory.