معرفی
Marcela Rusinko, Ph.D., serves as an Assistant Professor at the Art History Seminar within the Faculty of Arts at Masaryk University in Brno, Czech Republic. Her institutional affiliation includes office K/314 at Veveří 470/28, Brno, with correspondence address at Arna Nováka 1/1, 602 00 Brno. She actively participates in academic governance as a member of the Arts Commission and serves on Program Boards for multiple degree programs including Art History (bachelor's and master's degrees) and Visual Cultures and Art History.
Rusinko's research spans diverse areas within art history with particular emphasis on Central European visual culture, Moravian art history, and the movement of artistic artifacts across cultural and temporal boundaries. Her work demonstrates strong interest in how art historical knowledge is transmitted, the social and environmental contexts of visual production from 1500-2000, and the international dimensions of Czech art, particularly during the interwar period in Paris. She employs interdisciplinary approaches that connect art history with cultural studies, environmental history, and knowledge transfer theory.
Analysis of Rusinko's recent publications reveals a consistent focus on cultural transfer and regional art histories, with increasing attention to methodological questions about art historical knowledge production. Her work bridges traditional art historical approaches with contemporary theoretical frameworks, particularly examining how artworks move across borders and how meaning transforms through these journeys. The geographic focus centers on Central Europe, especially Moravia and Bohemia, while maintaining strong connections to broader European contexts.
Rusinko actively supervises research projects and contributes to academic administration through her service on program boards. Her current research portfolio includes projects funded by Masaryk University's internal grant schemes, the Czech Science Foundation, and university programs supporting excellent study programs and student research initiatives. While specific laboratory facilities aren't mentioned, her work appears to involve collaborative research teams focused on art historical documentation, analysis of visual culture, and historical studies of artistic production in Central Europe.