Jaime Neves

Jaime Neves is an Assistant Professor at the School of Arts, Universidade Católica Portuguesa, and a researcher at the Research Center for Science and Technology of the Arts (CITAR). He holds a PhD in Film Studies with a focus on monochromatic aesthetics in cinema after Technicolor, awarded in 2015. His academic and creative work bridges film theory, audiovisual narrative, and cinematic perception.

• PhD in Film Aesthetics, School of Arts (2015)
• Researcher at CITAR – Research Center for Science and Technology of the Arts
• Active contributor to film literacy and educational strategies

Neves' research centers on the role of color in black-and-white cinema, exploring chromatic stimuli, narrative functions, and perceptual awareness. He investigates hybridism, democratization of media, and the evolution of cinematic forms from large to small screens. His work integrates artistic practice with theoretical inquiry, emphasizing the emotional and cognitive impact of visual and auditory elements in film.

His recent publications (2022–2024) reflect a strong thematic continuity on monochromatic cinema, color positioning, and changing viewing habits. These works span conference proceedings, journals, and book chapters, often published in Portuguese and Spanish academic venues. The articles demonstrate a deep engagement with audiovisual perception, narrative structure, and the cultural significance of cinematic form.

He was awarded a film festival prize in 2018 for the short film "By the Sea", highlighting his creative contributions alongside scholarly output.

• Prize at Film Festivals for 'By the Sea' (2018)

Neves actively supervises students, including a curricular internship on film direction and production. He is involved in significant research projects such as CITAR (2020–2025) and INSERT (2022–2023), where he served as Co-Principal Investigator for an inclusive film literacy initiative. He regularly participates in academic events, delivers invited talks, and serves on examination juries. His public engagement includes media contributions on audiovisual heritage and the future of cinema.

He is a member of a vibrant research network at CITAR, collaborating with scholars in digital arts, sound, and performance. His ongoing work suggests a trajectory focused on the integration of artistic practice, pedagogical innovation, and critical film studies.