معرفی
Friederike Wildschütz is an Associate Professor of Accompaniment at the Department of Classical Music, Faculty of Performing Arts, University of Stavanger. She is a distinguished pianist and accompanist with an international performance profile and a strong commitment to artistic research and education.
Educational Background:
- Studied with Professor Gerlinde Otto at Hochschule für Musik Franz Liszt Weimar (2003–2009)
- Completed master's degree and postgraduate diploma with Professor Erling R. Eriksen at University of Stavanger (2009–2012)
Friederike's research and artistic work centers on German Lied and chamber music for voice and piano, particularly from the late 19th and early 20th centuries. A major focus of her research has been Arnold Schönberg's song cycle Das Buch der hängenden Gärten, culminating in her 2018 artistic research fellowship project. Her work bridges performance and scholarship, emphasizing the pianist's interpretive role in vocal music.
The trends in her recent artistic outputs reflect a deep engagement with art song, especially works by women composers, and international educational initiatives such as the ERASMUS+ 'Voices of Women' and Nordplus projects. Her performances and masterclasses highlight themes of accessibility, gender representation in music, and collaborative artistry.
Scientific Awards:
- Shell Prize (2012)
Friederike has been actively involved in artistic dissemination, educational projects, and ensemble leadership. She is a core member of OperaVolume, an ensemble dedicated to bringing opera to diverse audiences in accessible formats. Her work includes advising students informally through masterclasses, leading international training activities, and contributing to curriculum development through artistic research. She has not received mention of formal grants, but her fellowship and project participation indicate institutional support.
Labs and Teams:
She is a key member of the ensemble OperaVolume, which performs regularly in public and educational settings, including Stavanger Concert Hall. She also collaborates extensively within the ERASMUS+ 'Voices of Women' network and has contributed to the Grieg Research School.
