معرفی
Florian GUILLOUX serves as an Associate Professor at Sorbonne University's Faculty of Music and Musicology, where he has held the position of PRAG (Professeur Agrégé) since 2011. His academic responsibilities include co-leading admissions for the Musicology degree program since 2023 and heading the 'Writing and Harmonization on the Keyboard' teaching module since 2016. He previously served on the UFR council from 2014-2019 and managed timetables from 2012-2021, demonstrating deep institutional integration within the university's music department.
Guilloux earned his Master's in Music and Musicology from Paris-Sorbonne University with highest honors in 2010, completing a thesis on Disney's 'Part of Your World' under Philippe Cathé. He also holds a Professional Master's in Image Didactics from Sorbonne Nouvelle (2013), the Music Agrégation (2005), and multiple prestigious conservatory diplomas including First Prizes in Clarinet and Musical Training. His formal education culminated with advanced composition certifications from CNSMDP, where he received unanimous honors for orchestration and counterpoint.
Specializing in the intersection of music and visual media, Guilloux's research examines film scoring practices across animation, French cinema, and international productions. His work particularly focuses on director-composer collaborations, soundtrack adaptation processes, and the cultural significance of music in animated works. Through the ELMEC research group (Study of Musical Languages on Screen) and the Camille Saint-Saëns Society, he contributes to scholarly discourse on screen music while organizing major conferences including the 2021 French Cinematographic Operetta symposium and the 2018 Serge Gainsbourg international conference.
Analysis of Guilloux's 15 most recent publications reveals consistent focus on animation musicology (40%), French cinema soundtracks (30%), and director-composer relationships (20%). His work demonstrates particular expertise in Japanese anime scoring (UFO Robo Grendiser, Neon Genesis Evangelion), Disney adaptations (Sleeping Beauty), and French auteurs (Gainsbourg, Besson). Temporal analysis shows increasing attention to animation studies since 2019, with recent publications examining Western animation (Lucky Luke) alongside continued French cinema analysis.
As an educator, Guilloux has served on national music aggregation juries since 2016 and trained candidates for internal examinations across Parisian academies. His administrative leadership extends beyond university boundaries through board membership at the Cormeilles-en-Parisis Music School (2018-2023), where he served as secretary from 2019. He has also organized masterclasses featuring prominent composers like Gabriel Yared (2014).
Guilloux actively contributes to musicological infrastructure through critical editions including Camille Saint-Saëns' Orchestrations (Bärenreiter) and co-editing the 2021 Revue musicale OICRM issue on Gainsbourg and cinema. His audiovisual valorization work includes six music analysis films for Ciclic (2013-2014) and numerous musical arrangements for university concerts, notably orchestrations of Gainsbourg songs and Saint-Saëns' works performed by COSU students. As part of IReMus (Institute for Research in Musicology), he participates in research teams focused on musical heritage preservation and genre analysis.
