معرفی
Eva-Maria Gillich is a research associate and doctoral candidate in the Department of History at the University of Bielefeld, Faculty of History, Philosophy and Theology. She is affiliated with the research group in Historical Visual Studies and Art History and is a member of the Collaborative Research Center SFB 1288 'Practices of Comparison: Ordering and Changing the World,' specifically contributing to Subproject E05 'Media Devices of Comparison: The Operative Image after Harun Farocki.'
- Research Associate, Department of Historical Image Studies and Art History, University of Bielefeld
- Doctoral Researcher, SFB 1288 Subproject E05
- Member, Bielefeld School of Education (BiSEd)
Her research centers on visual and media theory, particularly focusing on the concept of operative images, digital mechanisms of image comparison, and documentary practices within contemporary art. Drawing from media archaeology and art historical methodologies, her work investigates how visual technologies structure epistemic processes of comparison and knowledge production.
Eva-Maria Gillich’s scholarly focus reflects a strong interdisciplinary orientation, connecting art history, media studies, and philosophical inquiry into practices of ordering and representation. Her academic work is embedded within a broader framework of critical engagement with visual culture and digital media epistemologies.
Scientific Awards:
- No awards listed in available sources.
Eva-Maria Gillich advises emerging scholars in visual culture and art theory, though no named students are currently listed. She has been involved in third-party funded research projects, particularly within the DFG-funded SFB 1288, contributing to collaborative academic initiatives. Her institutional affiliations include the Department of History and the Bielefeld School of Education (BiSEd), supporting interdisciplinary training and research development.
She is associated with research environments focusing on visual epistemology, media practices, and comparative cultural analysis, particularly within the SFB 1288 network. Her work contributes to ongoing discussions on the role of images in knowledge formation and societal ordering processes.