Emilie Cheyroux

Emilie Cheyroux is a Lecturer at the Institut national universitaire Champollion, Albi campus, affiliated with the Centre for Anglophone Studies (CAS) at Université Toulouse – Jean Jaurès. She teaches American and British Civilization, Introduction to Research, and contributes to the Master of European International Studies and International Cultural Strategies programs. Her academic journey includes prior lecturing roles at Paris 3 Sorbonne Nouvelle and the Institut Catholique de Paris, and she holds a doctorate from Sorbonne Nouvelle on film festivals and Latino stereotypes.

Her research centers on Latino representation in film, documentary cinema, film festivals, and immigration narratives. She explores how festivals like Cine Las Americas and LALIFF serve as platforms for counter-stereotypical programming, cultural visibility, and solidarity among underrepresented filmmakers. Her work often employs field research and participant observation, particularly in U.S.-based festivals, and she is co-director of the Film Studies workshop within the SAES.

The 15 most recent publications illustrate a consistent focus on Latino film festivals, political documentaries, and hybrid cinematic forms. They reflect interdisciplinary engagement with cultural studies, gender, and postcolonial theory. Her articles appear in journals such as InMedia, Journal of Festive Studies, and Sociocriticism, often analyzing festivals as field-configuring events and spaces of agency and resistance.

Emilie Cheyroux has not received any explicitly mentioned scientific awards in the provided texts.

She actively advises and collaborates through her research, though no formal PhD or Master’s students are listed. Her work is supported by institutional affiliations and research networks rather than individual grants mentioned here. She is a key contributor to special issues and conference panels, particularly on film festival studies and feminist cinema.

She is a member of the Centre for Anglophone Studies (CAS) and participates in seminars such as Cin&MA and the Gender Thursdays. Her research is collaborative, often involving partnerships with scholars like Chloé Delaporte and involvement in ANR programs like FEMME, focusing on feminist film studies and interdisciplinary approaches to cinema.