Daniel Yeadon

Dr. Daniel Yeadon is a Lecturer in Baroque Cello and Viola da Gamba at the Sydney Conservatorium of Music, University of Sydney. He is a versatile musician specializing in historical performance practices, with affiliations to the University of Sydney Nano Institute. His performance career spans Renaissance to contemporary repertoire, emphasizing chamber music collaborations with ensembles like the Australian Romantic and Classical Orchestra, Ironwood, and Australian Haydn Ensemble.

Yeadon holds a BA Hons from Oxford University and a Postgraduate Diploma in Performance from the Royal College of Music, London. His research focuses on historically informed performance pedagogy and interdisciplinary applications of music, such as the 'Sonaphor' project linking sound design to science education. His scholarly work includes analyses of Bach interpretation and ensemble teaching methodologies.

Active in both classical performance and academic research, Yeadon has contributed to over 100 recorded performances and publications. His recent work explores intersections between music, technology, and education, as seen in his 2022 Postdigital Science and Education article. While no awards are explicitly listed, his extensive performance and publication record underscores his scholarly impact.

Yeadon advises current research students at the Conservatorium and participates in projects such as the 'On the Plains of Emu' study on early Australian art music. He collaborates with institutions like ABC Classics and Ensemble Offspring, showcasing his commitment to both traditional and innovative musical expressions.