معرفی
Daniel Morgan is a Professor in the Department of Cinema and Media Studies and the College at the University of Chicago, serving as Director of Graduate Studies. He holds a Ph.D. from the University of Chicago. His work focuses on the intersection of cinema and aesthetics, with research interests spanning film theory, experimental cinema, animation, and media modernism.
His major publications include Late Godard and the Possibilities of Cinema (2012) and The Lure of the Image: Epistemic Fantasies of the Moving Camera (2021). Current research projects explore debates in cinema and politics from 1966–1975, media-induced embarrassment, and radical aesthetic practices in reactionary political contexts.
Morgan has edited special journal issues and co-authored works like Frame by Frame: A Materialist Aesthetics of Animated Cartoons. His teaching includes courses on film history, theory, and Frankfurt School philosophy. No scientific awards are explicitly mentioned, but his scholarly contributions are widely recognized in academic circles.
