Ariane Hudelet

Ariane Hudelet is a Researcher in the Department of Teacher Researchers at the University of Paris. Her work focuses on visual studies, the history and aesthetics of television series, American cinema, intermedial relationships between cinema and literature, and intermediality. She explores how narrative forms across media intersect, particularly in adaptations and serial storytelling.

Her research interests emphasize the evolving nature of cinematic and televisual disciplines, with a focus on contemporary TV series as transformative cultural artifacts. She analyzes how genres like teen dramas (e.g., sexual health discourses in VOD content) and crime narratives (e.g., Fargo) reinterpret historical and literary material through new media frameworks.

Her recent articles (2020–2024) highlight themes such as mediated identity in The Good Wife, musical metaphors in Mad Men, and the philosophical undertones of The Good Place. She also examines the structural innovations of TV series like Treme and The Wire in post-cinematic contexts.

No scientific awards are explicitly mentioned. Her work contributes to interdisciplinary discussions in academic journals like Interfaces, exploring topics like re-scaling media studies and global-local dynamics in audiovisual essays.