Andrew Haener

Andrew Haener is an Adjunct Instructor in the Illustration department at Pennsylvania College of Art & Design (PCA&D), where he contributes to the development of emerging visual artists. He is a professional illustrator with a national presence, creating work for prominent clients including The New York Times, NPR, Washington Post, and various cultural and commercial brands.

His educational background includes an MFA in Illustration Practice from the Maryland Institute College of Art and a BFA in Graphic Design from Missouri State University. These foundations inform his dynamic, symbol-driven approach to visual communication.

Haener's artistic practice centers on visual storytelling, editorial illustration, and commercial design, often highlighting themes of American working-class life, community dialogue, and cultural identity. His style combines bold geometry, organic textures, and humor to create accessible, impactful images. He frequently employs hand lettering and risograph techniques, especially in personal and community-based projects.

The breadth of his recent illustration work spans financial journalism, social commentary, packaging design, and literary art, demonstrating versatility across disciplines. His pieces often explore technology in daily life, economic issues, and urban culture, using metaphor and satire to engage viewers.

His honors include recognition from:

• The Society of Illustrators
• American Illustration
• The Association of Illustrators
• 3×3 International

As an educator, Haener mentors students in illustration techniques and professional practice. While no formal grants are listed, his client work with institutions like Baltimore City Schools and cultural organizations indicates community engagement and funded artistic projects. He has led workshops such as the Culture Flock: Risograph Workshop, further extending his pedagogical impact beyond the classroom.

His creative work functions as both a professional studio practice and a teaching laboratory, integrating real-world experience into his academic role. Projects like his MFA thesis FRAID: A Quilt Show and animations like Desert Wanderer reflect a deep commitment to personal, narrative-driven art.