
معرفی
Anderson Lopes da Silva is a Lecturer at the Spanish and Portuguese Sections within the Faculty of Arts at Chulalongkorn University in Bangkok, Thailand, where he also serves as Vice Director of the Center of Latin American Studies. Holding a PhD in Communication from the University of São Paulo (Brazil), his academic trajectory bridges Brazilian scholarship with his current position in Southeast Asia, creating a unique transnational perspective on media studies.
His research interests center on television studies, melodrama theory, excess in media discourse, and Brazilian cinema, with particular focus on how cultural narratives are constructed and consumed. His work frequently applies Bakhtinian concepts like dialogism, carnivalization, and grotesque to analyze television fiction, especially Brazilian productions like the miniseries 'Amorteamo.' He also explores emerging media phenomena including streaming consumption patterns, binge-watching practices, and transnational media flows such as the Thai Boys Love series industry.
His scholarly output reveals consistent thematic threads across publications: the theoretical exploration of 'excess' as an ontological category in television discourse, the analysis of melodramatic structures in Latin American television, and the application of postcolonial frameworks to contemporary audiovisual production. His multilingual publications (in English, Spanish, and Portuguese) demonstrate his engagement with multiple academic communities across Latin America, Europe, and Asia.
- Television melodrama and narrative structures
- Excess theory in media discourse
- Bakhtinian approaches to television fiction
- Streaming media consumption patterns
- Transnational media flows (particularly South-South relations)
- Postcolonial perspectives on audiovisual representation
As Vice Director of Chulalongkorn University's Center of Latin American Studies, he contributes to academic exchanges between Latin America and Southeast Asia, with particular emphasis on cultural and media studies. His work bridges theoretical frameworks from communication studies, cultural studies, and literary theory to analyze contemporary media phenomena across different geopolitical contexts.



