Find Academic Supervisors

• Modern Chinese literature
• Cinema and film history
• Cultural history
• +5 more

Christopher Rea is a Professor of Modern Chinese Literature in the Department of Asian Studies at the University of British Columbia's Faculty of Arts. He serves as a faculty member and former Associate Head of the Department of Asian Studies, former Director of the Centre for Chinese Research, an associate of the Hong Kong Studies Initiative, and a Faculty Fellow of St. John's College. His academic journey includes a Ph.D. from Columbia University (2008) and a B.A. from Dartmouth College (1999). Rea's research focuses on the modern Chinese-speaking world, with particular expertise in Chinese literature, cinema, print culture, translation, and the cultural history of humor and deception. His scholarly approach bridges literary analysis, cultural history, and film studies, creating a distinctive interdisciplinary perspective on modern Chinese cultural production. He is particularly known for his work on Republican-era China (1912-1949), exploring how cultural forms evolved during this transformative period. His major publications reveal a trajectory from studies of humor and laughter in modern China ( The Age of Irreverence , 2015) to literary hoaxes and deception ( The Book of Swindles , 2017), Chinese cinema ( Chinese Film Classics , 2021), and research methodology ( Where Research Begins , 2022). His current projects include China on the Make: Stories of Chinese Deception and The Unfinished Comedy , a sequel to The Age of Irreverence . National Endowment for the Arts Translation Fellowship (2024) UBC Dean of Arts Mentorship Award (2024) UBC Killam Research Prize (2022) Joseph Levenson Book Prize (2017) Rea actively supervises graduate students and has developed significant digital resources, including the Chinese Film Classics project (chinesefilmclassics.org) featuring 40+ subtitled Chinese films and 22 video lectures, and a YouTube channel with over 250 videos on Chinese cinema and culture. His teaching extends to free online courses on The Modern Chinese Novel and early Chinese cinema, demonstrating his commitment to making scholarly resources accessible beyond traditional academic boundaries.

Jiatao GuView profile

Assistant Professor

• Machine Learning
• Generative Models
• 3D Generation
• +3 more

Jiatao Gu is an Assistant Professor in the Department of Computer and Information Science (CIS) at the University of Pennsylvania, with a part-time role as Staff Research Scientist at Apple (MLR). He holds a Ph.D. in Electrical and Electronic Engineering from the University of Hong Kong (2018) and a B.Eng. in Electronic Engineering from Tsinghua University (2014). His research focuses on generative machine learning and AI agent interaction with the physical world, emphasizing multi-modal systems spanning language, images, videos, and 3D. Key themes include efficient modeling , flexible architecture design , and scalable decision-making frameworks . 2025: ICLR paper on DART framework 2024: TMLR work on GFlowNet alignment 2023: NeurIPS research on diffusion stability 2022: ACL papers on speech translation Recent publications explore diffusion models for text-to-image synthesis, 3D reconstruction, and efficient sampling techniques. His work addresses fundamental challenges in attention mechanisms, entropy collapse, and multi-stage distillation while advancing non-autoregressive translation and vision-language reasoning . Prospective students can apply through his recruitment process at UPenn. Prior affiliations include Meta AI (FAIR Labs) and academic collaborations with institutions like New York University's CILVR Lab.

Freda ShiView profile

Assistant Professor

• computational linguistics
• natural language processing
• computational multilingualism
• +5 more

Freda Shi is an Assistant Professor at the David R. Cheriton School of Computer Science at the University of Waterloo and a Faculty Member at the Vector Institute, where she holds a Canada CIFAR AI Chair. She joined the University of Waterloo in July 2024 after completing her Ph.D. at the Toyota Technological Institute at Chicago. Educational Background: Ph.D. in Computer Science, Toyota Technological Institute at Chicago (2024), advised by Professors Karen Livescu and Kevin Gimpel Bachelor's degree in Intelligence Science and Technology (Computer Science Track) with a minor in Sociology, Peking University (2018) Dr. Shi's research focuses on computational linguistics and natural language processing, particularly on deeper understandings of natural language and the human language processing mechanism. She is especially interested in learning language through grounding, computational multilingualism, and related machine learning aspects. Her work aims to inform the design of more efficient, effective, safe, and trustworthy NLP systems. She leads the CompLING Lab at the University of Waterloo, which investigates how language models process spatial relationships and acquire linguistic structures through grounded experiences. Her publication record shows a consistent trajectory of high-impact research, with recent work focusing on spatial reasoning in vision-language models, multilingual chain-of-thought capabilities, and grounded language acquisition. She has published in top-tier conferences including ACL, EMNLP, ICLR, and NAACL, with several papers receiving notable recognition including Best Paper Nominee status at multiple venues. Her research bridges theoretical linguistics with practical NLP applications, demonstrating how linguistic insights can improve AI systems. Scientific Recognition: Canada CIFAR AI Chair (2024) Google Ph.D. Fellowship Thesis of Distinction for her doctoral work Multiple Best Paper Nominee awards at major NLP conferences Dr. Shi teaches CS 784: Computational Linguistics and CS 486/686: Introduction to Artificial Intelligence at the University of Waterloo. She actively contributes to the NLP research community through conference participation, program committee service, and collaborative projects. Her research has significant implications for creating more robust, human-like language understanding systems and advancing the field of grounded language learning in artificial intelligence.

Heather InwoodView profile

Associate Professor

• Contemporary Chinese literature
• Poetry studies
• Digital humanities
• +5 more

Dr. Heather Inwood serves as University Associate Professor in Modern Chinese Literature and Culture within the Faculty of Asian and Middle Eastern Studies at the University of Cambridge. She is also a Fellow and Director of Studies at Trinity Hall, maintaining dual institutional affiliations that support her teaching and research activities across undergraduate and postgraduate programs. Her educational background includes a BA in Chinese Studies from the University of Cambridge (Trinity Hall), followed by advanced studies at Tsinghua University and Peking University, culminating in a PhD in modern Chinese literature from SOAS, University of London in 2008. Prior academic appointments include Assistant Professor at The Ohio State University (2008-2013) and Lecturer in Chinese Cultural Studies at the University of Manchester before returning to Cambridge in 2016. Professor Inwood's research program investigates the dynamic interactions between digital media and literary production in contemporary China, with particular focus on poetry communities, genre fiction, and transmedia storytelling. Her work bridges traditional literary analysis with digital humanities approaches, examining how online platforms transform authorship, reception, and cultural value. She has pioneered scholarship on internet poetry scenes, demonstrating their vitality despite public perceptions of poetry's decline in modern China. Her publication trajectory reveals a clear evolution from early work on poetry communities ( Verse Going Viral: China's New Media Scenes , 2014) toward broader investigations of digital narrative forms, game studies, and Sinophone cyberspace. Recent publications increasingly engage with science fiction, transmedia storytelling, and the algorithmic structures shaping literary production, reflecting both the changing digital landscape and her expanding methodological toolkit. Professor Inwood actively supervises five PhD students working on diverse projects spanning Misty poetry, queer narratives, gender studies, and poetic animality, demonstrating her commitment to nurturing next-generation scholarship in Chinese literary studies. Her research has been supported by British Academy Small Grants and similar funding mechanisms that enable sustained fieldwork and publication. Her teaching responsibilities include undergraduate courses on East Asian media and popular culture, Modern Chinese texts, and Modern Chinese literature, connecting classroom instruction directly to her research expertise. She also maintains public engagement through Chinese-language columns for BBC China and other media outlets, bridging academic and public discourse on contemporary Chinese culture.

Simon A. MorrisonView profile

Senior Lecturer

• Popular Music
• Musico-Literary Intermediality
• Electronic Dance Music Culture
• +4 more

Dr. Simon A. Morrison is a Senior Lecturer in the Division of Communication, Screen & Performance within the Faculty of Arts, Humanities and Social Sciences at the University of Chester. He serves as Programme Leader for the Music Journalism degree, which he helped design, build and deliver from its first cohort in 2014. With 25 years of experience as a writer, broadcaster, and academic, Morrison brings extensive industry knowledge to his teaching and research, having worked as a music journalist reporting from locations worldwide including Beijing, Brazil, Moscow, and Marrakech. Dr. Morrison holds a PhD from the University of Leeds (completed 2018), an MA from the University of Manchester (1995-1997), and a BA Hons from the University of Manchester (1989-1992). Prior to his position at Chester, he worked as an Associate Lecturer at Manchester Metropolitan University (2012-2014) and as a Visiting Lecturer at Leeds University (2011-2013). His academic journey follows a substantial career in media where he presented TV for Rapture TV, hosted radio shows in Ibiza, produced and presented for Kiss Radio, and appeared on BBC Breakfast and BBC 5 Live. Dr. Morrison's research centers on the intersection of words and music , with particular focus on Popular Music , Musico-Literary Intermediality , and Electronic Dance Music Culture . His work explores how music subcultures, particularly rave and dance music scenes, are represented in literature and journalism. He examines the connections between different countercultural movements, notably drawing parallels between the Beat Generation writers and contemporary 'Chemical Generation' authors who write about club culture. His research also investigates the relationship between music journalism and subcultural movements across different historical periods. His recent publications reveal a clear trajectory connecting historical dance music developments across continents and eras. Morrison's work traces the evolution of electronic dance music from its American roots in Chicago and Detroit through its transatlantic journey to Europe and back again, examining how cultural exchange shaped musical innovation. His analyses of Pink Floyd demonstrate how rock bands interact with media landscapes, while his investigations of music journalism document the changing nature of music criticism in digital eras. The recurring theme across his scholarship is the examination of how subcultural experiences are translated into written form, whether through journalism, fiction, or academic analysis. Dr. Morrison actively supervises undergraduate dissertation projects and Negotiated Study production projects across all three years of undergraduate study. He has successfully supervised an MRes project to completion and examined PhDs (including one internal and two external, one being an Australian PhD by Artefact & Exegesis). He has served as an External Examiner for Music Journalism programs at Southampton Solent University (2016-2019) and BIMM London, Birmingham and Manchester (2016-2020). His teaching spans modules including Introduction to Journalism, Live Journalism, Dancing About Architecture: Popular Music Media, Histories and Technologies, The Cultural Politics of Music Journalism, The Politics of Social Media, Magazine Publishing and Music PR and Promotional Writing.

Stephen WilleyView profile

Researcher

• American and British Literature
• Experimental Poetry
• Late Modernist Poetry
• +10 more

Stephen Willey is a poet, researcher, and critic affiliated with the School of Arts at the University of London . He serves as Programme Director for BA Creative Writing and English , Admissions Officer , and Director of the Contemporary Poetics Research Centre . His work bridges experimental poetry, political engagement, and cross-cultural collaboration. Research Interests : Sound and concrete poetry Avant-garde poetics Palestinian creative writing workshops Eco-poetics and radical pedagogies Key Projects : Incarceration and Poetry (funded by Council for British Research in the Levant) Living In: Creative Solidarities in Palestine (2020 book) Scientific Awards : Team-Based Fieldwork Award (2020) Artists’ International Development Award (2013) AHRC Collaborative Doctoral Award (2008) Teaching : He teaches modules like Migration Literatures , Climate Change Communication , and Poetry Workshop at Birkbeck, while mentoring PhD candidates in avant-garde poetics, diaspora studies, and creative writing.

• Japanese Culture
• Media Studies
• Cultural Anthropology
• +4 more

Ian Condry is a Professor of Japanese Culture and Media Studies at MIT, affiliated with the Department of Anthropology. He holds a BA in Government from Harvard (1987) and a PhD in Anthropology from Yale (1999). His research focuses on Japanese popular culture, media globalization, and creative industries. He is best known for his seminal work on hip-hop in Japan and anime production, emphasizing collaborative creativity and cultural hybridity. Condry leads the MIT Spatial Sound Lab, exploring immersive audio technologies, and co-founded the music discovery platform Hearby.com. He hosts the 'Near and Far' Japanese hip-hop radio show on WMBR 88.1FM since 2018 and releases music as Leftroman. Condry’s academic roles include former Head of Global Studies and Languages at MIT and Executive Committee member of the Technology Broadcasting Corporation. His work bridges academic research with creative practice, including organizing the Dissolve Music conference and curating multimedia projects. He has pioneered open-access publishing, making his books available under Creative Commons licenses. His research spans media anthropology, youth culture, and digital media’s societal impact. Key projects include the MIT/Harvard 'Cool Japan' research initiative and studies on post-3/11 cultural recovery. Condry’s interdisciplinary approach integrates ethnographic methods with technological innovation, addressing themes of global cultural flows and participatory media production.

Alexandra PapoutsakiView profile

Associate Professor

• Human-Computer Interaction
• Eye Tracking
• Shared Gaze for Remote Collaboration
• +5 more

Alexandra Papoutsaki is an Associate Professor of Computer Science at Pomona College since 2017. Her research focuses on Human-Computer Interaction , particularly in webcam-based eye tracking and shared gaze for remote collaboration . Ph.D. in Computer Science from Brown University M.Sc. in Computer Science from Brown University B.Sc. in Computer Science from Athens University of Economics and Business Her work spans personal informatics , crowdsourcing methodologies , and remote usability testing , with recent projects examining collaborative drawing interfaces, baby tracking reflection, and digital health communities. Earlier contributions include computational biology research in genome-wide survival analysis and pan-cancer mutation networks. Key trends in her publications include: Remote collaboration tools enhanced by eye tracking Personal data systems for health and creative domains Foundational work in crowdsourcing quality control Interdisciplinary approaches combining computer science with psychology and medicine Scientific recognition includes: NSF CRII Grant (2020-2022) Wig Distinguished Professor Award (2020) Best Paper at RECOMB (2013) She has developed multiple open-source platforms including WebGazer for scalable eye tracking and Remotion for mobile usability testing. Her research team has published extensively in top venues like CHI, IMWUT, and IJCAI.

Claudia ArteagaView profile

Associate Professor

• Indigenous Studies (Latin America)
• Latin American Postcolonial Studies
• Andean Studies
• +5 more

Claudia Arteaga serves as Associate Professor of Spanish, Latin American, and Caribbean Literatures and Cultures and Chair of the Department of Spanish, Latin American and Caribbean Literatures and Cultures at Scripps College. Her academic profile centers on indigenous representation in Latin America through cinematic and literary analysis, with particular emphasis on Andean societies. Her educational background includes: Ph.D. and M.A. in Spanish from Rutgers University B.A. in Linguistics and Literature from Pontificia Universidad Católica del Perú Arteaga's research critically examines indigenous self-representation in Peru, Bolivia, and Guatemala, investigating race-gender intersections , popular environmentalism , and epistemological translation in post-colonial contexts. Her work bridges Decolonial Theory , Indigenous Film Studies , and Andean Cultural Analysis , with significant contributions to understanding how communitarian filmmaking challenges dominant narratives. She actively connects academic research with social movements through interdisciplinary approaches. Her publication trajectory reveals consistent focus on indigenous media as decolonial praxis , with recent works analyzing Mayan documentaries, Quechua poetry, and Amazonian film schools. The research demonstrates evolving methodology from textual analysis toward community-engaged film studies, particularly examining how film festivals and grassroots cinema reshape environmental and identity politics across Latin America. Notable recognitions include: Mary W. Johnson Faculty Achievement Award in Teaching (Scripps College, 2018-2019) Sabbatical Research Fellowship (Scripps College, 2018-2019) Rutgers Teacher-Scholar Fellowship (2013-2014) Adolfo Snaidas Best Graduate Student Essay Award (2009) Arteaga has secured significant research funding from CLAS and GAIA for faculty-student collaborations and academic events, including the initiative 'Sumak Kawsay & Bolivarianism Today.' Her teaching portfolio spans advanced literature courses and specialized seminars on indigenous women's struggles, reflecting her commitment to integrating research with pedagogy. She maintains active engagement with the Latin American Studies Interdisciplinary Group, fostering connections between academic work and community activism. Her current projects extend into contemporary indigenous media production, with ongoing analysis of how digital platforms transform testimonial practices and environmental advocacy among Quechua and Mayan communities.

• 20th Century Musicology
• French Music
• Performance Practice
• +5 more

Professor Caroline Rae at Cardiff University is a leading scholar in 20th-century French music , with a focus on composers like Debussy, Messiaen, Jolivet, and Boulez. She also specializes in the musical writings of Alejo Carpentier and Franco-Latin American cultural interactions . Her research combines archival studies, performance practice, and pianism. Education : DPhil (Oxford), MA (Oxon), Dipl. Mus (Hanover), ARCM Her research projects include monographs on André Jolivet and Debussy’s Préludes , supported by the British Academy and AHRC . Recent publications span books on Carpentier, Debussy, and Stravinsky’s reception in France. As Co-Director of CFMR , she has organized international symposia with institutions like the Institut Français and Paul Sacher Foundation . Scientific awards include the Chevalier de l'Ordre des Arts et des Lettres (2018), Cardiff University Research Fellowship (2018-2019), and a French Government Scholarship (1982-1983). She has served on juries for the BBC Young Musician Competition and Wales International Piano Competition . As a pianist , she studied under Dame Fanny Waterman , Yvonne Loriod-Messiaen , and Karl-Heinz Kämmerling , and performs lecture-recitals linking her research. She has advised orchestras like the Philharmonia Orchestra and BBC National Orchestra of Wales on festival programming.

Eoghan SmithView profile

Lecturer

• Contemporary Irish Fiction
• Twentieth-Century Irish Literature
• Creative Writing
• +4 more

Eoghan Smith is a Lecturer in English and Creative Writing at Carlow College, St. Patrick's, where he has taught since 2011. He specializes in modern and contemporary Irish writing, creative writing, and world literature, bringing both scholarly expertise and creative practice to his academic role. As an active contributor to Irish literary studies, Smith bridges academic research with creative production, enriching both fields through his dual perspective. Dr. Smith's academic background includes: PhD in English from Maynooth University (2009), with dissertation 'John Banville: Art, Authenticity and Epic' MA in Anglo-Irish Writing and Drama from University College Dublin (2003) BA (Hons) in English & Philosophy from University College Dublin (2002) Smith's research focuses on twentieth- and twenty-first-century Irish literature, particularly fiction, with specific expertise in contemporary Irish writing, John Banville's work, literary and visual cultures of suburban Ireland, and intersections between philosophy and Irish writing. His scholarship demonstrates how Irish literature has evolved through periods of social and economic transformation, especially examining the post-Celtic Tiger era. As a creative writer himself, he brings practical insight to theoretical concepts, creating a dynamic dialogue between academic study and literary creation. Analysis of Smith's recent publications reveals a consistent engagement with contemporary Irish literary developments, particularly the flourishing post-recession literary scene. His work spans scholarly analysis, book reviews in major publications, and creative fiction, demonstrating his multifaceted contribution to Irish letters. He shows particular interest in how Irish writers navigate identity, authenticity, and social change through innovative literary forms. As chair of the Carlow College Research Hub, Smith has co-organized numerous conferences and symposiums that foster academic exchange. His 2024 appointment as editor for the Irish Literature in English area of the Literary Encyclopedia marks significant recognition of his expertise. Smith regularly peer-reviews for journals in contemporary Irish literary studies and contributes to public discourse through reviews in the Irish Times, Books Ireland, and Literary Review. Smith is also an accomplished novelist with three published works: The Failing Heart (2018), A Provincial Death (2022), and A Mind of Winter (2023). His creative output informs his scholarly perspective, creating a rich interdisciplinary approach to Irish literary studies. His leadership in the Research Hub and editorial work on publications like 'Imagining Irish Suburbia in Literature and Culture' (2018) demonstrates his commitment to advancing scholarship in Irish literary studies.

Freda ShiView profile

Assistant Professor

• Computational Linguistics
• Natural Language Processing
• Multilingualism
• +4 more

Freda Shi is an Assistant Professor at the David R. Cheriton School of Computer Science, University of Waterloo, and a Faculty Member at the Vector Institute. She holds a Canada CIFAR AI Chair. Her research focuses on computational linguistics, natural language processing (NLP), and grounded language learning, with emphasis on multilingualism and spatial reasoning in vision-language systems. She earned her Ph.D. in Computer Science from the Toyota Technological Institute at Chicago (2024), advised by Karen Livescu and Kevin Gimpel, supported by a Google Ph.D. Fellowship. Her undergraduate degree is from Peking University (2018), with a minor in Sociology. Her academic career includes affiliations with the CompLING Lab at Waterloo and contributions to major conferences like ACL and NAACL. She has organized tutorials on NLP grounding and is actively involved in research on model robustness and cognitive insights. Awards include the Google Ph.D. Fellowship and Best Paper Nominations at ACL 2024 and EMNLP 2021, alongside her Thesis of Distinction. She teaches courses such as CS 784 (Computational Linguistics) and CS 486/686 (Artificial Intelligence), emphasizing both theoretical and applied aspects of NLP. Research trends in her articles highlight advancements in vision-language spatial reasoning, multilingualism, and model interpretability. Her work bridges cognitive science and computational methods, exploring how human language mechanisms inform the design of more trustworthy AI systems. Scientific Awards: Google Ph.D. Fellowship Best Paper Nominee (ACL 2024) Best Paper Nominee (EMNLP 2021) Thesis of Distinction (2024) Advising and Grants: As an advisor, she encourages prospective students to review her guidelines. Her grants include support from the Canada CIFAR AI Chair program and the Vector Institute. She collaborates in labs such as CompLING at Waterloo and co-organizes events at NAACL and ICLR. Labs/Teams: She leads the CompLING Lab at the University of Waterloo, affiliated with the Vector Institute. Her work integrates interdisciplinary teams focusing on grounded learning and multilingual NLP challenges.

Stephen BroadView profile

Professor

• Historical Musicology
• Music Education
• Music Practice in Scotland
• +3 more

Professor Stephen Broad is a musicologist and educator serving as Director of Research and Knowledge Exchange at the Royal Conservatoire of Scotland. He holds a DPhil from the University of Oxford and has extensive experience in historical musicology, music education, and policy development. His research focuses on Olivier Messiaen, 1930s French music culture, and music practice in Scotland. Broad has authored/co-authored influential reports like What’s Going On? , which informed the Scottish Youth Music Initiative, and chairs the European Platform for Artistic Research in Music (EPARM). Education: DPhil in Historical Musicology, University of Oxford (2001) MA in Music and Physics, University of Glasgow (1997) Research Interests: Historical Musicology: Messiaen’s early career, French musical traditions, and music historiography Music Education: Pedagogy in diverse contexts, policy development, and workforce training Practice-Based Research: Philosophical frameworks and interdisciplinary methodologies Awards & Roles: External Examiner at Royal Academy of Music, Royal College of Music, and others Editorial boards for Music Education Research and Practice-Based Research Journal Recipient of grants including the Scottish Government’s £1m Musical Instrument Fund Advising & Grants: Supervised over 10 doctoral projects in musicology, performance, and education Contributed to policy initiatives like Creative Scotland’s music development programs Labs/Teams: Leads the Sciences, Humanities and Arts Research Exchange (SHARE) and chairs EPARM, fostering international collaboration in artistic research.

• Audio Signal Processing
• Psychoacoustics
• Cochlear Implants
• +5 more

Prof. Bernhard U. Seeber is an Extraordinary Professor at the Technical University of Munich (TUM), leading the Chair of Audio Signal Processing within the TUM School of Computation, Information and Technology. His work bridges auditory neuroscience and engineering, focusing on improving hearing aids, cochlear implants, and virtual acoustic systems. He holds affiliations with the Bernstein Center for Computational Neuroscience, Munich Institute of Biomedical Engineering, and others. Education: Studied and earned his PhD (2003) in Electrical Engineering and Information Technology at TUM. Postdoctoral research included time at UC Berkeley and the MRC Institute of Hearing Research (UK), where he pioneered studies on binaural hearing and cochlear implant optimization. Research Interests: Combines experimental and theoretical approaches to explore auditory scene analysis, binaural unmasking, and spatial hearing. Key areas include signal coding for cochlear implants, virtual acoustics, and non-destructive acoustic monitoring. His work emphasizes interdisciplinary collaboration with industry and academia. Awards: Lothar Cremer Award (2010), Emmy Noether Fellowship (2007), and recognition from the German Acoustical Society. Teaching: Offers courses on audio communication, computational neuroscience, and technical acoustics. Projects: Leads initiatives like HAPPAA and Auralization, advancing sound field synthesis and hearing aid algorithms. Current Roles: Head of Chair of Audio Signal Processing, Board Member of DEGA, and spokesperson for the ITG Technical Committee on Hearing Acoustics.

Kate FarrahiView profile

Associate Professor

• Machine Learning
• Digital Health
• Human Sensing
• +3 more

Dr. Kate Farrahi is an Associate Professor in the ECS department at the University of Southampton, where she leads research in the Vision, Learning and Control (VLC) Group. Previously, she was a Research Assistant at the Idiap Research Institute and earned her PhD in Computer Science from the Swiss Federal Institute of Technology in Lausanne (EPFL). Her work focuses on the intersection of machine learning and digital health, particularly in developing human sensing methods using vision and wearable technologies. She currently supervises four PhD students in Computer Science and actively accepts new PhD applications. Her research interests span machine learning applications in healthcare, including wearable device analytics, epidemiological modeling via AI, and drug discovery through generative methods. She has been recognized with a Best Paper Award (2022) and contributes to interdisciplinary research groups such as the Institute for Life Sciences and Centre for Machine Intelligence. Her work bridges computational methods with real-world health challenges, emphasizing practical deployment of AI solutions in clinical and public health contexts. Research Groups: Vision, Learning and Control; Institute for Life Sciences; Centre for Health Technologies; Centre for Machine Intelligence Key Collaborations: Cross-disciplinary projects combining computer science with biomedical engineering and public health