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Philipp Budka is a Researcher (PostDoc) and Lecturer at the Department of Social and Cultural Anthropology, University of Vienna. He leads the North American research region for the ERC Advanced Grant project 'InfraNorth' and investigates transport infrastructures in northern Canada. Budka co-founded the Digital Ethnography Initiative and is a member of the Austrian Polar Research Institute (APRI). He holds a Mag.phil. in Cultural Anthropology and Communication Studies from the University of Vienna and Utrecht. His doctoral research focused on Indigenous digital infrastructures in northwestern Ontario, Canada. Education: Mag.phil. (2003), PhD in Cultural Anthropology (2017) Research Interests: Digital Anthropology, Infrastructure Studies, Media Anthropology, Indigenous Technologies His research explores sociotechnical systems, digital ethnography, and infrastructure sustainability in remote regions. Budka has co-edited volumes on media and conflict and ritualization, and is currently working on monographs about Indigenous online platforms and transport infrastructures in Canada. Grants: ERC Advanced Grant (InfraNorth), various teaching and research roles at FU Berlin and HMKW Berlin. He was co-leader of the Media Anthropology Network (EASA) from 2017–2024. Labs/Teams: Team of the Lehrendenvertretung (Teaching Representatives), Digital Ethnography Initiative, InfraNorth Project.

• Anthropology of Technology & Infrastructure
• Digital Anthropology
• Media Anthropology
• +3 more

Univ.-Prof. Torsten Möller, PhD is a Professor at the University of Vienna and serves as Head of the Research Group Visualization and Data Analysis and Head of the Research Network Data Science. His work spans data visualization, visual analytics, and human-computer interaction, with a focus on biomedical, environmental, and societal data applications. Academic rank: Professor Research group: Visualization and Data Analysis Network: Data Science Email: torsten.moeller@univie.ac.at Research interests include: Visual data analysis for complex systems Interdisciplinary applications in climate science and medicine Human-computer interaction in data exploration Image processing and computer graphics Recent publication trends show expertise in: Visualizing climate change and pandemic data Multi-volumetric and network analysis Algorithmic transparency and user-centered design Interdisciplinary collaborations (e.g., astrophysics, medical imaging) Statistical and uncertainty visualization Design frameworks for visualization recommendation Teaching includes courses in: Computer graphics and visualization Image processing and analysis Human-computer interaction Data analysis projects Doctoral research seminars

• Data Visualization
• Visual Data Analysis
• Data Science
• +3 more

Prof. Rossella Ferrari holds a professorship in Chinese Studies at the Department of East Asian Studies, University of Vienna. Her research explores performance cultures across the Chinese-speaking world, with a focus on avant-garde theatre, transnational networks, and postsocialist transformations. Key contributions include the concept of 'pop avant-garde' and 'Xiqu 2.0,' examining how classical performance interacts with digital media. She co-edited Asian City Crossings (2021) and authored Transnational Chinese Theatres (2020). Current projects investigate 'performing postsocialism' and intercultural collaborations. Her work bridges disciplines like architecture, visual arts, and film, emphasizing methodologies rooted in Asian perspectives to challenge Eurocentric paradigms. Recent studies analyze pandemic impacts on transnational theatre networks and the role of cities as analytical frameworks. Collaborations with groups like Hong Kong's Zuni Icosahedron highlight her focus on boundary-crossing performance practices. Publications span monographs, edited volumes, and peer-reviewed articles addressing topics such as Brechtian influences in China, intertextuality in global performance, and avant-garde adaptations of classical works like Mudan Ting . Her research underscores the socio-political dimensions of artistic expression in East Asia, particularly in contested historical contexts.

• Performance Studies
• Theatre Studies
• Avant-Garde Theater
• +6 more

Ivan Viola is an Associate Professor at the Institute of Computer Graphics and Algorithms, part of the Faculty of Informatics at TU Wien, Austria. He holds a leave of absence until December 2024 while also being affiliated with King Abdullah University of Science and Technology (KAUST) as an Associate Professor funded by the Vienna Research Groups program. His research focuses on visualization techniques in medicine, biological sciences, and earth sciences, with a specialty in illustrative visualization and DNA-nanotechnology applications. Viola has contributed over 100 scientific works and serves as a reviewer and panelist for major conferences in computer graphics and visualization. Education: M.Sc. (2002) and Ph.D. (2005) in Computer Graphics from TU Wien. Postdoctoral research at the University of Bergen (2006-2011), where he became Full Professor before returning to TU Wien. Research Interests: Whole-cell visualization Molecular modeling Interactive 3D environments Biomedical visualization Data-driven colormap techniques Awards: IEEE VIS 2017 Best Paper Honorable Mention, 'Best Overall Concept' for CellView, and multiple visualization awards. Active in EuroVis and IEEE VIS organizing roles. Grants & Supervision: Leads the Visualization Group at TU Wien, supervising student projects and master’s theses. Involved in grants like the Vienna Research Groups program. Labs/Teams: Visualization Group at TU Wien, collaborating on projects like CellView and Molecumentary.

• Visualization
• Computer Graphics
• Biological Visualization
• +3 more

Hervé Lacombe is a Professor of Musicology at the University of Rennes 2, where he has held a faculty position since 2002. He serves as Director of the Music Department (2009-2011, 2022-2023) and previously as Head of the Master's degree in Music and Musicology (2016-2019, 2020-2022). Recognized for his scholarly contributions, he became a Senior Member of the University Institute of France (IUF) in 2023 and is a member of the Academia Europaea. His academic leadership extends to the History and Criticism of Arts Research Unit (UR 1279) and editorial roles including Head of the 'Studies' series for the French Musicology Society publications. Lacombe's research centers on French music from the 19th to 21st centuries, with particular focus on opera history, lyrical dramaturgy, and the globalization of opera. His work explores interdisciplinary connections between music and other arts, cultural contexts of musical production, and historiographical approaches to musicology. He is internationally recognized as a leading authority on composers Bizet and Poulenc, having authored definitive biographies on both. His most significant scholarly achievement is the three-volume 'Histoire de l'opéra français' (2020-2022), a comprehensive history involving nearly 200 international collaborators. This monumental work has received multiple prestigious awards including the René Dumesnil Prize (2020) and the France Musique Claude Samuel Grand Prix du Livre (2021). His earlier works 'Les Voies de l'opéra français au XIXe siècle' (1997) and 'Bizet' (2000) also garnered significant recognition from the Academy of Fine Arts and French Academy. Bernier Prize from the Academy of Fine Arts (1997) Eugène Carrière History Prize from the French Academy (1998) Bordin Prize from the Academy of Fine Arts (2001) Grand Prix des Muses (2014) France Musique Claude Samuel Grand Prix du Livre (2021) Lacombe has directed eight doctoral theses to completion and currently supervises two more. His international influence extends through keynote addresses at institutions worldwide including Keele University, the University of Montreal, and the Kyiv Music Academy. He regularly contributes to opera programs for major international opera houses and has participated in numerous radio broadcasts and documentaries on French musical heritage.

• Music in France (19th-20th c.)
• Encounters in the arts
• Poulenc studies
• +7 more

Achille Varzi is a Full Professor of Philosophy at Columbia University since 2006, specializing in analytic metaphysics, logic, and mereology . His academic journey includes an Assistant Professorship at Columbia (1995–1999) and research roles in Artificial Intelligence at Trento’s Institute for Scientific and Technological Research (1989–1995). He earned his PhD from the University of Toronto (1994) under Hans G. Herzberger and holds an honorary professorship at Trento. Research Focus: Leading authority in mereology , exploring part-whole relations through numerous publications, edited volumes, and a forthcoming book with A.J. Cotnoir. His work bridges logic, ontology, and philosophy of language. Public Engagement: Active as a public intellectual with media contributions and a philosophical TV program on Italian national television. Publications Trends: Recent works emphasize classical mereology , ontological neutrality , and vagueness . Earlier contributions include foundational texts on spatial reasoning, identity, and paradoxes in logic. Scientific Awards: Recognized with prestigious fellowships and prizes in Italy and Canada, including the David Savan Dissertation Prize for his groundbreaking PhD thesis. Editorial Leadership: Serves as editor of The Journal of Philosophy since 2001.

• Analytic Metaphysics
• Mereology
• Logic
• +5 more

Andreas Lechner is an Associate Professor at Graz University of Technology (TU Graz) , Institute of Building Science. He is also a Visiting Professor at TU Berlin and Politecnico di Milano , indicating an international academic presence. His office hours are available on Tuesdays from 9:00-11:00, with portfolio requirements for diploma inquiries. Research Focus: Lechner's work explores architectural typologies, urban peripheries, and sustainable building practices. His research emphasizes the intersection of theory, design, and practice, particularly through counterintuitive approaches to architectural typologies and their affordances. Publications Trends: Recent work focuses on hybrid architectural practices, typological affordances, and peripheral urbanism. He examines how architectural typologies can be reimagined through the lens of the "Peripherocene," a concept challenging traditional urban center/periphery dichotomies. Design Philosophy: Lechner's "Counterintuitive Typologies" approach challenges conventional design paradigms, particularly in his analysis of urban buildings and their transformative potential. His work on solar energy integration in architecture demonstrates a commitment to sustainable design. Academic Contributions: Through his publications in journals like Journal of Architecture and edited volumes like GAM series, Lechner has been examining architectural theory, material rethinking, and the paradoxes of urban development since at least 2012. Professional Engagements: He has been involved in exhibitions and curation activities, including guest curatorship at Haus der Architektur in Graz. His personal website and social media presence ( @a_alechner ) demonstrate a commitment to public architectural discourse.

• Architectural Typology
• Sustainable Urban Transformation
• Solar Energy Integration in Architecture
• +3 more

Dr. Alexander Plopski is an Assistant Professor at the Institute of Visual Computing, Technische Universität Graz. His research focuses on advancing augmented reality (AR) technologies, human-computer interaction (HCI), and optical display systems. He holds a PhD, M.Sc., and BSc in relevant fields. His work emphasizes perceptual optimization in AR displays, eye tracking integration, and accessibility solutions for color vision deficiencies. Key research areas include gaze-contingent AR interfaces, light field manipulation for extended reality, and multimodal interaction techniques. Notable contributions include the development of the 'guitARhero' interactive AR guitar tutorial system and studies on focal distance effects in optical see-through displays. His publications span topics from AR display calibration to gesture recognition using radar sensing. He has explored applications in industrial training, medical AR, and robotic telemanipulation. His work often bridges theoretical perceptual studies with practical system implementations, aiming to enhance user experience and accessibility in AR/VR environments.

• Augmented Reality
• Computer Vision
• Human-Computer Interaction
• +4 more

Catherine Grant is an Honorary Professor at Aarhus University, Denmark, and Visiting Senior Research Fellow at the University of Reading, UK. She previously served as Professor of Digital Media and Screen Studies at Birkbeck, University of London (2017–2020), and held academic roles at institutions including the University of Sussex and University of Kent. Her research focuses on videographic criticism, essay filmmaking, Latin American cinemas, and screen studies methodologies. Grant earned a PhD in Mexican literature and feminist theory from the University of Leeds (1991) and a First Class B.A. in Modern Languages (1986). She pioneered the use of audiovisual essays in film studies, co-founding and editing the award-winning [in]Transition: Journal of Videographic Film and Moving Image Studies until 2024. Her work explores film authorship, found-footage techniques, and digital media practices. Her research interests span essay filmmaking, world cinema, and the intersection of theory and practice in film studies. Over 200 of her video essays have been showcased globally, emphasizing experimental methodologies and critical engagement with cinematic form. Grant has received the Society for Cinema and Media Studies Award of Distinction (2014–2015). She co-edited significant volumes on world cinema, Latin American cinema, and videographic criticism, and maintains influential platforms like Audiovisualcy and Film Studies For Free .

• Essay filmmaking
• Latin American cinemas
• Videographic film studies
• +7 more

Anamarija Batista is an Assistant Professor in Art Education at the Department of Fine Arts & Design, Mozarteum University. Her work bridges art, architecture, and economics through interdisciplinary research and curation. She holds degrees in economics and art history from the University of Vienna, with additional studies in German as a foreign language. Affiliations: Mozarteum University (School of Music & Art Education) Roles: Academic researcher, curator, and educator Her research explores modern/contemporary art practices, architectural theory, and socio-economic frameworks. Notable projects include the long-term initiative Artist as spatial planner (since 2012) and exhibitions such as The Distance View (2023) and Productive Work - what is it supposed to be? (2018). She has co-edited influential volumes like Rethinking Density (2017) and authored works on urban typologies and temporalities in artistic practice. Her publications blend artistic critique with socio-economic analysis, addressing topics like urban transformation, labor relations, and cultural policy. Recent works include a 2024 monograph on obsolete architectural typologies and a collaborative study on wage labor history.

• Art and Architecture Intersections
• Contemporary Art Practice
• Architectural Theory
• +3 more

Christina Hainzl is the Head of the Platform for Sustainable Development (SDGs) and the Research Lab Democracy and Society in Transition at the University for Continuing Education Krems. She serves as an affiliated researcher at the University Ca' Foscari, Venice, and represents the university in the European Science Diplomacy Alliance. Her work focuses on contemporary challenges in democracy, sustainable development, cultural heritage, and science diplomacy. Dr. Hainzl holds a degree in contemporary history, art history, and political communication. She previously worked as a curator and research assistant at institutions like Lentos and Landesmuseum OÖ, alongside roles at the Institute for Art after 1945 in Linz. Her professional experience includes research stays in Florence, Rome, New York, and Washington DC, as well as internships at the Embassy of the Arab League and the American Anti-Discrimination Committee. Her research interests span socio-ecological transitions in urban contexts, democracy backsliding in Europe, material culture studies, and science diplomacy's role in cultural heritage protection. She actively contributes to interdisciplinary projects such as 'European Un/Orders,' examining Europe's global challenges, and has co-edited volumes on antisemitism post-1945 and pandemic-era healthcare policies. Christina Hainzl has received grants from the Rockefeller Foundation Archive Centre and the Emmanuel and Sophie Fohn Foundation for Visual Arts. Her work integrates academic research with practical applications, emphasizing societal transformations and evidence-based policy solutions. She collaborates across disciplines, leading initiatives on federalism and democratic resilience while maintaining a focus on art's role in societal discourse.

• Sustainable Development
• Democracy Studies
• Cultural Heritage
• +7 more

Tobias Ofner-Graff is a researcher at the Institute of Forest Growth within the Department of Ecosystem Management, Climate and Biodiversity at the University of Natural Resources and Life Sciences, Vienna (BOKU). Based at Peter-Jordan-Straße 82, 1190 Wien, his work focuses on advanced forest monitoring technologies. His research interests include: LiDAR and remote sensing applications in forestry Automated forest inventory systems Forest regeneration quantification Airborne Laser Scanning (ALS) data analysis Sustainable forest harvesting planning Recent project contributions include: Leading lidar-based forest monitoring systems development Developing spatial forest growth models Implementing digital inventory workflows His publications demonstrate expertise in: Quantifying forest resources through 3D point clouds Advanced timber stack measurement techniques ALS data integration for forest modeling Mobile laser scanning applications Forest climate adaptation strategies

• Forest Inventory and Monitoring
• LiDAR Technology Applications
• Forest Regeneration Quantification
• +3 more

Dr. Rosario Arias Doblas is a full-time Professor of English Literature at the University of Málaga, Spain , with national eligibility to Full Professor. She has held leadership roles including Head of the Department of English, French and German Philology (2013–2021), Coordinator of the PhD Program in Linguistics, Literature, and Translation (2016–2023), and Deputy Director of the Doctoral School (2022–2024). As President of the Spanish Association of Anglo-North American Studies (AEDEAN) and founder of the Victorian and Neo-Victorian Society in Spain (VINS), she leads interdisciplinary research networks and projects like RELY: Reorienting Assemblage Theory in Anglophone Literature (2023–2026) and Gender and Spiritism in Andalusia (2019–2022). Her research spans Neo-Victorian literature , trauma and memory studies , gender theory , and interdisciplinary approaches to contemporary British fiction. She has co-edited volumes such as Haunting and Spectrality in Neo-Victorian Fiction (Palgrave, 2010) and Spiritualism, Science and Technology (Routledge, 2014), while her monograph Madres e hijas en la teoría feminista (2002) established her expertise in feminist psychoanalysis. Recent publications focus on sensory neo-Victorian narratives , material memory , and disorienting cultural identities in contemporary literature. Key Awards: Extraordinary Doctorate Award (University of Málaga, 2001) Second National Prize for Philology (Ministry of Education and Science, 1995) Extraordinary Bachelor's Degree Award (University of Málaga, 1995) Leadership: Principal Investigator of the Andalusian-funded Contemporary Literature in Europe research group (HUM-858) since 2007 Research Leader of the VINS Network (2015–2017), funded by Spain’s Ministry of Economy Organizer of conferences like Material Traces of the Past (2015) and Dis/Orientations in Contemporary Literature (2022)

• Neo-Victorianism
• Contemporary British Fiction
• Memory Studies
• +8 more

Michal Piovarci is a Researcher (Postdoc) at ETH Zurich's Computational Design Lab led by Bernd Bickel. He holds a Ph.D. from USI Lugano (2020) under Piotr Didyk, receiving the Eurographics PhD Award for his thesis on Perception-Aware Computational Fabrication. His research focuses on computer graphics, computational fabrication, and haptic/appearance reproduction, emphasizing perception-driven solutions. Education: Ph.D., USI Lugano (2020) Previous postdoc at ISTA's Visual Computing Group Research interests include 3D Printing Innovations Haptic Feedback Systems Material Perception Modeling Directional Surface Design Professional Activities: Area chair at ACM Symposium on Computational Fabrication (2024), program committee roles at SIGGRAPH, SAP, and Eurographics. Organized Computational Fabrication Seminars (2021-2022). Grants: SNSF Project Funding (CHF 1M, 2025-2029) and FWF Lise Meitner Grant (2022-2023). Teaching: Taught Scientific Machine Learning for Design (ETH Zurich, 2024) Computational Fabrication (TU Wien, 2022)

• Computer Graphics
• Computational Fabrication
• Haptic Reproduction
• +3 more

Priv.-Doz. Dr. Ingeborg Jandl-Konrad is an Assistant Professor for South Slavic Literatures and Cultures at the Department of Slavonic Studies, University of Vienna, where she holds the Venia Docendi (Habilitation) in Slavic Literatures and Cultures. She completed her habilitation on photographic and narrative discourses on war trauma in post-Yugoslav literatures, focusing on theoretical categories like 'photo-text' and 'speaking.' Her doctoral thesis on Gajto Gazdanov's works earned the DOC fellowship and the Ingeborg Ohnheiser Dissertation Award. Education: Russian and French Philology, Psychology, and Philosophy from Graz, Odesa, Moscow, and Sarajevo. Research interests include intermediality, narratology, verse theory, and literature/ethics intersections. She has edited volumes on trauma, body concepts, and transculturality, and authored monographs on Tsvetaeva’s verse dramas and post-Yugoslav trauma narratives. Awards include the DOC fellowship and ÖGSl award. Her work spans Slavic literatures with a focus on interdisciplinary approaches. She co-organizes academic events, such as a guest lecture series on Yugoslav war memory and masculinity. Active in academic networks, her research bridges literature, psychology, and cultural studies, addressing themes like trauma, identity, and ethical representation.

• Comparative Literature
• Post-Yugoslav Literatures
• Narratology
• +4 more