Laurent Bricault is a Professor of Roman History at the University of Toulouse Jean Jaurès, affiliated with the ERASMUS research team (Reception of Antiquity: Sources, Memory, Issues) under the Heritage, Literature, History (PLH) unit. His academic career spans institutions like the University of Poitiers (Master's 1986), Sorbonne (Doctorate 1994, HDR 2006), and Toulouse (since 2008). He specializes in the history of ancient religions, particularly Egyptian cults in the Roman world, provincial coinage, and Lagid/Roman Egypt. University of Poitiers - Master's in Ancient History (1986) Sorbonne - Doctorate in Egyptology (1994) Sorbonne - Habilitation to Direct Research (2006) Bricault's research explores the diffusion of Isiac cults, religious syncretism, and numismatic evidence for ancient beliefs. His recent publications focus on Mithraic studies, Egyptian deities in the Mediterranean, and domestic religious practices. He organizes international conferences and edits the Bibliotheca Isiaca series, contributing to the understanding of polytheistic traditions. Bricault co-edits the Supplements to the Bibliotheca Isiaca and collaborates on the Roman Provincial Coinage project. He curated the international exhibition Rome and the Mystery of Mithra (2021-2023) and maintains the RICIS online database for Isiac cult inscriptions. His work bridges epigraphy, numismatics, and cultural history to analyze religious networks across the Roman Empire.
Lynn S. Meskill is a Professor at Toulouse Jean-Jaurès University, affiliated with the Center for Anglophone Studies (CAS). Her academic work bridges literature, history of ideas, and translation, with a strong focus on early modern British culture. She teaches Medieval and Early Modern Literature and Translation. Her research interests include: 16th and 17th Century Theatre Stuart and Caroline Court Masque History of the Book History of Ideas Translation Studies Authorship in Early Modernity Ben Jonson and Shakespearean Drama Her publications reveal a deep engagement with themes of authorship, fame, religious symbolism, and cultural representation in Renaissance literature. She frequently explores the intersections of performance, politics, and print culture, particularly in court masques and tragedies. Her work often combines literary analysis with intellectual and cultural history. Her scholarly contributions include a monograph on Ben Jonson and numerous articles in leading journals such as Huntington Library Quarterly and English Studies . She has also contributed chapters to authoritative handbooks and translated significant works in print culture. She has supervised doctoral research and holds an HDR (Habilitation à Diriger des Recherches), qualifying her to direct research in France. While no specific grants are listed, her involvement in structured research axes at CAS suggests active participation in collaborative projects. Lynn S. Meskill is a core member of the Center for Anglophone Studies (CAS), contributing to its seminars, research programs (such as AXIS 1–3), and academic events. The center fosters interdisciplinary research in Anglophone cultures, and she plays a vital role in its scholarly community.
Thomas Piketty is a Professor of Economics and Economic History at the École des Hautes Études en Sciences Sociales (EHESS) and the Paris School of Economics. He is co-director of the World Inequality Lab and the World Inequality Database, and a leading scholar on economic inequality and historical political economy. Born on May 7, 1971, in Clichy, France. PhD in Economics from EHESS and LSE (1990–1993). Professor at MIT (1993–1995), Research Fellow at CNRS (1995–2000), and Director of Studies at EHESS since 2000. His research focuses on the interplay between economic development, wealth distribution, and political institutions. Key works include Capital in the 21st Century (2014), Capital and Ideology (2020), and A Brief History of Equality (2022). Piketty has pioneered methods to measure long-term inequality using historical data. Publications span articles in top journals like the Quarterly Journal of Economics, Journal of Political Economy, and American Economic Review. His work emphasizes fiscal policies, wealth taxation, and global inequality trends. He co-founded the World Inequality Database (WID.world) to track income and wealth disparities worldwide. Distinctions include the Yrjö Jahnsson Prize (2013), CNRS Bronze Medal (2001), and Best Young Economist Award (2002). He has advised governments and contributed to policy debates on tax reform, climate justice, and European democratization.
Laurence Bertrand Dorléac is a Full Professor of Contemporary History (Art History) at Sciences Po Paris, affiliated with the Centre for History (CHSP). She serves as Chairperson of the Fondation Nationale des Sciences Politiques and leads the bilingual "Art and Society" seminar since 2004, publishing its newsletter. Research focuses on cultural history, art history, and political history of art Specializes in visual history, war representations, and material culture Active in editorial collaborations and international exhibitions Her recent work explores intersections of art with AI, environmental politics, and historical trauma. She supervises multiple HDR and PhD students in art history and cultural analysis. No explicit scientific awards mentioned, though her projects receive institutional support like Fondation de France. Her publications span monographs, exhibition catalogs, and interdisciplinary essays.
Patrice Faure is a University Professor of Roman History at the University of Lyon 3 since 2022, with a career spanning roles at multiple French universities. His research focuses on the Roman army, political and cultural history of Roman provinces, Latin epigraphy, and prosopography. He holds a Habilitation à Diriger des Recherches in Roman History (2021) and a Doctorate (2006) from the University of Grenoble 2. Roman History, University of Lyon 3 (2022-present) Lecturer in Roman History, University of Lyon 3 (2010-2022) Lecturer in Ancient History, University of Le Havre (2007-2010) His research examines the Roman military's social and political impact, provincial integration of elites, and epigraphic documentation. He collaborates on digital epigraphic databases (Epigraphica Romana, EpiCherchell) and contributes to exhibition curation, notably at the Musée Lugdunum. Awarded the SOPHAU Thesis Prize (2007) and multiple scholarships (Thiers Foundation, IFAO, EFR), his publications include co-edited volumes on Roman military culture and monographs on Severan-era centurions. Current projects include publishing his HDR thesis Grandir pour l'empire and expanding the Inscriptions antiques de Césarée de Maurétanie corpus.
Hélène Charlery is a Lecturer in Anglophone Studies at the Université Toulouse - Jean Jaurès, affiliated with the Center for Anglophone Studies (CAS). She has held this academic position since 2008 and is actively engaged in research and scholarly activities. Her primary research interests center on intersectionality in American cinema and series , with a specific focus on Black American female directors and the representation of African American women in film and media. Her work critically examines the intersections of race, gender, and sexuality in visual narratives. Her recent publications, including the 2024 journal issue Mainstreaming Intersectionality in Contemporary Cinema and Television which she co-edited, and articles on films by Dee Rees, Ava DuVernay, and Jordan Peele, demonstrate a consistent and evolving scholarly trajectory. Her research analyzes how contemporary films and television series negotiate complex social identities and political themes, particularly through the lens of Black feminism. Scientific Responsibilities Co-Secretary of the Society for the History of Women in the Americas (SHAW) Thesis Supervision Co-supervised the doctoral thesis of Mikael Toulza on Voodoo in North American audiovisual fiction. She has presented her research at numerous international conferences, contributing to academic discourse on gender, race, and representation in the English-speaking world.
University of Versailles Saint-Quentin-en-YvelinesFrance
Pauline Lemaigre-Gaffier is a Lecturer in Modern History at the University of Versailles Saint-Quentin-en-Yvelines (UVSQ), affiliated with the Institute of Cultural and International Studies (IECI) and the Department of History. She co-leads the VoCriPat project (2023–present) and participates in the DIM PAMIR committee (2022–present) and ANR ACADEC project (2022–present). Her research focuses on European court societies (festivals, ceremonies, urban interactions) Cultural history (material culture, documentary writings) Political history (public finance, administrative practices) Economic history (privileges and businesses) Heritage sciences Her 15 most recent publications explore topics like archival practices in early modern Europe French court administration of the arts economic networks of privileged enterprises royal household logistics spanning 2015–2024, with upcoming works on economic history and heritage sciences in 2025. She has received the Benabou Prize (2012) and was a Thiers Foundation scholarship holder (2009–2010) . Her career includes editorial roles at Entre-Temps (2021–2023) and educational management for the 'Music, Performance, and Heritage' degree (2014–2016). She collaborates with institutions like the Centre de recherche du Château de Versailles and the Heritage Sciences Foundation.
Teresa Faucon is an Associate Professor and HDR researcher at Sorbonne Nouvelle University (Paris 3), affiliated with the IRCAV research institute. She specializes in cinema and audiovisual aesthetics, montage theory, and postcolonial film studies. Her roles include director of the Cinema and Audiovisual Master's program (2021–2023), and leadership in disability and professional training initiatives. She co-founded key research groups like Indian Cinemas (2012), CREAViS (2015), and Exotismes en champ-contrechamp (2018), focusing on decolonial cinema and exoticism analysis. Her work bridges academic research with creative projects, including the interactive Maps of Film Analysis platform. Research interests span Indian and Southeast Asian cinemas, dance-cinema interactions, and experimental film forms. She has organized 7 international conferences and co-edited major texts like Chorégraphier le film (2019). Recent publications include studies on exoticism's sonic dimensions and non-European cinema. Her digital platform Les cartes de l'analyse de film innovates in nonlinear film analysis through heuristic maps. She co-directs the Formes filmiques and Cinémas en champ-contrechamp book series, promoting global cinema scholarship.
Ana Paulina Lee is an Assistant Professor of Writing and Digital Humanities in the Comparative Literature, English, and Creative Writing Department at the American University of Paris. She joined AUP in 2025 after teaching Latin American literature and culture at Columbia University for eight years and serving as a Mellon Postdoctoral Fellow at Tulane University. Her interdisciplinary scholarship bridges literature, history, law, and urban studies with particular focus on marginalized narratives in the Americas. Ph.D. from University of Southern California M.A. from New York University B.A. from Binghamton University Professor Lee's research examines how stories—archival, fictional, oral—shape legal imagination, social life, and urban experience in the Americas. She specializes in the intersections of magic, law, and literature in Latin America, with particular focus on Asian and African diasporas in Brazil. Her work traces how narrative functions as both historical record and catalyst for social transformation, exploring themes of slavery, emancipation, colonial legacies, and urban memory. She approaches these topics through interdisciplinary lenses combining literary analysis with histories of labor, migration, and performance. Lee's recent publications reveal a consistent focus on marginalized narratives and their impact on social structures. Her scholarship connects legal history with cultural production, showing how magical thinking and narrative practices shape urban spaces and social relations. Works like 'Urban Sorcery, Segregation, and Spectacle in Twentieth-Century Rio de Janeiro' and 'Black Magic City' demonstrate her innovative approach to understanding the relationship between occult logics and legal frameworks in Brazilian contexts. Her research on diasporic communities, particularly Chinese and Japanese experiences in Latin America, contributes significantly to transnational and comparative race studies. David B. Larson Fellowship in Health and Spirituality, Kluge Center, United States Library of Congress (2025-2026) National Endowment for the Humanities Fellowship (2025) Social Sciences Research Council, Inaugural Recipient of Interdisciplinary Projects in the Social Sciences (2020-2023) Institute for Ideas and Imagination Fellowship, Columbia University in Paris, France (2021-2022) Provost's Tsunoda Senior Fellowship, Visiting Scholar, Waseda University, Tokyo, Japan (2019) Heyman Center Fellow, The Heyman Center for the Humanities, Columbia University (2017-2018) Fulbright, Lisbon, Portugal (2013-2014) Professor Lee's scholarly activities have been generously supported by major research grants from the National Endowment for the Humanities, the Social Sciences Research Council, and the Library of Congress. Her work demonstrates a commitment to interdisciplinary approaches that bridge humanities and social sciences, particularly through projects examining intersections of race, migration, and cultural production in the Americas. Her publication 'Socially Engaged Oral History Pedagogy Amid the COVID-19 Pandemic' indicates a strong commitment to innovative teaching methods and community-based research. While specific details about current advisees aren't provided, her research program suggests engagement with graduate students interested in diaspora studies, urban history, and literary-cultural analysis. Though not explicitly mentioned in the available information, Professor Lee's research on urban spaces, magic, and law in Brazil likely involves collaborative work with scholars across disciplines. Her participation in centers like the Institute for Ideas and Imagination at Columbia University suggests engagement with interdisciplinary research communities focused on global cultural production and social transformation. Her work contributes to ongoing conversations about how narrative practices shape legal frameworks and social structures in the Americas, particularly regarding racial formation and diasporic experiences.
Hélène Combes is a CNRS Research Professor affiliated with the Center for International Studies (CERI) at Sciences Po Paris. She directs research on political parties and social movements with a specific focus on Latin America, particularly Mexico. Her work bridges comparative politics, urban studies, and political sociology, examining how spatial organization, class dynamics, and gender intersect in political mobilization. Combes specializes in the relationship between political parties and social movements, with extensive fieldwork in Mexico spanning over 15 years. Her research examines political clientelism, urban protest movements, and the spatial dimensions of political mobilization. She has conducted in-depth studies on the emergence of the Morena party in Mexico and the transformation of social movements into political power, culminating in her 2024 book De la rue à la présidence. Foyers contestataires à Mexico . Her work reveals how working-class communities manage political occupations and how family dimensions shape protest movements in Latin America. Combes has served as director of the journal Critique internationale (2017-2023), is a member of the board of the French Political Science Association (AFSP) since 2017, and serves on the scientific committee of Casa de Velázquez since 2018. Her international recognition is evident through her invited professorships at Columbia University, University of Salamanca, Pablo de Olavide University, University of Mar de Plata, University of Chile, and various Mexican institutions. Currently teaching in the Master's research program in political science, university college, and School of International Affairs at Sciences Po Paris, Combes has previously taught at Beaux-Arts de Paris and University of Dauphine. Her work on Mexican politics has gained particular relevance with Claudia Sheinbaum (whom she followed for 15 years) becoming Mexico's presidential candidate. Combes holds a doctorate in engineering with specialization in climate change and ecology, bringing a transnational perspective to her political analysis.
Guillaume Soulez is a Professor of Cinema, Audiovisual Studies, and Communication at the Sorbonne Nouvelle - Paris 3 University, specializing in the Department of Cinema and Audiovisual. He holds an HDR (2009) and a PhD in Rhetorical Mediation (1998). His research focuses on the 'deliberation of images,' analyzing how audiences interpret cinematic and audiovisual works through formal and pragmatic frameworks. He leads the 'Renaissance of Television' research group at IRCAV and co-directs the international 'Cinema and Visual Culture Colloquium Series' with institutions like NYU and Duke University. Recent projects include Innov'zone (Labex ICCA) exploring experimental zones in cinema and the Pierre Schaeffer Archive Project. His work bridges media morphology, reception studies, and intermediality, with publications in Théorème , CiNéMAS , and Communication & Langages . Key research themes include: the fragmented cinema, media formats, TV series seriality, and the legacy of the ORTF Research Service (1960-74). He has directed the Cinema and Audiovisual Department (2014-2016) and IRCAV (2016-2021), fostering collaborations with institutions like the Ministry of Defense and La Poste. His publications emphasize theoretical models like 'format analysis,' 'pragmatic interpretation,' and 'intermedial dialogue.' Recent works include Uses of Interpretation, Interpretations of Use (2023) and Le Cinéma Éclaté (2018). He actively engages in public scholarship through radio interviews and educational outreach.
National Institute of Oriental Languages and CivilizationsFrance
Sylvia Chassaing is a Lecturer in contemporary Russian literature and translation at the National Institute of Oriental Languages and Civilizations (INALCO) in Paris, France. She is affiliated with the CREE (Centre de Recherches Euro-Asiennes) research team and specializes in Slavic languages and literature, with a particular focus on Russian studies. Her work bridges literary analysis, cultural studies, and political commentary on contemporary Russian society. Chassaing's research interests span multiple interconnected fields including sociocriticism, gender studies, and ecocriticism as applied to Russian literature. She focuses particularly on Extremely Contemporary Russian Literature (2010s-2020s), examining how writers and literary institutions navigate power structures in Putin's Russia. Her work explores themes of trauma narratives, feminist publishing movements, literary activism (such as the #Tikhiypiket silent protest movement), and ecocritical readings of Russian texts. She also investigates the relationship between art and politics in post-Soviet public space, including Moscow Actionism. Her scholarly output reveals a consistent engagement with the intersection of literature, politics, and social movements in contemporary Russia. Chassaing frequently analyzes how Russian writers respond to political pressures, with particular attention to gender dynamics and ecological concerns. Her work demonstrates how literary forms become vehicles for political expression and resistance in contexts of censorship and authoritarianism. Co-organized international conference 'Being a writer under Putin' (2024) Co-directed Russian-French translation seminars (2019-2021) Co-founded SAMPIZDAT publishing house for Russian underground literature Translator of contemporary Russian writers including Daria Serenko and Boris Khersonskij Chassaing actively contributes to research evaluation for journals including Revue Slovo and Slavica Occitania, demonstrating her standing within the academic community focused on Slavic studies and contemporary literature.
University of Versailles Saint-Quentin-en-YvelinesFrance
François Robinet serves as a Lecturer in Contemporary History at the University of Versailles Saint-Quentin-en-Yvelines (UVSQ), where he is an elected member of the Council of the Institute of International Cultural Studies. He concurrently directs the Graduate School of Humanities and Heritage Sciences at the University of Paris-Saclay and holds appointments with the Laboratory Center for the Cultural History of Contemporary Societies (CHCSC) and the 22nd section of the CNU. Education: Doctor of History (2012) Robinet's research centers on 20th-21st century cultural and political history, with concentrated expertise in the Rwandan Tutsi Genocide, post-colonial Franco-African memory politics, and media history since 1990. His work critically examines French journalistic coverage of African conflicts, international information manufacturing during wartime, and the cultural history of colonial and post-colonial societies. He employs interdisciplinary approaches bridging media studies, genocide research, and digital humanities to analyze historical narratives and memory construction. His 15 most recent publications (2016-2023) reveal consistent thematic focus on Rwandan genocide documentation, Franco-Rwandan historical accountability, and media's role in shaping political memory. Key trends include digital methodologies for genocide archives, analysis of French state-media interactions during crises, and evolving commemorative practices through digital platforms. The work demonstrates increasing engagement with digital humanities tools while maintaining rigorous historical analysis of colonial legacies. No scientific awards were documented in the source material. Robinet coordinates the international RwandaMAP2020 research network mapping genocide documentation sites and serves as Vice-president of the Association for the Development of Cultural History. He is an active member of the Society for the History of Media (SPHM) and editorial board of Le Temps des Médias , demonstrating significant scholarly leadership beyond traditional academic advising. His institutional presence spans laboratory governance (CHCSC), university administration (UVSQ Board of Directors), and major conference organization including the 2014 Rwanda international conference and 2022 International Communication Association pre-conference on empires in media history.
School for Advanced Studies in the Social SciencesFrance
Vincent Debiais is a CNRS Research Director affiliated with the École des Hautes Études en Sciences Sociales (EHESS) and Institut National d'Histoire de l'Art (INHA) in Paris. He leads the research team 'Anthropologie Historique du Long Moyen Âge' (AHLoMA) at the Centre de Recherches Historiques. Education: PhD in Medieval History, University of Poitiers (2004) Habilitation in History of Medieval Art, University of Poitiers (2015) Research Focus: Debiais investigates intersections of written and visual culture in medieval artifacts, specializing in epigraphy, visual theology, and material practices. His current projects examine representations of silence in sacred imagery and abstraction in medieval artistic traditions, combining anthropological approaches with historical analysis. Publications Analysis: His recent works demonstrate consistent focus on materiality of medieval inscriptions across diverse media (stone, textiles, ivories). Key thematic clusters include liturgical objects, funerary epigraphy, visual silence, and methodological innovations in analyzing medieval graphic practices. Awards: Herbert L. Kessler Prize for Medieval Art History (2022) Research Leadership: He directs the international team 'Arts et Intelligences du Silence' (EHESS, 2020-2024), coordinating interdisciplinary research on silence in humanities through seminars, publications, and resident scholar programs.
Higher School of Economic and Commercial SciencesFrance
Mark CHRISTENSEN is a Professor in the Accounting and Management Control Department at ESSEC Business School, Singapore , where he has worked since 2016. His career spans academia, public sector work, and consultancy. Holding a PhD from The University of Adelaide and a BA (Hons) from Macquarie University , his research explores accounting as a socio-technical construction , with a focus on public sector accrual accounting , performance reporting , and consultancy roles in accounting change . He has held academic appointments at institutions including the University of New South Wales, Copenhagen Business School, and Hokkaido University, and has been a visiting scholar at the University of Nordland and Nanzan University. Research Interests include public sector accounting reforms , environmental sustainability in accounting , and audit as an instrument of blame . His work addresses global accounting trends , epistemic communities , and power dynamics in budget processes , often through comparative international studies . Recent publications examine animal welfare accounting , neocolonial research practices , and accountants’ portrayals in popular culture . Professional Contributions include serving on the editorial boards of the Accounting, Auditing & Accountability Journal and Financial Accountability and Management , organizing conferences like the 10th Australia-Pacific Colloquium on Qualitative Research Methods , and delivering keynotes at international events such as the 15th International Conference on Business & Management . He has reviewed for over 15 journals and participated in global research networks.
