Find Academic Supervisors

Harsha RamView profile

Associate Professor

• Russian and European Enlightenment
• Romanticism and Modernism
• Georgian and Caucasus Literary History
• +8 more

Harsha Ram is an Associate Professor in the Department of Comparative Literature at the University of California, Berkeley. His research focuses on Russian and European Enlightenment, modernist literature, and the cultural histories of the Caucasus region. He holds dual B.A. Honors degrees in Italian and Russian from the University of Sydney and University of New South Wales, and a Ph.D. in Comparative Literature from Yale University. His work bridges literary theory, post-colonial studies, and geopoetics, with a particular emphasis on Georgia's literary modernism and its intersections with Russian imperial culture. Key themes include spatial theory, peripheral modernisms, and the transnational dimensions of cultural production. Recent work examines the role of ritual feasts in Georgian national identity and the geopoetics of Eurasian avant-garde movements. Ram has published extensively on figures like Velimir Khlebnikov and Boris Pasternak, exploring their engagement with imperial legacies and revolutionary aesthetics. His book The Imperial Sublime: A Russian Poetics of Empire (2003) remains a seminal study of Russian imperial poetics. Current projects include studies on Georgian literary encounters with Russian culture and the symbolic dimensions of Caucasus representations. His scholarship frequently appears in leading journals such as Modernism/Modernity , Slavic Review , and Ab Imperio . He has held visiting positions at institutions globally and actively participates in interdisciplinary dialogues between literary studies, history, and cultural geography.

Laurie ShannonView profile

Professor

• Early Modern Literature
• Gender & Sexuality Studies
• Environmental Humanities
• +5 more

Laurie Shannon is the Franklyn Bliss Snyder Professor of English at Northwestern University, with a J.D. from Harvard Law School and a Ph.D. from the University of Chicago. She studies English literature and culture in the long sixteenth century, focusing on the history of ideas in language, stakeholdership, embodiment, and cross-species relations. She serves as convener of The Anne Lister Society and is collaborating with Oxford University Press on a scholarly edition of Anne Lister’s Journal. Education: J.D., Harvard Law School; Ph.D., University of Chicago Shannon’s research explores the political imagination in early modern literature, particularly through friendship (Sovereign Amity: Figures of Friendship in Shakespearean Contexts) and animal studies (The Accommodated Animal: Cosmopolity in Shakespearean Locales). Her current monograph, 'Frailty’s Name: Shakespeare and the Natural History of Human Being,' examines human negative exceptionalism in Renaissance thought and its implications for climate crisis ethics. Her publications span Shakespeare studies, queer theory, environmental humanities, and textual editing. Notable awards include the Elizabeth Dietz Memorial Award, Robert B. Cox Teaching Award, and Dean’s Award for Graduate Mentoring. She has held NEH, ACLS, and Guggenheim fellowships. Scientific Awards: Elizabeth Dietz Memorial Award, Robert B. Cox Distinguished Undergraduate Teaching Award, Dean's Award for Graduate Mentoring, NEH Fellowship, ACLS Fellowship, Guggenheim Fellowship Shannon contributes to the Anne Lister Diary Transcription Project and has served as English Department Chair at Northwestern. Her recent articles focus on Shakespeare’s engagement with natural history, queer cosmology, and animal sovereignty, reflecting her interdisciplinary approach.

Blair HoxbyView profile

Professor

• Early Modern Literature
• Tragedy and Tragic Theory
• Milton Studies
• +7 more

Blair Hoxby is Professor of English at Stanford University's School of Humanities and Sciences, where he has taught since 2007. Previously, he served as Associate Professor of History and Literature at Harvard University (2005-2007) and Associate Professor of English at Yale University (2003-2005), where he began as Assistant Professor in 1998. His academic journey includes a Ph.D. in English from Yale University (1998), an M.Phil. in English Studies from the University of Oxford (1990), and an A.B. in English and American Literature and Language from Harvard University (1988). Hoxby's research focuses on literature and culture from 1500 to 1800, with particular emphasis on tragedy theory, Milton studies, and the intersection of literature and economics. His notable works include What Was Tragedy? Theory and the Early Modern Canon (2015) and Mammon's Music: Literature and Economics in the Age of Milton (2002). He argues that early modern tragedy differed significantly from contemporary understandings of the genre, with passions rather than deeds or character serving as the keys to early modern tragic performance. Hoxby's recent scholarly output reveals a consistent engagement with early modern theatrical practices, particularly tragedy and opera. His work demonstrates sophisticated interdisciplinary approaches, connecting literary analysis with historical context, economic theory, and performance studies. He has made significant contributions to understanding how commercial culture shaped literary production and how theatrical conventions evolved across national boundaries in Europe. Scientific Awards and Honors Internal Fellow, Stanford Humanities Center (2009-2010) Morse Fellowship, Juilliard School (2001-2002) Samuel and Ronnie Heyman Prize, Yale University (2001) John Addison Porter Prize, Yale University (1999) Rhodes Scholarship, University of Oxford (1988-1990) Hoxby has supervised numerous doctoral students and served in various administrative roles at Stanford, including Director of Undergraduate Studies (2011-2014) and Director of Graduate Admissions (2008-2011). His teaching portfolio includes courses on English poetry from the Renaissance to Romanticism, tragedy and tragic theory from Aristotle to the present, theater history, and performance theory. Currently, he teaches courses such as Court Theater from Shakespeare to Mozart and Introduction to English II: From Milton to the Romantics . Hoxby maintains active scholarly engagement through committee memberships, including the Executive Committee of the Milton Society of America (2009-2013) and service as a referee for major academic presses including Oxford University Press and the University of Pennsylvania Press.

Kamila KociałkowskaView profile

Assistant Professor

• Modernism
• Eastern European Art
• Soviet Empire Art and Culture
• +7 more

Kamila Kociałkowska is an Assistant Professor in the Department of History of Art at the University of Warwick, Faculty of Arts. She joined the department in 2024 after holding postdoctoral fellowships at the Metropolitan Museum of Art, the Getty/ACLS, and Harvard University’s Davis Center. Education: PhD in History of Art, University of Cambridge MA in History of Art, Courtauld Institute of Art MA in Fine Art, University of Edinburgh Her research centers on modernism in Eastern Europe, especially the interplay between artistic production and systems of censorship and surveillance in the Soviet Empire and its peripheries. She employs new materialist approaches to analyze redacted and fragmented visual and textual sources, rethinking the origins of abstraction beyond traditional resistance narratives. Her work also explores the cryptographic imagination and the impact of surveillance technologies on interwar avant-garde aesthetics. Her recent publications span topics such as Suprematist resistance, undead imagery in Stalinist propaganda, and explosive futurist texts, reflecting a deep engagement with avant-garde experimentation under repression. These works reveal recurring themes: the materiality of censorship, subversive semiotics, and the transformation of political constraint into aesthetic innovation. Scientific Awards and Fellowships: Leonard A. Lauder Postdoctoral Fellow, Metropolitan Museum of Art Getty/ACLS Postdoctoral Fellow in the History of Art Visiting Scholar, Davis Center, Harvard University She is currently completing her first book, The Black Square and the Blue Pencil: Censorship and the Stimulation of Modernist Style , which charts how censorship shaped avant-garde aesthetics in Russia, Georgia, Ukraine, and Azerbaijan. Her second project, Coding Modernity: The Cryptographic Imagination and the Interwar Avant-Garde , investigates the cultural history of spying and secret policing in interwar Europe. She does not currently have any listed advisees or research grants in the provided text.

• Cyprian Norwid's Visual Art
• Polish Romanticism
• Art History
• +3 more

Dr. Edyta Chlebowska is an Assistant Professor at the Cyprian Norwid Research Center, John Paul II Catholic University of Lublin. Specializing in the visual art and literary legacy of Cyprian Norwid, she explores intersections between Polish Romanticism, art history, and cultural studies. Her work extends to album art analysis and interdisciplinary connections with music (e.g., Pink Floyd, Czesław Niemen). Her research focuses on Norwid's self-portraits, eschatological themes in his drawings, and comparative studies with 19th-century Warsaw painting. She reconstructs lost artworks, documents private collections (e.g., Konstancja Górska, Victor Gomulicki), and examines Norwid's reception in Florence and Odessa. Key projects include translating Studia Norwidiana and critical editing of Norwid's complete works. As editor-in-chief of multiple On Cyprian Norwid. Studies and Essays volumes and organizer of conferences like Niemen Non Stop and Colloquia Norwidiana , she bridges academic rigor with public engagement. Her publications span peer-reviewed books, journal articles, and popular science pieces, emphasizing Norwid's unpublished works and symbolic programs.

Ali Karjoo-RavaryView profile

Assistant Professor

• Islamic History
• Intellectual History
• Social History
• +8 more

Ali Karjoo-Ravary is the Richard W. Bulliet Assistant Professor of Islamic History at Columbia University, specializing in the intellectual, social, and visual histories of premodern Islam through Arabic, Persian, and Turkic sources. His research intersects historical writing, cosmology, Sufism, and multilingual poetry in the Islamic East (Mashriq). Education: Ph.D., University of Pennsylvania (2018) M.A., University of Pennsylvania (2016) B.A., SUNY Stony Brook (2011) His current book project, Muhammad’s Song: Politics, Performance, and Cosmology in the Fourteenth Century , examines post-Mongol Islamic monarchy through Kadi Burhaneddin's life and rule. He also explores Sufi visual iconography, science fiction's relationship to religion, and architecture's role in evolving Islamic discourses. Scientific Awards and Fellowships: Bard Graduate Center Visiting Fellow (Fall 2020) Wolf Humanities Center Graduate Research Fellow (2016-2017)

Peter John Edgley RobinsonView profile

Professor

• Creative Writing
• Poetry
• Literary Criticism
• +3 more

Professor Peter John Edgley Robinson is a distinguished academic and poet at the University of Reading, where he holds the position of Professor in the Department of English Literature, part of the School of Humanities. He is renowned for founding the English Literature with Creative Writing joint degree program and the MA in Creative Writing. His research focuses on modern and contemporary poetry, publishing, and translation, with a particular interest in 20th-century literary movements and interdisciplinary studies. Responsibilities include leading the Poetry & Poetics strand of the Modern Studies Centre and supervising doctoral research in creative writing and academic topics such as post-war Japanese poetry, Muriel Rukeyser’s work, and travel writing. He has held roles as poetry editor for Two Rivers Press and contributed to academic publications like The Fortnightly Review . His career includes teaching at Tohoku University in Japan and organizing events like the Reading Poetry Festival. Key awards include the Cheltenham Prize (1988), the John Florio Prize (2008), and Poetry Book Society recommendations. His publications span poetry collections, critical essays, translations, and novels, reflecting his expertise in literary analysis and creative expression. Notable works include The Sound Sense of Poetry (2018), Ravishing Europa (2019), and Retrieved Attachments (2023). Education: BA from University of York (1974), PhD from University of Cambridge (1981). Translations: Includes works by Vittorio Sereni, Pietro De Marchi, and Giorgio Bassani. Editorial Roles: Numbers magazine, Reading Poetry Festival , and The Oxford Handbook of Contemporary British and Irish Poetry . His research explores intersections between poetry, economics, and cultural identity, with a focus on publishing policies and lyrical forms. He remains active in mentoring emerging writers and fostering interdisciplinary collaboration.

Heather InwoodView profile

Associate Professor

• Contemporary Chinese literature
• Poetry studies
• Digital humanities
• +5 more

Dr. Heather Inwood serves as University Associate Professor in Modern Chinese Literature and Culture within the Faculty of Asian and Middle Eastern Studies at the University of Cambridge. She is also a Fellow and Director of Studies at Trinity Hall, maintaining dual institutional affiliations that support her teaching and research activities across undergraduate and postgraduate programs. Her educational background includes a BA in Chinese Studies from the University of Cambridge (Trinity Hall), followed by advanced studies at Tsinghua University and Peking University, culminating in a PhD in modern Chinese literature from SOAS, University of London in 2008. Prior academic appointments include Assistant Professor at The Ohio State University (2008-2013) and Lecturer in Chinese Cultural Studies at the University of Manchester before returning to Cambridge in 2016. Professor Inwood's research program investigates the dynamic interactions between digital media and literary production in contemporary China, with particular focus on poetry communities, genre fiction, and transmedia storytelling. Her work bridges traditional literary analysis with digital humanities approaches, examining how online platforms transform authorship, reception, and cultural value. She has pioneered scholarship on internet poetry scenes, demonstrating their vitality despite public perceptions of poetry's decline in modern China. Her publication trajectory reveals a clear evolution from early work on poetry communities ( Verse Going Viral: China's New Media Scenes , 2014) toward broader investigations of digital narrative forms, game studies, and Sinophone cyberspace. Recent publications increasingly engage with science fiction, transmedia storytelling, and the algorithmic structures shaping literary production, reflecting both the changing digital landscape and her expanding methodological toolkit. Professor Inwood actively supervises five PhD students working on diverse projects spanning Misty poetry, queer narratives, gender studies, and poetic animality, demonstrating her commitment to nurturing next-generation scholarship in Chinese literary studies. Her research has been supported by British Academy Small Grants and similar funding mechanisms that enable sustained fieldwork and publication. Her teaching responsibilities include undergraduate courses on East Asian media and popular culture, Modern Chinese texts, and Modern Chinese literature, connecting classroom instruction directly to her research expertise. She also maintains public engagement through Chinese-language columns for BBC China and other media outlets, bridging academic and public discourse on contemporary Chinese culture.

• Medieval Italian Literature
• Renaissance Italian Literature
• Dante Studies
• +7 more

Professor Matthew Treherne is a leading scholar in Italian literature at the University of Leeds, where he holds the position of Professor of Italian Literature in the School of Languages, Cultures and Societies within the Faculty of Arts, Humanities and Cultures. He currently serves as Pro-Dean for Research and Innovation, and co-directs the Leeds Centre for Dante Studies. His research bridges medieval and Renaissance literature with contemporary issues such as finance, ecology, and technology. PhD in Italian Literature, University of Cambridge (2007) Diploma in Management Studies, Judge Business School, University of Cambridge (2000) M.Phil in European Literature (Distinction), University of Cambridge (1999) BA in Modern and Medieval Languages (First-class), University of Cambridge (1997) Matthew Treherne's research focuses on Dante and late-medieval religious culture, with a strong emphasis on the liturgical imagination and theological discourse in poetry. He explores how Dante’s work can inform modern debates on the ecological crisis, financialisation, and time. His interdisciplinary approach integrates theology, philosophy, and cultural studies. He leads the project The Cultural Life of Money and Finance , which investigates how the humanities can shape financial futures. His recent publications include Dante’s ‘Commedia’ and the Liturgical Imagination and co-edited volumes on Dante’s theology. His recent scholarly articles and chapters show a consistent engagement with Dante’s theological and poetic structures, Tasso’s religious poetry, and the role of art and liturgy in early modern culture. Themes such as sacramentality, time, vision, and interdisciplinarity recur across his work, reflecting a deep commitment to understanding literature as a living, ethically engaged practice. University Teaching Fellowship Developmental University Teaching Fellowship Faculty of Arts Development Teaching Prize Treherne has supervised numerous PhD students and fosters research-led teaching, notably through projects like Discover Dante and the Leeds Dante Podcast . He has led major research initiatives, including the AHRC-funded Dante and Late Medieval Florence , and collaborates widely across disciplines and institutions. He is also active in public engagement, contributing to BBC Radio 4’s In Our Time and curating podcast series such as Conversations on Dante and Arts and Humanities Futures . He co-leads the Cultural Life of Money and Finance project with Invisible Flock, blending humanities research with creative practice.

Doyle D. CalhounView profile

Assistant Professor

• Francophone Postcolonial Studies
• African Literature
• Caribbean Literature
• +5 more

Dr. Doyle D. Calhoun serves as University Assistant Professor of Francophone Postcolonial Studies within the Department of French at the Faculty of Modern and Medieval Languages and Linguistics, University of Cambridge, where he is also a Fellow of Peterhouse College. His scholarly profile spans African and Caribbean literary studies, cinema analysis, and historical sociolinguistics with a focus on resistance narratives. His educational trajectory includes a Ph.D. in French from Yale University (2022), an M.A. in Linguistics from KU Leuven, and undergraduate studies in Linguistics and French Literature at Boston College. Additional academic development occurred through residencies at Fondation Camargo (Cassis) and Bibliothèque Marmottan (Paris). Calhoun’s research centers on Francophone postcolonial resistance, particularly suicidal acts against French colonialism as documented in The Suicide Archive (2024). His work excavates silenced histories of Atlantic slavery, abolition movements, and Négritude philosophy through literary and cinematic archives, emphasizing Senegalese and Caribbean contexts. He explores how contemporary writers reconstruct erased narratives of enslaved resistance through transmedia practices. His recent publications reveal a methodological convergence between literary analysis, historical recovery, and decolonial theory. Articles frequently address archival silences in colonial documentation while examining how contemporary artists reimagine resistance through linguistic innovation, cinematic storytelling, and embodied protest. Key thematic clusters include the weaponization of silence, subversive uses of missionary linguistics, and the politics of memory in postcolonial contexts. 2024 Malcolm Bowie Prize (Society for French Studies) 2024 William R. Parker Prize (Modern Language Association) 2021 Ralph Cohen Prize (New Literary History) 2016 Vivien Law Prize (Henry Sweet Society) Calhoun actively mentors graduate students in African/Caribbean literatures and cinema studies, with current projects including Africa after 1848 and Florence . His grant history features academic residencies at Fondation Camargo and Bibliothèque Marmottan, alongside a 2021 scholarship from the latter institution. Public engagement includes the 2025 La Noire de... film symposium and contributions to Los Angeles Review of Books and Salon . He contributes to the Cambridge Language Collective and Polyglossia Magazine while organizing events through Peterhouse. His 2025 podcast appearances on Stegi Radio and New Books Network demonstrate active knowledge dissemination beyond traditional academic channels.

Jocelyn SaidenbergView profile

Lecturer

• Comparative Literature
• Ancient Greek Poetry
• Latin Poetry
• +4 more

Jocelyn Saidenberg is a Lecturer specializing in comparative literature, ancient poetry, and interdisciplinary studies. She holds a doctoral degree in Comparative Literature from the University of California, Berkeley. Her research integrates linguistics, social anthropology, and psychoanalysis to analyze didactic poetry’s transformative potential, as seen in her dissertation Echo Otherwise on Lucretius’s atomic poetics. Her creative work includes multiple poetry collections and essays exploring themes like displacement, existential inquiry, and interdisciplinary art. Key publications span academic interviews and poetry anthologies, with notable works such as kith & kin (2018), Dead Letter (2015), and Shipwreck (2013). Dr. Saidenberg has received prestigious awards including the Frances Jaffer Award and the American Academy of Poets Greenwald Prize (2001). Her creative and critical outputs reflect a sustained engagement with language’s capacity to interrogate human experience across historical and cultural contexts.

• Social and Cultural Anthropology
• Southeast Asia
• Indonesia
• +9 more

Timo Kaartinen serves as Professor of Social and Cultural Anthropology and Vice Dean for Research and Doctoral Education at the University of Helsinki 's Faculty of Political Science . Since 1992, he has conducted extensive research in Southeast Asia with a focus on Indonesia, exploring communicative practices, narratives, and cultural responses to uncertainty. His teaching spans social change in bachelor's, master's, and doctoral programs, covering environmental anthropology, political anthropology, cosmologies, religions, and linguistic anthropology. PhD in Anthropology, University of Chicago (2001) Docent (Adjunct Professor), University of Helsinki (2011) Research interests center on ethical discourse in Indonesian Islamic universities, resource politics in oil palm estates, and linguistic anthropology with emphasis on storytelling, folk poetry, and minority language revitalization. His work combines ethnographic focus on Southeast Asia with theoretical contributions to frontier studies and postcolonial anthropology. Recent publications examine frontier temporalities (2020-2025), Islamic transformations (2019), and oral narrative structures (2017-2013). Key projects include ARCTIC Research Centre (2025-2029), Diversity in Society and Life (DIVSOL) (2025-2030), and Religious Movements in Ethical Life (2019-2023). Grants from the Academy of Finland and University Profiling Funding support these initiatives. Academic activities include keynote speeches at international conferences (e.g., Empowering Local Wisdom 2014, Labor Migration in Asia-Pacific 2013) and editorial roles. He has conducted fieldwork in Indonesia since 1992, focusing on Bandanese cultural heritage and Maluku religious dynamics . His methodological approach combines ethnographic fieldwork with historical document analysis .

Stephen WilleyView profile

Researcher

• American and British Literature
• Experimental Poetry
• Late Modernist Poetry
• +10 more

Stephen Willey is a poet, researcher, and critic affiliated with the School of Arts at the University of London . He serves as Programme Director for BA Creative Writing and English , Admissions Officer , and Director of the Contemporary Poetics Research Centre . His work bridges experimental poetry, political engagement, and cross-cultural collaboration. Research Interests : Sound and concrete poetry Avant-garde poetics Palestinian creative writing workshops Eco-poetics and radical pedagogies Key Projects : Incarceration and Poetry (funded by Council for British Research in the Levant) Living In: Creative Solidarities in Palestine (2020 book) Scientific Awards : Team-Based Fieldwork Award (2020) Artists’ International Development Award (2013) AHRC Collaborative Doctoral Award (2008) Teaching : He teaches modules like Migration Literatures , Climate Change Communication , and Poetry Workshop at Birkbeck, while mentoring PhD candidates in avant-garde poetics, diaspora studies, and creative writing.

Marsha S. CollinsView profile

Professor

• Early Modern Literature and Culture
• Comparative Literature
• Genre Theory
• +4 more

Marsha S. Collins is a Professor of Comparative Literature and Department Chair at the University of North Carolina at Chapel Hill. She specializes in Early Modern European literature, particularly Spanish literature within its broader European context. Her research focuses on romance forms, literature-visual arts intersections, early modern lyric poetry, and court culture. Education includes a PhD in Romance Languages (Spanish) from Princeton University, an MA in Spanish from the University of Wisconsin-Madison, and an AB in Comparative Literature from Smith College. Her research interests span Comparative Literature, Early Modern Studies, Genre Theory, Poetry and Poetics, and Visual Culture. She is currently writing a book titled 'Novel Friendships: Amity and Community in Cervantes’s Don Quijote.' Awarded the John L. Sanders Teaching Award (2000) and prestigious fellowships, her work bridges literary analysis with interdisciplinary approaches. She teaches courses like 'Global Cervantes' and 'Literature of Pilgrimage.'

• spatiality
• literary and cultural geography
• environmental humanities
• +5 more

Johannes Riquet is a Professor in the Department of English at Tampere University , Finland, and Head of English. He directs the Spatial Studies and Environmental Humanities research group and leads interdisciplinary projects such as Mediated Arctic Geographies funded by the Academy of Finland (EUR 480,000, 2019–2023). Research Interests : Spatial theory, literary geography, environmental humanities, Arctic studies, mobility, and deconstruction. Recent Publications include monographs on island aesthetics, Arctic geopoetics, and co-edited volumes with Wesleyan UP and Manchester UP. His work spans cinematic geographies, Arctic comics, and hip-hop narratives. Grants : Principal Investigator for Mediated Arctic Geographies (Academy of Finland, 2019–2023). Collaborative Projects : Co-curated Circumpolar Connections with Indigenous scholars, integrating Arctic and Indigenous knowledges.