Find Academic Supervisors

Martin Procházka is Professor of English, American, and Comparative Literature at the Faculty of Arts, Charles University, Prague. He holds visiting roles at the University of Porto and the University of Kent, including Honorary Visiting Professor since 2021. His research spans Intercultural communication Romanticism Comparative literature Scottish literature American colonial literature , with a focus on authorship, adaptation studies, and the intersections of European Romanticism with Czech cultural contexts. Procházka's recent publications include the 2024 edited book From Shakespeare to Autofiction , which critically engages with Roland Barthes and Michel Foucault's theories of authorship, and the 2022 theoretical work on autopoietic systems and intercultural communication. His scholarship often bridges historical and contemporary debates, such as in the 2021 Romanticism and Periodisation roundtable. He has received the Comenius Medal (1992) for educational research and led the H2020 MSCA ITN European Joint Doctorate Migration and Modernity (MOVES) from 2018 to 2023. Procházka also served as President of the Czech Association for the Study of English (2004-2014) and on the Advisory Board of the International Association of Byron Societies (1999-2024). As founding editor of the Scopus-indexed journal Litteraria Pragensia , he has shaped academic discourse on literary theory and comparative studies. His work on Scottish Enlightenment and Czech modernist reception of William Blake highlights his interdisciplinary approach.

• Intercultural communication
• American colonial literature
• Comparative literature
• +2 more

Dr. Soonja Choi is a Research Professor in the Comparative Psycholinguistics Group at the University of Vienna and Director of the Korean Studies Program at San Diego State University (SDSU), where she holds the title of Professor Emerita of Linguistics. She earned her Ph.D. in Linguistics from the University of Buffalo (1986) and holds advanced degrees from institutions in France and South Korea. Her research focuses on language and thought, semantics, spatial language, and Korean linguistics, with a particular emphasis on cross-linguistic studies of spatial categorization and its cognitive implications. Research Contributions: Her work has explored how language influences spatial perception and cognition, notably through long-term collaborations with the Max Planck Institute for Psycholinguistics and the National Science Foundation. Key contributions include studies on spatial term development in Korean/English children and cross-linguistic comparisons of spatial semantics between German, Korean, and English. Grants & Awards: Secured over $1.4M in grants including a EUR 600,000 Vienna Science Fund grant (2016-2020) and multiple NSF awards. Elected to the Academy of Europe (2019) as an Ordinary Member. Professional Roles: Served as Chair of SDSU's Department of Linguistics and Oriental Languages (1997-2000, 2001-2002), Graduate Advisor (multiple terms), and editorial board member for Language, Interaction, and Acquisition . Active in academic governance and international linguistic organizations.

• Language and Thought
• Semantics
• Language Acquisition
• +3 more

Claus Lamm is a Full Professor of Biological Psychology at the University of Vienna , where he leads the Social, Cognitive and Affective Neuroscience Unit (SCAN-Unit) . He serves as Vice Dean for Research and Advancement of Early Career Researchers at the Faculty of Psychology and holds affiliations with the Vienna Cognitive Science Hub , Environment & Climate Change Hub , and Austrian Academy of Sciences . His academic career spans international collaborations and formative research experience abroad. Scientific Focus: Lamm investigates the neural underpinnings of empathy and prosocial behavior , employing multi-modal approaches combining neuroimaging, psychopharmacology, and psychoneuroendocrinology . His work extends to comparative studies with ravens and dogs, and explores environmental social neuroscience through climate change decision-making research. Recent publications show trends in cross-cultural psychology , machine learning applications , and neurobiological pathways related to social behavior. Awards & Grants: Recipient of the APS Mentor Award for his support of early career researchers. Funded by European Research Council , Austrian Science Fund , Vienna Science and Technology Fund , and intramural grants exceeding €10 million. Key projects include "Unravelling the opioid system in empathy" and "Comparative dog-human fMRI" . Media Engagement: A prominent public science communicator, Lamm has appeared in Nature , Science Magazine , and Austrian media outlets like Ö1 Mittagsjournal and ORF2 , discussing topics from pandemic psychology to social media effects . He maintains active outreach through Science TV and educational programs .

• Empathy
• Prosocial Behavior
• Social Neuroscience
• +5 more

Jürgen König is a full professor at the Department of Nutritional Sciences , University of Vienna, leading the Research Professorship Specialized Human Nutrition . His work bridges psychological and physiological dimensions of eating behavior, with additional focus on population-level nutritional assessment in Austria. Academic Rank: Professor Department: Nutritional Sciences Research Focus: Hunger/satiety mechanisms, Public health nutrition, Food safety Key research themes include: Psychological drivers of eating behaviors (stress, food craving, sensory cues) Physiological regulation of nutrient homeostasis National nutrition surveys assessing dietary patterns Caloric restriction and metabolic adaptation Child and adolescent hydration/nutrition policies Recent publications highlight: Mechanistic studies on caloric restriction effects (2025) Pandemic impacts on school nutrition (2024) Global obesity/diabetes trends analysis (2024) Behavioral nudging in food selection (2024) Microbiota's role in dietary interventions (2023) Contact: juergen.koenig@univie.ac.at | Sekretariat: sekretariat.ew@univie.ac.at

• Nutritional Sciences
• Eating Behavior
• Public Health Nutrition
• +4 more

Helmut Leder is a Professor at the University of Vienna, specifically within the Faculty of Psychology's Department of Cognition, Emotion, and Methods in Psychology. He serves as Head of the Vienna Cognitive Science Hub, integrating interdisciplinary approaches to study aesthetic experiences and cognitive processes. His academic profile includes teaching courses in General Psychology, Cognitive Psychology, and Neurosciences, alongside supervising master's and doctoral thesis seminars focused on perception and neuroaesthetics. Key Research Areas : Empirical Aesthetics, Cognitive Psychology, Visual Perception, Cross-Cultural Psychology, Urban Art Impact, Mental Imagery Studies Methodological Focus : Eye-tracking, Machine Learning Analysis, Cross-Cultural Comparisons, Field Experiments, Neuroimaging Recent Contributions : Investigated urban art's role in stress reduction, developed network models of aesthetic experiences, explored non-visual color navigation for the blind, and applied machine learning to art evaluation. His work bridges psychology with cultural studies, examining how aesthetic experiences shape well-being and cognitive processes. Current projects emphasize the neural and behavioral distinctions between real and imagined art encounters, while challenging traditional gender-based perception models.

• Empirical Aesthetics
• Cognitive Psychology
• Neuroaesthetics
• +4 more

Univ.-Prof. Torsten Möller, PhD is a Professor at the University of Vienna and serves as Head of the Research Group Visualization and Data Analysis and Head of the Research Network Data Science. His work spans data visualization, visual analytics, and human-computer interaction, with a focus on biomedical, environmental, and societal data applications. Academic rank: Professor Research group: Visualization and Data Analysis Network: Data Science Email: torsten.moeller@univie.ac.at Research interests include: Visual data analysis for complex systems Interdisciplinary applications in climate science and medicine Human-computer interaction in data exploration Image processing and computer graphics Recent publication trends show expertise in: Visualizing climate change and pandemic data Multi-volumetric and network analysis Algorithmic transparency and user-centered design Interdisciplinary collaborations (e.g., astrophysics, medical imaging) Statistical and uncertainty visualization Design frameworks for visualization recommendation Teaching includes courses in: Computer graphics and visualization Image processing and analysis Human-computer interaction Data analysis projects Doctoral research seminars

• Data Visualization
• Visual Data Analysis
• Data Science
• +3 more

Alan Bovik is the Cockrell Family Regents Endowed Chair Professor in the Department of Electrical and Computer Engineering at The University of Texas at Austin's Cockrell School of Engineering. He also holds positions at The Institute for Neurosciences and serves as Director of the Laboratory for Image and Video Engineering (LIVE). With a career spanning over three decades at UT Austin, he has progressed from Assistant Professor (1984-1988) to Associate Professor (1988-1994) to his current position as Full Professor (1994-present). Dr. Bovik received his Ph.D. in Electrical and Computer Engineering in 1984 from the University of Illinois, Urbana-Champaign. Professor Bovik's research focuses on image and video quality assessment, visual perception, and digital media processing. He is renowned for developing groundbreaking algorithms including the Structural Similarity (SSIM) index, Visual Information Fidelity (VIF), and various blind quality assessment models like BRISQUE and NIQE. His work bridges engineering and neuroscience, creating perception-based models that optimize visual media delivery while reducing bandwidth consumption. These innovations have had profound industry impact, with his algorithms processing a significant proportion of global internet video traffic. His recent publications demonstrate continued leadership in perceptual quality assessment, with increasing focus on AI-generated content, high dynamic range (HDR) video, and novel applications in medical imaging. The research shows a clear trajectory toward more sophisticated, neural network-based quality metrics that better align with human visual perception across diverse content types. Professor Bovik has received numerous prestigious awards recognizing his contributions to the field: John Fritz Medal (2024) IEEE Edison Medal (2022) IAMB BaM Award (2022) Elected to the United States National Academy of Engineering (2022) Technology and Engineering Emmy Award (2021) IEEE Fourier Award for Signal Processing (2019) Progress Medal from The Royal Photographic Society (2019) Named Honorary Fellow of The Royal Photographic Society (2019) Primetime Emmy Award (2015) Edwin H. Land Medal from The Optical Society (2017) As Director of the Laboratory for Image and Video Engineering (LIVE), Professor Bovik has secured substantial research funding from organizations including the National Science Foundation and the National Institute for Standards and Technologies. His lab has produced numerous influential datasets including the LIVE Image and Video Quality Databases. He has mentored many successful students who have gone on to make significant contributions in academia and industry, though specific student names are not provided in the source materials. The Laboratory for Image and Video Engineering (LIVE) under Professor Bovik's direction has become a world-renowned center for research in perceptual image and video quality. The lab maintains close collaborations with major technology companies including Netflix, Amazon, and YouTube, ensuring that research has direct practical applications. LIVE has developed numerous influential tools and databases that are widely used in both academic research and industrial applications worldwide.

• Image quality
• Video compression
• Streaming video
• +7 more

Jussi Parikka is a Professor in Technological Culture and Aesthetics at the Winchester School of Art, University of Southampton (UK), and a Visiting Professor at FAMU, Academy of Performing Arts in Prague. He holds an adjunct professorship at the University of Turku, Finland. His research spans media archaeology, environmental humanities, and new materialism, focusing on intersections of technology, ecology, and culture. Education: PhD in Cultural History, University of Turku, 2007 Licentiate of Philosophy in Cultural History, University of Turku, 2004 Master of Arts in Cultural History, University of Turku, 2002 Research Interests: Parikka investigates media archaeology, environmental media studies, and digital culture. Key themes include the geology of media, operational images, and the ecological implications of technological systems. His work bridges art, science, and philosophy, addressing urgent issues like climate change and data infrastructures. Awards & Honors: 2021: Elected Member of Academia Europaea 2012: Anne Friedberg Award (SCMS) for Insect Media 2016: Choice Magazine Outstanding Academic Title ( A Geology of Media ) 2017: Moebius Fellowship (Kone Foundation) Grants & Projects: Parikka leads the Digital Aesthetics Research Centre (DARC) and collaborates on initiatives like the Critical Environmental Data project with the Helsinki Biennial. His work integrates art, science, and activism, addressing topics such as environmental sensing and climate justice. Labs/Teams: Director of the Digital Aesthetics Research Centre (DARC), Aarhus University, and co-curator of exhibitions like Weather Engines (Onassis Stegi, Athens).

• Environmental humanities
• Media archaeology
• Media ecology
• +3 more

Markus Vincze is an Associate Professor at the Institute of Automation and Control Engineering (ACIN) at Vienna University of Technology (TU Wien). He founded the Vision for Robotics (V4R) group in 1996 to advance robotic perception, particularly in real-world environments and homes. His work focuses on cognitive computer vision techniques for robotics. Education: Diplom in Mechanical Engineering (1988) and PhD (1993) from TU Wien; M.Sc. (1990) from Rensselaer Polytechnic Institute. V4R coordinates EU projects like ActIPret, robots@home, HOBBIT, and national initiatives like vision@home. Markus has edited a book on Robust Vision with Gregory Hager and authored 62 peer-reviewed journal articles and over 400 reviewed publications. His recent research explores zero-shot 6D pose estimation, sim-to-real transfer, and transparent object detection. Markus has served as program chair for ICRA 2013 and organized HRI 2017 in Vienna. He has advised numerous students and secured grants from the Austrian Academy of Sciences for work at HelpMate Robotics and Yale's Vision Laboratory. The V4R group leads innovations in robotic vision, including frameworks for synthetic data generation (Unrealgensyn), depth completion (CAGT), and educational robotics applications for sustainability. Their work spans household robotics (RH3), agricultural robotics (EdgeSoil), and human-robot collaboration.

• Robotics
• Computer Vision
• Human-Robot Interaction
• +5 more

Claudia Lehmann is a University Professor of Film Art & Visual Communication at the Institute for Open Arts, Department of Scenography at Mozarteum University Salzburg. She has been a professor at Mozarteum University since 2019 and previously served as a visiting professor at the Berlin Weissensee Art Academy. As a faculty member, she contributes to the Institute management, teaches as a Teacher, and serves on the Curricular Commission. Dr. Lehmann holds a doctorate in physics (Dr. rer. nat.) with her dissertation "GAUGE COVARIANT MULTISCALE ANALYSIS OF COMPLEX SYSTEMS" published through DESY-Publications in 2004. Her academic journey reflects a unique interdisciplinary trajectory from scientific research to artistic practice. Claudia Lehmann's research interests center around the intersection of art and science, with particular focus on perception, reality, and systemic phenomena. Her work spans documentaries, feature films, music videos, art videos, installations, and performances, constantly searching for new forms and formats. She develops visual concepts, video stage sets, and unique live video performances, often in collaboration with Nicolas Stemann. Through her work, she explores diverse possibilities for new structures, especially in the form of artistic collaboration. Her recent artistic output shows a consistent trend toward interdisciplinary work that blends theater, film, and digital media. Lehmann frequently collaborates with Nicolas Stemann and Konrad Hempel, creating innovative performances that integrate video technology with traditional stagecraft. Her work often addresses social and political themes while experimenting with form and presentation. The Institute for Experimental Affairs (IXA), which she co-founded with Konrad Hempel, serves as a platform for exploring the interfaces between science and art through various projects and research initiatives. Dr. Lehmann has received several prestigious awards for her work: Samsung Smartfilm Award 2013 Shocking Shorts Award 2007 Nomination for German Documentary Film Music Prize 2013 Nomination for Studio Hamburg Young Talent Prize for Best Screenplay As an educator and researcher, Lehmann has developed numerous collaborative projects and performances that have been featured at major international festivals including the Berlin International Film Festival, Leipzig Documentary Film Festival, and various theater festivals. Her work with IXA represents a significant research initiative at the intersection of science and art. Lehmann co-founded the Institute for Experimental Affairs (IXA) with visual artist and composer Konrad Hempel. Through IXA, she conducts research and realizes projects at the interfaces between science and art. Her collaborative work spans theater productions, film projects, and interactive installations that have been presented at venues including the Schauspielhaus Zürich, Münchner Kammerspiele, Opéra Comique Paris, and various international festivals.

• Film Art
• Visual Communication
• Video Installation
• +7 more

Matthew Pelowski is an Associate Professor at the University of Vienna , affiliated with the Faculty of Psychology and the Institute for Psychology of Cognition, Emotion and Methods . He is a key member of the Cognitive Science Research Network . PhD in Information Science, Nagoya University (2011) MSc in Information Science, Nagoya University (2007) BFA in Studio Art (Oil Painting), University of Nebraska-Lincoln (2002) BJ in Advertising, University of Nebraska-Lincoln (2002) Pelowski's research bridges neuroaesthetics and cognitive neuroscience , focusing on how art impacts well-being , empathy , and social development . His work employs advanced neuroimaging techniques like fNIRS and hyperscanning to study interpersonal brain dynamics during art appreciation, while also exploring the relationship between artistic creativity and neurodegenerative diseases . Pelowski's recent publications reveal a strong focus on art's therapeutic potential , cross-cultural aesthetic differences , and temporal dynamics in art evaluation . His work has been recognized with prestigious awards including the APA Berlyne Award and the Alexander Gottlieb Baumgarten Award . American Psychological Association (APA) Berlyne Award (2020) Alexander Gottlieb Baumgarten Award (2016) Association of Media & Publishing Excel Awards Bronze Prize (2021) As Consortium Leader for projects like ARTIS (Horizon2020) and Unlocking the Muse (FWF), Pelowski drives transdisciplinary research connecting art with societal challenges and neurodegenerative disease studies . His work has been featured in over 30 media reports, demonstrating significant public engagement and societal impact.

• Neuroaesthetics
• Empirical Aesthetics
• Cognitive Neuroscience
• +7 more

Johannes Grave is Professor of Early Modern Art History at Friedrich Schiller University Jena (since 2019), having previously held professorships at Bielefeld University (2012-2019) and deputy directorship at the Centre allemand d'histoire de l'art in Paris (2009-2012). He earned his PhD from the University of Jena with a dissertation on Goethe's print collection. His research explores art theory, European Romanticism, and historical image studies, with emphasis on: Temporality in visual perception Comparative practices in art analysis German/French/Italian painting traditions The intersection of aesthetics and social imagination His publications demonstrate consistent focus on Romantic landscapes (especially Caspar David Friedrich), Renaissance aesthetics, and redefinitions of the sublime. Recent works critically engage with art historiography, copyright debates, and exhibition politics. Notable scientific recognition includes: Gottfried Wilhelm Leibniz Prize (2020) Hans Janssen Prize for European Art History (2012) Fellowships at DFG research groups in Berlin, Bielefeld, and Greifswald He leads doctoral projects on Romantic art, image comparison, and museology, supervising 18+ PhD candidates. As speaker for the cluster initiative Imaginamics and CRC 1288 'Practices of Comparing', he coordinates interdisciplinary teams exploring social imagination dynamics.

• Art history around 1800
• European Romanticism
• Picture theory
• +5 more

Marc Pollefeys is a Full Professor of Computer Science at ETH Zurich and Director of the Microsoft Mixed Reality and AI Zurich Lab. He has held roles such as Visiting Professor at Stanford University (2007) and Assistant/Associate Professor at UNC-Chapel Hill (2002–2009). His research focuses on 3D computer vision, robotics, machine learning, and augmented reality. Education: PhD in Computer Science from KU Leuven (1999), followed by postdoctoral research there until 2002. He transitioned to academic roles at UNC-Chapel Hill before joining ETH Zurich in 2007. Research interests include 3D reconstruction, visual localization, SLAM, and applications in archaeology, urban modeling, and robotics. Notable projects include real-time 3D scanning, city-scale reconstruction, and autonomous vision-based drones. Key awards include ACM Fellow (2022), IEEE Fellow (2012), and ERC Starting Grant (2008). He advises numerous PhD students and collaborates with institutions like Google and Microsoft. Labs and teams: Leads the Computer Vision and Geometry (CVG) lab at ETH Zurich and directs the Microsoft Mixed Reality and AI Lab. His work bridges academia and industry, focusing on perception for mixed reality and autonomous systems.

• 3D Computer Vision
• Robotics
• Machine Learning
• +5 more

Professor Maxine Berg is a distinguished historian at the University of Warwick, where she has served as Professor of History since 1998. She is the Founding Director of both the Global History and Culture Centre (2006-2010) and the Warwick Eighteenth Century Centre (1998-2007), and directed the Luxury Project from 1998-2002. Her academic journey began in the Department of Economics at Warwick (1978-1993) before moving to the Department of History. Her educational background includes: BA Hons, Simon Fraser University, Canada (1967-71) MA, University of Sussex (1971-72) DPhil, Oxford (1972-76) Professor Berg specializes in global and world history, economic and social history, and historiography. Her research has significantly shaped our understanding of global trade networks, the development of consumer culture in the eighteenth century, and the connections between luxury goods, economic development, and cultural exchange. She has pioneered interdisciplinary approaches that connect economic history with cultural studies, examining how material culture and consumption patterns have shaped historical developments across national boundaries. Her work on the 'Cultures of Consumption' has been particularly influential in reframing historical narratives around economic development. Her scholarly output demonstrates a clear trajectory from examining British economic history toward increasingly global perspectives, culminating in her leadership of the Global History and Culture Centre. The publications reveal a consistent focus on how material culture, particularly luxury goods, served as conduits for cultural exchange and economic development across national boundaries during the eighteenth century. Her contributions to the field have been recognized through prestigious awards including: ERC Advanced Researcher Fellowship Honorary Fellow of Balliol College, Oxford (2007-present) Fellow of the British Academy (2004-present) Guggenheim Fellowship (2003-2004) Professor Berg has supervised 12 postdoctoral fellows, including one Marie Curie Fellow, and 10 PhD students (3 completed in 2010), and currently supervises 3 postdoctoral fellows, a Museum fellow, and 4 PhD students. She has been instrumental in organizing international scholarly exchange through 15 international conferences and workshops funded by the Leverhulme Research Interchange and the AHRC Global Arts Research Network (2002-2009), and 5 international conferences on Luxury and Consumption (1998-2003). She served on the Standing Committee and Grants Board of the British Academy, where she played a key role in shaping research funding priorities in historical studies. Her leadership extends to directing major research centers, serving on editorial boards, and participating in professorial appointments committees for universities across the UK, US, and France. She was instrumental in framing and setting up the ESRC Cultures of Consumption Programme and has served on funding panels of major research councils including the ESRC and AHRC.

• Global and world history
• Economic and social history
• Historiography
• +2 more

Ivan Viola is an Associate Professor at the Institute of Computer Graphics and Algorithms, part of the Faculty of Informatics at TU Wien, Austria. He holds a leave of absence until December 2024 while also being affiliated with King Abdullah University of Science and Technology (KAUST) as an Associate Professor funded by the Vienna Research Groups program. His research focuses on visualization techniques in medicine, biological sciences, and earth sciences, with a specialty in illustrative visualization and DNA-nanotechnology applications. Viola has contributed over 100 scientific works and serves as a reviewer and panelist for major conferences in computer graphics and visualization. Education: M.Sc. (2002) and Ph.D. (2005) in Computer Graphics from TU Wien. Postdoctoral research at the University of Bergen (2006-2011), where he became Full Professor before returning to TU Wien. Research Interests: Whole-cell visualization Molecular modeling Interactive 3D environments Biomedical visualization Data-driven colormap techniques Awards: IEEE VIS 2017 Best Paper Honorable Mention, 'Best Overall Concept' for CellView, and multiple visualization awards. Active in EuroVis and IEEE VIS organizing roles. Grants & Supervision: Leads the Visualization Group at TU Wien, supervising student projects and master’s theses. Involved in grants like the Vienna Research Groups program. Labs/Teams: Visualization Group at TU Wien, collaborating on projects like CellView and Molecumentary.

• Visualization
• Computer Graphics
• Biological Visualization
• +3 more