Robert SnarrenbergView profile
Associate Professor
Robert Snarrenberg is an Associate Professor of Music Theory and Composition at Washington University, where he served as Department Chair from 2000-2005. He holds a BM from Covenant College (1979), MM from University of Cincinnati College-Conservatory of Music (1985), and PhD from University of Michigan (1991). His research focuses on Schenkerian analysis, Brahms studies, and computational musicology. Education: Bachelor of Music, Covenant College (1979) Master of Music, University of Cincinnati (1985) PhD in Music Theory, University of Michigan (1991) Snarrenberg's work bridges historical analysis and modern computational methods. His award-winning book Schenker's Interpretive Practice (1997) examines Schenker's analytical rhetoric, supported by a NEH fellowship. Current projects involve Python-based tools like WesterParse for counterpoint analysis. His Brahms studies explore textual-musical relationships in German Lieder, while his Schenker translations clarify foundational theoretical texts. Publications span computational musicology, Schenker interpretation, and Brahms's compositional techniques. Recent work applies machine learning to tonal analysis, reflecting his dual interest in historical and digital methodologies. Awards: Young Scholar Award (Society for Music Theory, 1998) NEH Fellowship (1995) Jacob K. Javits Fellowship (1987–89) Teaching focuses on counterpoint, tonal analysis, and German art song. He advises graduate research on Schenkerian theory and computational musicology. Ongoing projects include translating Schenker's Der Tonwille and developing AI tools for music analysis.









