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Michael Lucey is the Sidney and Margaret Ancker Chair and Distinguished Professor of French and Comparative Literature at the University of California, Berkeley. His work bridges French literature from the 19th to 21st centuries with social theory, sexuality studies, and linguistic anthropology. He has authored the critically acclaimed What Proust Heard: Novels and the Ethnography of Talk (2022) and Thinking about Sexuality with Novels (forthcoming). As founding director of the Center for the Study of Sexual Culture , he has shaped interdisciplinary research in queer theory and gender studies. Current research focuses on novels as ethnographic tools Specializes in Proust, Balzac, Woolf, and contemporary French fiction Translation work includes Didier Eribon and Édouard Louis His recent articles explore phonetics in narrative, readability frameworks, and sociological implications of literary form. He actively engages with comparative methodologies and critical theory, while his teaching spans British and American literature’s intersections with French modernism. Lucey’s academic leadership includes directing Berkeley’s Center for the Study of Sexual Culture, which supports global discourse through fellowships and conferences. His office hours are held in Dwinelle Hall and via Zoom. Contact: mlucey@berkeley.edu

• French Literature
• Comparative Literature
• Sexuality Studies
• +7 more

Vincent J. Cheng is a Distinguished Professor of English at the University of Utah, holding appointments since July 2019. He previously served at the University of Southern California (1979–2019) in roles including Professor of English and Director of Asian American Studies. His academic leadership includes directing the Tanner Humanities Center (2003–2007). Cheng specializes in modernist literature, particularly James Joyce, with research focusing on cultural memory, national identity, and postcolonial studies. He has authored influential works like Amnesia and the Nation and edited volumes on Joyce’s legacy. Recognized for teaching excellence, he received the Calvin S. and JeNeal Hatch Prize in Teaching (2024) and the Distinguished Teaching Award (2014). Cheng’s research integrates philosophy, history, and literature, exploring themes like migration, empathy, and ethical remembrance. His recent work analyzes Joyce’s treatment of memory and history, connecting Irish and American Southern narratives. He also contributes to Joyce Studies Annual and serves on editorial boards for Western Humanities Review . Teaching-wise, he leads advanced seminars on literary studies and British writers, guiding Ph.D. thesis research. Award highlights include the Fulbright Scholar Award (2015) and the Carole & Gordon Segal Visiting Chair in Irish Studies (2014). He remains active in community outreach, such as presenting Joyce’s Dubliners to high school students. His interdisciplinary approach bridges literary analysis with cultural and ethical inquiry.

• Literary Studies
• Modernist Literature
• Irish Literature
• +3 more

Lindsay Turner is an Associate Professor in the Department of English at Case Western Reserve University. A poet, critic, and translator, her work bridges creative writing, translation theory, and interdisciplinary research. Her prior role as Assistant Professor at the University of Denver’s Department of English and Literary Arts underscores her commitment to literary education. AB in English, Harvard College Masters in cinema studies, Université Paris III Sorbonne-Nouvelle MFA in poetry, New York University PhD in English, University of Virginia Turner’s research spans creative writing , transnational poetry , and gender studies , with a focus on the intersections of literature and labor. Her recent work examines gendered domestic and reproductive labor through poetic forms. Key trends in her publications include experimental translation , queer theory , and postcolonial philosophy . National Translation Awards Best Translated Book Awards French American Foundation recognition She has received grants such as the WPR Creative Grant from Harvard’s Woodberry Poetry Room and multiple French Voices Grants . Her translations have been praised by The New Yorker and The New York Times for their intellectual rigor and stylistic innovation.

• Creative Writing
• Poetry
• Literary Translation
• +4 more

Emilia Oddo is an Associate Professor of Greek Archaeology in the Department of Classical Studies at Tulane University. She holds a Ph.D. in Classics from the University of Cincinnati (2016), an M.A. in Classics from the University of Cincinnati (2010), and an M.A. from Katholieke Universiteit Leuven, Belgium (2007). Her research focuses on the archaeology of Bronze Age Crete, particularly the Late Bronze Age (Neopalatial period), with a specialization in pottery styles and their social implications. She leads excavations at Knossos, analyzing pottery from Sir Arthur Evans’ early 20th-century excavations to understand ritual practices and architectural functions. In 2024, she will lead a student field trip through the Greek Islands organized by the American School of Classical Studies at Athens. Her publications include Knossos: The House of the Frescoes (2022) and South by Southeast: The History and Archaeology of Southeast Crete (2022), which explore Minoan social dynamics and regional identity. Her work highlights how pottery styles reflect communal identity and ritual behaviors. Recent research reinterprets Evans’ archival materials to reveal new insights into Knossos’ urban context and ritual spaces. Teaching courses like CLAS-2320 (Greek Religion) and CLAS-3170 (Greek Art and Archaeology), Oddo bridges academic scholarship and pedagogy. Her field projects emphasize interdisciplinary methods, such as ceramic regionalism and contextual analysis, to reconstruct Bronze Age Cretan society. She actively contributes to archaeological discourse through edited volumes and peer-reviewed articles.

• Greek Archaeology
• Bronze Age Crete
• Late Bronze Age Pottery
• +4 more

Ksana Blank is a Senior Lecturer at Princeton University’s Department of Slavic Languages and Literatures. She coordinates the Russian Language Program and directs the Princeton-in-Petersburg Program, fostering academic exchange and interdisciplinary research. With a PhD in Russian Literature (Columbia University, 1997) and a BA in French Philology (St. Petersburg State University, 1979), her academic career spans over two decades at Princeton, preceded by teaching roles at Hunter College and Middlebury College Russian Summer School. Education: PhD, Russian Literature, Columbia University (1997) BA, French Philology, St. Petersburg State University (1979) Her research centers on Russian literature, emphasizing stylistic analysis and interdisciplinary connections with music, visual arts, folklore, and religious philosophy. Notable works include studies on Dostoevsky’s dialectics, Gogol’s The Nose , and the interplay between Russian modernism and Western art movements. She has authored multiple books and articles, many translated into Russian, and has published in academic journals across Russia, Europe, and China. Recent publications explore Dostoevsky’s paradoxes, Gogol’s linguistic innovation, and the intersection of Russian literature with music (Shostakovich), art (Malevich), and philosophy. Her 2023 book Парадоксы классики expands traditional interpretations of classic works through interdisciplinary lenses, while her 2021 The Nose guide deciphers Gogol’s wordplay and its narrative function. Earlier works address Tolstoy’s spiritual crisis and Bakhtinian dialogism in Russian literary theory. While no scientific awards are listed, her contributions to pedagogy include advanced Russian language courses and graduate-level Tolstoy studies. She currently works on Leo Tolstoy’s The Prisoner of the Caucasus and teaches courses on Russian literature, spirituality, and translation.

• Russian Literature
• Stylistics
• Interdisciplinary Studies
• +3 more

Carol Apollonio is a Research Professor in the Department of Slavic and Eurasian Studies at Duke University's Trinity College of Arts & Sciences. She specializes in Russian literature, Russian-Japanese translation, and language pedagogy, with a career spanning academia and high-level U.S. Government interpretation in nuclear weapons negotiations. Education: Ph.D. in Slavic Languages and Literatures (1987) from University of North Carolina, Chapel Hill Her research focuses on Anton Chekhov's literary legacy, cross-cultural translation dynamics, and pedagogical innovation. Recent publications in The Times Literary Supplement explore Chekhov's reception in English-speaking contexts and translation methodologies. Professional Activities: Co-editor of Chekhov's Letters (2018) Translator of Alisa Ganieva's works (2015-2022) Public intellectual contributions on Russian culture and academic labor

• Russian Literature
• Translation Studies
• Language Pedagogy
• +3 more

Alexander Key is an Associate Professor of Comparative Literature at Stanford University, specializing in Classical Arabic literature and the intellectual history of Arabic and Persian-speaking worlds from the 7th century onwards. His scholarship focuses on the philosophy of language, literary theory, and cross-cultural translation. Ph.D. in Arabic and Islamic Studies from Harvard University (2012) Current research: Arabo-Persian linguistic intersections, poetics in translation, and pre-modern theories of syntax and affect His articles span diverse eras and topics, including: Medieval Arabic language philosophy (5th–11th century) Modern Arabic political poetry analysis (20th–21st century) Comparative methodologies bridging Islamic and Western traditions A key editorial role includes: Board Member of Stanford University Press Advisory roles at Habib University and Stanford’s Markaz Resource Center His work bridges academic publication with public discourse through: Contributions to Arcade Colloquy Interviews on poetics, religion, and contemporary politics Podcasts and literary salon discussions

• Classical Arabic literature
• Arabic philosophy of language
• Persian literature
• +5 more

Andrew Ollett is an Associate Professor and Director of Graduate Studies in the Department of South Asian Languages and Civilizations at the University of Chicago , where he has taught since 2019. His research focuses on the literary and intellectual traditions of South and Southeast Asia, particularly through works in Sanskrit, Prakrit, Apabhramsha, and Kannada from the first millennium CE. Co-founder and editor of NESAR (New Explorations in South Asia Research) Director of NEH-funded edition/translation of the Kavirājamārga (earliest Kannada literary manual) Expert in Prakrit and Kannada literary traditions His work explores the 'question of language'—examining how language choice shaped cultural production and change in premodern India. Current projects include a monograph on context-sensitivity in Indian language theories and a study of manuscript technology's impact on early South Asian knowledge communities. He has authored The Mirror of Ornaments (Naples: Unior Press, 2025) and Language of the Snakes (UC Press, 2017), and co-authored Lilavai (Harvard, 2021). Recent publications include interdisciplinary studies on: Sanskrit-Prakrit campū genre reevaluation Pragmatics in Mīmāṁsā interpretive concepts Manuscript literacy's influence on literary forms Historical linguistics of Middle Indic syllable reduction Philosophy of language in Śālikanātha and Kumārila Bhaṭṭa Awarded the NEH 'Scholarly Editions and Translations' grant , he teaches classical South Asian literature courses covering Sanskrit, Prakrit, and Tamil traditions. He maintains digital resources including a Prakrit Digital Texts Project and Mīmāṁsādigdarśinī digital text repository, and actively contributes to open-access scholarship.

• Poetics
• History of Literature
• Intellectual History
• +9 more

Eric Beeko is a Teaching Assistant Professor in the Department of Africana Studies at the University of Pittsburgh, affiliated with the Kenneth P. Dietrich School of Arts and Sciences. His teaching focuses on African studies, including courses like African Civilization, Liberation Movements, and Music in Africa. He holds a Ph.D. in Ethnomusicology from the University of Pittsburgh (2005), alongside advanced degrees from institutions in Ghana. His research explores African musical traditions, cultural practices, and performance aesthetics. Current projects include studies on Neo-Pentecostal/Charismatic church music in Ghana and the interplay between tradition and modernity. Future research plans involve multi-volume studies on African linguistic-cultural distribution and Black performance practices globally. Publications include analyses of Akan music rights, Ghanaian choral innovations, and African cultural heritage. He is developing works on Neo-Pentecostal worship aesthetics and the role of music in identity expression across the African diaspora. Advising and grants are not explicitly listed, but his scholarly activities emphasize collaborative research in ethnomusicology and cultural studies. He is based in Posvar Hall, Office #4152.

• African Music Traditions
• Cultural Studies
• Ethnomusicology
• +3 more

Dr. Jennifer Sclafani is an Assistant Professor in the Department of Applied Linguistics at UMass Boston . Her research focuses on identity construction , language ideologies , and political discourse .

• Intercultural Communication
• Sociolinguistics
• Language and Identity
• +4 more

David Mimno is an Associate Professor and Chair of the Department of Information Science at Cornell University. He holds a PhD from the University of Massachusetts Amherst and previously worked at the Perseus Project and Princeton University. His research focuses on computational social science, natural language processing, and historical text analysis. Mimno is known for developing the MALLET toolkit, a widely used Java-based platform for machine learning in text processing. He teaches courses such as INFO 4940: How LLMs Work and INFO 6150/CS 6788: Advanced Topic Modeling. His work has been supported by the Sloan Foundation, NEH, and NSF. Mimno advises PhD students in Information Science and Computer Science, emphasizing interdisciplinary research at the intersection of computing and humanities/social sciences. He also contributes to initiatives like AI for Humanists, making large language models accessible for text-as-data research. Bachelor’s degree: Not explicitly stated in text PhD: University of Massachusetts Amherst Research Interests: Mimno explores large language models, topic modeling, cross-lingual semantics, and ethical AI applications in humanities and legal domains. His recent work addresses data curation practices for language models, LLM memorization of poetry, and generative AI’s societal impacts. He co-authored reports on generative AI in academic research and education. Grants & Collaborations: His projects include the Text as Data (TADA) conference and collaborations on generative AI law workshops. Mimno’s MALLET toolkit supports document classification, clustering, and topic modeling, with applications in cultural analytics and computational historiography.

• Natural Language Processing
• Machine Learning
• Computational Social Science
• +4 more

Kristi McKim is an Associate Professor at the School of Literature, Media, and Communication at Georgia Institute of Technology. Her research focuses on film studies with particular emphasis on ecocritical analysis, phenomenological approaches, and feminist cinema. She explores themes such as cinematic weather, love in film, and the intersection of capitalism and art. Her notable works include BFI Film Classics: Rushmore (2023), analyzing the film's critique of perfectionism through ecocritical and feminist lenses; Cinema as Weather (2013), examining weather's role in narrative and stylistic film techniques; and Love in the Time of Cinema (2011), which investigates love and temporality in cinema through close readings of key films. McKim teaches courses like Intro to Film and Contemporary American Indie Film . Her work bridges academic scholarship with accessible film analysis, emphasizing how cinema shapes our understanding of human connection and environmental dynamics.

• Film Studies
• Ecocriticism
• Feminist Theory
• +3 more

Maria Silvia Sarais serves as a Lecturer within the Department of Classical and Oriental Studies at Hunter College, City University of New York (CUNY), where she contributes to both undergraduate and graduate programs in Classical Studies. Her academic profile centers on advanced instruction and research in ancient Mediterranean civilizations, with particular emphasis on literary analysis and cultural interpretation. Her research portfolio encompasses a sophisticated interdisciplinary range of classical scholarship: Latin Poetry, examining stylistic innovations and socio-political contexts in Roman verse Greek and Roman Drama, analyzing theatrical conventions and performance traditions Seneca studies, focusing on philosophical contributions and literary techniques Ancient Literary Criticism, investigating early theoretical frameworks for textual analysis Poetic Theory and Metapoetics, exploring self-referential elements in classical composition Classical Mythology and Contemporary Reception, tracing evolutionary adaptations of mythic narratives Gender and Ethnicity in Classical Literature, interrogating identity construction and representation in antiquity No scientific awards or honors were documented in the provided materials. While the available information does not specify doctoral or master's students under her supervision, nor detail external research funding sources, her role as Doctoral Lecturer indicates active engagement in advanced academic mentorship within Hunter College's graduate program structure. There is no reference to dedicated research laboratories, collaborative teams, or specialized research centers associated with her current academic position.

• Latin Poetry
• Greek and Roman Drama
• Seneca
• +5 more

Si Nae Park is an Associate Professor at Harvard University's Faculty of Arts and Sciences and Director of Graduate Studies for Regional Studies East Asia. Her research focuses on the interplay between cosmopolitan Literary Sinitic and vernacular Korean in premodern East Asia, examining genres like yadam (vernacular stories) and sosŏl ŏrokhae (fiction glossaries). Affiliation: Department of East Asian Languages and Civilizations, Harvard University Role: Director of Graduate Studies for Regional Studies East Asia Her work explores inscriptional ecologies, vernacular reading practices, and the materiality of texts in Chosŏn Korea. She has written on the Tongp’ae Naksong and the evolution of vocal reading practices. Publications include her monograph The Korean Vernacular Story (2020) and peer-reviewed articles on Confucian classics (2019), yadam heritage narratives (2021), and Chosŏn manuscript culture (2022). She co-organized a 2022 Harvard conference on Korean book history. Her current project, Within Earshot , investigates oral-aural dimensions of reading in Chosŏn Korea, analyzing how auditory practices shaped textual authority and literary production. She has contributed to translations of premodern Korean prose and Japanese studies on the Sinographic Cosmopolis.

• Premodern Korean Literature
• Sinographic Cosmopolis
• Literary Sinitic
• +5 more

Steven G. Kellman is a Professor of English at the University of Texas at San Antonio (UTSA), where he has taught since 1976. A leading scholar in comparative literature and literary translingualism, he was UTSA's first Ashbel Smith Professor (1995-2000) and has received numerous accolades including the National Book Critics Circle Balakian Citation and the New York Society Library Award for Biography. His academic foundation includes: Ph.D. in Comparative Literature, University of California at Berkeley (1972) M.A. in Comparative Literature, University of California at Berkeley (1969) B.A. in English & General Literature, State University of New York at Binghamton (1967) Kellman's research focuses on comparative literature, modern and contemporary literature, prose fiction, literary translingualism, film, and biography. He pioneered the study of writers who create in non-native languages, examining how linguistic displacement fuels creativity and shapes identity across cultural boundaries. His work bridges literary analysis with cultural history, particularly in American literature and biography. His recent publications demonstrate sustained engagement with translingualism, pandemic-era literary interpretation, and biographical recovery of marginalized voices. Articles from 2022-2025 reveal consistent thematic threads: re-examining classic texts like Camus' The Plague through contemporary crises, analyzing translingual writing as spiritual practice, and recovering erased narratives in literary partnerships. Honors include the National Book Critics Circle Nona Balakian Citation (2006), New York Society Library Award for Biography (2006), and Gemini Ink Literary Excellence Award (2008). Additional distinctions: UTSA COLFA Researcher of the Year Award (2019-2020) McGinnis-Ritchie Award for Nonfiction (2008) San Antonio Public Library Foundation Arts and Letters Award (2005) Two UTSA President's Distinguished Achievement Awards in Research Excellence (1990-91, 2005-2006) Kellman has secured prestigious fellowships including the Fulbright Distinguished Chair at Sofia University and Harvard's John E. Sawyer Fellowship. He served four terms on the National Book Critics Circle board and edits Brill's Literary Multilingualism series, demonstrating sustained commitment to advancing literary scholarship through editorial leadership and institutional service.

• Comparative literature
• Modern and contemporary literature
• Prose fiction
• +3 more