Frédéric KaplanView profile
Associate Professor
Frédéric Kaplan serves as Director of the College of Humanities at École Polytechnique Fédérale de Lausanne (EPFL), where he holds the Chair of Digital Humanities. He also serves as President of the Time Machine Organisation, a nonprofit entity comprising over 600 institutions. His academic appointments span multiple departments including the Digital Humanities Laboratory (DHLAB), School of Architecture (SAR), and School of Humanities (SODH), demonstrating his interdisciplinary leadership across EPFL's academic structure. Dr. Kaplan's research focuses on the intersection of computational methods and humanities, particularly in historical urban analysis, cultural heritage digitization, and the development of the Mirror World concept. His work bridges computational techniques with historical scholarship, creating new methodologies for analyzing historical documents, maps, and urban structures through advanced digital tools. His research has significant implications for how we understand and reconstruct historical urban environments and cultural heritage. His publication record reveals a strong emphasis on computational approaches to historical data, with recent work focusing on LLM applications for historical cadastre navigation, historical map analysis through deformation patterns, 4D city modeling, and language technology applications for historical document processing. This research trajectory demonstrates an evolving focus from basic digitization toward sophisticated analytical frameworks that extract deeper historical insights from digital representations. Kaplan has supervised numerous doctoral students whose work spans digital heritage applications, historical document analysis, computational cartography, and language technology. His research has been supported through multiple institutional frameworks at EPFL and has resulted in practical applications demonstrated through exhibitions at major institutions including the Venice Architecture Biennale, Grand Palais, Centre Pompidou in Paris, and the Museum of Modern Art in New York. He leads the Digital Humanities Laboratory (DHLAB) which serves as a nexus for computational approaches to humanities research. The lab focuses on developing methodologies for historical data analysis, creating digital tools for cultural heritage institutions, and exploring the theoretical implications of computational approaches to historical scholarship. The lab's work with the Time Machine Organisation represents one of the most ambitious efforts to create comprehensive digital reconstructions of historical urban environments.
