Soundscape Perception Professors and Supervisors | ApplySharif

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Mathevon NicolasView profile

Professor

Graz University of TechnologyAustria

Nicolas Mathevon is a Professor at the University of Saint-Etienne and a Senior Member of the Institut universitaire de France (IUF). His research focuses on bioacoustics and animal communication, spanning from marine mammals to birds. He has held visiting positions at Hunter College (City University of New York) and the University of California, Berkeley. Education Habilitation à diriger les Recherches (2002, University of Saint-Etienne) PhD (1996, University of Lyon 1) Master's Degree (ranked 2nd, University of Lyon 1) Agrégation in Life and Earth Sciences (ranked 8th) Mathevon's research explores how animals use sound for social interactions, mate selection, and environmental adaptation. His work bridges bioacoustics, neuroethology, and behavioral ecology, with a focus on decoding vocal signals' complexity. His publications cover diverse topics including animal soundscapes, vocal memory in seals, and neural encoding of communication calls. The articles highlight interdisciplinary approaches combining neuroscience, behavioral studies, and acoustic signal analysis. Scientific Awards Prose Award for Excellence in Biological and Life Sciences, AAP (2024) Chevalier des Palmes Académiques (2017) IUF Senior Member (2015-present) IUF Junior Member (2005-2010) Mathevon has supervised 17 PhD students, 10 postdocs, and contributed to public outreach through media, documentaries, and public lectures. He leads the International Master of Bioacoustics program and serves as President of the International BioAcoustic Society.

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Nima MesgaraniView profile

Associate Professor

Columbia UniversityUnited States

Nima Mesgarani is an Associate Professor of Electrical Engineering at Columbia Engineering, Columbia University, affiliated with the Sense, Collect and Move Data Committee. His research bridges engineering and neuroscience through reverse-engineering neural signal processing mechanisms, leading to advancements in brain-machine interfaces, neural prosthetics, and speech processing algorithms. He received his PhD in Electrical Engineering from the University of Maryland and completed postdoctoral training at Johns Hopkins University's Center for Language and Speech Processing and UC San Francisco's Neurosurgery Department. Research Focus Professor Mesgarani's lab integrates computational neuroscience and engineering to study acoustic signal processing. Key areas include: Neural decoding of speech and auditory attention in multi-talker environments Development of brain-controlled hearing technologies Novel speech separation and synthesis algorithms inspired by cortical processing Cross-modal learning between auditory and visual systems Applications of large language models in neural signal interpretation Publication Trends Analysis of his 15 most recent articles (2025) reveals dominant themes: neural decoding techniques using intracranial EEG, brain-inspired speech separation models (e.g., Mamba architectures), applications of large language models in auditory neuroscience, cross-modal distillation methods, and clinical translation of audio processing algorithms. A strong emphasis emerges on real-time brain-computer interfaces and noise-robust speech processing. Laboratory and Collaborations Mesgarani directs an interdisciplinary lab developing neurotechnology for hearing restoration. His team collaborates with neurosurgery departments and speech processing centers, focusing on translating theoretical models into clinical brain-machine interfaces. The lab's work has yielded patents for brain-informed speech separation systems and attention-decoding frameworks.

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Maud BorieView profile

Senior Lecturer

King’s College LondonUnited Kingdom

Dr. Maud Borie is a Senior Lecturer in Environment, Science & Society at King’s College London’s Department of Geography, within the School of Global Affairs. Her work bridges Human Geography and Science and Technology Studies (STS), focusing on biodiversity governance, environmental policy, and green finance. She holds a PhD from the University of East Anglia and has held visiting fellowships at Harvard Kennedy School. Borie’s research explores the politics of environmental knowledge and its societal implications, including nature-based solutions and green finance mechanisms. She has contributed to global initiatives like the Intergovernmental Platform on Biodiversity and Ecosystem Services (IPBES) and co-founded the Mediterranean Alliance for Wetlands. Her recent projects include analyzing green finance’s reliance on scientific legitimacy and mapping resilience strategies in cities. She teaches courses on environmental policy, qualitative methods, and geographies of financialization. Borie has been awarded grants for interdisciplinary projects such as ‘deep listening with machines for equitable environmental futures’ and ‘forestscapes’ immersive soundscapes. Her research outputs span over 18 peer-reviewed articles, with topics ranging from climate change framing to urban resilience in the Global South. Awards: Planetary-scale interpretation (2023), Rethinking environmental policy (2022), Forestscapes collaboration (2023) Grants: Creative Collaboration Seed Fund (2023), EU/PEARL disaster resilience projects Labs/Teams: KingsCAT (Social Media Research), Political Ecology, Biodiversity & Ecosystem Services (PEBES) group

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Catherine AllertonView profile

Professor

London School of Economics and Political Science (LSE)United Kingdom

Professor Catherine Allerton is a faculty member in the Department of Anthropology at the London School of Economics and Political Science (LSE). She specializes in the materialities and mobilities of everyday life, with a focus on place, kinship, childhood, migration, and temporalities in island Southeast Asia. Her fieldwork spans a two-placed village in Flores, Indonesia, and Kota Kinabalu, Sabah, East Malaysia. Her research emphasizes interdisciplinary ethnographic methods, particularly involving child participants to challenge adult-centric approaches. She launched the 'Childhood in the Migrant City' exhibition using child-taken photographs from her ESRC-sponsored research. Current projects include exploring discordant temporalities between migration systems and childhood development, as well as completing a book manuscript on moral economies of belonging. Key research interests include the social and political dimensions of landscapes, the anthropology of children, and the impacts of legal status on marginalized youth. She teaches an LSE course on 'Children and Youth in Contemporary Ethnography' and actively supervises PhD students focusing on childhood, migration, citizenship, and Southeast Asian studies. Her work addresses exclusionary practices tied to race, religion, and legal frameworks in Malaysia and Indonesia. Languages spoken include Bahasa Manggarai, English, Indonesian, and Malay. No part-time status is mentioned, indicating full-time faculty commitment.

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Carys BrownView profile

Lecturer

University of CambridgeUnited Kingdom

Dr. Carys Brown is Head of Academic, Personal, and Professional Development at Trinity College and an Affiliated Lecturer in the Faculty of History at the University of Cambridge. She holds a BA, PGCE, MPhil, and PhD from the University of Cambridge and is a Fellow of both the Higher Education Academy and the Royal Historical Society. Her research centers on the social, cultural, and religious history of late seventeenth- and eighteenth-century Britain, with a focus on religious tolerance, inter-confessional relations, and the history of childhood. She is currently developing a project on children and play in England (c.1660–1780), examining how play intersected with social exclusion based on status, gender, and religion. Her recent publications span monographs, articles, and edited volumes, reflecting interdisciplinary engagement with themes such as auditory religious experience, anti-Catholicism, politeness culture, and religious freedom. Her work often analyzes how religious difference shaped social identity and cultural norms in early modern England. Fellow of the Higher Education Academy Fellow of the Royal Historical Society She teaches Part 1A papers in Early Modern Britain and the Global Eighteenth Century and convenes a Sources paper on Children and Childhood in Early Modern England. She welcomes dissertation supervision on British social, cultural, and religious history (c.1660–1800). She is also a member of the AHRC-funded research network 'Anti-Catholicism in British history, 1520-1900' at Newcastle University. Dr. Brown has held previous roles as a Research Fellow at Trinity College, Research Associate on the AHRC-funded 'Faith in the Town' project at the University of Manchester, Bye-Fellow in Study Skills at Girton College, and History teacher at Saffron Walden County High School. She has co-edited volumes and contributed to significant scholarly collections on religious coexistence and freedom.

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Mikael B. SkovView profile

Professor

Aalborg UniversityDenmark

Mikael B. Skov is a Vice Dean and Professor at the Technical Faculty of IT and Design of Aalborg University , Denmark. His research spans human-AI interaction, robotics, and user experience, with a focus on trust signaling in clinical AI, swarm robotics, and sound zones for domestic environments. Role: Vice Dean for Research Department: Computer Science Research Interests: Skov investigates how humans interact with AI and robots in healthcare and domestic settings, emphasizing trust calibration, alert design, and acoustic comfort. His work includes developing frameworks for UX maturity in robotics organizations and studying long-term adoption of sound zone systems. Recent Projects: As principal/co-investigator, he leads the HERD project on human-AI collaboration in robot swarms (2021–2025) and supervises Data og Bæredygtig Mad (2020–2023), an HCI perspective on sustainable food systems. Publications: His 2024 work includes studies on AI explanations in clinical training, music applications with intermittent interactions, and multi-robot supervision. Earlier projects (2001–2020) focused on mobile device usability, UX practices, and context-aware computing.

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James Herbert-ReadView profile

Associate Professor

University of CambridgeUnited Kingdom

Dr James Herbert-Read is an Associate Professor and Whitten Lecturer in Marine Biology at the Department of Zoology, University of Cambridge. He serves as Deputy Head of Department (Postgraduate Education) and leads the Marine Behavioural Ecology Group. His research focuses on understanding how animals, particularly marine organisms, collect and process information from their environments to make behavioral decisions, with emphasis on social interactions, adaptation mechanisms, and ecological constraints. His group employs theoretical frameworks, controlled experiments, and quantitative field studies to investigate behavioral diversity in marine species. Key themes include collective behavior, predator-prey dynamics, camouflage strategies, and the impacts of environmental stressors on animal decision-making. Recent publications highlight work on lionfish vocalization mechanisms, cuttlefish camouflage, citizen science applications in marine research, and behavioral responses to visual and acoustic noise. Scientific awards and affiliations include: Whitten Lecturer in Marine Biology Associate Professor, University of Cambridge He has supervised research projects on topics such as: Social attraction in invasive fish species Evolution of coordinated movement Neurophysiological basis for leadership in shoals Maternal effects on offspring exploration

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Edwin van der HeideView profile

Lecturer

Leiden UniversityNetherlands

Edwin van der Heide is a part-time Lecturer and researcher at Leiden University, affiliated with the Leiden Institute of Advanced Computer Science (LIACS) and the Academy for Creative and Performing Arts (ACPA). His work bridges sound, space, and interaction through installations, performances, and environments. Key roles include: Co-head of ArtScience Interfaculty (Royal Conservatoire & Royal Academy of Art, The Hague) until 2016 Edgard Varèse Guest Professor at TU Berlin (2009) Invited artist at Le Fresnoy (France) and HKB Bern University of the Arts (2019) Research Interests: Spatial sound composition, audience interaction, interdisciplinary art, and the intersection of technology with auditory perception. Notable projects include Whispering Wind (permanent installation at Leiden University) and Spiral of Time (MACBA, Barcelona). Recent Articles & Exhibitions (2023–2024): Focus on large-scale installations like Pneumatic Sound Field and Spiral of Time , emphasizing public engagement and spatial acoustics. Awards: Witteveen+Bos Art+Technology Award (2009), Best Paper Award for BAI (摆) (2018). Grants & Labs: Collaborations with institutions like NCCA (Russia), MAXXI (Italy), and involvement in projects like Evolving Spark Network (global sound art initiatives).

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Catherine GuastavinoView profile

Professor

McGill UniversityCanada

Catherine Guastavino is a Professor at McGill University's School of Information Studies (within the Faculty of Arts) and an Associate Member at the Schulich School of Music. She also contributes to the Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT). Her roles include leading research projects and supervising graduate students in music technology and related fields. She holds a PhD in Psychoacoustics from Université Pierre et Marie Curie (Paris VI), an MSc from IRCAM (France), and a BSc in Mathematics from McGill University. Her research focuses on auditory perception, soundscape analysis, human-computer interaction, and urban acoustics. Notable projects include the 'Sounds in the City' partnership addressing urban noise policy and the development of immersive soundscape simulation tools. She leads or co-leads grants from SSHRC, NSERC, and MITACS, emphasizing interdisciplinary approaches to sound in urban environments. Guastavino's work bridges academic research with practical applications, such as designing sound installations for public spaces and improving acoustic environments in transportation and performance venues. She collaborates with city planners, musicians, and engineers, reflecting her commitment to making cities sound better through evidence-based strategies. Key Projects: SSHRC Partnership Grant for urban soundscape management (2018-2023) NSERC Discovery Grant on auditory localization (2019-2024) MITACS projects on Montreal festival soundscapes and noise policy Labs & Partnerships: Multimodal Interaction Laboratory (MIL) Collaborations with Ville de Montréal and Quartier des Spectacles Education: PhD: Psychoacoustics (Paris VI) MSc: Computer Science & Music Technology (IRCAM) BSc: Mathematics (McGill) Her teaching includes courses like Music Information Retrieval, integrating computational methods with artistic and scientific applications.

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André FiebigView profile

Researcher

Technical University of Berlin (TU Berlin)Germany

Dr. phil. André Fiebig is a Permanent Research Associate and PostDoc at the Institute of Fluid Mechanics and Technical Acoustics (ISTA) within Faculty V - Transportation and Mechanical Systems at Technical University of Berlin. From January 2019 to December 2024, he served as a Visiting Professor responsible for the field of psychoacoustics, funded by the HEAD Genuit Foundation. Since January 2025, he has been leading the 'Psychoacoustics and Noise Effects' working group at the Department of Technical Acoustics. His research spans multiple areas within psychoacoustics and soundscape studies, including fundamentals and modeling of psychoacoustic sensation variables, binaural psychoacoustics, assessment of ambient noise and soundscapes, and psychoacoustic evaluation of sound insulation measures. His work also addresses cognitive stimulus integration of auditory sensations, auditory recreation, acoustic quality of stay, characterization of quiet areas, and measuring sound-induced emotions. Analysis of his recent publications reveals a strong focus on urban soundscapes, noise-conscious behavior in transportation, and the development of methodological frameworks for soundscape assessment. His work often integrates psychoacoustic principles with environmental considerations, particularly examining the relationship between sound environments and human health. Recent research shows increasing emphasis on cross-cultural studies of noise perception and the development of standardized assessment methodologies. Dr. Fiebig is involved in the EARS (Education and Applied Research on Soundscapes) initiative and has contributed to numerous collaborative research projects examining the intersection of urban planning, environmental acoustics, and human perception. His work frequently appears in major acoustics conferences and journals, demonstrating his active role in advancing the field of psychoacoustics and soundscape research. His laboratory work focuses on psychoacoustic testing methodologies, soundscape assessment techniques, and the development of evaluation instruments for noise protection measures. The 'Psychoacoustics and Noise Effects' working group under his leadership conducts research on both theoretical aspects of sound perception and practical applications for urban noise management.

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David LindlbauerView profile

Assistant Professor

University of LisbonPortugal

David Lindlbauer is an Assistant Professor at the Human-Computer Interaction Institute (HCII) within Carnegie Mellon University's School of Computer Science. He leads the Augmented Perception Lab and co-directs the CMU Extended Reality Technology Center (XRTC) . His research bridges Human-Computer Interaction, Computer Graphics, and Computer Vision to create adaptive interfaces that enhance human-digital interaction. Education : PhD (summa cum laude) from Technische Universität Berlin , MSc and BSc from University of Applied Sciences Upper Austria Previous Affiliation : Postdoctoral Researcher at ETH Zurich (2018-2020) David's research focuses on understanding human perception of digital information and developing computational approaches to optimize AR/VR interface usability. Key areas include: Context-aware adaptive interfaces Visual saliency and attention modeling Spatial audio-haptic systems Optimal placement algorithms Object manipulation in Remixed Reality Diminished/ambient MR interfaces His 15 most recent publications (2024-2025) span topics in adaptive XR interfaces, multimodal notifications, haptic systems, and spatial cognition. These works appear at venues like ACM CHI, ACM UIST, IEEE VR, and Frontiers in VR. Common themes include: Machine learning for interface adaptation Human factors in XR design Real-time environment analysis Privacy-aware display systems Collaborative MR interfaces Accessibility enhancements Scientific Recognition : Best Paper Honorable Mention Award (ACM CHI 2024) Best Paper Award (ACM ISS 2023) ETH Zurich Postdoctoral Fellowship Multiple best paper recognitions at CHI, UIST, and IEEE VR Teaching & Leadership : Course developer for CMU's "Interactive Extended Reality" Mentor for NASA SUITS Challenge team Co-chair roles at CHI and UIST Overseeing PhD students and research interns

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Dan WhiteView profile

Senior Lecturer

University of HuddersfieldUnited Kingdom

Dr. Dan White is a Senior Lecturer in Musicology at the Department of Media, Humanities and the Arts, School of Arts and Humanities, University of Huddersfield. His research focuses on fantasy worldbuilding through music in film, theme parks, and transmedia contexts. As a member of the Centre for Research in Music and its Technologies, he explores cinematic sound design and audience emotional engagement with musical motifs. Specializes in fantasy film music analysis Expert in diegetic/non-diegetic sound dynamics Investigates nostalgia through musical cues Recent publications examine Harry Potter's musical universe, Jurassic Park's sonic environments, and Amazon's Rings of Power TV adaptations. His work contributes to understanding how music shapes immersive fictional worlds across multiple media platforms.

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Jonathan SkinnerView profile

Associate Professor

University of WarwickUnited Kingdom

Dr. Jonathan Skinner is a Reader (equivalent to Associate Professor) in English and Comparative Literary Studies at the University of Warwick's Faculty of Arts, where he researches and teaches ecocriticism, contemporary poetry, and creative writing. He founded and edits the journal ecopoetics , exploring intersections between writing and ecology. His research examines: Ecopoetic theory and environmental literature Intersections of sound studies and ethnopoetics North American avant-garde poetry (Olson, Kyger, Eigner) Translation and transnational poetics Third Landscape theory and urban wildness He leads a research network facilitating cross-cultural poetry exchanges along avian migration routes. Skinner's publications predominantly explore ecocritical frameworks through poetry analysis, with recent work examining climate change poetics, multispecies communication, and Anthropocene aesthetics. His scholarship connects literary studies with environmental science, acoustics, and landscape theory. He currently supervises five PhD students researching multispecies poetics and environmental literature through AHRC-funded projects, and has successfully supervised two doctoral candidates studying deindustrialization and extractive urbanism. Previously supervised MA theses span modernist poetry, ecocriticism, and creative writing.

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Juan Francisco Jimenez AlcazarView profile

Professor

University of MurciaSpain

Juan Francisco Jiménez-Alcázar is a Professor at the Universidad de Murcia, affiliated with the Department of Prehistory, Archaeology, Ancient History, Medieval History and Historiographic Sciences and Techniques within the Faculty of Arts and Humanities. His research focuses on Medieval History, Digital Humanities, and the intersection of history with video games and digital media. He holds a Doctorate from the Universidad de Murcia (1993) with a thesis on 'Espacio, poder y sociedad en Lorca (1460-1521)'. His work explores historical representation in modern media, particularly analyzing how video games depict medieval soundscapes, warfare, and cultural frontiers. Key themes include the study of linguistic diversity in medieval Spain, governance structures in frontier regions like Murcia, and the impact of historical epidemics such as the 1507-08 plague in Murcia. Recent publications include books on Digital Humanities and video games (2020), medieval warfare simulations, and interdisciplinary studies on migration and historical identity. He collaborates with institutions like CONICET and the CNR in Italy, and his research contributes to both academic and public understanding of medieval history through digital tools and cultural analysis.

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Morten SøndergaardView profile

Associate Professor

Aalborg UniversityDenmark

Morten Søndergaard is an Associate Professor at Aalborg University’s Department of Communication and Psychology, affiliated with the Faculty of Social Sciences and Humanities. He is part of the Art, Aesthetics & Health Research Laboratory and the MASSHINE initiative. His research focuses on sound art, media art curation, and transdisciplinary practices, emphasizing the exclusion mechanisms in 20th-century art systems and unarchived avant-garde movements. Søndergaard has curated exhibitions globally, including at Kiasma and ZKM, and co-founded the POM conference series and ISACS symposia. He leads the Erasmus Master of Excellence in Media Arts Cultures, collaborating with institutions in Austria, Poland, and Hong Kong. His work bridges art, science, and technology, with recent projects exploring sonic archives and participatory curatorial frameworks. Key collaborations include roles with the European NeMe network, SUNY College New York, and the Momentum Biennial. He has organized over 20 projects since 2008, including the 2025 Momentum Biennial as head curator. His teaching spans media art theory, sound art practices, and curatorial methodologies at both bachelor and master levels. Søndergaard’s research outputs include over 145 publications, with a focus on sound art’s theoretical and practical dimensions. His current projects emphasize ‘uncurating’ methodologies and the reactivation of marginalized avant-garde practices. Notable activities include editorial roles, international conference organization, and advisory roles in art and science networks. His work has been featured in media outlets like Artdaily and the Biennial Foundation, highlighting his contributions to contemporary art discourse and curatorial innovation.

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