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Steffen MarburgView profile

Professor

• Numerical Methods in Vibroacoustics
• Aeroacoustics
• Structural Optimization
• +6 more

Prof. Dr. Steffen Marburg is a Full Professor at the Chair of Acoustics of Mobile Systems within the TUM School of Engineering and Design at the Technical University of Munich. His research focuses on numerical methods in vibroacoustics, structural optimization, and acoustic modeling for applications in automotive, maritime, and musical instrument domains. Education: PhD from Technical University of Dresden (1998). Academic Career: Junior Professor at TU Dresden (2004), Chair of Technical Dynamics at University of the Federal Armed Forces Munich (2010), Full Professor at TUM (2015–present). Editorial Roles: Co-Editor-in-Chief of Journal of Theoretical and Computational Acoustics, Associate Editor of Journal of the Acoustical Society of America, Editor of Acoustics Australia and Mechanical Systems and Signal Processing. His research integrates computational acoustics, boundary element methods, and machine learning to address noise control and structural optimization challenges. Recent work explores acoustic metamaterials, viscothermal losses, and data-driven modeling. He has co-authored over 150 publications and led advancements in multifrequency solution methods and noise-insulating structures. Scientific awards include the Innovation Award of the Industrieclub Sachsen e.V. (1999). His editorial contributions and leadership in journals highlight his influence in computational acoustics and structural dynamics.

Antje StokmanView profile

Professor

• Landscape Architecture
• Landscape Planning
• Urban Landscapes
• +4 more

Prof. Antje Stokman is a Professor of Landscape Architecture and Landscape Planning at HafenCity University Hamburg. Her department researches and designs landscape-, nature-, and water-related transformation processes, with teaching and research focused on the design and collaborative creation of urban landscapes in their dynamic interactions between natural and human habitats. Her research interests include: Landscape Architecture and Urban Design Climate-Adapted Urban Landscapes Blue-Green Infrastructure Water-sensitive Urban Design Linear Infrastructure Landscapes Urban Transformation Processes Prof. Stokman has led several significant research projects including the LILAS research network (Linear Infrastructure Landscapes as Open Spaces for the City in Climate Change), the City on the Blue Belt project, and the Blue-Green Infrastructure Dialogue Process. Her recent publications focus on transforming urban linear infrastructure landscapes and developing water development corridors along federal waterways as open space potential for urban green-blue infrastructure. Scientific awards: City of Hamburg's Teaching Prize (Hamburg Teaching Award) Prof. Stokman supervises doctoral projects including Katarina Bajc's work on "Perception and Design of Ecological Processes in Landscape Architecture" and Anne Kittel's research on "The Transformation of Metropolitan Landscapes." She has received research funding from various sources including the Federal Environment Agency, BMUV, BMBF, and EU Horizon 2020. She co-leads the Blue-Green Infrastructure Lab (BGI-Lab) with Prof. Wolfgang Dickhaut, which focuses on interdisciplinary research at the intersection of environmentally sound urban planning and landscape architecture.

Marina AlbertiView profile

Professor

• Urban Ecology
• Environmental Planning
• Ecosystem Dynamics
• +9 more

Marina Alberti is a Professor of Urban and Environmental Planning at the University of Washington, affiliated with the Department of Urban Design and Planning. She directs the Interdisciplinary Ph.D. Program in Urban Design and Planning and leads the Urban Ecology Research Laboratory. Her expertise lies in studying the interactions between urban development patterns and ecosystem dynamics, focusing on resilience, socio-ecological innovation, and biocomplexity. Her research emphasizes interdisciplinary approaches to urban ecological problems, with a strong focus on Geographic Information Systems (GIS), land cover change, and environmental performance metrics. She has developed simulation models integrating urban development and ecological processes, supported by NSF, NOAA, and Washington state grants. NSF Biocomplexity Program Grant : Developing simulation models for urban-ecological integration. Washington State Department of Transportation Grant : Remote sensing for impervious surface estimation. NOAA/Washington Department of Ecology Grant : GIS analysis of land use and shoreline habitats. Her work spans urban planning, ecological assessment, and policy-making, with a methodological emphasis on GIS, remote sensing, and land use dynamics. She has contributed extensively to journals like International Regional Science Review , Urban Ecosystems , and BioScience , addressing topics such as urban gradients, biodiversity, and environmental sustainability. Alberti's teaching includes Urban Ecology, Environmental Planning, GIS, and advanced research design, reflecting her commitment to training the next generation of urban ecologists.

Enrique Sánchez LanschView profile

Professor

• Documentary filmmaking
• Music visualization
• Media dramaturgy
• +3 more

Enrique Sánchez Lansch is a Professor of Media Dramaturgy at the Institute for Music and Media at Robert Schumann University of Düsseldorf, appointed in 2018. Born in Gijón, northern Spain, and raised in Cologne, he has established himself as a prominent documentary filmmaker with a strong focus on music-related subjects. His educational background includes studies in music with a focus on singing, Romance languages, philosophy, and German studies. He completed his master's thesis on adaptation of literature into music films. After gaining professional experience in fictional series production, he pursued further studies in film and screenwriting at Columbia University and UCLA. Sánchez Lansch's research and creative interests center on the intersection of music and visual media. His work explores how musical experiences can be effectively translated to film, examining the relationship between sound and image. He has particular expertise in documenting musical institutions, historical contexts of music, and the educational aspects of musical performance. His approach combines rigorous historical research with innovative visual storytelling techniques that respect the integrity of musical performance while creating compelling cinematic narratives. His filmography reveals a consistent focus on music documentaries that bridge cultural and historical contexts. Early works focused on major musical institutions and figures, while more recent projects have expanded to examine the relationship between music and broader social, political, and cultural phenomena. His films consistently demonstrate a sophisticated understanding of both musical content and cinematic storytelling. His notable awards include: German Film Award German Documentary Film Award Bavarian Film Award German Critics' Award German Kinogilde Award Franz Hofer Prize Best Documentary Film at Los Angeles Latino International Film Festival Best Documentary Film at SEMINCI Festival de Valladolid Diapason d'Or Emmy nomination for "A Celebration for Gershwin" Sánchez Lansch has served as a mentor to young filmmakers, notably curating and presenting music short films by young talents for the Beethovenfest Bonn from 2006 to 2013. His professional activities extend beyond filmmaking to include teaching at institutions such as the dffb (German Film and Television Academy Berlin) and his current professorship at Robert Schumann University. He is an active member of both the German Film Academy and the European Film Academy, contributing to the broader film community through these organizations. As Professor of Media Dramaturgy, Sánchez Lansch contributes to the academic framework of the Institute for Music and Media, bringing his extensive professional experience to bear on the education of future media creators. His work bridges the gap between academic study and professional practice in the field of music-related visual media.

• Computational Social Science
• Social Computing
• Human-Centered Machine Learning
• +5 more

Dr. Koustuv Saha is an Assistant Professor of Computer Science at the University of Illinois Urbana-Champaign (UIUC), leading the OnCARE lab. He holds a PhD from Georgia Tech and a B.Tech from IIT Kharagpur. His research focuses on computational social science, social computing, and ethical AI applications in mental health and wellbeing. His work bridges computer science with psychology, sociology, and public policy to address societal challenges. Education: PhD in Computer Science (Georgia Tech, 2021), B.Tech in CSE (IIT Kharagpur, 2012). Previous roles include Senior Researcher at Microsoft Research Montreal (FATE group) and industry research experience in Silicon Valley. Research interests include wellbeing sensing technologies, algorithmic fairness, and large language models’ societal impacts. Recent work examines caregiver mental health, deceptive wellness apps, and AI ethics in content moderation. His studies combine causal inference, NLP, and multimodal data analysis. Publications span top venues like CHI, CSCW, ICWSM, and JMIR. Notable awards include Georgia Tech’s Outstanding Dissertation Award (2022) and Snap Research Fellowship (2020). He advises on AI governance and collaborates with policymakers, clinicians, and industry. OnCARE lab explores human-centered AI for societal good, with projects on mental health support systems, ethical tech design, and algorithmic transparency in health contexts. Current focus includes caregiver AI tools, LLM-based empathetic systems, and workplace wellbeing interventions.

André FiebigView profile

Researcher

• Psychoacoustics
• Soundscape Research
• Noise Effects
• +7 more

Dr. phil. André Fiebig is a Permanent Research Associate and PostDoc at the Institute of Fluid Mechanics and Technical Acoustics (ISTA) within Faculty V - Transportation and Mechanical Systems at Technical University of Berlin. From January 2019 to December 2024, he served as a Visiting Professor responsible for the field of psychoacoustics, funded by the HEAD Genuit Foundation. Since January 2025, he has been leading the 'Psychoacoustics and Noise Effects' working group at the Department of Technical Acoustics. His research spans multiple areas within psychoacoustics and soundscape studies, including fundamentals and modeling of psychoacoustic sensation variables, binaural psychoacoustics, assessment of ambient noise and soundscapes, and psychoacoustic evaluation of sound insulation measures. His work also addresses cognitive stimulus integration of auditory sensations, auditory recreation, acoustic quality of stay, characterization of quiet areas, and measuring sound-induced emotions. Analysis of his recent publications reveals a strong focus on urban soundscapes, noise-conscious behavior in transportation, and the development of methodological frameworks for soundscape assessment. His work often integrates psychoacoustic principles with environmental considerations, particularly examining the relationship between sound environments and human health. Recent research shows increasing emphasis on cross-cultural studies of noise perception and the development of standardized assessment methodologies. Dr. Fiebig is involved in the EARS (Education and Applied Research on Soundscapes) initiative and has contributed to numerous collaborative research projects examining the intersection of urban planning, environmental acoustics, and human perception. His work frequently appears in major acoustics conferences and journals, demonstrating his active role in advancing the field of psychoacoustics and soundscape research. His laboratory work focuses on psychoacoustic testing methodologies, soundscape assessment techniques, and the development of evaluation instruments for noise protection measures. The 'Psychoacoustics and Noise Effects' working group under his leadership conducts research on both theoretical aspects of sound perception and practical applications for urban noise management.

Thomas HermannView profile

Researcher

• Auditory Data Science
• Interactive Sonification
• Smart Environments
• +5 more

Dr. rer. nat. Thomas Hermann is a faculty member at Bielefeld University's Faculty of Engineering, leading the Ambient Intelligence Group and coordinating the Computer Science program. He specializes in sonification, auditory data science, and smart environments. Head of Ambient Intelligence Working Group Computer Science Program Coordinator Member of multiple academic advisory boards His research focuses on interactive sonification for biomedical applications, quantum systems, and smart environments. Key projects include ECG sonification for cardiac diagnosis, real-time auditory feedback in swimming, and sonic interfaces for AR cooperation. Recent publications span 2025 with Python-based sonification tools ( pya AGen ), quantum system sonification, and ST-elevation myocardial infarction monitoring. He contributes to open-access supplementary materials and interdisciplinary workshops. As a researcher , Hermann develops practical sonification frameworks like Panson for facial behavior analysis, CardioScope for portable ECG monitoring, and Base Cube One for smart environments. His work bridges academic research with industry applications.

• Audio Signal Processing
• Psychoacoustics
• Cochlear Implants
• +5 more

Prof. Bernhard U. Seeber is an Extraordinary Professor at the Technical University of Munich (TUM), leading the Chair of Audio Signal Processing within the TUM School of Computation, Information and Technology. His work bridges auditory neuroscience and engineering, focusing on improving hearing aids, cochlear implants, and virtual acoustic systems. He holds affiliations with the Bernstein Center for Computational Neuroscience, Munich Institute of Biomedical Engineering, and others. Education: Studied and earned his PhD (2003) in Electrical Engineering and Information Technology at TUM. Postdoctoral research included time at UC Berkeley and the MRC Institute of Hearing Research (UK), where he pioneered studies on binaural hearing and cochlear implant optimization. Research Interests: Combines experimental and theoretical approaches to explore auditory scene analysis, binaural unmasking, and spatial hearing. Key areas include signal coding for cochlear implants, virtual acoustics, and non-destructive acoustic monitoring. His work emphasizes interdisciplinary collaboration with industry and academia. Awards: Lothar Cremer Award (2010), Emmy Noether Fellowship (2007), and recognition from the German Acoustical Society. Teaching: Offers courses on audio communication, computational neuroscience, and technical acoustics. Projects: Leads initiatives like HAPPAA and Auralization, advancing sound field synthesis and hearing aid algorithms. Current Roles: Head of Chair of Audio Signal Processing, Board Member of DEGA, and spokesperson for the ITG Technical Committee on Hearing Acoustics.

Berit GreinkeView profile

Assistant Professor

• Wearable Computing
• Electronic Textiles (E-Textiles)
• Smart Materials
• +4 more

Berit Greinke is an Assistant Professor of Wearable Computing at the Berlin University of the Arts (UdK) and the Einstein Center Digital Future (ECDF) since 2018, previously serving as a researcher at UdK's Design Research Lab and DFKI (2016-2018). Her academic foundation includes a PhD from Queen Mary University of London (2017), an MA from Central St Martins (2009), and a Diploma from Weissensee Academy of Art Berlin (2007). Her educational trajectory: PhD in Media and Arts Technology, Queen Mary University of London (2017) MA in Design for Textile Futures, Central St Martins College of Art and Design (2009) Diploma in Textile and Surface Design, Berlin Weissensee School of Art (2007) Greinke's research pioneers the convergence of craft, textile design, and digital technology, with core expertise in electronic textiles and smart materials. She investigates metamaterial-based 'metatextiles' for electromagnetic applications and explores transdisciplinary collaboration between designers and scientists, particularly regarding 'negative data' in creative and scientific workflows. Her current UdK work focuses on four interconnected domains: performing materials for expressive textile/fashion design; multi-modal sensing converting visual processes into haptic/audible experiences; micro-to-macro material design spanning nanostructures to final products; and transdisciplinary processes for technology-art-science collaboration. Analysis of her 2020-2025 publications reveals dominant trends in sustainable textile electronics, with emphasis on knitted/folded sensor structures, origami-inspired capacitive shape estimation, and social sustainability in e-textile communities. Her work uniquely bridges fundamental material science (e.g., textile metamaterials) with artistic applications (e.g., interactive orchestra garments) and industrial production challenges. Berit Greinke supervises PhD students including Giorgia Petri. Her junior professorship is co-financed by SAP under a public-private partnership model, supporting projects like WEAR (Wearable technologists engage with artists for responsible innovation) and STELEC (Sustainable Textile Electronics), which emphasize ethical co-design and industry-academia collaboration. She leads research within UdK's Institute for Product and Process Design and collaborates with the Design Research Lab (formerly part of Connected Textiles group), focusing on sustainable industrial production of electronic clothing and transdisciplinary innovation frameworks.

• Medical Imaging
• Deep Learning Applications
• Ultrasound Imaging
• +3 more

Mehrdad Salehi is a researcher at the Chair of Computer Science Applications in Medicine at the Technical University of Munich (TUM) . His work focuses on the intersection of computer science and medical imaging, with expertise in ultrasound technology, deep learning, and surgical navigation systems. Key research areas include sonification of medical data, 3D ultrasound reconstruction, and machine learning-based segmentation. He has contributed to innovative projects like PRO-TIP calibration phantoms and ColibriDoc autonomous docking systems. His publications highlight trends in acoustic feedback mechanisms, neural radiance fields for medical imaging, and real-time image analysis. He can be reached at mehrdad.salehi@tum.de .

Michael D. ErnstView profile

Professor

• software engineering
• programming languages
• type theory
• +6 more

Michael D. Ernst is a Professor in the Computer Science & Engineering department at the University of Washington's College of Engineering. His research aims to make software more reliable, more secure, and easier (and more fun!) to produce. Previously, he was a tenured professor at MIT and a researcher at Microsoft Research. Ernst's primary technical interests are in software engineering, programming languages, type theory, security, program analysis, bug prediction, testing, and verification. His research combines strong theoretical foundations with realistic experimentation, with an eye to changing the way that software developers work. He focuses particularly on programmer productivity and developing practical tools that can be integrated into developers' workflows. Analysis of his recent publications (2018-2025) reveals a continued focus on verification techniques, program analysis, and testing methodologies. His work spans from theoretical foundations of type systems to practical applications of NLP for test generation and LLMs for test oracle creation. A consistent theme is developing lightweight, modular approaches that can be practically applied in real-world development environments. Scientific Awards: ACM Fellow (2014) John Backus Award (2009) NSF CAREER Award (2002) ACM SIGSOFT Impact Paper Award (2013) 8 ACM Distinguished Paper Awards across multiple conferences ECOOP 2011 Best Paper Award Microsoft Academic Search ranked #2 in software engineering research (2013) Ernst has received significant research funding including the NSF CAREER Award, supporting his work on program analysis and verification techniques. His research combines theoretical rigor with practical impact, often resulting in tools that are adopted by the software engineering community. He actively collaborates with researchers across institutions and has served in leadership roles for major conferences in programming languages and software engineering. His research group develops practical tools that address real challenges in software development, with a focus on making verification and analysis techniques more accessible to working developers. Current projects include applying machine learning techniques to software engineering problems while maintaining strong theoretical foundations.

• Antenna Measurement
• Electromagnetic Field Theory
• Near-Field to Far-Field Transformation
• +5 more

Dr. Alexander Paulus serves as a Researcher at the Chair of High-Frequency Engineering within the Department of Electrical Engineering at the Technical University of Munich (TUM), School of Computation, Information and Technology. Working under Prof. Dr.-Ing. Thomas Eibert, he contributes to advanced electromagnetic research and measurement systems development at TUM's Arcisstr. 21 campus in Munich. Research Expertise His core specialization lies in near-field antenna measurement and transformation techniques, with significant contributions to phase retrieval algorithms, inverse source methods, and UAV-based electromagnetic field measurements. He addresses critical challenges including probe correction with unknown antennas, sparse sampling for directive antennas, and electromagnetic modeling of environmental effects like rain attenuation. His work bridges theoretical electromagnetics with practical antenna characterization solutions. Publication Trends From 2014-2025, Paulus has published 25+ papers focusing on near-field to far-field transformations, particularly in phaseless and multi-probe scenarios. Recent work (2023-2025) demonstrates innovation in spectral filtering, sparse reconstruction, and UAV-based systems for defect localization and wet antenna modeling. His research increasingly integrates computational techniques to solve complex inverse problems in antenna measurements. Scientific Recognition No formal awards documented in available information Academic Contributions Student Mentoring: No advisees listed in provided materials Research Funding: Grant details not specified in source text Research Environment Paulus operates within TUM's Chair of High-Frequency Engineering facilities, which include advanced near-field measurement ranges, UAV-based electromagnetic characterization systems, and laboratories for metamaterials research and electromagnetic compatibility testing. His work supports applications in 5G/6G communications, aviation navigation systems, and precision antenna diagnostics.

Wolfgang MayerView profile

Professor

• Performative Practice
• Body Theory
• Poetics of the Performative
• +3 more

Wolfgang Mayer is a Professor for Performative Practice at the State Academy of Fine Arts Stuttgart , teaching collaborative artistic processes. He co-founded the art group Discoteca Flaming Star (DFS) in 1998 with Cristina Gómez Barrio, focusing on performative works that challenge memory and institutional frameworks. 1990–1995: Studied at Academy of Fine Arts Munich 1996–1997: DAAD scholarship at School of Visual Arts NYC 2005–2006: Whitney ISP participant Mayer’s research integrates performative practice , body theory , and collaborative art . His works interrogate memory , feminist narratives , and public space dynamics through sculptures , performances , and experimental music . Recent projects like Momentum:synthesize.r (2024) and Love Any Out of (90 Seconds) End (2023) explore temporal structures and emotional labor . Scientific honors include: 2013 Fundacion Estrenos Grant 2006–2007 Pollock-Krasner Scholarship 1993 Salzburg Summer Academy scholarship He emphasizes non-formalized artistic development through Sound & Body modules, public space interventions , and critical response protocols . Mayer’s DFS collective has shown globally at institutions like The Kitchen , Whitney Museum , and Tate Modern , often collaborating with figures like Rita McBride and Jeremiah Day.

• Auditory Neuroscience
• Neuromodulation
• Neuronal Excitability
• +4 more

Dr. Conny Kopp-Scheinpflug is an Associate Professor (PD) at the Faculty of Biology, Ludwig Maximilian University of Munich, where she leads a research group focused on auditory neuroscience. Her laboratory investigates the function and mechanisms of activity-dependent neuromodulation in the mammalian auditory system, with particular interest in how ambient sensory stimulation activates neuromodulators and how these influence neural processing of relevant information. Dr. Kopp-Scheinpflug's research spans auditory neuroscience, neuromodulation, neuronal excitability, and synaptic transmission. She employs electrophysiological (single cell in vivo and patch clamp in brain slices), anatomical, and optogenetic techniques to study how hyper- or hypo stimulation lead to acquisition or loss of function in the auditory system. Her work has significant implications for understanding and potentially treating functional disorders of neuronal excitability. Current research examines potassium channels, nitric oxide signaling, and neuromodulators like urocortin 3 in auditory processing. Analysis of Dr. Kopp-Scheinpflug's recent publications (2016-2022) reveals consistent focus on auditory processing mechanisms, particularly potassium channels (Kv3.1, Kv3.3, Kv1.1), nitric oxide signaling, and activity-dependent changes in myelination. Her research spans molecular mechanisms to systems-level auditory processing, with emphasis on sound localization, temporal processing, and recovery from hearing impairment. Key findings include how sound-evoked activity influences myelination, how nitric oxide regulates postsynaptic excitability, and how urocortin 3 aids hearing recovery. Dr. Kopp-Scheinpflug has secured funding from multiple research agencies. She maintains active collaborations with researchers at Lehigh University (Michael Burger Lab), University of Edinburgh (Matthias Hennig Lab), Ben-Gurion University of the Negev (Michal Hershfinkel Lab), and UCL (Dr. Jennifer Linden). Her laboratory currently includes Ezhilarasan Rajaram, Dr. Mihai Stancu, Oskar Kalle Juhani Markkula, Sara Pagella, and Katharine Krueger. Past lab members who have completed their training include Dr. James Sinclair, Dr. Matthew Fischl, Max Bayer, Alkmini Damkou, Alyahyay Mansour, Leander Mrowka, Joseph Kroeger, and Myriam Schmidt-Pauly.

Felicitas KleberView profile

Professor

• experimental phonetics
• laboratory phonology
• speech production and perception
• +7 more

Felicitas Kleber is Professor of Speech Science in the Department of Language Science and Technology at Saarland University (Universität des Saarlandes). Her research profile demonstrates extensive expertise in experimental phonetics and laboratory phonology with a particular focus on German dialects and sound change phenomena. She maintains active research collaborations, most notably with J. Harrington and Ulrich Reubold, resulting in numerous high-impact publications in leading linguistics and phonetics journals. Her research interests span experimental phonetics and laboratory phonology with specific expertise in speech production and perception , sound change processes, German dialectology , phonological acquisition , and prosody and intonation analysis. Her work frequently examines the acoustic, perceptual, and articulatory dimensions of speech, particularly focusing on vowel and consonant quantity phenomena in German varieties. Analysis of her publication record reveals consistent methodological rigor with emphasis on acoustic analysis, perception experiments, and longitudinal studies. Her research often investigates sound changes in progress, particularly examining vowel fronting phenomena in both German and English varieties, and the relationship between speech production and perception mechanisms. Much of her work employs apparent-time analyses to track diachronic changes through synchronic variation across age groups. Professor Kleber serves as an Associate editor for the Journal of the Acoustical Society of America, reflecting her standing in the field. She has secured significant research funding including the DFG-funded project "Typology of vowel and consonant quantity in South German varieties: acoustic, auditory, and articulatory analyses of adult and child speakers" (2016-2024) and the DAAD-supported "Form and function of prosodic structure in Hungarian and German" (2015-2016). Her research methodology typically combines acoustic analysis with perception experiments and sometimes articulatory measurements to provide comprehensive insights into phonetic phenomena.