Find Academic Supervisors

Chris DonahueView profile

Assistant Professor

• Artificial Intelligence
• Machine Learning
• Music Technology
• +5 more

Chris Donahue is an Assistant Professor in the Computer Science Department at Carnegie Mellon University . He also serves as a part-time Research Scientist at Google DeepMind on the Magenta team. His work focuses on leveraging generative AI to enhance human creativity, particularly in music. Education: PhD in Computer Science (UC San Diego), Postdoctoral Scholar (Stanford University) His research spans controllable generative modeling of music and audio , with a focus on real-time interactive systems. Projects like Piano Genie , Beat Sage , and Copilot Arena demonstrate his commitment to real-world deployment. His Generative Creativity Lab (G-CLef) explores AI applications beyond music, including programming and natural language. Recent publications highlight advancements in multimodal music evaluation , real-time adaptation , and AI-driven sound morphing . He co-developed Magenta RealTime , an open-weight real-time music generation model, and MusicFX DJ Mode . Scientific Awards: Best Paper Award (top 1) at NAACL Student Research Workshop 2025 Best Paper Award (top 1% of submissions) at CHI 2025 Best Paper Runner-up at ISMIR 2021 He co-advises PhD students like Wayne Chi (NDSEG Fellow) and mentors Irmak Bukey . His lab receives support from the AIxArts incubator fund at CMU .

Almut Sophia KoepkeView profile

Researcher

• Multimodal Learning
• Audio-Visual Processing
• Text-to-Audio Retrieval
• +5 more

Almut Sophia Koepke is a junior research group leader at the Technical University of Munich and University of Tübingen, focusing on multimodal learning problems integrating sound, vision, and text. Her work bridges foundational research in audio-visual understanding with practical applications in few-shot learning, zero-shot translation, and cross-modal attention mechanisms.

Carlo HarveyView profile

Professor

• Virtual Reality
• Game Design
• Computer Graphics
• +8 more

Professor Carlo Harvey is a creative technologist at the School of Digital Arts (SODA), Manchester Metropolitan University. His interdisciplinary research merges games , machine learning , virtual production , and cultural heritage reinterpretation . He leads industry collaborations with entities like Jaguar Land Rover and Epic Games, focusing on AI-driven interactive audio, real-time visualization, and accessibility solutions. Award-winning projects : TIGA, Innovate UK, and Epic Games MegaGrant for Accession Industry partnerships : Automotive sector, cultural institutions His research spans human-computer interaction , multisensory virtual environments , and acoustic-visual cross-modal perception . Recent publications address robotic simulations, motion alignment, and haptic feedback systems. Scientific recognition : TIGA Award, Innovate UK Funding, Epic Games MegaGrant Advocacy : Digital inclusion, creative collaboration, social impact of technology

Alper GürarslanView profile

Associate Professor

• Textile Engineering
• Nanomaterials
• Biomedical Textiles
• +5 more

Alper Gürarslan is an Associate Professor in the Department of Textile Engineering at Istanbul Technical University. His research focuses on sustainable and functional textiles, biomaterials, nanomaterials, and biomedical applications. He leads several projects on electronic textiles, wound dressings, and eco-friendly materials. Key collaborations involve combining natural fibers with advanced materials. University: Istanbul Technical University Department: Department of Textile Engineering Research interests include nanowire-coated alginate films, poplar fiber composites, and smart textiles for wearable electronics. He has published extensively on topics like thermal insulation properties of nonwovens and antibacterial material integration. Notable projects include 'Regenerated Cotton for Electronic Textiles' (EU-funded) and 'Productive Catalytic Living Materials' (TÜBİTAK). He has received awards for contributions to flexible electronics and sustainable textile materials. Awards: Flexible and Wearable Electronics (2018), Smart Textiles from Sustainable Materials (2021) Current projects span biobased membranes, high-efficiency filtration systems, and medical textile applications. His work emphasizes sustainability and interdisciplinary innovation.

Muhammad GulzariView profile

Assistant Professor

• Finite Element Modelling
• Structural Dynamics
• Applied Mechanics
• +7 more

Dr. Muhammad Gulzari is an Assistant Professor at the School of Civil Engineering, University College Dublin (UCD). Previously, he held positions as Lecturer/Assistant Professor at the University of Galway (2023–2024), Adjunct Assistant Professor at Trinity College Dublin (2022–2023), and a Research Fellow at Trinity College Dublin (2021–2023). He earned his Ph.D. in Civil Structural Engineering from City University of Hong Kong (2021) and a B.Sc. in Civil Engineering from the University of Engineering and Technology Lahore (2017). Education: Bachelor of Engineering, Civil Engineering, University of Engineering and Technology Lahore Ph.D., Civil Structural Engineering, City University of Hong Kong Research Interests: His work focuses on structured materials and dynamics, including finite element modeling, phononic crystals, acoustic and mechanical metamaterials, vibration and noise control, and applications in structural health monitoring. He leads the Structured Materials and Dynamics Lab at UCD, exploring nonlinear and nonreciprocal metamaterials. Teaching and Awards: He has taught courses in Fluid Mechanics, Thermodynamics, and Combustion Engineering. Notable recognitions include the Seal of Excellence Award from the EU-Horizon MSCA Postdoctoral Fellowship (2021) and nominations for teaching excellence awards at Trinity College Dublin and University of Galway. Grants: TimberFlow: Enhancing Efficiency in Mass Timber Construction (Enterprise Ireland, 2025) Indoor Acoustic Quality via Acoustic Metamaterials (Enterprise Ireland, 2025) RUBBERPAVE: ELT Integration in Pavement Construction (Enterprise Ireland, 2024–2026) Deep Learning for Metamaterial Design (Irish Research Council, 2021–2023) Labs and Collaborations: His research group collaborates with industry partners like Amplitude Acoustics and G-frame Structures Ltd. Key projects include developing metamaterials for noise/vibration control and sustainable construction materials.

• Additive Manufacturing
• Aerospace Engineering
• Thermofluids
• +1 more

Associate Professor Ng Bing Feng leads research in Additive Manufacturing, Aerospace Engineering, and Thermofluids at Nanyang Technological University's School of Mechanical & Aerospace Engineering. As Cluster Director for Smart & Sustainable Building Technologies at NTU's Energy Research Institute, he oversees projects spanning energy-efficient cooling technologies, advanced filtration systems, and bio-inspired materials. His interdisciplinary work integrates advanced manufacturing with environmental engineering, focusing on sustainable solutions for air quality management and thermal regulation. Current research explores radiative cooling technologies, acoustic agglomeration for emissions control, and crashworthy structures via biomimetic design. Professor Ng's publications demonstrate consistent innovation in multi-scale manufacturing and fluid dynamics, with growing emphasis on sustainable urban technologies. Methodologies combine experimental fluid dynamics with computational modeling and AI-driven design. Leadership Roles: Cluster Director, Energy Research Institute @ NTU Principal Investigator for multiple industry collaborations in sustainable materials Research Output: 42+ publications in high-impact journals Multiple patents in filtration technologies and cooling systems

Steffen MarburgView profile

Professor

• Numerical Methods in Vibroacoustics
• Aeroacoustics
• Structural Optimization
• +6 more

Prof. Dr. Steffen Marburg is a Full Professor at the Chair of Acoustics of Mobile Systems within the TUM School of Engineering and Design at the Technical University of Munich. His research focuses on numerical methods in vibroacoustics, structural optimization, and acoustic modeling for applications in automotive, maritime, and musical instrument domains. Education: PhD from Technical University of Dresden (1998). Academic Career: Junior Professor at TU Dresden (2004), Chair of Technical Dynamics at University of the Federal Armed Forces Munich (2010), Full Professor at TUM (2015–present). Editorial Roles: Co-Editor-in-Chief of Journal of Theoretical and Computational Acoustics, Associate Editor of Journal of the Acoustical Society of America, Editor of Acoustics Australia and Mechanical Systems and Signal Processing. His research integrates computational acoustics, boundary element methods, and machine learning to address noise control and structural optimization challenges. Recent work explores acoustic metamaterials, viscothermal losses, and data-driven modeling. He has co-authored over 150 publications and led advancements in multifrequency solution methods and noise-insulating structures. Scientific awards include the Innovation Award of the Industrieclub Sachsen e.V. (1999). His editorial contributions and leadership in journals highlight his influence in computational acoustics and structural dynamics.

Jonathan David BobaljikView profile

Professor

• Linguistics
• Morphosyntax
• Phonology
• +13 more

Jonathan David Bobaljik is a leading linguist whose research spans formal syntax, phonology, and the documentation of endangered languages, particularly Itelmen. He is actively involved in multiple international research collaborations and regularly presents at major linguistic conferences across Europe and North America. His work is published in top journals such as Natural Language and Linguistic Theory and Language . His research interests lie at the intersection of theoretical and descriptive linguistics. He investigates universal patterns in morphology and syntax, including suppletion, vowel harmony, ergativity, and control structures, often using data from understudied languages like Itelmen. His work combines rigorous formal analysis with deep empirical grounding in language documentation. The recent publications reflect a strong trend toward integrating typological diversity with formal theory. Key areas include morphosyntactic universals (e.g., suppletion in pronouns), information structure in verb-final languages, and the phonology of ejective consonants. There is also a growing emphasis on sociolinguistic and community-based aspects, as seen in collaborative work on language revitalization and the social life of the Itelmen language. He has received recognition through numerous scholarly publications and invited talks, though specific awards are not listed in the provided text. His collaborative projects suggest active grant involvement, particularly in language documentation and cross-linguistic typology. Bobaljik plays a central role in the Itelmen documentation and revitalization project, contributing to the creation of a dictionary app, the publication of historical manuscripts, and public exhibits on Siberian Indigenous knowledge. He collaborates with a team including David Koester, Chikako Ono, Tatiana Degai, and Maria Pupynina.

Oliver ChandlerView profile

Senior Lecturer

• Music Analysis
• Music Theory
• British Music
• +5 more

Oliver Chandler is a Senior Lecturer in Music at the University of Oxford and holds multiple lecturing roles at Hertford College, Keble College, St Hugh's College, and Queen's College. He also serves as an academic professor at the Royal College of Music. His research focuses on music analysis, particularly in British music, chromaticism, and tonal theory, with notable works on Edward Elgar, Reginald Smith Brindle, and guitar repertoire. Chandler has been awarded the 2024 Adele Katz Early Career Researcher Award for his contributions to music theory. His research interests span music theory, including (neo-)Riemannian theory, Schenkerian analysis, and guitar studies. He co-authored Return to Riemann: Tonal Function and Chromatic Music (2024) and edited Born by the Thames: Stephen Dodgson, a Centenary Celebration (2024). His work often bridges historical and analytical approaches, exploring topics like Elgar’s chamber music and the interplay of tonality and serialism. Awards: Adele Katz Early Career Researcher Award (2024) Editorial Roles: Member of Soundboard Scholar editorial board and Cambridge Cohort for Guitar Research Grants & Collaboration: Collaborations on projects including analyses of Elgar’s works and studies on British modernist composers. Chandler’s publications span journals such as Music & Letters and Music Analysis , with a focus on analytical methodologies and British musical heritage. His research underscores the enduring relevance of tonal frameworks in understanding 20th-century music.

Andrew OllettView profile

Associate Professor

• Poetics
• History of Literature
• Intellectual History
• +9 more

Andrew Ollett is an Associate Professor and Director of Graduate Studies in the Department of South Asian Languages and Civilizations at the University of Chicago , where he has taught since 2019. His research focuses on the literary and intellectual traditions of South and Southeast Asia, particularly through works in Sanskrit, Prakrit, Apabhramsha, and Kannada from the first millennium CE. Co-founder and editor of NESAR (New Explorations in South Asia Research) Director of NEH-funded edition/translation of the Kavirājamārga (earliest Kannada literary manual) Expert in Prakrit and Kannada literary traditions His work explores the 'question of language'—examining how language choice shaped cultural production and change in premodern India. Current projects include a monograph on context-sensitivity in Indian language theories and a study of manuscript technology's impact on early South Asian knowledge communities. He has authored The Mirror of Ornaments (Naples: Unior Press, 2025) and Language of the Snakes (UC Press, 2017), and co-authored Lilavai (Harvard, 2021). Recent publications include interdisciplinary studies on: Sanskrit-Prakrit campū genre reevaluation Pragmatics in Mīmāṁsā interpretive concepts Manuscript literacy's influence on literary forms Historical linguistics of Middle Indic syllable reduction Philosophy of language in Śālikanātha and Kumārila Bhaṭṭa Awarded the NEH 'Scholarly Editions and Translations' grant , he teaches classical South Asian literature courses covering Sanskrit, Prakrit, and Tamil traditions. He maintains digital resources including a Prakrit Digital Texts Project and Mīmāṁsādigdarśinī digital text repository, and actively contributes to open-access scholarship.

James LambView profile

Lecturer

• Digital Education
• Learning Spaces
• Multimodal Teaching and Assessment
• +3 more

Dr James Lamb is a Lecturer in Digital Education at the Moray House School of Education and Sport, University of Edinburgh, where he is affiliated with the Institute for Education, Community and Society (IECS) and Edinburgh Futures Institute. He teaches on the MSc in Digital Education and MSc in Education Futures programs, and serves as course organiser for several key courses including 'Learning Spaces and Digital Technologies', 'The Future of Learning Organisations', and 'Education and Digital Cultures'. As an active researcher, he contributes to the Centre for Research in Digital Education and leads the Hybrid Pioneers research group. Dr Lamb's educational background includes a PhD from the University of Edinburgh (funded by ESRC), an MSc with distinction from the University of Edinburgh, and a BA degree with distinction from Edinburgh Napier University. His doctoral research focused on 'Space, Sociomateriality, Sound: the Learning Spaces of Higher Education,' reflecting his longstanding interest in the relationship between physical environments and educational experiences. Dr Lamb's research primarily investigates the relationship between learning spaces and digital technologies, with particular attention to how sound features within educational contexts and how multimodal approaches can enhance teaching and assessment. His work bridges theoretical frameworks from postdigital studies, sociomaterial theory, and spatial analysis to examine how digital technologies transform physical and conceptual learning environments. He has developed innovative methodologies for studying learning spaces, including the use of 'digital multimodal postcards' that capture both visual and auditory dimensions of educational experiences. His research is characterized by a strong commitment to practical applications that can inform educational design and improve student learning experiences in both physical and digital settings. Dr Lamb's extensive publication record demonstrates a clear evolution toward increasingly sophisticated explorations of postdigital learning spaces. His recent work integrates concepts from architecture, music, and mobility studies to create a more holistic understanding of how learners inhabit and transform educational environments. A notable trend is his growing focus on sustainability, equity, and well-being within learning space design, reflecting broader shifts in educational priorities toward more humane and socially responsible approaches to technology integration. Dr Lamb actively supervises PhD students Edward Martin and Nick Hood, and is open to supervising projects related to learning spaces, sound in education, and multimodal teaching and assessment in higher education. His supervision approach emphasizes connecting theoretical frameworks with practical educational applications, encouraging students to develop innovative methodologies for investigating complex educational phenomena. Dr Lamb leads the Elektronisches Lernen Muzik project, which explores the relationship between music and learning, and is a co-author of the influential Manifesto for Teaching Online. He is also a key member of the Hybrid Pioneers research group, which investigates the challenges and opportunities of hybrid teaching and learning environments. These initiatives reflect his commitment to exploring the intersections between traditional educational practices and emerging digital possibilities.

Golan LevinView profile

Professor

• Interactive Art
• Digital Fabrication
• Information Visualization
• +4 more

Golan Levin is Professor of Electronic Art at Carnegie Mellon University's School of Art, with courtesy appointments in the School of Design, School of Architecture, School of Computer Science, and Entertainment Technology Center. From 2009 to 2022, he served as Director and Co-Director of CMU's Frank-Ratchye STUDIO for Creative Inquiry, a laboratory dedicated to supporting atypical, anti-disciplinary research at the intersection of arts, science, technology, and culture. Levin's research spans interactive art, digital fabrication, information visualization, and generative design. He explores the critical potential of visualization, generative computation for expressive form, and how abstraction connects to realities beyond language. His practice engages interactive gestural robotics, nonverbal interaction aesthetics, and tactical applications of personal digital fabrication through responsive artifacts and media provocations that highlight human-machine relationships. His publications reveal consistent innovation in real-time audiovisual systems, interactive fabrication interfaces, and pedagogic tools for artists. Key trends include slit-scan video techniques, tangible augmented-reality performance, and noise-based visualizations, demonstrating his commitment to expanding human action vocabulary through digital media while bridging artistic expression with computational systems. Levin's work has received significant recognition: Permanent collection inclusion at Museum of Modern Art (MoMA) Whitney Biennial exhibition "50 Designers Shaping the Future" by Fast Company (2012) Competitive grants from National Endowment for the Arts, National Endowment for the Humanities, Creative Capital, and Rockefeller MAP Fund As an educator, Levin teaches "studio courses in computer science" on interactive art, experimental capture, and generative design, emphasizing computation as a medium for critical inquiry. His research funding from major cultural institutions supports interdisciplinary exploration at the arts-technology nexus. The Frank-Ratchye STUDIO for Creative Inquiry, which he directed for 13 years, remains a vital hub for anti-disciplinary collaboration, continuing his legacy of fostering creative agency through technology-infused artistic practice.

Gajanan S. BhatView profile

Professor

• Nonwovens
• Sustainable Materials
• Nanotechnology
• +7 more

Gajanan S. Bhat is a Professor and Department Head at the University of Georgia within the College of Family and Consumer Sciences . He earned his PhD in Textile and Polymer Engineering from Georgia Tech in 1990. Education : PhD (Georgia Tech, 1990) Professional Journey : Joining the University of Tennessee, Knoxville (UTK) in 1990, became Director of UTNRL , researching nanofibers, sustainable materials, and high-performance fibers. Recently transitioned to UGA as department head. Dr. Bhat's research focuses on nonwovens (meltblown, spunmelt), sustainable materials (cotton-based composites, biodegradable polymers), and high-performance fibers (carbon fibers, ballistic materials). His work bridges nanotechnology and industrial applications , addressing challenges in filtration , protective fabrics , and recycling . Recent publications highlight advancements in thermal conductivity modeling , flexible sensors , and ecological composites . His research has expanded into flushable nonwovens , PLA-based filters , and stretchable cotton textiles . Scientific Recognition : Outstanding Young Engineering Alumni, Georgia Tech (1996) Distinguished Achievement Award, The Fiber Society (1999) Technical Achievement Award, TAPPI (2014) He serves on editorial boards of journals like International Journal of Textile Engineering and Processes and Journal of Nanomaterials and Molecular Nanotechnology . Active in professional societies including The Fiber Society , INDA , and Textile Institute .

Azma Putra AzisView profile

Lecturer

• Acoustics and Noise Control
• Dynamics and Vibration Control
• Mechanical Engineering
• +3 more

Azma Putra Azis is a Lecturer in the School of Civil and Mechanical Engineering at Curtin University, with a focus on acoustics, vibration control, and sustainable materials. He is affiliated with campuses in Australia, Dubai, Malaysia, Mauritius, and Singapore. His research emphasizes eco-friendly acoustic absorbers using natural fibers (e.g., wood, oil palm, coconut) and additive manufacturing. He collaborates widely, publishing in journals like International Journal of Environmental Science and Technology and Applied Acoustics . His work spans noise control, composite material development, and structural acoustics. Teaching areas include Science and Engineering, with contributions to the Centre for Aboriginal Studies and interdisciplinary fields. Education: Not explicitly stated in profile, but extensive academic publications suggest advanced qualifications in mechanical/acoustical engineering. Research Interests: Acoustic absorber design, composite materials, vibration dynamics, and sustainable engineering. Professional Networks: ORCID (0000-0001-6023-2493), Google Scholar, LinkedIn, and personal website ( www.azmaputra.com ). Publications highlight innovations in sound absorption using agricultural waste (e.g., durian husk, sugarcane fiber) and optimization of muffler designs. His work bridges engineering and environmental science, with applications in construction, automotive, and renewable materials.

Bryan PardoView profile

Professor

• Machine Learning
• Generative Modeling
• Signal Processing
• +7 more

Bryan Pardo is a Professor of Computer Science at Northwestern University and head of the Interactive Audio Lab. He co-directs the Northwestern Center for Human Computer Interaction + Design and chairs the Computer Science Diversity Committee. He teaches courses in Deep Learning, Machine Learning, Generative Modeling, and Digital Music Instrument Design. PhD in Computer Science and Engineering, University of Michigan MMus in Jazz and Improvisation, University of Michigan MS in Computer Science, Ohio State University BMus in Jazz Composition, Ohio State University His research focuses on machine understanding and manipulation of sound, particularly in music and speech domains. Key areas include Machine Learning (e.g., automated gradient clipping), Signal Processing (e.g., Multi-scale Common-fate Transform), and Human Computer Interaction. Applications involve inclusive audio interfaces, audio search engines, source separation, natural language-controlled audio effects, privacy-preserving adversarial attacks on voice recognition, and music co-creation tools. Recent publications highlight advancements in neural watermarking (MaskMark), masked acoustic modeling (VampNet), and real-time adversarial privacy systems for speech. His lab's work has been applied in Adobe's AI-powered audio editor and Lexie B2 hearing aids. Scientific Awards: $1.8 million NSF Future of Work award $440K NSF grant for accessible music programming $200K Toyota grant $100K Sony grant TorchCrepe pitch tracker: 20 million+ downloads Bryan Pardo advises PhD student Max Morrison and collaborates with researchers like Patrick O'Reilly, Zeyu Jin, and Prem Seetharaman. His lab develops technologies for blind and visually impaired audio creators, including HaptEQ and Eyes-free tools.