London School of Economics and Political Science (LSE)United Kingdom
Eric Schneider is a Professor of Economic History at the London School of Economics and Political Science (LSE), where he has worked since 2015. He serves as Co-Director of the LSE Historical Economic Demography (HED) Group and is a Research Fellow at the Centre for Economic Policy Research (CEPR). His research focuses on health and historical economic demography, including children’s health and growth, early life health outcomes, and fertility differentials in early modern England. He holds a BA in History from the University of Puget Sound, an MPhil in Economic and Social History from the University of Oxford, and a PhD from Nuffield College (Oxford). His research spans topics such as child stunting, nutritional status, and the long-run effects of historical health shocks. Notable projects include analyzing child growth patterns across global contexts and studying the impact of the Second World War on Japanese children’s health. His work frequently employs interdisciplinary approaches, combining historical data with demographic and economic methodologies. Recent publications include studies on smallpox case fatality rates, child health in London’s Foundling Hospital, and the effects of war-induced nutritional stress in Japan. His articles frequently appear in journals like the Journal of Economic Surveys , Population and Development Review , and Explorations in Economic History . Dr. Schneider is involved in academic networks such as the London Universities Population Seminar and teaches courses on economic history, health history, and population dynamics. His work contributes to understanding how historical health and demographic trends shape long-term economic growth and societal development.
Dr. Heather Inwood serves as University Associate Professor in Modern Chinese Literature and Culture within the Faculty of Asian and Middle Eastern Studies at the University of Cambridge. She is also a Fellow and Director of Studies at Trinity Hall, maintaining dual institutional affiliations that support her teaching and research activities across undergraduate and postgraduate programs. Her educational background includes a BA in Chinese Studies from the University of Cambridge (Trinity Hall), followed by advanced studies at Tsinghua University and Peking University, culminating in a PhD in modern Chinese literature from SOAS, University of London in 2008. Prior academic appointments include Assistant Professor at The Ohio State University (2008-2013) and Lecturer in Chinese Cultural Studies at the University of Manchester before returning to Cambridge in 2016. Professor Inwood's research program investigates the dynamic interactions between digital media and literary production in contemporary China, with particular focus on poetry communities, genre fiction, and transmedia storytelling. Her work bridges traditional literary analysis with digital humanities approaches, examining how online platforms transform authorship, reception, and cultural value. She has pioneered scholarship on internet poetry scenes, demonstrating their vitality despite public perceptions of poetry's decline in modern China. Her publication trajectory reveals a clear evolution from early work on poetry communities ( Verse Going Viral: China's New Media Scenes , 2014) toward broader investigations of digital narrative forms, game studies, and Sinophone cyberspace. Recent publications increasingly engage with science fiction, transmedia storytelling, and the algorithmic structures shaping literary production, reflecting both the changing digital landscape and her expanding methodological toolkit. Professor Inwood actively supervises five PhD students working on diverse projects spanning Misty poetry, queer narratives, gender studies, and poetic animality, demonstrating her commitment to nurturing next-generation scholarship in Chinese literary studies. Her research has been supported by British Academy Small Grants and similar funding mechanisms that enable sustained fieldwork and publication. Her teaching responsibilities include undergraduate courses on East Asian media and popular culture, Modern Chinese texts, and Modern Chinese literature, connecting classroom instruction directly to her research expertise. She also maintains public engagement through Chinese-language columns for BBC China and other media outlets, bridging academic and public discourse on contemporary Chinese culture.
Professor Beth Williamson is a leading scholar of medieval culture, holding dual roles as Professor of Medieval Culture and Chair in the History of Art at the University of Bristol's Department of History of Art (Historical Studies), and as Academic Director (Research Impact & Translation Partnerships) within the Faculty of Social Sciences and Law. She earned her B.A. from Oxford University (Oxon), an M.A., and a Ph.D. from the University of London (Lond.). Her research focuses on visual, material, and aural dimensions of medieval religious practice, exploring how sensory experiences shaped devotional life. Key themes include sacred imagery (e.g., the Virgin Lactans and Madonna of Humility), liturgical spaces, and the intersection of art with music, time, and political power. Recent projects include studies of Westminster Abbey’s royal patronage and collaborations in interdisciplinary historical research. Her publications span over three decades, addressing topics from Italian Renaissance altarpieces to Irish medieval sculpture, with a strong emphasis on material culture and devotional practices. Despite her prolific output, no formal awards are listed, though her academic leadership roles reflect her scholarly impact. As a mentor, her supervisory activities are noted in her profile but lack specific student names. Her work bridges academic and public spheres, particularly through her role in translating research into societal impact initiatives. She is affiliated with the University of Bristol’s Senate House and contributes to institutional leadership.
Stephen Willey is a poet, researcher, and critic affiliated with the School of Arts at the University of London . He serves as Programme Director for BA Creative Writing and English , Admissions Officer , and Director of the Contemporary Poetics Research Centre . His work bridges experimental poetry, political engagement, and cross-cultural collaboration. Research Interests : Sound and concrete poetry Avant-garde poetics Palestinian creative writing workshops Eco-poetics and radical pedagogies Key Projects : Incarceration and Poetry (funded by Council for British Research in the Levant) Living In: Creative Solidarities in Palestine (2020 book) Scientific Awards : Team-Based Fieldwork Award (2020) Artists’ International Development Award (2013) AHRC Collaborative Doctoral Award (2008) Teaching : He teaches modules like Migration Literatures , Climate Change Communication , and Poetry Workshop at Birkbeck, while mentoring PhD candidates in avant-garde poetics, diaspora studies, and creative writing.
Professor Aditi Lahiri is a Research Professor of Linguistics at the University of Oxford's Faculty of Linguistics, Philology and Phonetics. She holds positions in the Centre for Linguistics and Philology and directs the Language and Brain Laboratory. Her research focuses on phonology, phonetics, historical linguistics, psycholinguistics, and neurolinguistics, with special expertise in metrical theory, feature theory, and morphological complexity. Education : BA (Mathematics, Economics) from University of Calcutta (1971); MA (Comparative Philology) from University of Calcutta (1973); DPhil (Comparative Philology and Linguistics) from University of Calcutta (1979); PhD (Linguistics) from Brown University (1982). Research Interests : Her work spans experimental and theoretical linguistics, including prosodic phrasing, lexical representation, language change, and neural correlates of phonological processing. Key areas include: Metrical phonology and historical sound change Cognitive representation of speech sounds Morphological complexity in the mental lexicon Speech perception and production mechanisms Recent Research Trends : Over the past decade, her publications emphasize cross-disciplinary approaches, integrating experimental psycholinguistics with computational modeling (e.g., ERC-funded projects on morphophonological alternations). Recent work explores language processing in multilingual speakers and the neural basis of phonological features. Awards : Recipient of prestigious awards including the Leibniz Prize (2000), Max Planck Research Prize (1994), and Fellow of the British Academy (2010). She serves as Vice President of the British Academy and President of the Philological Society. Grants & Leadership : Secured over €8 million in research funding, including ERC Advanced Grants (e.g., MORPHON, WORDS). Directed the DFG-funded Sonderforschungsbereich 471 (2006-2008). Established key partnerships in India through endowed scholarships and academic outreach initiatives. Labs & Collaborations : Leads the Language & Brain Laboratory, collaborating internationally on projects combining neurolinguistic methods with historical and experimental linguistics. Supervised numerous PhD students who have become leading academics globally.
Dr James Herbert-Read is an Associate Professor and Whitten Lecturer in Marine Biology at the Department of Zoology, University of Cambridge. He serves as Deputy Head of Department (Postgraduate Education) and leads the Marine Behavioural Ecology Group. His research focuses on understanding how animals, particularly marine organisms, collect and process information from their environments to make behavioral decisions, with emphasis on social interactions, adaptation mechanisms, and ecological constraints. His group employs theoretical frameworks, controlled experiments, and quantitative field studies to investigate behavioral diversity in marine species. Key themes include collective behavior, predator-prey dynamics, camouflage strategies, and the impacts of environmental stressors on animal decision-making. Recent publications highlight work on lionfish vocalization mechanisms, cuttlefish camouflage, citizen science applications in marine research, and behavioral responses to visual and acoustic noise. Scientific awards and affiliations include: Whitten Lecturer in Marine Biology Associate Professor, University of Cambridge He has supervised research projects on topics such as: Social attraction in invasive fish species Evolution of coordinated movement Neurophysiological basis for leadership in shoals Maternal effects on offspring exploration
Nicholas Mortimer is a Senior Lecturer in Design at Goldsmiths, University of London. He holds an MA in Design Interactions (Royal College of Art, 2013) and a BA in Fine Art Sculpture (University of Brighton, 2005). His work focuses on socially engaged design practices, reimagining historical performance traditions to address contemporary labor and societal issues. As co-founder of Post Workers Theatre (PWT), he explores workers’ theatre and creative resistance through collective writing, performance, and design. His research spans topics like gig economy critiques, housing privatization, and community activism, often blending performance, sound, and participatory methods. Education: MA Design Interactions, Royal College of Art, 2013 BA Fine Art Sculpture, University of Brighton, 2005 Research Interests: Performance as social critique Historical folk traditions and modern labor struggles Community-driven design practices Radical pedagogy and participatory methods Key Projects: Post Workers Theatre : Investigates politically engaged performance, addressing labor inequality through updated workers’ theatre forms. Autohoodening : Critiques Amazon labor practices via a reimagined midwinter ritual. Rave of the Ritualesque : Examines rave culture’s potential for collective resistance. Affiliations: Department of Design, Goldsmiths, University of London IASPIS (Swedish Arts Grants Committee) residency collaborations Labs/Teams: Post Workers Theatre collective Collaborations with institutions like Tate Liverpool, Luleå Arts and Crafts Biennale, and the Maidstone Museum
Professor Emma Moore is a leading sociolinguist at the School of English, University of Sheffield . Specializing in the social dimensions of language, her work integrates methodologies from anthropology and sociology to investigate how linguistic variation constructs identity and social affiliations. Research focus: Sociolinguistic style, dialect contact, youth language, identity negotiation, and community-based fieldwork Key projects: Adolescence and grammar (1999-), Isles of Scilly dialect (2008-), language and inequality (2014-), language perception software (2016-) Educational background : PhD in Sociolinguistics, University of Manchester Stanford University (USA) during PhD research Research trends across her 2021-2025 publications reveal interdisciplinary exploration of: Socio-syntactic variation Clinical linguistics (2025 MDS-UPDRS studies) Digital discourse post-pandemic Indexicality and cognitive representations Dialect contact in insular communities Educational policy implications Scientific recognition : British Academy Mid-Career Fellow (2019-2020) Elected Fellow, Royal Anthropological Institute (2014) AHRC/BA funded research projects (1999-2015) Research group leadership : Mentored 9 PhD students (2004-2024) and supervised 3 undergraduate SURE projects, including analyses of: Gender in rap performance Language style and workplace inequality Oral history digitization Professional contributions : Editorial Board: Language in Society (2015-), Gender and Language (2011-2017) External Examiner: Lancaster University MA in English Language (2013-2017) Collaborative software development for dialect perception testing
Brian Roberts is a Professor at Aston University's School of Psychology within the College of Health and Life Sciences. His primary research focuses on auditory perception, particularly auditory scene analysis and speech perception. He holds a PhD in Experimental Psychology (Auditory Perception) from the University of Cambridge (1989) and has held academic positions at the University of Birmingham (1993-2001) and Aston University since 2005. His work explores perceptual grouping mechanisms, cochlear implant listening, and the neural bases of auditory phenomena. Affiliations: Cognition & Neuroscience Research Group (CNRG), Centre for Vision and Hearing Research Employment History: Reader at University of Birmingham (2001), Senior Lecturer (1999), Lecturer (1993) Research interests include auditory stream segregation, formant analysis, and the effects of stimulus properties on perceptual organization. He has collaborated internationally, including visiting appointments at Macquarie University (2019) and the University of British Columbia (2011). Notable achievements include being elected a Fellow of the Acoustical Society of America (2009). Recent publications investigate factors influencing stream segregation (2024), asymmetric timbre effects (2023), and lexical bias in consonant identification (2022). Current projects explore sudden changes in auditory stimuli and their impact on perceptual grouping. Grants & Funding: Extensive research grants supporting auditory perception studies (details not explicitly listed) Supervised Work: 4 documented supervisees, though names not provided Labs/Teams: Active in the Auditory Perception Laboratory at Aston University, focusing on psychophysical and computational modeling approaches.
Dr. Jonathan Skinner is a Reader (equivalent to Associate Professor) in English and Comparative Literary Studies at the University of Warwick's Faculty of Arts, where he researches and teaches ecocriticism, contemporary poetry, and creative writing. He founded and edits the journal ecopoetics , exploring intersections between writing and ecology. His research examines: Ecopoetic theory and environmental literature Intersections of sound studies and ethnopoetics North American avant-garde poetry (Olson, Kyger, Eigner) Translation and transnational poetics Third Landscape theory and urban wildness He leads a research network facilitating cross-cultural poetry exchanges along avian migration routes. Skinner's publications predominantly explore ecocritical frameworks through poetry analysis, with recent work examining climate change poetics, multispecies communication, and Anthropocene aesthetics. His scholarship connects literary studies with environmental science, acoustics, and landscape theory. He currently supervises five PhD students researching multispecies poetics and environmental literature through AHRC-funded projects, and has successfully supervised two doctoral candidates studying deindustrialization and extractive urbanism. Previously supervised MA theses span modernist poetry, ecocriticism, and creative writing.
Lauren Hall-Lew is a Professor and Personal Chair of Sociolinguistics at the University of Edinburgh's School of Philosophy, Psychology and Language Sciences. She holds a BA from the University of Arizona (2002) and MA/PhD from Stanford University (2009). Her research focuses on phonetics, social meaning, language change, and sociopolitical identity. She has pioneered projects like the Lothian Diary Project, studying linguistic impact of the pandemic, and analyzed Scottish political speech, tourist language attitudes, and ethnicity-linked variation in San Francisco. Teaching contributions include courses on sociophonetics and language variation/change, earning her EUSA Teaching Award (2013). She has supervised over a dozen PhD students and is involved in EDI initiatives, including founding the Staff BAME Network Mentoring Programme (2019-2021), recognized via CAHSS Award and Principal's Medal nominations. Active in grant work, she leads projects on homelessness and linguistic variation (British Academy-funded), Scottish tour guide discourse, and political identity in phonetics. Awards include teaching accolades and EDI recognition. Her publications span sociolinguistic theory, phonetic analysis, and applied linguistic methods.
Courtney N. Reed is a Lecturer in Digital Technologies at Loughborough University London, where she joined in November 2023. She maintains a dual role as a visiting research fellow at the Max Planck Institute for Informatics. Her academic journey includes a BMus in Electronic Production and Design from Berklee College of Music (2016), followed by an MSc (2018) and PhD (2023) in Computer Science from Queen Mary University of London. Prior to her current position, she completed postdoctoral research at both the Max Planck Institute for Informatics and King's College London. Bachelor of Music: Electronic Production and Design, Berklee College of Music (2016) Master of Science: Computer Science, Queen Mary University of London (2018) Doctor of Philosophy: Computer Science, Queen Mary University of London (2023) Dr. Reed's research explores the entangled relationships between humans, bodies, instruments, and technology in music interaction, with particular focus on vocal electromyography (VoxEMG) and the vocalist-voice relationship. Her work incorporates feminist and post-human theories to examine sociopolitical contexts within arts technology, aiming to design for creativity while acknowledging individual, messy bodies in artistic practice. She has developed an open-source platform for vocal electromyography to investigate how biosignal feedback changes understanding and perception of the body in vocal performance. Her interdisciplinary approach bridges music technology, human-computer interaction, and embodied interaction studies. Analysis of Dr. Reed's recent publications (2023-2025) reveals a strong thematic focus on embodied interaction in music technology, with particular emphasis on vocal performance, biosignal feedback, and the philosophical underpinnings of digital instrument design. Her work consistently integrates theoretical frameworks like Karen Barad's agential realism with practical applications in digital musical instruments. Key trends include the exploration of ambiguity in data representation, the sociocultural dimensions of timbre in instrument design, and the development of novel methodologies for understanding embodied musical experiences through micro-phenomenology and ethnographic approaches. ACM SIGCHI Outstanding Dissertation Award (2024) for her thesis 'Imagining & Sensing: Understanding and Extending the Vocalist-Voice Relationship Through Biosignal Feedback' Best Newcomer Award at Loughborough University London's Community Awards Celebration (2024) Dr. Reed actively contributes to the academic community through conference organization and leadership roles. She serves as Member-at-Large on the NIME Board, previously chaired papers for NIME 2024, and co-organized the IBM SkillsBuild Sprint at Loughborough London. She has also chaired sessions at the ACM TEI Conference and co-chaired the Student Design Competition. Her collaborative work spans multiple institutions and includes significant contributions to interdisciplinary projects that bridge music, technology, and human experience. She has been instrumental in developing the senSInt research group and the RaveNET wearable network project. Dr. Reed leads the senSInt research group which focuses on sensorimotor interaction in music and performance contexts. The group develops innovative technologies including the VoxEMG platform for vocal electromyography, the Bones anti-corset for vocal performance, and the RaveNET network of wearable biosensing nodes. These projects explore the intersection of biosignals, embodied interaction, and musical expression, creating novel frameworks for understanding how technology mediates human creativity and performance. The group frequently collaborates with musicians, technologists, and theorists to develop and test these systems in real-world performance contexts.
Professor Steve Simpson is a leading marine biologist and fish ecologist at the University of Exeter's Biosciences department. He serves as Professor of Marine Biology & Global Change and leads a dynamic research group focused on understanding marine ecosystems, particularly in the context of climate change and human impacts. His work has been prominently featured in Blue Planet II and he actively engages with industry, policy makers, and the public through media appearances and outreach activities. Education PhD, University of York, UK (2000-2004) MRes Marine & Coastal Ecology & Environmental Management, University of York, UK (1998-1999) BSc Marine Biology (Hons), University of Liverpool, UK (1995-1998) Professor Simpson's research centers on the behavior of coral reef fishes, bioacoustics, and the effects of climate change on marine ecosystems. His approach uniquely combines fieldwork in remote environments with laboratory experiments, data-mining, and computer modeling. He has pioneered new methods for listening to ocean soundscapes and understanding fish communication, revealing how anthropogenic noise disrupts natural behaviors and ecological processes. His work on climate change impacts examines shifting fish distributions and their implications for fisheries management and conservation. Analysis of Simpson's recent publications reveals two dominant research themes: the impacts of anthropogenic noise on marine life and climate change effects on fisheries. His work demonstrates how underwater noise from boats and industrial activities impairs fish hearing, disrupts predator-prey relationships, and affects reproductive success. Simultaneously, his climate change research tracks how warming seas are altering fish distributions, creating 'mackerel wars' and requiring fisheries adaptation. These research strands converge in his innovative work on developing solutions like bubble curtains to mitigate noise impacts. Scientific Awards FSBI Medal (2016) NERC Knowledge Exchange Fellowship (2011-2014) NERC Postdoctoral Research Fellowship (2004-2007) Royal Society International Fellow (2007-2008) EPHE Postdoctoral Fellow (2007-2008) Professor Simpson leads a thriving research group of approximately 10 postdocs, PhD, and Masters students. His grant portfolio includes major NERC funding for projects on marine noise impacts and climate change effects on fisheries. He has developed strong industry partnerships through a Knowledge Exchange Fellowship, working with Cefas, the Met Office, Sustainable Marine Energy Ltd, and HR Wallingford Ltd. His research has directly informed policy through contributions to Marine Climate Change Impacts Partnership reports and presentations to European Parliament. Simpson has also created innovative knowledge exchange initiatives including the 'Vision of Sustainable Fisheries in 2050' thinktank. Simpson has developed specialized research infrastructure including a mobile lab with Ecocean in Montpellier for assessing marine noise impacts, and has conducted large-scale acoustic experiments in dry docks. His work on underwater acoustics was prominently featured in Blue Planet II, and he maintains active engagement with media through TEDx talks, BBC appearances, and public lectures to schools and community groups. He serves on the International Quiet Ocean Experiment Science Committee, helping shape global research on ocean noise.
Professor Rebecca Hodge is a Professor in the Department of Geography at Durham University, where she has served since 2011 after progressing from Lecturer (2011-2016) to Associate Professor (2016-2022). Her academic foundation includes a PhD in Geography from the University of Cambridge (2007) and prior postdoctoral work at the University of Glasgow (2007-2011). Her educational background: PhD, Geography, University of Cambridge (2007) Professor Hodge's research centers on fluvial geomorphology , specializing in sediment transport mechanics within gravel-bed and bedrock-alluvial river systems. She pioneers the integration of high-resolution measurement techniques —including Terrestrial Laser Scanning, CT scanning, and 3D printing—with advanced numerical modeling (e.g., Cellular Automaton frameworks) to investigate how grain-scale interactions govern reach-scale sediment flux. Her work critically examines sediment cover dynamics, critical shear stress thresholds, and the upscaling of small-scale processes in river morphology. Analysis of her 15 most recent publications (2019-2025) reveals a dominant focus on quantifying river bed roughness , sediment cover dynamics , and innovative measurement methodologies . Key trends include the application of 3D point cloud analysis for critical shear stress estimation, acoustic monitoring of river systems, and network-scale modeling of alluvial processes across diverse environments from Antarctic ice shelves to U.S. bedrock rivers. Her significant recognition includes: Gordon Warwick Medal from the British Society for Geomorphology (2022) for excellence in geomorphological research within 15 years of her doctorate Professor Hodge actively mentors PhD candidates including Holly Wytiahlowsky, Jiao Chen, and Mel Oliveira Guirro, with research spanning Antarctic glacial channels, bedrock-alluvial transitions, and gravel-bed river mechanics. Her collaborative projects involve institutions across the UK, USA, and Brazil, addressing fundamental questions in sediment transport and river response to environmental change. Her laboratory work emphasizes experimental flume studies and field deployments of cutting-edge sensors, directly informing theoretical models of river evolution and sediment dynamics.
Alex Crowton is a Senior Lecturer and Course Leader for the MA Media Production at York St John University's School of the Arts. With 12 years of teaching experience, they specialize in experimental and documentary film production, curriculum design, and entrepreneurial media practices. Their academic roles include External Examiner positions at Birmingham City University and Fellow status with the Higher Education Academy. Research focuses on 'Woodchuck Cinema' aesthetics and 'materials psychogeography,' producing films like Tube (2022) exploring class and industrial heritage. Notable projects include This is Sparklehorse (2022) and The Sad & Beautiful World of Sparklehorse (2016), which won a Skyline Indie Film Festival award. They also created In Praise of the Garage (2021) and collaborated on pandemic-related work like Pip, Pop, and a Pandemic (2021). Awards include a Royal Television Society Award for prison music project Change the Way/ One Life to Live (2007). Their work frequently engages marginalized communities, including collaborations with Geese Theatre Company and Sonic DB prison music initiatives. Crowton regularly participates in film festival panels (Doc'n Roll, Aesthetica) and advocates for DIY filmmaking methodologies.
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