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Dr. Michael Boyd is a prominent archaeologist affiliated with the Department of Archaeology at the University of Cambridge and serves as an Honorary Research Associate at the McDonald Institute for Archaeological Research and a Senior Research Affiliate at The Cyprus Institute . His work centers on the prehistoric Aegean, with expertise in material culture, mortuary studies, ritual practices, and landscape archaeology. Research Interests : Boyd's scholarship interrogates the theoretical and methodological foundations of archaeology, emphasizing the dynamic interplay between landscapes, tombs, and human agency. His studies span Early Bronze Age Cycladic cultures, environmental archaeology, and the emergence of ritualized spaces in the Aegean. Publications : Boyd has co-directed the Keros Seaways Project and authored seminal works on Aegean ritual deposits, including the Keros Sanctuary volumes (2016–2018) and Staging Death (2016). His 2021 edited volume Far from Equilibrium critiques contemporary archaeological theory and advocates for reorienting the discipline. Methodological Contributions : He pioneers interdisciplinary and geo-ethnoarchaeological approaches, integrating soil micromorphology and phytolith analysis to reconstruct degradable architectural elements in the Cyclades.

• Material Culture
• Built Environment
• Archaeological Theory
• +9 more

Dr. Simon O'Meara is a Professor at SOAS University of London , serving as Reader in the History of Architecture & Archaeology of the Islamic Middle East and Department Student Support and Experience Convenor. He holds a PhD from the University of Leeds (2004) in Arabic and Islamic Studies, following BA and MA degrees in Art History with a focus on visual theory. Key research areas: Islamic architecture , North African urbanism , material culture , and Islamic visual theory Specializes in analyzing how Islamic religious/legal discourses shape urban spaces and visual culture His publications include two monographs: Space and Muslim Urban Life (2007) on Fez's party walls, and The Kaʿba Orientations (2020) on Mecca's spatial symbolism. Current work examines Quranic exegesis through architectural lenses (2024) and Sufi cosmological centers (2023). PhD supervision topics include: Charlie Oubridge: The Nation in Egyptology Aydin Ozcandan: Ottoman fountains and epigraphs Contact: so20@soas.ac.uk | Office: Room 558, Russell Square: College Buildings

• Islamic Architecture
• North African Urbanism
• Material Culture Studies
• +3 more

Professor Matthew Treherne is a leading scholar in Italian literature at the University of Leeds, where he holds the position of Professor of Italian Literature in the School of Languages, Cultures and Societies within the Faculty of Arts, Humanities and Cultures. He currently serves as Pro-Dean for Research and Innovation, and co-directs the Leeds Centre for Dante Studies. His research bridges medieval and Renaissance literature with contemporary issues such as finance, ecology, and technology. PhD in Italian Literature, University of Cambridge (2007) Diploma in Management Studies, Judge Business School, University of Cambridge (2000) M.Phil in European Literature (Distinction), University of Cambridge (1999) BA in Modern and Medieval Languages (First-class), University of Cambridge (1997) Matthew Treherne's research focuses on Dante and late-medieval religious culture, with a strong emphasis on the liturgical imagination and theological discourse in poetry. He explores how Dante’s work can inform modern debates on the ecological crisis, financialisation, and time. His interdisciplinary approach integrates theology, philosophy, and cultural studies. He leads the project The Cultural Life of Money and Finance , which investigates how the humanities can shape financial futures. His recent publications include Dante’s ‘Commedia’ and the Liturgical Imagination and co-edited volumes on Dante’s theology. His recent scholarly articles and chapters show a consistent engagement with Dante’s theological and poetic structures, Tasso’s religious poetry, and the role of art and liturgy in early modern culture. Themes such as sacramentality, time, vision, and interdisciplinarity recur across his work, reflecting a deep commitment to understanding literature as a living, ethically engaged practice. University Teaching Fellowship Developmental University Teaching Fellowship Faculty of Arts Development Teaching Prize Treherne has supervised numerous PhD students and fosters research-led teaching, notably through projects like Discover Dante and the Leeds Dante Podcast . He has led major research initiatives, including the AHRC-funded Dante and Late Medieval Florence , and collaborates widely across disciplines and institutions. He is also active in public engagement, contributing to BBC Radio 4’s In Our Time and curating podcast series such as Conversations on Dante and Arts and Humanities Futures . He co-leads the Cultural Life of Money and Finance project with Invisible Flock, blending humanities research with creative practice.

• Medieval Italian Literature
• Renaissance Italian Literature
• Dante Studies
• +7 more

Dr. Jennifer Cearns is an Associate Professor in AI at the University of Manchester and a Visiting Professor at KU Leuven . Previously, she held roles as an ESRC Postdoctoral Fellow and Lecturer in Digital Anthropology at University College London , an Associate Postdoctoral Fellow at the Alan Turing Institute , and a Leach Fellow in Public Anthropology at the Royal Anthropological Institute . Her work bridges digital anthropology and AI , focusing on culturally-constructed empathy and the reproduction of norms in algorithmic systems. PhD in Anthropology (University College London, 2016-2020) Languages : English, Portuguese, Spanish (Latin American) Her research spans Artificial Intelligence , Algorithms , and Data Practices , with ethnographic fieldwork in Brazil, Cuba, the US, Guyana, Panama, Mexico, Spain, and the UK. Current projects explore the ethics of AI in mental healthcare, transnational digital networks , and contraband economies in Latin America. Recent publications analyze cultural norms in AI , transnational exchange , and digital piracy , with a focus on Latin America. Her 2023 monograph Circulating Culture (University Press of Florida) examines postsocialist networks and contraband economies. Nominated for Association of Latina and Latino Anthropologists First Book Prize Nominated for Society for Latin American & Caribbean Anthropology Book Prize Finalist, BBC New Generation Thinker Award She collaborates with institutions like UCL's Centre for Digital Anthropology and KU Leuven, and has advised the technology industry for over a decade. Her ORCID identifier is 0000-0001-6498-1766.

• Artificial Intelligence
• Algorithms
• Digital Technology
• +10 more

Professor Adam Yuet Chau is a Fellow and Director of Studies at St John's College and holds the Professor of the Anthropology of China position at the Faculty of Asian and Middle Eastern Studies, University of Cambridge . His academic journey includes training at Stanford University (PhD in Anthropology, 2001) and teaching roles at Oxford and SOAS before joining Cambridge in 2008. Focus on Chinese religions and their social dimensions Specializes in ritual theory and cultural transformations Develops comparative frameworks for understanding religious practices His research spans religion under socialism , hosting in political/religious contexts , and ritual polytropy . Recent projects include editing Chinese Religious Culture in 100 Objects and analyzing 'spheres' (界) in Chinese society . Publications like Miraculous Response (2006) and Religion in Contemporary China (2011) establish him as a key figure in religious anthropology. Current and past PhD/MPhil students explore topics from temple festivals in Taiwan to religious subjectification . He actively reviews for leading presses (Cambridge, Oxford, Harvard) and journals ( Ethnos , Modern China ), and participates in international academic workshops.

• Chinese Religion and Ritual
• Ritual Theory
• State-Society Relations
• +7 more

John H. Arnold is Professor of Medieval History at the University of Cambridge and Fellow of King's College. Educated at the University of York (BA History, D.Phil Medieval Studies), his academic career includes positions at University of East Anglia and Birkbeck, University of London before joining Cambridge in 2016. He holds editorial roles at Cultural and Social History, Past & Present, and directs publication series at both York Medieval Press and Cambridge University Press. Arnold's research centers on medieval religious culture, particularly lay belief, heresy, inquisition, and the history of gender. His monograph 'The Making of Lay Religion in Southern France' (2024) exemplifies this focus. Current projects investigate the social history of confession and the repression of usury. Analysis of Arnold's 15 most recent publications reveals consistent engagement with medieval religious dissent and belief systems. Key themes include: reinterpretations of heresy trials (2019), sensory dimensions of faith (2018), historiographic debates about Catharism (2016), and methodological examinations of archival sources (2022). His work frequently employs theoretical frameworks from sociology and philosophy to reinterpret medieval religious conflict. Arnold maintains active research networks through editorial leadership and supervision. His Cambridge Studies in Medieval Life and Thought series promotes innovative scholarship in medieval history.

• Medieval Christianity
• Heresy Studies
• Inquisition History
• +4 more

Gayle Letherby is a Visiting Professor of Sociology at the University of Plymouth’s Peninsula Medical School (Faculty of Health), and holds visiting roles at the University of Greenwich and the University of Bath’s Centre for Death and Society (CDAS). She is an Academician of the Academy of Social Sciences (since 2007) and recipient of the 2023 Lifetime Contribution to Autoethnography Award. Her research focuses on feminist methodology, health sociology, grief and bereavement, mobility studies, and criminology. She has supervised over 20 doctoral students across multiple universities, including topics like non-motherhood, occupational therapy, and gang culture in African Caribbean communities. Her teaching spans undergraduate and postgraduate levels, covering crime theory, auto/biographical research, and feminist epistemology. Notable collaborations include participatory studies on homeless individuals’ food experiences and ethnographic explorations of medical decision-making. Her interdisciplinary work bridges sociology, criminology, and health studies, with a strong emphasis on autoethnographic and creative methodologies. Recent research explores themes like grief narratives, gendered travel experiences, and the emotional dimensions of doctoral journeys. She has contributed to policy discussions on family-centred care and has been a guest lecturer globally, including at York University (Canada) and University College Cork (Ireland). Awards: Academy of Social Sciences Academician (2007), Lifetime Contribution to Autoethnography (2023) Teaching Expertise: Feminist research methods, criminology, sociology of health, gender studies Key Research Areas: Auto/biography, non-motherhood, medical sociology, mobility, grief studies

• Feminist Methodology
• Family and Kinship Studies
• Health and Medicine Sociology
• +5 more

Haidy Geismar serves as Professor of Anthropology at University College London (UCL), where she is affiliated with the Department of Anthropology. She co-directs UCL's Digital Anthropology Program and is the founding director of the School for the Creative and Cultural Industries at UCL East. Geismar also serves as curator of the UCL Ethnography collections, facilitating exhibitions with community groups, students, and artists. Her institutional affiliations extend to the Tate and Victoria and Albert Museum in London, where she maintains long-term professional relationships. Geismar's research explores the intersections of intellectual and cultural property, indigenous rights, and colonial legacies with digital technologies and museum practices. Her work focuses on how digital platforms transform cultural representation, particularly in the South Pacific region including Vanuatu and New Zealand. She investigates how communities engage with digital collections, examining both the materiality of digital objects and their social implications. Her research demonstrates how indigenous knowledge systems interact with contemporary digital infrastructures to create new forms of cultural expression and preservation. Analysis of Geismar's recent publications reveals a clear trajectory toward examining the material dimensions of digital culture within museum and archival contexts. Her work increasingly addresses how digital technologies reshape cultural heritage practices while maintaining critical attention to postcolonial perspectives. There is a notable emphasis on sensory experiences in digital spaces, the politics of representation in digital collections, and the ways digital platforms enable or constrain indigenous knowledge systems. Geismar's professional recognition includes: Mellon Research Fellow at Tate (2019-2020) Fellow of the Royal Anthropological Institute Chairperson of Te Maru o Hinemihi (since January 2024) Photography Committee member of the Royal Anthropological Institute (2016-2024) While specific grant information isn't detailed in the available materials, Geismar's sustained research projects indicate successful funding acquisition. Her long-term collaborations with the Vanuatu Cultural Centre since 2000 and with Maori curators in New Zealand since 2004 suggest significant research support. Current projects like 'Finding Photography' and 'Collecting in Context' demonstrate ongoing research activity requiring funding. Geismar has created the Culture Lab at UCL East, an experimental curatorial space designed as a collections-rich environment for innovative display and research. This facility serves as a hub for her work with the School for the Creative and Cultural Industries, which brings together academic research with creative practice. The Culture Lab hosts exhibitions like 'Power!' and facilitates collaborations between university researchers, community groups, and students, creating a dynamic space for exploring the intersection of material culture and digital technologies.

• intellectual and cultural property
• indigenous rights
• colonial histories and legacies
• +10 more

Fabian Broeker is an ESRC Postdoctoral Fellow in the Department of Media and Communications at LSE. His research focuses on technology's role in everyday life, particularly examining social media, dating apps, and their intersections with intimacy, identity, and urban environments. He holds a PhD from King’s College London (2021) and an MSc in Digital Anthropology from UCL. Broeker’s monograph, Love and Technology (Routledge, 2023), details his Berlin-based ethnography of dating app users. Broeker is an Associate Member of the Digital Anthropology Lab at the University of Tübingen. His work merges academic research with filmmaking, having collaborated with institutions like the BFI and British Independent Film Awards. He also consults for tech firms like Google on digital media topics. His research interests include digital ethnography, platform studies, and the spatial dynamics of dating apps. Recent publications analyze dating app rituals, location-porting in tourism, and the evolving digital dynamics of intimacy. Broeker’s work often bridges anthropology, sociology, and urban studies to explore how digital technologies shape contemporary social practices.

• Digital Ethnography
• Social Media
• Platforms
• +4 more

Lucia Dolce serves as the Numata Professor of Japanese Buddhism within the Department of Religions and Philosophies at SOAS University of London, part of the School of History, Religions and Philosophies. Her academic base is room 342 in the Russell Square: College Buildings campus. Her educational background includes: Laurea MA (University of Venice) PhD (Leiden University) Professor Dolce's research centers on two interconnected projects: first, the discourse on the body in medieval Japanese Buddhist rituals and its connections to continental Tantric practices, emphasizing ritual fluidity and performative theory applications; second, contemporary Buddhism-Shinto syncretism with focus on revival of premodern practices in Kyoto shrines. She also examines Tokyo's urban pilgrimage routes like the Seven Gods of Fortune, analyzing institutional negotiations and religious marketing dynamics. Her journal articles (1992-2023) consistently explore ritual knowledge transfer in Japanese Buddhism, with recent works on scriptural repurposing and tantric exegesis highlighting material culture and practice-centered approaches. Earlier publications establish foundational studies on Nichiren Buddhism's esoteric dimensions, astrological cults, and celestial body worship, revealing enduring thematic threads across three decades of scholarship. Scientific awards: No awards listed in provided text Advising and grants: She currently supervises four PhD candidates: Rachel Williams (Japanese Secularity), Haruka Saito (Repentance Rituals), Sooyeun Yang (Korean Astrological Buddhism), and Yeonju Lee (Korean Nationalism). Previous supervisees include twelve PhD graduates such as Emanuela Sala (2022, Sannō Shintō), Ronit Wang (2022, Thai Hell Parks), and multiple 2011 completions. Dolce led the Newton Fellowship-associated project 'The Lucky Gods of Tokyo' (2014-2016), investigating spatial politics in Buddhist-Shinto pilgrimage networks.

• Japanese Buddhism
• Medieval Japanese Religious Culture
• Ritual Studies
• +7 more

Simon O'Sullivan is a Professor of Art Theory and Practice and Programme Leader for the MA in Contemporary Art Theory at Goldsmiths, University of London. He is affiliated with the Department of Visual Cultures, focusing on interdisciplinary research at the intersection of art, performance, and continental philosophy. His work explores themes such as mythopoesis, fictioning, and the production of subjectivity, with a particular interest in Deleuze and Guattari's theories. O’Sullivan collaborates under the name Plastique Fantastique, a performance fiction collective that interrogates aesthetics, subjectivity, and cultural politics through interdisciplinary practices. His research interests span aesthetics, continental philosophy, and modern/contemporary art, including ritual/performance, psycho/schizo-analysis, and non-philosophy. He has published extensively, including monographs like From Magic and Myth-Work to Care and Repair (2024) and Fictioning: The Myth-Functions of Contemporary Art and Philosophy (2019 with David Burrows). O’Sullivan’s work bridges theory and practice, emphasizing hybrid writing and speculative approaches to art and culture. He teaches on the MA Contemporary Art Theory and contributes to BA and MPhil/PhD programs, mentoring students in areas like theory-fiction, occulture, and care and repair. His collaborative art projects have been exhibited globally, and he frequently presents at international conferences on topics such as myth-science and speculative methodologies.

• Aesthetics
• Art Theory
• Contemporary Art
• +10 more

Professor Ruth Holliday holds the position of Professor of Gender and Culture at the University of Leeds since 2006, where she has also served as Director of Studies for the Centre for Interdisciplinary Gender Studies, Director of Research and Innovation, and Director of Recruitment and Admissions for the School of Sociology and Social Policy. Previously, she worked at Staffordshire University and Birmingham City University, and served as a Visiting Professor at the University of Technology Sydney (UTS). Her research expertise spans cultural sociology, body studies, material culture, medical tourism, and gender relations, with a focus on low fertility and East Asian cultural contexts. Her academic qualifications include a PhD in Sociology and a BA in Electronics and Management Science. She has contributed to over 50 articles and 7 books, including the award-winning Beautyscapes (2019), which explored global cosmetic surgery tourism and won the Foundation for the Sociology of Health and Illness Book Prize in 2020. Her work on kitsch aesthetics and visual methodologies has also been influential, particularly in understanding class, gender, and race through taste politics. Ruth’s current research projects include studying low fertility cultures’ impacts on gender identities and a project on the cultural meaning of the penis in gender construction. She teaches modules such as Theorizing Gender and Contested Bodies at the MA level, emphasizing critical approaches to gender and embodiment. Key Projects: ESRC-funded 'Building Capacity in Visual Research' and collaborative work on medical tourism in East Asia and Europe. Awards: 2020 Foundation for the Sociology of Health and Illness Book Prize. Supervision: Active in mentoring PhD students researching the body, intimacy, and low fertility in China and Korea. Her interdisciplinary approach bridges sociology, cultural studies, and visual methodologies, with a commitment to ethnographic fieldwork and global comparative analysis.

• Cultural Sociology
• Body Studies
• Cosmetic Surgery
• +6 more

Bruno Currie is a Professor of Greek Literature at the University of Oxford and holds the position of Monro Fellow and Tutor in Classics at Oriel College. He specializes in early Greek poetry, particularly Homer, Hesiod, and Pindar, with a focus on interactions between ancient Near Eastern mythology and early Greek literature. His research also explores ancient Greek religion and its relationship with poetry, emphasizing intertextuality in epic and lyric traditions. Currie's academic background includes qualifications of MA and DPhil from Oxford. His recent publications analyze topics such as Homeric epic, textual interpretations of ancient works, and religious themes in classical texts. He is currently working on a book titled *Hesiod and Myth*. His work bridges literary analysis with historical context, contributing to understanding the cultural and mythological foundations of ancient Greek literature. He has collaborated on edited volumes like *Epic Interactions: Perspectives on Homer, Virgil, and the Epic Tradition* and authored influential books such as *Pindar and the Cult of Heroes* (2005) and *Homer’s Allusive Art* (2016). His research highlights interdisciplinary approaches to classical studies, blending philology, religion, and literary theory.

• Ancient Greek Literature
• Ancient Religion
• Classical Studies
• +3 more

Professor Catherine Allerton is a faculty member in the Department of Anthropology at the London School of Economics and Political Science (LSE). She specializes in the materialities and mobilities of everyday life, with a focus on place, kinship, childhood, migration, and temporalities in island Southeast Asia. Her fieldwork spans a two-placed village in Flores, Indonesia, and Kota Kinabalu, Sabah, East Malaysia. Her research emphasizes interdisciplinary ethnographic methods, particularly involving child participants to challenge adult-centric approaches. She launched the 'Childhood in the Migrant City' exhibition using child-taken photographs from her ESRC-sponsored research. Current projects include exploring discordant temporalities between migration systems and childhood development, as well as completing a book manuscript on moral economies of belonging. Key research interests include the social and political dimensions of landscapes, the anthropology of children, and the impacts of legal status on marginalized youth. She teaches an LSE course on 'Children and Youth in Contemporary Ethnography' and actively supervises PhD students focusing on childhood, migration, citizenship, and Southeast Asian studies. Her work addresses exclusionary practices tied to race, religion, and legal frameworks in Malaysia and Indonesia. Languages spoken include Bahasa Manggarai, English, Indonesian, and Malay. No part-time status is mentioned, indicating full-time faculty commitment.

• Childhood and Youth Studies
• Migration Studies
• Kinship and Gender
• +7 more

Dr David Pratt is a Fellow in History at Downing College, University of Cambridge , where he also serves as Archivist and Keeper of Art and Artefacts. His academic career focuses on early medieval political thought and court culture, particularly in Anglo-Saxon England and the Carolingian world. Academic Rank: Research Fellow Honors: FRHistS (Fellow of the Royal Historical Society) Research Interests center on the political ideology of King Alfred the Great, the origins of English coronation rituals, and broader themes of kingship, law, and social order in the later Anglo-Saxon period. His comparative approach highlights interactions between Anglo-Saxon and European medieval traditions. Recent Publications include English Coronation Ordines in the Ninth and Early Tenth Centuries (2023) and studies on Alfredian texts, taxation systems, and monastic reform. These works emphasize textual analysis, royal authority, and cross-cultural influences. Scientific Awards: FRHistS

• Political Thought
• Early Medieval History
• Anglo-Saxon England
• +6 more