Matthew Valnes serves as a Visiting Assistant Professor of Musicology in the Department of Musicology & Ethnomusicology at the University of Maryland School of Music, appointed in Spring 2022. His academic work centers on the intersections of music, identity, and social structures within Black American musical traditions. Education: Ph.D. in Musicology, University of Pennsylvania (2012) Valnes specializes in African American popular musics with concentrated expertise in jazz and funk traditions, particularly examining how post-1965 Black popular music constructs race, gender, and sexuality through what he terms a 'post-civil rights era Black popular music aesthetic.' His research methodology combines critical race theory, gender studies, and performance analysis to interrogate sonic expressions of identity. Valnes actively contributes to public scholarship through commentary on Musiqology.com and the Switched on Pop podcast, bridging academic research with broader cultural discourse. Professional engagement includes presentations at the Society for American Music, Society for Music Theory, Experience Music Project, and Dayton Funk Symposium. His scholarly publications appear in African and Black Diaspora: An International Journal, American Music, and Journal of Popular Music Studies.
Dale Shuger is a Professor of Spanish & Portuguese in the School of Liberal Arts at Tulane University. His academic career includes roles as Visiting Assistant Professor (2012-2013), Assistant Professor (2013-2023), and Associate Professor (2018-2023) before his current position since 2023. He holds a Ph.D. from New York University (2008) and a B.A. from Harvard University (2001). Shuger’s research focuses on early modern Spanish literature, heterodox religions, and popular culture in Spain and colonial Latin America. His work bridges literary analysis with cultural history, exploring topics such as mysticism, the Inquisition, and symbolic practices in early modern texts. His publications include God Made Word: An Archaeology of Mystic Discourse in Early Modern Spain (2021) and articles on Cervantes, puppetry, and religious symbolism. His research has been supported by grants like the COR International Travel Fund and the Lurcy Award. Shuger has led Tulane’s Program in Medieval and Early Modern Studies (2014-2017) and currently serves on the School of Liberal Arts Curriculum Committee. He advises Spanish majors and has supervised one thesis in the past five years.
Stefan Binder is a Senior Research Assistant at the Institute for Social Anthropology and Cultural Studies (ISEK) at the University of Zurich's Faculty of Arts and Social Sciences. His academic work focuses on the intersections of gender, sexuality, and religious studies with particular attention to secular and non-religious perspectives. His primary research interests include gender and sexuality studies, queer anthropology, secularity and non-religion, religious aesthetics, ethics, and temporal dimensions of religious practices. Binder's work employs anthropological approaches to explore contested notions of "newness" and "generational change" within queer and trans* communities in both South Asia (particularly India) and Europe. His research also investigates the sensory, material, and aesthetic dimensions of lived everyday religion and non-religion. Binder's publication record shows a strong focus on nonreligion studies, with particular emphasis on atheist activism in South India. His work frequently examines the relationship between secularism and religious pluralism, with attention to how these concepts manifest in everyday practices and experiences. His scholarship demonstrates interdisciplinary engagement across religious studies, anthropology, gender studies, and South Asian studies. His monograph Total Atheism: Secular Activism and the Politics of Difference in South India (2020) represents a significant contribution to the field of nonreligion studies. His recent articles (2021-2023) continue to develop theoretical frameworks for understanding secularism, nonreligion, and religious aesthetics through ethnographic approaches.
Andrew J Fleck is an Associate Professor in the English and Comparative Literature Department at San José State University, affiliated with the College of Humanities and the Arts. He has been teaching since 2001, specializing in Early Modern British Literature with a focus on Dutch-English cultural relations between 1588-1688. Fleck holds a PhD from Claremont Graduate University (2000). His research explores how Dutch figures influenced English literary and cultural imagination, including studies on John Donne, Thomas Nashe, and early modern drama. He has published widely in journals like Studies in Philology and Journal of British Studies , with a particular emphasis on textual analysis, historical narratives, and cross-cultural exchanges. Fleck’s work spans from examining the role of Dutch language performances in early modern theater to analyzing the representation of national identity in texts like The Shoemaker’s Holiday . His recent publications (2013) include studies on John Donne’s engagement with astronomical themes and global adaptations of Macbeth . He maintains an active presence in academic encyclopedias, contributing entries on Milton’s Dutch connections and Renaissance authors. His scholarship bridges literary analysis with historical context, often highlighting how literature reflects political, religious, and cultural tensions of the period. Fleck’s teaching and research reflect a commitment to interdisciplinary approaches, integrating historical, linguistic, and cultural methodologies.
John H. Arnold is Professor of Medieval History at the University of Cambridge and Fellow of King's College. Educated at the University of York (BA History, D.Phil Medieval Studies), his academic career includes positions at University of East Anglia and Birkbeck, University of London before joining Cambridge in 2016. He holds editorial roles at Cultural and Social History, Past & Present, and directs publication series at both York Medieval Press and Cambridge University Press. Arnold's research centers on medieval religious culture, particularly lay belief, heresy, inquisition, and the history of gender. His monograph 'The Making of Lay Religion in Southern France' (2024) exemplifies this focus. Current projects investigate the social history of confession and the repression of usury. Analysis of Arnold's 15 most recent publications reveals consistent engagement with medieval religious dissent and belief systems. Key themes include: reinterpretations of heresy trials (2019), sensory dimensions of faith (2018), historiographic debates about Catharism (2016), and methodological examinations of archival sources (2022). His work frequently employs theoretical frameworks from sociology and philosophy to reinterpret medieval religious conflict. Arnold maintains active research networks through editorial leadership and supervision. His Cambridge Studies in Medieval Life and Thought series promotes innovative scholarship in medieval history.
James Wilson is the Executive Officer of the Theatre and Performance program at The Graduate Center, CUNY, and holds a Professorship in both Theatre and Africana Studies. He also teaches English at LaGuardia Community College, CUNY, and is an affiliate faculty member in the Africana Studies Certificate Program. His research focuses on African American theatre, gender/sexuality studies, musical theatre history, and applied theatre pedagogy. Wilson earned his Ph.D. in Theatre from The Graduate Center, CUNY. His notable works include Failure, Fascism, and Teachers in American Theatre (2023) and Bulldaggers, Pansies, and Chocolate Babies (2010), which explore teacher representations and Harlem Renaissance performances respectively. His recent essays analyze queer performance in musical theatre, historical teacher portrayals in drama, and the intersections of race/gender in early 20th-century performance. He co-edits the Journal of American Drama and Theatre and is a Drama Desk voting member. Current projects include studying representations of teachers in performance and examining queer pedagogical frameworks in theatre history.
Aaron Chatterji is the Mark Burgess & Lisa Benson-Burgess Distinguished Professor at Duke University's Fuqua School of Business and Chief Economist at OpenAI. His work bridges academia, public policy, and business, focusing on AI's societal impacts, innovation, entrepreneurship, and economic growth. He has held senior roles in the Biden Administration, including White House CHIPS coordinator and Acting Deputy Director of the National Economic Council, overseeing U.S. competitiveness and supply chain resilience. Previously, he served as Chief Economist at the U.S. Department of Commerce and worked at the White House Council of Economic Advisers under President Obama. Chatterji also holds a secondary appointment at Duke's Sanford School of Public Policy and is a Research Associate at the National Bureau of Economic Research. Education: Ph.D. in Business Administration, Haas School of Business, UC Berkeley B.A. in Economics, Cornell University Research Interests: Chatterji examines the intersection of business and public policy, with expertise in entrepreneurship, innovation policy, AI ethics, and economic development. His work addresses critical issues like global supply chains, technology competition, and the role of corporate activism in societal challenges. He has authored over 30 peer-reviewed articles and two influential books: Can Business Save the Earth? and The Role of Innovation and Entrepreneurship in Economic Growth . Teaching & Advising: A屡屡 award-winning educator, Chatterji created a popular course on business and politics at Duke. He advises top firms across industries, including finance, healthcare, and technology, and leads OpenAI's research team exploring AI's economic implications. Honors: Kauffman Prize Medal for Entrepreneurship Research Aspen Institute Rising Star Award Strategic Management Society Emerging Scholar Award Public Engagement: Chatterji has written for Harvard Business Review , Wall Street Journal , and Brookings Institution. He previously ran for North Carolina State Treasurer and served on state policy commissions under Governor Roy Cooper.
David Verbuč is an Assistant Professor at the Faculty of Humanities, Charles University in Prague, Czech Republic, since 2014. His research and teaching focus on socio-cultural anthropology, ethnomusicology, and popular music studies, particularly examining DIY (do-it-yourself) music scenes, Roma music in North Slovenia, and the intersections of music, community, and space. He earned his Ph.D. (2014) and MA (2010) in Ethnomusicology from the University of California, Davis, and a BA (2007) in Ethnomusicology from the Academy of Music, Ljubljana. Employment: 2014–present: Assistant Professor, Department of Social and Cultural Anthropology, Faculty of Humanities, Charles University 2024–2025: Part-time Guest Researcher, Department of Musicology, Faculty of Arts, University of Ljubljana Research Areas: Slovenian village and urban music DIY venues and scenes Electronic dance music cultures Roma music in North Slovenia Music and community dynamics His book DIY House Shows and Music Venues in the US (Routledge, 2021) explores the anthropology of DIY music spaces. His recent work investigates the social life of DIY zines, economic configurations in DIY scenes, and methodological challenges in Roma music research. Publications appear in journals like American Music , Ethnomusicology Forum , and Journal of Contemporary Ethnography . He has received the Marnie Dilling Memorial Prize (2014) and the Bilinski Fellowship (2012–2013). Current projects include a study of Roma music in Slovenia funded by the Slovenian Research and Innovation Agency (ARIS).
Kirsten Yri is an Associate Professor of Musicology at Wilfrid Laurier University, serving as Chair of Music Promotions and Appointments, and Coordinator for Music History, Theory, and Critical Analysis. She also oversees the Master of Music: Collaboration, Curation, and Creative Performance program. Her research focuses on medievalism in contemporary music and popular culture, the early music revival of the 20th century, and representations of gender in opera and music within colonial/postcolonial contexts. Yri’s research interests include analyzing how medieval themes are reinterpreted in modern contexts (e.g., film, heavy metal, and stage productions), examining the ideological underpinnings of early music revival movements, and exploring the intersection of music with gender, nationalism, and global cultural politics. Her work often critiques Western-centric narratives and highlights marginalized voices in music history. Her publications span articles in journals and edited volumes, with a focus on composers like Carl Orff and Hildegard of Bingen, as well as groups like Corvus Corax and Anonymous 4. She has contributed to interdisciplinary projects such as The Oxford Handbook of Music and Medievalism (2020). While no scientific awards are cited, her work is widely recognized in musicology and cultural studies. Yri’s teaching and research emphasize collaborative, interdisciplinary approaches to music history, blending academic rigor with creative curation. She speaks English, Swedish, and German, enhancing her ability to engage with international scholarly resources and communities.
Dr. Simon A. Morrison is a Senior Lecturer in the Division of Communication, Screen & Performance within the Faculty of Arts, Humanities and Social Sciences at the University of Chester. He serves as Programme Leader for the Music Journalism degree, which he helped design, build and deliver from its first cohort in 2014. With 25 years of experience as a writer, broadcaster, and academic, Morrison brings extensive industry knowledge to his teaching and research, having worked as a music journalist reporting from locations worldwide including Beijing, Brazil, Moscow, and Marrakech. Dr. Morrison holds a PhD from the University of Leeds (completed 2018), an MA from the University of Manchester (1995-1997), and a BA Hons from the University of Manchester (1989-1992). Prior to his position at Chester, he worked as an Associate Lecturer at Manchester Metropolitan University (2012-2014) and as a Visiting Lecturer at Leeds University (2011-2013). His academic journey follows a substantial career in media where he presented TV for Rapture TV, hosted radio shows in Ibiza, produced and presented for Kiss Radio, and appeared on BBC Breakfast and BBC 5 Live. Dr. Morrison's research centers on the intersection of words and music , with particular focus on Popular Music , Musico-Literary Intermediality , and Electronic Dance Music Culture . His work explores how music subcultures, particularly rave and dance music scenes, are represented in literature and journalism. He examines the connections between different countercultural movements, notably drawing parallels between the Beat Generation writers and contemporary 'Chemical Generation' authors who write about club culture. His research also investigates the relationship between music journalism and subcultural movements across different historical periods. His recent publications reveal a clear trajectory connecting historical dance music developments across continents and eras. Morrison's work traces the evolution of electronic dance music from its American roots in Chicago and Detroit through its transatlantic journey to Europe and back again, examining how cultural exchange shaped musical innovation. His analyses of Pink Floyd demonstrate how rock bands interact with media landscapes, while his investigations of music journalism document the changing nature of music criticism in digital eras. The recurring theme across his scholarship is the examination of how subcultural experiences are translated into written form, whether through journalism, fiction, or academic analysis. Dr. Morrison actively supervises undergraduate dissertation projects and Negotiated Study production projects across all three years of undergraduate study. He has successfully supervised an MRes project to completion and examined PhDs (including one internal and two external, one being an Australian PhD by Artefact & Exegesis). He has served as an External Examiner for Music Journalism programs at Southampton Solent University (2016-2019) and BIMM London, Birmingham and Manchester (2016-2020). His teaching spans modules including Introduction to Journalism, Live Journalism, Dancing About Architecture: Popular Music Media, Histories and Technologies, The Cultural Politics of Music Journalism, The Politics of Social Media, Magazine Publishing and Music PR and Promotional Writing.
Dotun Ayobade is an Assistant Professor of Performance Studies and Black Studies at Northwestern University. His research focuses on how embodied popular culture shapes community, justice, and activism in postcolonial West Africa, particularly examining the interplay of aesthetics and social performance in Nigeria. He holds a joint appointment across disciplines and has taught at the University of Texas at Austin and Brown University prior to Northwestern. His academic interests include African/Black Performance Theory, African Popular Culture, and the intersection of performance with postcolonial politics. He is currently completing a book on Nigeria’s Afrobeat Queens, analyzing their role in Fela Kuti’s music subculture, under contract with Indiana University Press. This work has earned him prestigious awards, including the University of Texas Continuing Fellowship and Brown University’s Salomon Award. His scholarly contributions span peer-reviewed journals like Dance Research Journal and Journal of African Cultural Studies , with articles exploring topics such as sonic embodiment in Nigerian music and the spatial poetics of protest. He also engages with public discourse through platforms like Africa is a Country , addressing issues like neoliberalism and cultural netizenship. Ayobade’s work bridges performance ethnography, gender studies, and postcolonial theory, emphasizing the agency of marginalized voices in shaping cultural narratives. His research integrates interdisciplinary methods to unpack how performance mediates between individual creativity and collective socio-political realities in Africa and its diasporas.
Eric Smialek is a Senior Research Fellow at the University of Huddersfield, specializing in extreme metal vocals, popular music studies, and Taylor Swift analysis. He holds a Marie Skłodowska-Curie Actions Postdoctoral Fellowship and is affiliated with the Centre for Research in Music and its Technologies. His research explores vocal expression, cultural meaning in metal, and intersections of music with class, disability, and LGBTQ+ advocacy. Education: PhD in Genre and Expression in Extreme Metal Music (McGill University, 2016) Master's in Rethinking Metal Aesthetics (McGill University, 2009) Bachelor's from University of British Columbia (2006) Research Interests: Smialek’s work bridges music analysis and sociology, focusing on extreme metal’s vocal techniques, global social-class divides in metal scenes, and Taylor Swift’s cultural impact. He co-founded the European Taylor Swift Research Network and organized the 2024 Taylor Swift unconference in Amsterdam. Awards: Marie Skłodowska-Curie Actions Postdoctoral Fellowship Advising & Collaboration: Accepts PhD students and collaborates on projects like Extreme Metal Vocals: Musical Expression, Technique, and Cultural Meaning (2022–2025). His work has been cited in venues like Metal Music Studies and Contemporary Music Review . Labs/Teams: Member of the Centre for Research in Music and its Technologies, contributing to interdisciplinary studies in music acoustics and cultural analysis.
Susan Scheckel is an Associate Professor in the Department of English at Stony Brook University, specializing in American literature and culture before 1900. Her research spans the history of race, visual and print cultures, theories of nationalism, and medical history in the U.S. context. Ph.D. from University of California-Berkeley (1992) Teaches courses on 19th-century American literature, Civil War culture, and Gothic literature Current research focuses on nostalgia as a medical and cultural concept in U.S. history Her publications explore intersections of race, gender, and medicine in 19th-century American literature and visual culture, including award-winning analyses of indigenous representation and national identity. Awards include NEH Summer Fellowships, the Don D. Walker Prize, and SCMLA Book Prize. She has taught at the University of Memphis, University of Southern California, and Stony Brook since 2000. Email: Susan.Scheckel@stonybrook.edu Office: Humanities 2091
Dr. Galina Miazhevich is a Senior Lecturer at the School of Journalism, Media and Culture (JOMEC) at Cardiff University, UK. Previously, she served as a lecturer at the University of Leicester's School of Media, Communication and Sociology (2013-2017) and as the Gorbachev Media Research Fellow at the University of Oxford (2008-2012). Her academic career focuses on media representations in post-communist contexts, with particular expertise in Russian and Eastern European media landscapes. Dr. Miazhevich earned her PhD from the University of Manchester, where she subsequently worked for two years as a Research Associate on an AHRC-funded project examining representations of Islam as a security threat. Her educational background has informed her research trajectory, which bridges media studies, political communication, and cultural analysis of post-Soviet societies. Dr. Miazhevich's research spans several interconnected domains: media representations of Islam and multiculturalism in Europe; media and democracy in post-communist Europe; gender, media, and emergent forms of post-Soviet identity; feminism; Eurovision and popular culture; and diaspora, transnationalism, and media. Her work consistently examines how media shapes and is shaped by political transitions, identity formation, and social movements in post-Soviet contexts, with particular attention to marginalized voices and resistance practices. Analysis of Dr. Miazhevich's recent publications reveals a consistent focus on resistance, identity, and power dynamics in post-Soviet media environments. Her work increasingly examines gender and sexuality as political categories, particularly through the lens of feminist and LGBTQ+ resistance to authoritarian regimes. The Eurovision Song Contest serves as a recurring analytical framework for understanding cultural diplomacy and nation-branding strategies. More recently, her research has pivoted toward documenting anti-war resistance following Russia's invasion of Ukraine, examining how celebrities and media figures navigate political dissent under authoritarian conditions. Dr. Miazhevich has received several notable recognitions for her scholarly contributions: AHRC Leadership grant 'A Quiet Revolution: Discursive Representations of Non-heteronormative Sexuality in Russia' (2018-2020, £250,960) Visiting Fellowship at the Davis Centre for Russian and Eurasian Studies, Harvard University (Fall 2023) Fellow of the Higher Education Academy (FHEA) Associate Editor for the Oxford Encyclopedia of Race, Ethnicity, and Communication (2024) Dr. Miazhevich actively mentors the next generation of scholars, currently co-supervising PhD students Diyana Dobreva (with Professor Martin Innes) and John Tasker (with Professor Paul Bowman). She welcomes PhD proposals in areas including digital culture and resistance, media management and misinformation, media and democracy, representation of minority groups, post-communist identity politics, gender and feminism, Eurovision and popular culture, and geopolitics and nation-branding. Her grant portfolio demonstrates sustained success in securing competitive research funding, including leadership of an AHRC grant and participation in the Academy of Finland project FEMCORUS (2021-2025). Dr. Miazhevich is deeply engaged with academic communities, serving as co-convenor of the (Digital) Media and Culture group at the British Association for Slavic and East European Studies (BASEES) since 2016 and as a member of the Advisory Board of the European Communication Research and Education Association (ECREA) since 2021. Her work extends beyond academia through public engagement, including invited talks at prestigious institutions like Harvard University and participation in policy-relevant events at Chatham House addressing LGBTQ+ politics in Russia.
Golnoosh Farnadi is an Assistant Professor at McGill University's School of Computer Science and an Adjunct Professor at the University of Montréal. She serves as a Visiting Faculty Researcher at Google, a Core Academic Member at MILA (Quebec Institute for Learning Algorithms), and holds a prestigious Canada CIFAR AI Chair. Farnadi co-directs McGill's Collaborative for AI & Society (McCAIS) and founded the EQUAL Lab (EQuity & EQuality Using AI and Learning algorithms), which focuses on advancing algorithmic fairness and responsible AI. Her educational background includes a Ph.D. in Computer Science from KU Leuven and Ghent University (2017), with postdoctoral research at the University of Montreal/MILA (2018-2020) and the University of California, Santa Cruz (2017-2018). During her doctoral studies, she was a visiting scholar at UCLA, University of Washington, Tsinghua University, and Microsoft Research. Dr. Farnadi's research centers on developing mathematical tools and algorithms for fairness-aware machine learning systems. Her work addresses bias and discrimination in AI decision-making across critical domains including healthcare, criminal justice, financial services, and social media. She has pioneered approaches to ensure fairness in deep learning models, particularly in sequential decision-making under uncertainty. Her research bridges theoretical foundations with practical applications, examining how AI systems can be designed to promote equity while maintaining performance. Analysis of her recent publications reveals a strong focus on practical implementations of fairness mechanisms across diverse AI applications. Her work spans technical domains from generative models and large language models to recommender systems and healthcare optimization. A unifying theme is the development of mathematically rigorous frameworks that balance performance with fairness considerations, with increasing attention to cultural diversity in multilingual AI systems and privacy-preserving fairness approaches. Google Scholar Award (2021) Facebook Research Award (2021) Rising Stars in AI Ethics (2021) Google Award for Inclusion Research (2023) WAI Responsible AI Leader of the Year Finalist (2023) 100 Brilliant Women in AI Ethics (2023) Canada CIFAR AI Chair Dr. Farnadi advises numerous doctoral and master's students across McGill University, University of Montréal, and MILA, with research focusing on fairness, privacy, and responsible AI. Her EQUAL Lab brings together researchers from computer science, social sciences, and policy domains to address systemic challenges in AI ethics. She has secured significant research funding from Google and other major organizations to support her work on fairness-aware AI systems, with applications spanning healthcare, social media safety, and public policy. The EQUAL Lab serves as a hub for interdisciplinary research on algorithmic fairness, bringing together computer scientists, social scientists, and policy experts. The lab's work spans theoretical foundations of fairness metrics, practical implementations in real-world systems, and policy recommendations for responsible AI deployment. Current projects include developing frameworks for fair kidney exchange programs, mitigating cultural stereotypes in multilingual language models, and creating privacy-preserving approaches for detecting online harms while protecting user data.
