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Ana Trincão is a Visiting Assistant Professor at the Escola Superior de Dança (Instituto Politécnico de Lisboa), where she bridges academic and artistic domains through her expertise in contemporary dance, somatics, and performative practices. She is a multidisciplinary artist and researcher whose work interrogates the intersections of body-mind integration, sensory exploration, and socio-political structures. Education PhD in Cultural Studies, Universidade Católica Portuguesa (2015–2021) Master's in Solo, Dance, and Authorship, Berlin University of the Arts (2010–2012) Degree in Plastic Arts, ESAD das Caldas da Rainha (1999–2005) Specialization in Somatic Movement Education (ongoing) Ana's research focuses on somatic practices in dance and performance, emphasizing conscious movement, internal body perception, and the political dimensions of embodied knowledge. Her artistic projects, such as Mudjeres Di Mondon (2024) and BlindDances (2024), employ sensory and bodily approaches to critique social systems. The themes of her recent publications reveal interdisciplinary trends, merging somatic theory with explorations of identity, collective art, and performance politics. Her work spans performance, video, installation, and collaborative practices, reflecting a commitment to experimental methodologies. Artistic Collaborations : Ana is a member of the experimental music project SAS Radio Orkestra and the artist collective Apneia Colectiva, further demonstrating her fluid engagement with individual and collective creative practices.

• Contemporary Dance
• Visual Arts
• Performance Studies
• +5 more

Deborah Power is a Professor and Researcher at the University of Algarve's Comparative Endocrinology and Integrative Biology department, based at CCMAR in Faro. Her work focuses on marine organism physiology, environmental impacts on aquatic life, and aquaculture sustainability. She leads projects addressing microplastic pollution, fish immunology, and climate change effects on marine species. Notable contributions include studies on metamorphosis in flatfish, shell growth mechanisms in bivalves, and pollutant impacts on fish health. Awards include membership in the Real Academia de Ciencias y Artes de Barcelona. Research interests span marine biology, biomineralization, and eco-toxicology. She coordinates EU projects like SeaCLEAN and MicroWaste, advancing marine conservation through interdisciplinary approaches. Recent publications emphasize microplastic mitigation strategies, fish immune system development, and ocean acidification effects on molluscs.

• Marine Biology
• Aquaculture
• Environmental Toxicology
• +5 more

Isabel Maria Bernardo Pereira Farinha is an Assistant Professor at IADE - Universidade Europeia in Lisbon, where she conducts research through UNIDCOM/IADE and ID: Co.Lab. Her academic work focuses on the intersection of marketing, sustainability, and social responsibility within educational and marine environments. Her primary research explores In-school Marketing , Integrated Marketing Communication , and Blue Circular Economy frameworks. She investigates youth marketing dynamics, advertising ethics in educational settings, school commercialism, and creative storytelling approaches. Her sustainability research emphasizes marine plastic pollution remediation through circular design principles and community engagement with fishing industries. Her 15 most recent publications reveal a clear trajectory toward interdisciplinary solutions, blending marketing theory with environmental science and design innovation. Key trends include ethical in-school marketing frameworks, circular economy applications in marine contexts, and storytelling techniques for sustainability communication. Her work consistently bridges academic research with practical industry applications. She has received significant recognition including: IADE Research and Teaching Award (2016) AE IADE Award for coordinating seven creative weeks of IADE-U (2014) IADE Team of the Year Award as part of the Creative Week team (2012) Professor Farinha has supervised 19 master's students and 1 PhD candidate across design, marketing, and advertising programs. Her research is funded through projects like the BLUE CIRCULAR POSTBRANDING PROJECT (2019-2022), which develops circular economy models using marine litter, and the COLETIVIDADES DO CONCELHO DE LISBOA initiative focused on historic retail preservation. She actively contributes to UNIDCOM/IADE research labs and coordinates the BLUE CIRCULAR project team, which partners with Cascais fishing communities, APLM/Docapesca, and municipal authorities to transform marine plastic waste into sustainable consumer products through circular design principles.

• In-school Marketing
• Integrated Marketing Communication
• Blue Circular Economy
• +9 more

Sílvia Rosado Correia Patrício serves as Associate Professor at Universidade Europeia's IADE School of Arts and Design, teaching Aesthetics and Philosophy of Art since 2001. She is an active member of Unidcom research unit's 'Mapear Design: história, produtos, cultura e identidade' group, leading interdisciplinary projects connecting Plastic Arts, Cinema, and Photography. Her academic foundation includes a Painting degree from Lisbon's Faculty of Fine Arts (1993), followed by Master's (1995) and PhD (2000) in Aesthetics from Université Paris 8 under Christine Buci-Glucksmann. As a Gulbenkian and FCT research fellow from 1994-2000, she established her scholarly trajectory before joining IADE. Patrício's research centers on heteronimization beyond poetry, exploring 'othering' mechanisms in image-making across photography, cinema, and painting. Her work interrogates identity construction, bodily representation, and narrative structures in visual culture, with particular focus on Portuguese-speaking artistic contexts and ethical dimensions of contemporary image production. Analysis of her 2013-2017 publications reveals consistent interdisciplinary engagement with Deleuzian concepts, embodiment theory, and cross-medium aesthetic analysis. Key thematic threads include desterritorialization in film (notably Richard Linklater's Boyhood), photographic narrative structures, and ethical frameworks for contemporary visual practice. Her scientific recognition includes: 1994 Honorable Mention from Cité Universitaire de Paris for 'Variações sobre o branco' 1990 Acquisition Prize from Amadora City Council for 'Percursos Urbanos' Patrício founded IADE's Photography and Visual Culture undergraduate program and Photography Studies master's track, securing research funding for interdisciplinary projects since 2001. Her leadership bridges academic scholarship with artistic practice through sustained collaboration with institutions like Université Paris 8 and Université Mohammed V. Within Unidcom's 'Mapear Design' group, she contributes to research examining design history, cultural identity, and product semantics through collaborative projects involving art historians, designers, and cultural theorists across Portuguese-speaking academic networks.

• Aesthetics
• Philosophy of Art
• Plastic Arts
• +4 more

Pedro António Ferreira is an invited lecturer at ISCTE Business School, where he teaches across bachelor's, master's, and executive programs. He holds a Master in Corporate Sciences, a bachelor's degree in Management from ISCTE-IUL, and an Accounting degree from ISCAC Coimbra. His professional experience includes leadership roles such as CEO of Overgest/ISCTE, Partner at Paradigma Consulting, and consultant roles at SE.MAR.TE Consulting, BDO International, and MAP-Key Plastics SA. His research focuses on management control systems, strategic decision-making frameworks, integrated reporting, and the impact of emerging technologies on accounting practices. Key interests also include business model innovation, particularly in cultural and sustainability contexts. Notable contributions include co-authoring books on accounting and articles exploring topics like perfume exhibition design, energy efficiency business models, and Rock in Rio's cultural value creation. His work bridges theoretical frameworks with practical applications in diverse sectors.

• Management Control Systems
• Business Performance Analysis
• Strategic Decision Support Systems
• +3 more

João Sousa Cardoso (b. 1977) is a lecturer at Universidade Lusófona and holds a PhD in Social Sciences from Université Paris Descartes (Sorbonne) . His work bridges aesthetics, cinema, theatre and the social sciences, producing a steady stream of academic publications, curatorial projects, theatrical productions and critical essays. Education: Licenciatura in Plastic Arts – Sculpture Mestrado in Communication Sciences Doutoramento in Social Sciences – Université Paris Descartes Diploma of Specialisation / Higher Diploma of Advanced Studies in the French Language Research Interests Cardoso interrogates the intersections between visual culture, performative practices and social theory. His investigations range from the sociology of cinema and Portuguese diasporic imagination to the expanded field of theatre and contemporary curatorial strategies. Recurring themes include post-colonial identity, the politics of representation, and the ethical dimensions of artistic practice. Across the last two decades he has curated multidisciplinary projects such as Arritmia (Porto, 2000) and Os Dias de Janus (Porto, 2006), participated in artistic residencies in Italy, France, the Netherlands and Austria, and written extensively for journals and newspapers. Publications & Critical Writing Since 2000 Cardoso has published dozens of exhibition reviews, essays and book chapters in venues such as CONTEMPORÂNEA , PÚBLICO , Les Nouvelles d’Archimède and various university presses. His recent 2023–2024 articles focus on contemporary Portuguese and international artists, reflecting sustained engagement with global visual culture. Theatre, Performance & Exhibition Projects He has authored or co-authored numerous theatrical pieces presented at major Portuguese venues (Teatro Nacional São João, Teatro Municipal do Porto, Gulbenkian, Serralves) and international partners. These works often integrate scholarly research with experimental staging, exemplifying his concept of an “expanded theatre”. Grants & Collaborative Networks While specific grant numbers are not detailed, Cardoso has held artistic residencies supported by institutions such as Fondazione Pistoletto (Italy), Laboratoires d’Aubervilliers (France) and multiple European cultural funds, facilitating transnational collaborations between 2002 and 2008.

• Visual Culture
• Cinema Studies
• Theatre and Performance Studies
• +3 more

Gabriela Sotto Mayor Moura Santos is an Invited Assistant Professor at the Polytechnic Institute of Viseu's School of Education, where she has been teaching since 2021. She is also a researcher with extensive experience at the University of Minho's Center for Research in Child Studies, serving from 2009 to 2021. Her work bridges the gap between academic research and creative practice in children's literature and visual communication. Education: PhD in Child Studies (Visual Communication and Plastic Expression), University of Minho Institute of Education (2015) - Thesis: "Illustration of Children's and Young Adult Literature Books in Portugal [2000-2009]: typification, trends and patterns of target audience receptivity" Master's Degree in Design Practices and Theories, University of Porto Faculty of Fine Arts (2008) - Thesis: "IN A SIMPLE TURN OF THE PAGE - Illustration for children as a way of accessing narrative" Degree in Fine Arts - Sculpture, University of Porto Faculty of Fine Arts (2002) Research Focus: Her research centers on children's literature illustration, visual communication, and the intersection between visual arts and literary education. She specializes in analyzing illustration trends in Portuguese children's books, examining how visual elements contribute to narrative comprehension and child engagement. Her work encompasses typological studies of book design elements, particularly title pages, and explores the role of picturebooks in intergenerational communication. Creative Practice: Beyond academia, Santos is an accomplished illustrator and book designer with over 40 published books since 2005, including titles like "Tânia e as árvores falantes" (2024) and "No coração da mãe" (2022). She frequently collaborates with Portuguese authors and publishers, notably Trinta por uma linha and Porto Editora. Academic Contributions: She has organized and participated in numerous workshops and conferences, including the V Festival of Arts "Solstício: Arte a Três Tons". Her teaching spans graduate courses in Visual Education Technologies and Literary Education, while her research has been presented at international conferences in Spain and the UK.

• Children's Literature
• Visual Communication
• Illustration
• +5 more

Ana Maria Garcia Nolasco da Silva is an Adjunct Professor in the Department of Arts at the School of Education, Polytechnic Institute of Lisbon. Holding a Ph.D. in Aesthetics and Philosophy of Art from the University of Lisbon, she specializes in the cultural intersections between Africa and Portugal within art, design, and craftsmanship contexts. Her academic credentials include: Ph.D. in Aesthetics and Philosophy of Art, Faculty of Letters, University of Lisbon Master's in Aesthetics and Philosophy of Art, Faculty of Letters, University of Lisbon Bachelor's in Plastic Arts - Painting, Faculty of Fine Arts, University of Lisbon Her research centers on African-Portuguese cultural synergies with emphasis on Lusophone Macaronesian islands (Azores, Madeira, Cape Verde, São Tomé and Príncipe) and migration-driven cultural constellations in continental Portugal. She investigates how artisanal traditions, political gestures, and feminist perspectives manifest in contemporary artistic practices, particularly through collaborative projects and biennials in Lusophone Africa. Her work bridges visual anthropology, postcolonial theory, and sensory studies to examine haptic visuality and hybrid identities. Analysis of her 15 most recent publications reveals dominant trends in decolonial art practices, with recurring focus on São Tomé and Príncipe's cultural events, Catarina Branco's artisanal reinterpretations, and René Tavares' performance works. Her scholarship consistently explores how migration reshapes creative expression across the Lusophone Atlantic, emphasizing community-based art and feminist interventions in postcolonial contexts. No scientific awards were documented in the source material. While specific student supervision isn't listed, her academic leadership includes chairing the 2017 "Rhizomes" International Conference and co-editing conference proceedings. Her research is supported by institutional affiliations rather than externally documented grants, with active participation in international conferences across Portugal, Spain, Argentina, and Germany. She engages with collaborative networks through conference organization and cross-institutional projects, though dedicated labs or permanent research teams aren't specified in available materials.

• Art and Design
• Cultural Studies
• African-Portuguese Cultural Exchange
• +6 more

Dr. Yury V. Kolen’ko serves as a Research Scientist and Group Leader at the International Iberian Nanotechnology Laboratory (INL) in Braga, Portugal, directing the Nanochemistry Research Group. His program spans Sustainable Solutions (water/air purification, smart cities, raw materials) and Energy Materials & Catalysis (advanced nanomaterials for catalysis, thermoelectrics, photovoltaics), with over 115 publications, 2 patents, and coordination of EU projects like H2020 FET OPEN SpinCat. Research emphasizes interdisciplinary nanochemistry for real-world impact: Sustainable Solutions targets environmental protection through water monitoring, corrosion-resistant coatings, and functional materials for automotive applications, while Energy Materials innovates in catalysts for CO 2 conversion and hydrogen production. Fundamental studies focus on nanoscale phenomena like size effects, surface chemistry, and crystal growth, validated through experimental testing of computational models. Recent publications (2022-2024) reveal dominant trends in electrocatalysis for green hydrogen (OER/HER), sustainable nanomaterial synthesis (e.g., deep eutectic solvents), and multifunctional systems for environmental remediation. Key advancements include defect-engineered ruthenium oxides for acidic electrolysis, self-healing nanofiber coatings for offshore structures, and thermoelectric materials with reduced critical raw material dependence. No scientific awards were mentioned in the source material. Dr. Kolen’ko mentors over 40 PhD and Master’s students across current and former cohorts and has secured high-impact grants including SpinCat (H2020), KNOWSKITE-X, and national Portuguese initiatives focused on nanomaterials for energy transition and circular economy applications. The Kolen’ko Research Group operates as a 30+ member international team with state-of-the-art facilities for nanomaterials synthesis, characterization, and performance testing, supporting their mission to develop unconventional materials for clean energy and environmental challenges through collaborative R&D with industrial partners.

• Sustainable Solutions
• Energy Materials and Catalysis
• Nanomaterials
• +8 more

Teresa Palma Rodrigues is an Assistant Professor at the Lusophone University of Humanities and Technologies with a focus on artistic practices. She also collaborates part-time with the Faculty of Fine Arts, University of Lisbon , where she teaches undergraduate courses. Education : PhD in Fine Arts (Painting) from University of Lisbon (2017), MA in Painting (2008), BA in Plastic Arts (Painting) (2001) Her research explores intersections between painting, drawing, art history, and landscape studies , emphasizing conceptual processes, material experimentation, and the relationship between place and identity. Recent work investigates visual narratives, edible installations, and collaborative art practices . Publications reveal engagement with themes like artistic error, cultural memory, urban landscapes, and participatory art . She actively contributes to exhibition catalogs and conference proceedings in visual arts and education. As an exhibiting artist, she has participated in international events including Just LX (Lisbon), JustMad (Madrid), and Imago Mundi (Trieste) , often addressing concepts of territorial identity, ephemerality, and cultural traces .

• Humanities
• Visual Arts
• Painting
• +3 more

José Augusto Nunes Bragança De Miranda is a Full Professor at the Lusophone University , affiliated with the School of Communication Sciences, Architecture, Arts, and Information Technologies and actively involved in research at Cicant and collaboration with ICnova (UNL) . He has contributed extensively to Theory of Culture , Media Theory , and Digital Aesthetics , with a focus on Communication Sciences and Philosophy of Technology . Academic Leadership : Served as Director of ECATI (2000-2001), President of Communication Sciences panel at FCT, and Rector of Lusophone University since 2022. Awards and Juries : Member of BESphoto award jury and Luso-Spanish Culture Prize jury. Research Themes : Explores telematic culture , networked society , digital ethics , and cinematic ontology through works like Constellations: Essays on Technique and Culture in Contemporaneity (2023). Publications : Authored Envios: Uma experimentação Filosófica na Internet (2008) and Crítica das Ligações na Era da Técnica (2002).

• Communication Sciences
• Theory of Culture
• Media Theory
• +7 more

Eduardo Teixeira is an Assistant Professor at the University Lusófona of Porto and an Associated Researcher at the Research Centre in Physical Activity, Health and Leisure (CIAFEL) within the Faculty of Sports of the University of Porto (FADEUP). He holds a PhD (2017), MSc, and BSc in Physical Activity and Health/Sports Sciences from FADEUP, where his doctoral research investigated the impact of sedentary behavior on skeletal muscle repair using animal models, with emphasis on immune system modulation. His research focuses on two primary domains: Exercise and sedentary behavior effects on skeletal muscle quality in sports, health, and disease contexts Digital remote monitoring of physical activity and health-related fitness using wearables and biomarkers in saliva, sweat, and tears He leads investigations into wearable device validation and non-invasive biomarker analysis for exercise monitoring. Teixeira's publications span muscle physiology, digital health, oncology, and sports science, with recent trends emphasizing: Wearable technology validation for geriatric and athlete populations Molecular mechanisms linking exercise to cancer outcomes Innovative diagnostics for sarcopenia and muscle disorders Science communication methodologies No scientific awards, student advising relationships, or grant information are documented in the provided materials. His laboratory activities center on biomarker research and digital monitoring systems at CIAFEL.

• Exercise Physiology
• Sedentary Behavior
• Skeletal Muscle Biology
• +3 more

Dr. Fernando Villegas Torres holds a PhD in History and Theory of Contemporary Art from the Complutense University of Madrid, a Master's in History, and a Bachelor's in Art from the National University of San Marcos (UNMSM). He has conducted research at the National Museum of Peruvian Culture and curated the Portrait Collection at the UNMSM Art Museum. Currently, he serves as Director of the School of Art and Dance at UNMSM and chairs the Master's program in Art History and Curatorship at the Pontifical Catholic University of Peru (PUCP). He is also a CONCYTEC-funded researcher and appointed professor at UNMSM and PUCP. His research focuses on 19th and 20th-century Peruvian and Latin American art, Spanish and European art history, and Ibero-American cultural relations. Notable publications include studies on José Sabogal's Mestizo School, César Moro’s plastic arts, and Teófilo Castillo’s nationalist art. He has curated exhibitions and authored books analyzing Peru’s artistic identity through colonial, modernist, and contemporary lenses. Educations: PhD in History and Theory of Contemporary Art, Complutense University of Madrid Master's in History, National University of San Marcos Bachelor's in Art, National University of San Marcos Museology and Cultural Tourism residency, Belgium His articles explore themes like the Lima School of Fine Arts' modernist trajectory, Peru’s participation in the 1929 Ibero-American Exposition, and the interplay between art and politics in national identity formation. His work bridges academic research with public engagement through museum curation and educational leadership. Awards: Researcher Regina CONCYTEC Nº7408 Villegas Torres teaches courses on Mannerist, Baroque, Rococo, and 19th-century art, while supervising doctoral theses in art history. He collaborates with institutions like the Peruvian Academy of Language and has contributed to interdisciplinary projects linking art with architecture and literature.

• History of Peruvian Art
• Latin American Art History
• European Art History
• +4 more

Luis Herberto Avelar Borges Ferreira Nunes is an Assistant Professor at the Faculty of Arts and Humanities of the University of Beira Interior (UBI) since 2003. He is also a researcher at iA – Art Research Unit and LabCom – Communication and Arts , focusing on intersections between gender studies, sexuality, and provocative contemporary art . His academic work spans over 25 years of teaching and research. Ph.D. in Fine Arts/Painting (2014, University of Lisbon) Degree in Fine Arts/Painting (1998, University of Lisbon) Herberto's artistic research explores gender dynamics , sexual representation , and memory in landscape painting . His recent 'Lugares da Paisagem' project (2025) investigates landscape-memory relationships through experimental drawing/painting practices . His 2025 exhibition at Museu de Angra do Heroísmo demonstrates this ongoing inquiry. His publications and artworks, including 15+ peer-reviewed articles since 1991, show persistent engagement with portraiture, body politics, and cultural symbolism . While no scientific awards are explicitly mentioned in the provided texts, his works are held in prestigious collections like Museu de Angra do Heroísmo and ISPA-Instituto Universitário . Herberto's pedagogical approach integrates studio practices with theoretical reflection , emphasizing the plastic process itself as artistic discourse . His collaborations with institutions like Museu Regional da Guarda and Casa do Corpo Santo demonstrate sustained involvement in Portuguese cultural institutions.

• Gender Studies
• Sexuality in Art
• Provocative Art
• +5 more

Joana Lia Ferreira is an Assistant Professor at the Department of Conservation and Restoration, Faculty of Science and Technology, Universidade Nova de Lisboa. She holds a PhD in Conservation Science (2011) and specializes in the preservation of synthetic polymers in cultural heritage, particularly plastics in contemporary art. Research focus: plastics degradation, cultural significance assessment, and green conservation technologies Coordinated projects: Plastic Paints in Art, PlasCO2, HERIT-AGES Key methodologies: infrared spectroscopy, CO2-based cleaning treatments, and material characterization Her work bridges technological analysis with heritage management practices. Selected publications demonstrate interdisciplinary expertise spanning conservation science, polymer chemistry, and art history.

• Conservation Science
• Synthetic Polymers in Cultural Heritage
• Contemporary Art Preservation
• +2 more