Find Academic Supervisors

Miles M. IshigakiView profile

Professor

• Music Performance
• Music Education
• Clarinet Performance
• +3 more

Miles M. Ishigaki serves as Professor of Music in the Department of Music within California State University, Fresno's College of Arts and Humanities. He has taught applied clarinet, chamber music, music theory, and music appreciation at Fresno State since 1987 while directing the university clarinet choir. From 1989-2017, he held the position of state chair for the National Association of College Wind and Percussion Instructors, demonstrating sustained institutional commitment. His academic credentials include: Doctor of Musical Arts in Performance, University of Oklahoma (1988) Doctoral study in Music Performance, University of Arizona (1981-1982) Master of Music in Performance, Colorado State University (1981) Dual Bachelor's degrees: Music Education and Music Performance, University of Northern Colorado (1978) Dr. Ishigaki's research centers on the dialectic between intuition and analytical understanding in musical performance, particularly regarding clarinet repertoire. His seminal work documents interpretive approaches of legendary clarinetists including Larry Combs, Stanley Hasty, and Leon Russianoff, focusing on Stravinsky's Three Pieces for Solo Clarinet. His collaborative research with Dr. Michael Rogers bridges music theory and performance practice, revealing how structural analysis informs expressive execution. This scholarly trajectory consistently examines the cognitive and technical dimensions of artistic mastery. His publications from 1988-2017 reveal evolving emphases from symposium documentation and performance analysis toward technology integration in music education, culminating in the 2017 Music Fundamentals ebook. Collectively, his work establishes clarinet pedagogy as both scientific discipline and artistic practice, with growing attention to digital learning environments while maintaining core focus on interpretive authenticity. His recognitions include: 2013 Provost's Teaching Award in Technology for innovative digital pedagogy 2006 Honorary Alumnus distinction from University of Northern Colorado Dr. Ishigaki has mentored exceptional students who have earned Fulbright Scholarships, McNair Doctoral grants, and participation in national honor ensembles. His studio consistently produces competition winners while he maintains active performance engagements with regional orchestras and international venues. Beyond academia, he serves as COO of I&M, Inc., applying sustainable technology principles to water and energy systems, demonstrating interdisciplinary impact beyond music. As founder of both the West Coast Clarinet Congress and Fresno State Faculty Clarinet Quartet, he cultivates professional communities while maintaining Yamaha Artist status. His community outreach through organizations like the Japanese American Citizen's League and Valley Children's Hospital reflects deep civic engagement alongside scholarly pursuits.

Jonathan NangleView profile

Lecturer

• Electro-Acoustic Composition
• Live Electronics
• Interactive Sound Installation
• +3 more

Jonathan Nangle is a Lecturer in Music Technology and Electro-Acoustic Composition at the Royal Irish Academy of Music. His work spans acoustic/electro-acoustic composition, live electronics, installations, and improvisation. Educated at Trinity College Dublin under Donnacha Dennehy, Rob Canning, and later privately with Kevin Volans, his music has been performed by ensembles like RTÉ National Symphony Orchestra and Crash Ensemble. Research interests include spatial music, interactive installations, and hybrid acoustic/digital forms. Notable works include Pause (Ergodos, 2017), Iridescent Cobalt Glow (2015), and our headlights blew softly... which earned a 2009 Rostrum commendation. Awards include dual Irish Rostrum representations (2009/2011) and the 2007 AIC/Music 21 Prize. Recordings span solo piano works to ensemble commissions, often integrating innovative electronic elements. His work has been broadcast internationally and choreographed for stage/film. Current roles include academic teaching and ongoing creative exploration at the intersection of technology and traditional composition.

• Geomechanics
• Offshore Geotechnics
• Soil-Structure Interaction
• +12 more

Richard Jardine is a Professor of Geomechanics in the Department of Civil and Environmental Engineering at Imperial College London's Faculty of Engineering. He also serves as a College Proconsul and co-chairs the College Artworks Group. His work spans advanced geotechnical research, offshore renewable energy foundations, and international collaboration. Research Interests: His expertise includes soil properties, advanced laboratory and field measurement techniques, soil characterization, offshore geotechnics, foundation analysis, slope stability, driven pile behavior, soft ground engineering, full-scale monitoring, geotechnical instrumentation, and cold region geotechnics. His research is central to climate change adaptation and renewable power systems. Publication Trends: Recent articles focus on the mechanical behavior of chalk, sand, and glacial tills under monotonic and cyclic loading, particularly in offshore contexts. Emphasis is placed on numerical modeling (FE, MPM), pile-soil interaction, aging effects, and design method validation for offshore wind foundations. Fellow of the Royal Society (2024) Fellow of the Royal Academy of Engineering (2002) RAEng Medal (1997) British Geotechnical Association Medal (1990, 2015, 2021, 2023) Canadian Geotechnical Society Quigley Award (2019) ISSMGE McClelland Honour Lecture (2023) BGA Rankine Lecture (2016) Advising and Grants: Richard has led major international Joint Industry Projects including ALPACA, PISA, PAGE, and Unified Pile Design Method JIP, involving partners such as Orsted, NGI, Fugro, Oxford, and Zhejiang University. He has advised UK government, contractors, and energy firms on offshore projects in the Baltic Sea, Taiwan Strait, and North Sea. He holds a Royal Society Newton Advanced Fellowship with ZJU. Labs and Teams: He leads research within Imperial’s Geotechnics group and the Imperial Centre for Geohazards. His team conducts advanced laboratory and field testing, collaborates with Deltares (Netherlands), and maintains strong ties with Zhejiang University, where he is a Visiting Professor and Distinguished International Scholar.

Paul RichardsView profile

Professor

• Composition
• Music Theory
• Orchestral Music
• +5 more

Paul Richards is a Research Foundation Professor of Music and head of the composition and theory area at the University of Florida since 1999. He previously served as Visiting Professor at Florida State University (2016) and taught at Baylor University and the University of Texas at Austin. His academic roles include teaching courses in composition, music theory, and orchestration, along with supervising graduate students. He earned a DMA in Composition from the University of Texas at Austin and degrees from the University of Arizona. Education: Doctor of Musical Arts (DMA), Composition, University of Texas at Austin, 1998 Master of Music (MM), Theory and Composition, University of Arizona, 1993 Bachelor of Music (BM), Theory and Composition, University of Arizona, 1991 Research Interests: Richards’ work spans orchestral, vocal, chamber, and theatrical compositions, including operas and wind ensemble pieces. His style blends eclectic influences—from Jewish sacred music to modernist techniques—resulting in works praised for their "strong melodic gift" and innovative orchestration. Commissions have come from prestigious organizations like the Florida Orchestra, Boston Brass, and White Snake Projects. Awards and Recognition: Recipient of numerous international composition prizes, including the St. Mary’s College/Kaplan Foundation Commission Competition and Second Prize in the International Horn Society Composition Competition University of Florida Research Foundation Professorship (2017–2020, 2010–2013) Finalist in the National Opera Association’s Dominic Argento Chamber Opera Competition (2023) Advising and Grants: Richards has advised over 40 graduate students and chaired multiple PhD committees. His grants include support from the University of Florida and the Research Foundation. He has also served as a mentor in composer-in-residence programs, including the Jacksonville Symphony Orchestra’s Fresh Ink Competition. Labs and Collaborations: He co-founded the Florida Contemporary Music Festival (2013–2018), fostering collaboration between composers and performers. His work integrates interdisciplinary projects, such as music for dance and film, and he actively collaborates with choreographers and theater artists.

Brandon A. BoydView profile

Associate Professor

• Choral Music Education
• Community Choir Development
• African-American Spirituals
• +6 more

Dr. Brandon A. Boyd serves as Associate Professor and Director of Choral Activities at the University of Missouri's College of Music, holding the Marie M. and Harry L. Smith Endowed Chair. He directs the MU University Singers, Sankofa Chorale, and Choral Union Symphonic Chorus while teaching graduate courses in choral conducting, literature, and arranging. His research focuses on community-building through choral singing, with specific interests in organizing choirs for homeless populations, studying the social and physical effects of choral singing on senior citizens, and creating authentic field experiences for music therapy and choral education students. His work extends internationally through partnerships with Bolivian universities and domestic community initiatives including prison choirs and senior citizen ensembles. As a composer and arranger, Dr. Boyd's works appear in publications by Hinshaw Music, Gentry Publications, GIA, and Kjos Music Press. He curates the 'Brandon A. Boyd Choral Series' with Hinshaw Music and serves as Executive Choral Editor for Gentry Publications. His compositions primarily focus on African-American spirituals and traditional arrangements, often incorporating gospel elements and contemporary rhythmic signatures. Notable performances include collaborations with the London Symphony Orchestra, NDR Elbphilharmonie Orchestra, Nashville Symphony, Missouri Symphony, and St. Louis Symphony, with multiple appearances at Carnegie Hall as conductor, composer, and collaborative pianist. Marie M. and Harry L. Smith Endowed Chair National ACDA Composition Initiative committee member Executive Choral Editor of Gentry Publications Dr. Boyd maintains active community engagement through initiatives like the Santa Fe Desert Chorale's 'Giving Voice to the Voiceless' program, where he served as Composer-in-Residence and created the Interfaith Community Shelter Street Choir for homeless populations. His international work includes conducting workshops at Universidad Católica Boliviana and Universidad Evangelica in Bolivia through Partners of the Americas. He directs significant choral community partnerships including the Tallahassee Senior Choir, RAA Middle School Partnership Choir, and MTC Women's Prison Glee Club, demonstrating his commitment to music's social impact beyond traditional academic settings.

Marcelo M. WanderleyView profile

Professor

• Music Technology
• Computer Music
• Digital Musical Instruments (DMIs)
• +5 more

Marcelo M. Wanderley is a Professor and Director of the Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT) at McGill University's Schulich School of Music. His academic roles include Area Coordinator for Music Technology and membership on the Executive Committee. He holds a PhD in acoustics, signal processing, and computer science from Université Pierre et Marie Curie (Paris VI). Wanderley's research focuses on novel interfaces for music performance, digital musical instruments (DMIs), and human-computer interaction. He has authored influential works such as New Digital Musical Instruments: Control and Interaction Beyond the Keyboard (2006) and pioneered research in gestural control of music. His work integrates engineering, computer science, and musicology to create innovative performance tools, including the T-Stick and Karlax instruments. He has held visiting professorships at Université de Bretagne Sud, Universidade Federal de Minas Gerais (Brazil), and the University of Mons (Belgium), where he was awarded prestigious chairs. Wanderley's awards include the Inria International Chair (2016–2020) and the Distinguished Visitor Award from the University of Auckland. His research has been widely cited in the International Conference on New Interfaces for Musical Expression (NIME), and he actively contributes to editorial boards (e.g., Computer Music Journal ) and academic leadership roles. Wanderley's lab, the Input Devices and Music Interaction Lab (IDMIL), develops open-source frameworks like Puara and Probatio for DMI design and mapping. Key research areas include haptic feedback systems, motion capture of musical performances, and accessibility in music technology. He emphasizes interdisciplinary collaboration, bridging engineering, art, and cognitive science to advance musical expression and performance practices.

Matt CurleeView profile

Associate Professor

• Music Theory
• Composition
• Improvisational Music
• +3 more

Matt Curlee is an Associate Professor of Music Theory at the University of Rochester's Eastman School of Music since 2007. He holds the Eisenhart Award for Excellence in Teaching and is recognized for his work bridging music theory, composition, and interdisciplinary collaborations. His research explores ear-brain interactions, improvisation, and the interplay between fundamental physics and musical space. Curlee is also an accomplished composer, with works performed globally, including the percussion sextet Little One and the chamber ballet Nanosecond . He has collaborated with visual artists, dancers, and scientists, as seen in his film adaptation of The Yellow Wallpaper . Education: Began his career at Eastman as an undergraduate, winning the Grand Prix de Chartres in 1995. Founded the contemporary jazz ensemble Neos in 2002, serving as artistic director and composer. His compositions are featured on major streaming platforms and in film/TV soundtracks. Research: Focuses on cognitive skills for performance, collaborative music-making, and the integration of technology in music. His works emphasize interdisciplinary artistry, blending classical, jazz, and experimental forms. Awards: In addition to the Eisenhart Award, his music has garnered over 15,000 streams for Little One and recognition from Arts Canada and the Rebanks Family Foundation. Advising/Grants: Advised students in composition and performance; led Neos' commissioning program generating global composer collaborations. Current projects include Let the rain (multi-config ensemble) and adaptations of Nanosecond . Labs/Teams: Collaborates with Eastman's percussion ensembles and interdisciplinary groups. Active in the Institute for Music Leadership and Sibley Music Library initiatives.

Donnacha M. DennehyView profile

Professor

• Composition
• Opera
• Experimental Music Theatre
• +5 more

Donnacha M. Dennehy is a Professor of Music at Princeton University and Director of the Princeton Sound Kitchen. Previously a tenured lecturer at Trinity College Dublin, he was appointed a Global Scholar at Princeton University in Autumn 2012 and joined the music faculty in 2014. Dennehy founded Crash Ensemble, Ireland's renowned new music group, in 1997 after returning to Ireland from studies in the USA, France, and Holland. Dennehy's research interests focus on contemporary composition with particular emphasis on opera, experimental music theatre, overtone series exploration, and ensemble music. His work bridges traditional composition with innovative approaches to sound and performance, often incorporating elements of Irish musical tradition within contemporary frameworks. He has developed a distinctive compositional voice that has earned him international recognition. His compositions have been performed at major festivals and venues worldwide including the Edinburgh International Festival, Royal Opera House London, Carnegie Hall New York, The Barbican London, and many others. Dennehy's work shows consistent exploration of narrative structures within contemporary classical music, with a particular interest in collaborations across artistic disciplines including theatre, visual arts, and literature. Scientific Awards: Elected to Aosdána (Ireland's Academy of Creative Artists), 2005 Fulbright Scholarship Irish Times Theatre Award for best opera (for The Last Hotel), 2015 International Rostrum of Composers 'recommended' for Crane, 2010 Dennehy has received numerous commissions from prestigious organizations including Carnegie Hall, Wigmore Hall, Metropolitan Museum of Art, BBC, and RTE National Symphony Orchestra. His collaborations extend to renowned artists including Dawn Upshaw, Kronos Quartet, and writers Colm Tóibín and Enda Walsh. As Director of Princeton Sound Kitchen, he leads an ensemble dedicated to innovative contemporary music performance and creation. Dennehy's work with Crash Ensemble has been particularly influential in the new music scene, with their 2011 Nonesuch release of his music, Grá agus Bás, named by NPR as one of its '50 favorite albums' of 2011. His teaching at Princeton includes courses in composition, instrumentation, and music theory through performance.

Maxwell TfirnView profile

Lecturer

• Music Composition
• Sound Synthesis
• Interactive Music Systems
• +4 more

Maxwell Tfirn is a Lecturer and Director of Creative Studies at Christopher Newport University , Department of Music, Theatre and Dance, where he teaches Music Composition, Sound Synthesis, and Music Technology. His research focuses on real-time recursive compositions and data sonification for scientific analysis. PhD in Composition and Computer Technologies - University of Virginia M.A. in Music Composition - Wesleyan University His work bridges music composition with bacterial behavior studies through NSF-funded research on Data Sonification of Bacterial Chemotaxis . Notable performances include works at ICMC, SEAMUS, and Subtropics Music Festival. Collaborations with ensembles like Jack Quartet and Loadbang highlight his impact in contemporary music circles. Key Trends in Publications: Articles span real-time algorithmic compositions, sensor-based live performance tools, and interdisciplinary sonification projects merging microbiology with auditory analysis. Subfields include neural network integration, audiovisual data mapping, and glitch-based performance aesthetics. Scientific Awards: Best Use of Sound (Academic) - ICAD (2023) Research Collaborations: National Science Foundation grant exploring bacterial chemotaxis sonification. Mentorship roles include advising students at Christopher Newport University and contributing to experimental music festivals globally.

• Control Theory
• Partial Differential Equations
• Drilling Engineering
• +6 more

Ole Morten Aamo is a Professor at the Department of Engineering Cybernetics within the Faculty of Information Technology and Electrical Engineering at the Norwegian University of Science and Technology (NTNU) in Trondheim, Norway. His office is located at Elektro D/B2, D344, Gløshaugen, O. S. Bragstads plass 2, and he can be reached at aamo@ntnu.no or by phone at 73594386. Professor Aamo's research focuses on control theory with particular emphasis on partial differential equations (PDEs) and their applications in drilling engineering and the petroleum industry. His work spans multiple areas including boundary control of hyperbolic systems, adaptive control methodologies, vibration control in drilling operations, and leak detection systems for pipe networks. His research combines theoretical control developments with practical applications in the oil and gas sector, particularly addressing challenges related to stick-slip phenomena, torsional vibrations, and pressure oscillations in drilling operations. His publication record reveals a consistent trajectory of high-impact research in control systems, with a notable shift toward integrating machine learning approaches with traditional control theory in recent years. The majority of his work centers around hyperbolic PDE systems, with applications primarily in drilling engineering and fluid dynamics. His research demonstrates a strong connection between theoretical control developments and practical implementations in the petroleum industry. Professor Aamo has actively supervised multiple graduate students, as evidenced by the master's theses listed in his publication record. His work often appears in top-tier control journals including IEEE Transactions on Automatic Control, Automatica, and IEEE Control Systems Letters, as well as petroleum engineering venues like SPE Journal and ASME publications.

• Music Performance
• Flute
• Wind Instruments
• +3 more

Aslıhan And serves as an Associate Professor in the Music Department of Istanbul State Conservatory at Mimar Sinan Fine Arts University, specializing in Wind and Percussion Instruments with emphasis on flute performance. Education: Licence (2004-2008): Mimar Sinan Fine Arts University, Istanbul State Conservatory, Department of Music, Wind and Percussion Instruments Program Degree (2013-2016): Hochschule für Musik und Theater Hamburg, Music (Transverse Flute) Proficiency in Arts (2018-2021): Mimar Sinan Fine Arts University, Institute of Fine Arts, Wind and Percussion Instruments Language Proficiency: English (YDS score 68.75, 2016) Research and Performance Focus: Her expertise centers on advanced techniques in transverse flute performance within both classical and contemporary frameworks. She explores pedagogical methodologies for wind and percussion instruments while contributing to the evolution of performance practices in Turkish musical contexts. Her work bridges traditional conservatory training with modern interpretative approaches, particularly in solo and ensemble wind instrument repertoire.

Miguel ChuaquiView profile

Professor

• Electroacoustic Music
• Music Composition
• Interactive Dance Systems
• +3 more

Miguel Chuaqui is a Chilean-American composer and Professor at the University of Utah School of Music, where he serves as Chair of the Composition Area since 2009. Born in 1964 in Berkeley, California, and raised in Santiago, Chile, he holds a PhD in Composition from the University of California at Berkeley, with academic roots in both Mathematics and Music. Education: BA in Mathematics and Music (University of California-Berkeley, 1987), MA in Music (University of California-Berkeley, 1989), PhD in Music (University of California-Berkeley, 1994) Chuaqui's creative practice spans orchestral, chamber, vocal, and electroacoustic works, with performances across the U.S. and internationally by ensembles such as Speculum Musicae, Earplay, and the Society for Electro-Acoustic Music in the United States (SEAMUS). His research emphasizes collaborations in diverse areas, including interactive dance systems with Modern Dance and therapeutic musical applications with the School of Medicine. His compositions reflect an intersection of technology and traditional instruments, often incorporating live electronics and interactive elements. Recent compositions like La Búsqueda (2024), Inseparable (2024), and Encuentro Fugaz (2024) highlight his focus on chamber works and electroacoustic innovation. He has also demonstrated a sustained commitment to solo and ensemble works, integrating Latin American cultural motifs with contemporary techniques. Scientific and Musical Awards Award in Music from the American Academy of Arts and Letters Aaron Copland Recording Grant Eisner Prize Nicola de Lorenzo Award Society for Universal Sacred Music award Induction into the National Association of Composers of Chile President’s Award from SEAMUS (2008) 2024-2025 Big 12 Faculty Fellowship As an educator, Chuaqui has taught courses including Advanced Electronic Music Composition, Senior Composition, and PhD-level Composition at the University of Utah since 2024. He hosted the 2008 SEAMUS National Conference and serves as a NASM Visiting Evaluator, maintaining leadership roles in music education and composition pedagogy.

• Music Composition
• Cultural Fusion in Music
• Multimedia Music Production
• +3 more

Assoc Prof Ho Chee Kong is an Associate Professor and founding Head of Composition at the Yong Siew Toh Conservatory of Music, National University of Singapore. He currently serves as Vice Dean (Academic Programmes & Quality Enhancement). A Singaporean composer renowned for fusing Western and Chinese musical traditions, his works have been performed globally at venues like the Singapore Arts Festival, International Bela Bartok Choral Competition, and Asia-Pacific Improvisers Symposium. His research explores music's role in modern society, multimedia productions, and organizational contexts. Notable compositions include There and Back (2019 Best New Classical Work), Empyrean Lights (Singapore's 50th Anniversary commission), and Passage-Fantasy . He has presented at international conferences such as the Reflective Conservatoire Conference and the Performer’s Voice Symposium. HO holds leadership roles in arts organizations including Vice-President of the International Computer Music Association, founding President of the Composers Society of Singapore, and board member of the Ding Yi Music Company. His works are celebrated for their 'exotic instrumental colors' and narrative power, bridging cultural divides through music. HO's professional engagements include advisory roles with the Singapore Chinese Orchestra, Singapore School of the Arts, and international festivals. He has organized major events like the 29th International Computer Music Conference (2003) and the Asian Composers League Festival (2013).

Neil LeonardView profile

Professor

• Sound Art
• Experimental Music
• Multimedia Performance
• +7 more

Neil Leonard is a Professor at Berklee College of Music and the founding Artistic Director of the Berklee Interdisciplinary Arts Institute. He is affiliated with the Department of Electronic Production and Design (EPD) within the College of Arts and Sciences. His artistic and academic work bridges music, technology, and interdisciplinary collaboration. Ph.D. or equivalent terminal degree in composition or sound art (inferred from academic rank and output) Extensive international residency and fellowship experience Leonard's research and artistic practice centers on sound art, electroacoustic composition, and multimedia performance . He explores immersive multichannel audio, live electronics, and collaborations with visual artists, dancers, and filmmakers. His work investigates the resonance of cultural memory, urban soundscapes, and historical acoustics. He integrates technology and philosophy, often drawing from astronomy, Plato, and intercultural exchange. His recent works, including Matanzas Sound Map (Tate Modern, 2025), Sonance for the Precession , and For Kounellis , reflect a trend toward site-specific, durational sound installations that merge scientific concepts with poetic expression. These pieces utilize field recordings, algorithmic processing, and spatial audio to create immersive environments. His scientific and artistic honors include: Fulbright Specialist Award (2016) Distinguished Faculty Award, Berklee (2011) International CubaDisco Award (2015) Rauschenberg Residency (2016) Sacatar Institute Fellow (2023) MIT Art, Culture, and Technology affiliate U.S. State Department Fulbright Specialist Roster (2013–present) Leonard is deeply committed to mentoring students, particularly in refining portfolios and developing lifelong learning strategies. He emphasizes time management as a compositional skill and encourages adaptability in the evolving music industry. He has led major collaborative projects such as The Berklee Sessions with Robin Rimbaud (Scanner) and has performed with renowned artists including Vijay Iyer, Rudresh Mahanthappa, and Los Muñequitos de Matanzas. He co-founded and leads the Berklee Interdisciplinary Arts Institute , fostering cross-departmental collaborations and innovative performance practices. His work continues to be exhibited globally, from Documenta and Venice Biennale to Mass MoCA and the Peabody Essex Museum.

Brooks RobertsonView profile

Assistant Professor

• Acoustic Guitar Technique
• Fingerstyle Guitar
• Folk Music
• +3 more

Brooks Robertson is Assistant Professor of Guitar at Berklee College of Music, Boston, where he teaches fingerstyle guitar technique and contemporary styles. A 2018 summa cum laude graduate of Berklee’s Bachelor of Music in Professional Music program, he focuses on contemporary writing & production, music business, and jazz & popular music theory. Robertson is internationally acclaimed for blending country rhythms, jazz harmony, and funky licks into a distinctive solo acoustic style. Education: Bachelor of Music (BM) in Professional Music – Berklee College of Music, 2018 (summa cum laude) Research & Performance Focus: Robertson’s work centers on fingerstyle guitar innovation, merging traditional Travis-picking with modern jazz harmony and percussive techniques. He performs worldwide, appearing at major festivals including Montreal Jazz Festival, NAMM Show, and Chet Atkins Appreciation Society Convention. Teaching & Outreach: In addition to his Berklee courses, Robertson offers online masterclasses via TrueFire and has taught at Tommy Emmanuel’s Guitar Camps, Crown of the Continent Guitar Festival, and Rocky Mountain Guitar Camp. His instructional publications include “Fingerstyle Rolls: Banjo Rolls for Fingerstyle Guitar” (2021) and “Travis-Picking Bootcamp” (2020). Honors & Awards: Harris Stanton Scholarship for Outstanding Guitarists (2016) Yamaha Fellowship, Crown Guitar Festival (2016) National Thumbpickers Hall of Fame – Recording of the Year (2014) & Horizon Award (2012) Lee Ritenour’s Six String Theory Competition – country category winner (2014 & 2010)