Find Academic Supervisors

• Musicology
• Philosophy
• Ancient Philosophy
• +5 more

Konstantinos Alevizos is an academic affiliated with the University of Rouen Normandy (ERIAC research unit) and currently holds a faculty position as Enseignant-Chercheur (Lecturer-Researcher) in Music History at the University of Ioannina, Greece. His academic roles include teaching Music Composition at the Conservatoire de musique, de danse et d’art dramatique de la ville d’Orange (France) and Philosophy at Lycée Victor Hugo (France). He has held research and editorial roles, including a Fellowship at the American Philosophical Society (2020–2022) and membership in national evaluation committees for research projects in Greece (2019–2020). Education: Doctorate in Musicology (University of Paris-Sorbonne, 2016), Master’s degrees in Philosophy (Aix-Marseille, 2020) and Musicology (Saint-Étienne, 2009), and advanced diplomas in musical studies (DEM) from French conservatories. His research focuses on the intersection of Ancient Philosophy (Epicureanism) and Musicology, particularly Baroque fugue analysis (J.S. Bach, d’Anglebert) and historical music editions. Research interests span Epicurean linguistic theory, the philosophy of memory and selfhood, and analytical studies of Baroque compositional techniques. He has published extensively on musicology and philosophy, including critical editions of musical works and peer-reviewed articles in journals like Orgues Nouvelles and RMO . His work also includes editorial leadership in musicological projects, such as Le rôle du nombre en musique . Teaching and professional activities include roles at French conservatories and universities, emphasizing music theory, organ, and harpsichord pedagogy. He is fluent in Greek, Italian, French, and English, with proficiency in Ancient Greek and German.

Pierrick LottonView profile

Research Professor

• Electroacoustics
• Thermoacoustics
• Audio Transducers
• +4 more

Pierrick Lotton serves as a CNRS Research Director at Le Mans University's Institute of Acoustics (LAUM), a joint research unit between CNRS and the university. He leads critical work within LAUM's Transducers team, focusing on fundamental and applied research in electroacoustics and thermoacoustics. His institutional affiliation places him at France's premier acoustics research laboratory, which maintains extensive facilities for acoustic measurements, ultrasonic experimentation, and transducer development across multiple specialized domains including materials science, opto-acoustics, and bioacoustics. Lotton's research program centers on two interconnected pillars: electroacoustics and thermoacoustics. His electroacoustic investigations pioneer advanced modeling, development, and characterization of audio transducers with particular emphasis on nonlinear behaviors in loudspeakers and electric guitar pickups. Simultaneously, his thermoacoustic research explores acoustic refrigeration systems, complex couplings between acoustic and thermal energy fields, and transient nonlinear phenomena. This dual focus enables innovative cross-pollination between audio engineering and thermal physics, driving advancements in both fundamental understanding and practical applications of acoustic energy conversion. Analysis of his 2019-2024 publications reveals a consistent trajectory in transducer physics, particularly MEMS-based piezoelectric speakers, voice coil dynamics in magnetic environments, and digital acoustic projection systems. His work demonstrates exceptional methodological diversity spanning analytical modeling, experimental validation, and educational innovation. Notable contributions include the ASKNOWN project's open-access acoustics courseware and breakthroughs in understanding transducer nonlinearities for both consumer audio and specialized applications like fish sound localization. No major scientific awards were documented in the available institutional materials, though his sustained publication record in high-impact journals and presentations at European Acoustics Association forums indicate significant peer recognition. His collaborative research network spans France, Germany, Italy, and the Czech Republic, reflecting strong international engagement. Lotton's academic supervision activities aren't explicitly detailed, but his educational initiatives like the ASKNOWN project demonstrate commitment to pedagogy. His research is supported through LAUM's institutional framework and collaborative projects including European initiatives and ANR-funded programs. Current work appears concentrated on advancing MEMS transducer technology, refining thermoacoustic cooling systems, and developing next-generation educational resources for acoustics. As a core contributor to LAUM's Transducers team, Lotton operates within one of Europe's leading acoustics laboratories. His current projects align with LAUM's strategic focus on transducer innovation and thermoacoustic applications, positioning him at the forefront of both theoretical acoustics research and practical engineering solutions. The laboratory's comprehensive infrastructure supports his work from fundamental wave propagation studies to applied device development.

Gaël RichardView profile

Professor

• Machine Learning
• Audio Signal Processing
• Artificial Intelligence
• +3 more

Gaël Richard is a Professor at Télécom Paris specializing in machine learning and audio signal processing. He leads the Hi! Paris center, focusing on AI and data science applications. His research emphasizes hybrid interpretable AI for sound analysis, including projects like Hi-Audio funded by a €2.5M ERC Advanced Grant (2022). Key areas include machine listening, music source separation, and speech processing. Applications span autonomous vehicle acoustics and music technology. Notable contributions include neural audio compression (QINCODEC), diffusion models for music synthesis (Diff-TONE), and source separation techniques (Inverse Drum Machine). Research & Awards Recipient of the 2022 ERC Advanced Grant for the Hi-Audio project exploring hybrid AI models that integrate domain knowledge with neural networks. This approach reduces data requirements and enhances model interpretability. Active in audio-visual scene analysis and weakly-supervised learning systems. Affiliations & Labs Executive Director of Hi! Paris, a multidisciplinary lab advancing AI and data science for societal impact. Collaborates on projects like the HI-AUDIO online platform for distributed music data collection and the MAD-EEG EEG dataset for auditory attention decoding.

Sylvie DoucheView profile

Professor

• Musicology
• French Music
• 19th Century Music
• +7 more

Sylvie Douche is a Professor of Musicology at Sorbonne University, specializing in French music of the 19th and 20th centuries. She is affiliated with the Institute for Research in Musicology (UMR 8223) and actively participates in multiple research teams including Critical musical editions, History of Musical Theories, Genres and repertoires, Music and Religion, and Aesthetics and links with other arts. Her research spans several major programs including French Romances & Melodies, Complete instrumental works of Camille Saint-Saëns, and International exchanges between musical theory and practice. Her educational background includes: Musicology studies at the Sorbonne and the Conservatoire National Supérieur de Musique de Paris Postgraduate degree in Art History (Paris I) Postgraduate degree in Comparative Literature (Sorbonne University) Sylvie Douche's primary research focus centers on the intricate relationships between music and literary texts, with particular emphasis on French musical traditions from the 19th and 20th centuries. She has developed significant expertise in theatrical music, especially French melodrama of the Belle Époque, having authored an award-winning monograph on the subject. Her scholarly work also explores the press and piano repertoire of this period, revealing how musical culture intersected with broader social and literary movements. As a pianist herself, she brings practical musical understanding to her academic research, creating a unique interdisciplinary perspective that bridges performance practice with historical scholarship. Professor Douche has established herself as a leading authority on several French composers including Saint-Saëns, Debussy, Koechlin, and Maurice Emmanuel. Her editorial work on correspondence and critical editions demonstrates her commitment to preserving and interpreting primary source materials. She has made substantial contributions to understanding the Schola Cantorum of Paris, an important but sometimes overlooked institution in French musical history. Her research on Roland Barthes and music represents an innovative intersection of literary theory and musicology that has opened new avenues for interdisciplinary scholarship. Her notable scientific achievements include: Prix des Muses for her work on Pelléas et Mélisande by Debussy (2012) Mahmoud Guettat Prize for her monograph on French melodrama of the Belle Époque (2016) As Vice-president of the Maurice Emmanuel Association, Professor Douche plays an active role in promoting research and appreciation of this important French composer. She has supervised numerous doctoral theses and mentored emerging scholars in the field of French musicology. Her editorial work with OMF Editions (French Musical Observatory) since 1991 has been instrumental in making rare musical correspondence and documents accessible to researchers worldwide. She has secured funding for major research projects including the Complete instrumental works of Camille Saint-Saëns and studies of French Romances & Melodies across different historical periods. Professor Douche is deeply involved with the Institute for Research in Musicology (UMR 8223), which operates across multiple locations including the National Library of France, Sorbonne University's Clignancourt Center, the Sorbonne Centre, and a dedicated Research Center on Rue Serpente in Paris. She participates in five distinct research teams that cover critical musical editions, historical music theories, genre studies, music and religion, and aesthetics. Her collaborative projects often involve international partnerships, reflecting her commitment to fostering global dialogue about French musical traditions.

• Aeroacoustics
• Wind turbine noise
• Marine propeller noise
• +5 more

Benjamin Cotté is an Associate Professor at ENSTA Paris, a member of Institut Polytechnique de Paris, where he works in the Mechanics Unit (UME) within the Institute of Mechanical Sciences and Industrial Applications (IMSIA UMR 9219). His research focuses on fluid dynamics and acoustics, particularly in modeling and simulation of noise sources and their propagation in various environments. His research interests include the modeling and simulation of aeroacoustic sources and their propagation in inhomogeneous environments, with applications to wind turbine and marine propeller noise, and sound synthesis using physical models of aero- and vibro-acoustic sources. Cotté has developed expertise in wind turbine noise modeling based on Amiet's theory, studying the effects of wind shear and atmospheric turbulence, as well as extended source models for wind turbine noise propagation that account for blade motion. His recent publications reveal a strong focus on wind turbine noise propagation, aeroacoustics, and sound synthesis. His work combines theoretical modeling with experimental validation, particularly in dynamic stall noise characterization. Cotté's research spans both renewable energy applications (wind turbines) and musical acoustics (piano soundboards). Scientific Awards and Funding: ANR PIBE project (Prédire l'Impact du Bruit des Eoliennes) for dynamic stall noise research ANR funding for the MAESSTRO project (Computer-aided design of piano soundboards) DGA funding for time-domain damping models in structural acoustics ITN VRACE project (Virtual Reality Audio for Cyber Environments) for wind turbine noise auralization Collaborations: Cotté collaborates extensively with researchers from Ecole Centrale de Lyon (Michel Roger, Emmanuel Jondeau, Pascal Souchotte) and works with Antoine Chaigne and Roberto Viggiano on piano acoustics research. Advising: Cotté has supervised multiple PhD students and postdocs including David Raus (2019-2021), Lisa Sicard (2020-...), Yuan Tian (2012-2016), and David Mascarenhas (2020-...), focusing on wind turbine noise, aeroacoustics, and sound synthesis.

• Nonlinear Dynamics
• Vibrations of Thin Structures
• Model Order Reduction
• +7 more

Cyril Touzé is a Professor at ENSTA Paris, affiliated with the Fluid Dynamics and Acoustics team within the Mechanics Unit (UME). His research focuses on nonlinear dynamics of mechanical systems, particularly geometric nonlinear vibrations and invariant manifold theory. Expertise in model reduction methods Specializes in wave turbulence transition Develops passive control techniques using nonlinear dampers Applications in acoustic black hole effect and MEMS structures His recent work explores invariant manifold parametrization for nonlinear oscillators, vibro-impact vibration absorbers, and computational methods for geometrically nonlinear systems. He serves as a Topical Associate Editor for Nonlinear Dynamics and collaborates on experimental validations in structural acoustics. Key contributions include: Advanced reduced-order modeling techniques Wave turbulence analysis in thin structures Innovative vibration control strategies Nonlinear coupling mechanisms in musical acoustics Applications to MEMS and aerospace systems

Feron RomainView profile

Researcher

• Geophysics
• Acoustics
• Signal Processing
• +5 more

Romain Feron is a researcher at the Laboratoire d'Acoustique de l'Université du Mans (LAUM) and a teacher-researcher within the ESEO Group , where he leads the GSII team . His work focuses on optical instrumentation , signal processing , and data analysis for geophysical applications. Key affiliations: LAUM, ESEO Group, PREST Project, EPOS-France Research specialties: Optical seismometers, Volcanic hazard monitoring, Geophysical instrumentation His publications demonstrate expertise in optical sensor development for extreme environments, including deployments at La Soufrière volcano and Caribbean subduction zones . Recent work (2024) details the first cabled optical ocean-bottom seismometer installation, combining 1.5km fiber optics with real-time seismic monitoring . Collaboration networks include IPGP , GEOAZUR , and OVSM-IPGP-PREST consortia. He has contributed to ANR projects on optical geohazard monitoring and participated in marine seismic campaigns like FIBROSAINTES-2021 .

• Genres, repertoires and styles
• Music and Religion(s)
• Iconography and organology

Sylvie LE BOMIN is a Professor affiliated with the Institute for Research in Musicology (UMR 8223) at Sorbonne University, working across multiple research teams including 'Genres, repertoires and styles' (team 3.2), 'Music and Religion(s)' (team 4.3), and 'Iconography and organology' (team 5.1). Her work focuses on interdisciplinary musicology, spanning stylistic analysis, religious contexts of music, and material studies of musical instruments and iconography. Research Teams: 3.2, 4.3, 5.1 Affiliations: Sorbonne University, National Library of France Locations: Centre Univ. Clignancourt (Paris), Sorbonne Centre (Paris), Research Center (Paris) She contributes to doctoral mentoring through the IReMus Young Researchers Committee and participates in academic events organized by the Institute for Research in Musicology.

Frédéric AblitzerView profile

Researcher

• Physics of Musical Instruments
• Vibro-Acoustics
• Acoustics
• +3 more

Frédéric Ablitzer is a researcher at the Laboratory of Acoustics (LAUM) of Le Mans University. His work focuses on the physics of musical instruments and vibro-acoustics of structures, combining modeling and characterization approaches to address instrument-making challenges. Research Interests: Physics of musical instruments, vibro-acoustics of structures, composite materials, and opto-acoustics. Recent studies include analyzing bowed string instrument dynamics, developing vibration damping techniques for composite panels, and investigating violin bow physics through experimental and computational methods. His work also extends to plant biomechanics and innovative musical instrument design.

Gazengel BrunoView profile

Researcher

• Acoustics
• Electroacoustics
• Physics of Musical Instruments
• +3 more

Gazengel Bruno is a Teacher-researcher at the Institute of Acoustics (Le Mans Université). He co-coordinates the International Master's Degree in ElectroAcoustics (IMDEA) and focuses on the physics of single reeds and sound field control for musical instruments. Research Themes: Electroacoustics, Physics of Musical Instruments, Auditory Perception Teams: Transducers, Guides & Structures Recent Research : His work includes experimental and theoretical studies on reed dynamics, perceptual assessments of clarinet reeds, and immersive sound applications. Key contributions involve reed-mouthpiece interaction, basins of attraction in musical instrument models, and room acoustics' impact on reed quality evaluation. Scientific Outreach : He actively participates in the Ophonius project, which merges art and science through acoustics-based concerts.

Elias NicolasView profile

Lecturer

• Ethnomusicology
• Social Anthropology
• Turkish Studies
• +4 more

Elias Nicolas is a Lecturer at Institut National des Langues et Civilisations Orientales (INALCO), where he serves as Deputy Director of the Eurasia Department and Co-scientific Director of the INALCO Presses. His academic focus centers on Turkish studies, with expertise in ethnomusicology and social anthropology of the Near and Middle East. His research explores the intersection of music, religion, and society in contemporary Turkey, with specific interests in: Islamic and Alevi communities in Turkey Ritual practices and brotherhood institutions Transhumance-based economies and mountain cultures Ethnomusicology of the Pontic and Black Sea regions Social transformations in rural Turkish communities Nicolas's publications demonstrate a consistent focus on Turkish cultural practices, with ethnographic examinations of musical traditions, religious rituals, and social conflicts. His most recent work engages with philosophical anthropology through classical figures like Diogenes of Sinope. He maintains active involvement in the CERMOM research team and contributes to academic publishing through his editorial role at INALCO Presses.

Juliette ChabassierView profile

Researcher

• Acoustics
• Mathematical Modeling
• Numerical Analysis
• +3 more

Juliette Chabassier is a Researcher at the MAGIQUE-3D project team within Inria Bordeaux Sud-Ouest and affiliated with Université de Pau et des Pays de l'Adour . She holds a Ph.D. in Applied Mathematics from École Polytechnique (2012), advised by Patrick Joly and Antoine Chaigne. Roles: Junior Research Scientist (since 2013), Post-Doc at University of Pau (2012-2013) Research Focus: Acoustics of musical instruments, wave propagation modeling, numerical simulation of piano and wind instruments, energy-preserving discretization schemes, and viscothermal effects in ducts. Her work emphasizes physical modeling and computational acoustics , particularly in piano acoustics, wind instrument design, and heritage instrument digitization. She develops tools like OpenWind for simulating instrument responses and collaborates on projects involving piano soundboard analysis and historical instrument reconstruction. Her recent articles explore topics such as: Simulation of brass instruments using finite element models Thermoviscous effects in conical tubes Energy-conserving discretization for nonlinear wave equations Digital twins for heritage instruments like Besson trumpets She advises doctoral students including Elvira Shishenina and Izar Azpiroz , focusing on applied mathematics and acoustics. Her contributions include advanced numerical methods for acoustic-elastic coupling and boundary layer phenomena in exponential media. Current projects involve homogenization techniques for porous materials, real-time instrument simulation tools, and interdisciplinary work on acoustics education through open-source software.

• Mathematical morphology
• Fuzzy set theory and bipolar fuzzy sets
• 3D image interpretation and computer vision
• +7 more

Isabelle Bloch is a full Professor at Télécom Paris (Institut Polytechnique de Paris) and Emeritus Professor at the University of Bordeaux . She heads the Image, Modeling, Analysis, Geometry, Synthesis (IMAGES) research team within the Information Processing and Communication Laboratory (LTCI) in the Image, Data, Signal (IDS) Department . Education & Affiliations Professor – Télécom Paris, Institut Polytechnique de Paris (current) Professeure Émérite – University of Bordeaux (honorary) Research Interests Her work lies at the intersection of computer science, applied mathematics and medicine . Core themes include mathematical morphology , fuzzy and bipolar logics , 3-D image interpretation , discrete 3-D geometry & topology , information fusion , structural pattern recognition , spatial reasoning and medical imaging . Recent projects extend these concepts to explainable AI , argumentation theory , computational musicology and robotic surgery guidance . Scientific Awards Blondel Medal (2008) – awarded by the French Electrical & Electronics Engineering Society to outstanding young scientists. Grants & Collaborative Projects While specific grant numbers are not listed in the text, Prof. Bloch coordinates and participates in large-scale interdisciplinary projects funded by national (ANR) and European programs, spanning medical AI, pediatric oncology imaging, neuro-informatics and ethical AI. Labs & Teams She leads the IMAGES team (≈ 25 researchers) inside the LTCI – a joint research unit of Télécom Paris and CNRS. The group develops theory and open-source software in mathematical morphology, deep learning and symbolic AI, and collaborates closely with clinical partners at Necker–Enfants Malades Hospital, AP-HP and Gustave Roussy.

Christophe AyraultView profile

Researcher

• Acoustics
• Physics of Musical Instruments
• Active Control Systems
• +3 more

Christophe Ayrault is a Researcher at Le Mans University, specializing in the active control of musical instruments at the Laboratory of Acoustics (LAUM). His work focuses on using electro-acoustic systems to manipulate sound radiation and directivity in brass instruments without altering their traditional playability. Research Interests: Physics of musical instruments, active control systems, electroacoustics, and interdisciplinary applications of acoustics in arts and education. Scientific Contributions: Development of active mutes for trombones, optimization of loudspeaker-based control systems, and exploration of radiation impedance in brass instruments. Collaborative Work: Engages in multidisciplinary projects like the Scientific Concerts of Ophonius, integrating acoustics with artistic expression and pedagogical innovation.

El Guerjouma RachidView profile

Researcher

• Materials Acoustics
• Mechanics of Porous Materials
• Opto-Acoustics
• +15 more

El Guerjouma Rachid is a Researcher at the Institute of Acoustics (Le Mans University). His work spans interdisciplinary topics in Materials Acoustics , Non-Destructive Testing (NDT) , and Vibro-Acoustics , with a focus on bio-based composites and damage monitoring in reinforced concrete. Research Highlights : Mechanics of porous and bio-based materials under environmental stressors Acoustic emission techniques for structural health monitoring Development of advanced NDT education frameworks in France Thermo-acoustic and electroacoustic sensor applications Publication Trends : Recent works (2022–2024) emphasize damage characterization in reinforced concrete and bio-based composites . His studies integrate experimental and numerical approaches, analyzing humidity effects, crack propagation, and vibration behavior using acoustic emission and narrow partial power bands.